Neil MacGregor was Director of the National Gallery, London from 1987 to 2002 and of the British Museum from 2002 to 2015, and Chair of the Steering Committee of the Humboldt Forum in Berlin from 2015 to 2018. His previous books include A History of the World in 100 Objects, Shakespeare's Restless World and Germany: Memories of a Nation, all available in Penguin and now between them translated into more than a dozen languages. In 2010, he was made a member of the Order of Merit, the UK's highest civil honour. In 2015 he was awarded the Goethe Medal and the German National Prize. In 2018 the radio series Living with the Gods received the Sandford Saint Martin Award for Religious Broadcasting.

Neil MacGregor

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Robert Macfarlane

At its heart is a single, transformative idea: that rivers are not mere matter for human use, but living beings – who should be recognized as such in both imagination and law. Inspired by the activists, artists and lawmakers of the young ‘Rights of Nature’ movement, Macfarlane takes the reader on an exhilarating exploration of the past, present and futures of this ancient, urgent concept. 
 
Is a River Alive? flows like water from the mountains to the sea, over three major journeys: 
The first is to northern Ecuador, where a miraculous cloud-forest and its rivers are threatened with destruction by gold-mining. 
 
The second is to the wounded rivers, creeks and lagoons of southern India, where a desperate battle to save the lives of these waterbodies is under way. 
 
The third is to north-eastern Quebec, where a spectacular wild river – the Mutehekau or Magpie – is being defended from death by damming in a river-rights campaign. 
 
Braiding these journeys is the life story of the fragile chalk stream who rises a mile from Macfarlane’s house, and flows through his own years and days. 
 
Passionate, immersive and revelatory, Is a River Alive? is at once Macfarlane’s most personal and most political book to date. It is a book that will open hearts, spark debates and challenge perspectives. Lit throughout by other minds and voices, it invites us radically to reimagine not only rivers but also life itself. At the centre of this vital, beautiful book is the recognition that our fate flows with that of rivers – and always has.

Is a River Alive?

Jackie Morris

Chris Watson

Woodland, moorland, sea... Great Britain is home to vast array of beautiful natural settings, each with its own unique sounds. 
 
The award-winning audiobook for The Lost Words and its sister, The Lost Spells, showcased the immersive power of a natural soundscape. Compiled by renowned wildlife recordist, Chris Watson, these soundscapes acted as the backdrop and setting for beautiful spells, whilst possessing an energy and life of their own. 
 
Now, these aural glimpses into the natural world, be it an adder in grass or an egret submerging into the swell of the ocean, are brought together to star in their own right. Complemented by a foreword from renowned writer Robert Macfarlane, beautiful artwork by Jackie Morris and a fascinating 'making of' interview with sound recordist Chris Watson, The Lost Sounds is an immersive natural listening experience, taking reader across the UK through the sounds of nature.

The Lost Sounds

Zach Williams

A young family are trapped in a time loop in an idyllic holiday cabin. A middle-aged man becomes convinced that his disappointing son is an impostor. Two brothers take a midnight ride in a golf cart and run into trouble. The elderly tour guide at an alien contact site loses control of his guests. Meanwhile, all around them, America is dissolving, fragmenting, distorting beyond recognition. 
 
The antiheroes of Beautiful Days are chronic underachievers, lost in their own lives and plagued by loneliness, self-doubt, toxic rage. They gaze on the world with both wonder and horror, longing for transcendence or salvation. They tune in to the faint buzz of anxiety which seems to come from everywhere and nowhere at once. And when the worst happens, they take to the road - criss-crossing the wilderness in stolen cars, riding trains to the end of the line, or cruising along ruined monorails as the skyline burns. 
 
Zach Williams' stories are haunted by the ghosts of America - its lost illusions, its dark aspirations, its boundless, disquieting potential. They leak through the fabric of reality and out into the void beyond. And they reach, ever-hopeful, towards a moment of connection that might pull a body back from the brink.

Beautiful Days

Kiran Desai

When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated, yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that only served to drive Sonia and Sunny apart. 
 
Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world. 
 
