Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Robert Crumb

Envisioning the first book of the Bible like no one before him, R. Crumb, the legendary illustrator, retells the story of Genesis in a profoundly honest and deeply moving way. 
 
Now, readers of every persuasion can gain astonishing new insights from these stories. Crumb's Book of Genesis reintroduces us to the bountiful tree-lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire, and the Egypt of the Pharaoh. Using clues from the text and peeling away the theological and scholarly interpretations that have often obscured the Bible's most dramatic stories, Crumb fleshes out a parade of biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a 'kind of depressed guy who doesn't strike you as physically courageous', and his bother, Esau, 'a rough and kick-ass guy', to God himself, 'a standard Charlton Heston-like figure with long white hair and a flowing beard'. 
 
Crumb's Book of Genesis, the culmination of five years of painstaking work, is a tapestry of masterly detail and storytelling that celebrates the astonishing diversity of one of our greatest artistic geniuses.

Robert Crumb's Book of Genesis

Rich Cohen

There are many books about Israel, but none like this. From Rich Cohen, the author of the acclaimed Tough Jews, The Avengers, and Sweet and Low, comes a new approach to a story we thought we knew. Breaking through the heated polemics and intractable politics, Israel Is Real is a fresh voice, a tale of people and ideas, of the background of present-day Israel. 
 
Cohen relates Israel's story as that of a place long ago destroyed and transformed into an idea . . . and which, sixty years ago, was retransformed into a place, and therefore into something that can once again be destroyed. From the medieval false prophets, to the nineteenth-century Zionists, and on to present-day figures like Ariel Sharon, Cohen tells the stories of the people obsessed with this fine line between place and idea, creation and destruction. He reclaims from obscurity a multitude of figures marginalised by history, but whose lives are key to any real understanding of Israel.

Israel is Real

Anne Carson

'Fans of Anne Carson, rejoice!... Carson's depth of knowledge about Greek mythology coupled with her poetic sensibility and illustrations is sure to breathe new life into this oft-told story.' Lit Hub 
 
H of H Playbook is an explosion of thought, in drawings and language, about a Greek tragedy called Herakles by the 5th-century BC poet Euripides. In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous "Labours of Herakles") to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome. 
 
"I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.

H of H Playbook

Jane Shaw

In 1919, in the wake of the upheaval of World War I, a remarkable group of English women came up with their own solution to the world's grief:a new religion. At the heart of the Panacea Society was a charismatic and autocratic leader, a vicar's widow named Mabel Barltrop. Her followers called her Octavia, and believed that she was the daughter of God, sent to build the New Jerusalem in Bedford. 
 
Proclaiming the female aspects of God, Octavia attracted former suffragettes, middle-class Christian women and passionate spiritual seekers to Bedford, where they followed her in rigorous religious practices. She appointed twelve women as her apostles, and put the rest to work to spread her Word: that human beings, through Panacea, could achieve immortal life on earth. 
 
Acclaimed historian Jane Shaw found the last living members of the Panacea Society, who revealed to her their immense, painstakingly-preserved archives. She discovered a utopian community that once had seventy residents, thousands of followers, and an international healing ministry that reached 130,000 people around the globe. 
 
Octavia, Daughter of God is a fascinating group biography and a revelatory work of cultural and narrative history. Vividly told, by turns funny and tragic, it reveals in intimate detail the complex, out-sized personality of Octavia; the faith of her devoted followers, who believed they would never die; and the intricacies and intrigues of her close-knit community. 
 
But Octavia, Daughter of God is also about a moment at the advent of modernity, when a generation of newly empowered women tried to re-make Christianity in their own image. Startlingly modern in their resolve and curiously reactionary in their social views and politics, their story is a portrait of an age. It offers a window into the anxieties and hopes of the interwar years through the lives of ordinary people who believed extraordinary things about God, this world and the next.

Octavia, Daughter of God

Akshi Singh

The celebrated psychoanalyst Marion Milner invented new ways of thinking about leisure. A hundred years on, Akshi Singh follows her methods, with life-changing consequences. 
 
'Illuminating and thought-provoking' Darian Leader'Astounding, generous, and quietly exhilarating' Daisy LaFarge 
 
Marion Milner lived for the entirety of the twentieth century. By the age of ninety-eight she had written nine books revealing how free time and creativity are vital for a fulfilled life. 
 
Akshi Singh was born ninety years after Milner, in Rajasthan, over four thousand miles away from where Milner lived and worked. At first glance, the worlds of these two women seem entirely separate. Yet when Singh found herself standing at a crossroads in her life and grieving personal loss, she realised the questions and preoccupations Milner was exploring were her own. 
 
In Defence of Leisure presents Marion Milner as a writer for our times. In asking the simple question: how do I want to spend my free time? Milner developed a method for discovering her true likes and dislikes. As Singh follows Milner's approach - from keeping a diary to painting, building a home to travelling to the sea - she discovers the importance of rest, creativity and play in all of our lives, and how it can open the door to achieving what we truly desire. 
 
'An exquisite, open-hearted celebration of desire, friendship and lives imaginatively lived' Marianne Brooker, author of Intervals 
 
'Singh's verve and intelligence radiate from every page' Hannah Zeavin

In Defence of Leisure

Experiments in Living with Marion Milner

Fiona Benson

The thrilling story of the healers, artists and prodigies once persecuted as witches – from the three-time T.S. Eliot Prize-shortlisted poet 
 
POETRY BOOK SOCIETY CHOICE 
 
In her thrilling fourth collection, Midden Witch, Fiona Benson enters the world of familiars, fables and hedge-magic and focuses on the persistent superstition – the fear and false knowledge – that was witchcraft. 
 
Telling tales of imagined transformations and spell-casting, these poems present a litany of artists, dreamers and outcasts and a study of their ostracisation. The poet looks at how gifted, sometimes troubled, individuals – generally healers, artists, prodigies and almost always women – became scapegoats, victims of societal paranoia and persecution, and were hounded for centuries, often to a gratuitously violent public execution. 
 
In Midden Witch, these women speak back to us with dark humour, insight and real herbal knowledge. Reckoning with middle age, marginalisation, perimenopause and a steady, unstoppable vanishing, this troubled codex of remedies, spells and stories speaks to human fear in the face of the unknown, and a drive to protect our loved ones that transcends all rational thought. At play in the language of archival accounts of witchcraft, this is a dark, eclectic spell-book that witnesses the end-days of magic. 
 
‘Benson is one of the finest English poets writing today’ Blake Morrison 
 
‘No one writes the way Fiona Benson does. No one is as raging, as fearless’ Daisy Johnson 
 
A new collection of Benson’s wise and vivid work is a real occasion... exciting...fully inhabited and multi-faceted’ Guardian

Midden Witch

Maggie Nelson

**AS SEEN ON BBC2's BETWEEN THE COVERS** 
 
A Guardian Book of the Year 
 
Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation - Olivia Laing 
 
Bluets winds its way through depression, divinity, alcohol, and desire, visiting along the way with famous blue figures, including Joni Mitchell, Billie Holiday, Yves Klein, Leonard Cohen and Andy Warhol. While its narrator sets out to construct a sort of 'pillow book' about her lifelong obsession with the colour blue, she ends up facing down both the painful end of an affair and the grievous injury of a dear friend. The combination produces a raw, cerebral work devoted to the inextricability of pleasure and pain, and to the question of what role, if any, aesthetic beauty can play in times of great heartache or grief. 
 
Much like Roland Barthes's A Lover's Discourse, Bluets has passed between lovers in the ecstasy of new love, and been pressed into the hands of the heartbroken. Visceral, learned, and acutely lucid, Bluets is a slim feat of literary innovation and grace, never before published in the UK.

Bluets

Jeanette Winterson

I can change the story because I am the story. 
 
With her execution looming, a woman is fighting for her life. Every night she tells a story. Every morning, she lives one more day. One Aladdin Two Lamps cracks open the legendary story of Shahrazad in One Thousand and One Nights to reveal new questions and answers we are still thinking about today. Who should we trust? Is love the most important thing in the world? Does it matter whether you are honest? What makes us happy? 
 
In her guise as Aladdin – the orphan who changes his world – Jeanette Winterson asks us to reread what we think we know and look again at how fiction works in our lives, giving us the courage to change our own narratives and alter endings we wish to subvert. As a young working-class woman, with no obvious future beyond factory work or marriage, Winterson realised through the power of books that she could read herself as fiction as well as fact. 
 
Weaving together fiction, magic and memoir, this remarkable book is a tribute to the age-old tradition of storytelling and a radical step into the future – an invitation to look more closely at our own stories, and to imagine the world anew.

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