The Loneliness of Sonia and Sunny is the sweeping tale of two young people navigating the many forces that shape their lives: country, class, race, history, and the complicated bonds that link one generation to the next. A love story, a family saga, and a rich novel of ideas, it is the most ambitious and accomplished work yet by one of our greatest novelists.

The Loneliness of Sonia and Sunny

A great thinning of the skies is underway. Around 50% of bird species are in decline worldwide. Our dawns and springs are quieter each year than the last. An almost unimaginable abundance has been lost. It does not have to be this way –– but we will not save what we do not love. 
 
The Book of Birds is a compendium of forty-nine bird species, from Avocet to Yellowhammer, all of which are presently declining or endangered in Britain. Inspired by the classic bird-books with which the authors grew up, this is a field guide with a difference. It asks not ‘What is that bird?’, but ‘Who is that bird?’ It shows its readers how to identify birds, but also how to identify with them. 
 
With lyrical precision and playfulness, Robert Macfarlane evokes each bird’s habits and habitats –– their patterns of flight and of song, how they hunt and gather, how they nest and raise their young, the stories and myths which attend them, the threats which shadow them, and how their wild lives intersect with our own. And on every page we encounter Jackie Morris’s exhilarating artwork, painted in watercolour and gold and animated by an extraordinary attention to detail and sense of life. Set among this dazzling flock of species are seven sections celebrating the 'Seven Wonders' that together make up the everyday miracle of 'Bird': Nest, Egg, Beak, Song, Feather, Flight and Migration. 
 
Seven years in the making, The Book of Birds is a love letter to the splendours and mysteries of birdlife, and a clarion call to halt the loss of birds from land, sea and sky. From Dipper to Dunnock and Kestrel to Kingfisher, from mountain to ocean and city to river, Jackie Morris and Robert Macfarlane conjure the unique spirit and lifeway of each species. This is a book to be treasured by bird-lovers of all ages, and a future classic work of reference.

The Book of Birds

A Field Guide to Wonder and Loss

Kindred in spirit to The Lost Words but new in form, The Lost Spells is a pocket-sized treasure, a new collection of 'spells' - acrostic poetry and artwork - by beloved creative duo Robert Macfarlane and Jackie Morris. 
 
Written to be read aloud, calling to forest, field, riverbank, ocean, and also to the heart, these 'spells' summon back what is often lost from sight and care, and inspire protection and action on behalf of the natural world. From Jay to Jackdaw, Oak to Barn Owl, Silver Birch to Grey Seal, they capture the special, individual spirit of each plant and creature. Above all, they celebrate a sense of wonder, bearing witness to nature's power to amaze, console and bring joy.

The Lost Spells

An enchanting, beautiful book for lovers of the natural world

In 2017 Robert Macfarlane and Jackie Morris broke the mould with The Lost Words, a book of paintings in watercolour and gold leaf accompanied by acrostic spell-poems, capturing the unique essence of common but underappreciated species like Otter, Acorn, Ivy and Heron, Willow and Kingfisher. The response from readers was truly extraordinary: an instant bestseller, it inspired people of all ages all over the world, prompting mass fundraising campaigns to donate copies, and adaptations into folksong, symphony, theatre, puppetry, dance and mural. Three years later the creative duo delighted fans with a second title, The Lost Spells, celebrating the spirit of Red Fox, Silver Birch, Swallow, Jackdaw, and more. 
 
The Wild Cards draws together 100 pieces of artwork from The Lost Words and The Lost Spells. Every named species from the books is pictured at least once; many appear several times, though each postcard image is unique. The series also depicts many plants and animals not named in the original books - hidden details for the keen-eyed aficionado to discover - such as Blackbird, Stag and Rowan. On the reverse of the cards is an accompanying line of spell-text along with an identification of the depicted species. They have been otherwise left blank, their space waiting to be filled in by pen, pencil or paint and sent out into the world to make and renew connections.

The Wild Cards

A 100 Postcard Box Set

Oliver Lovrenski

Last night i got woke up by marco ringing, and he was crying, he said, he died ivor, he died, and i didnt need to hear who to know, i just hung up. 
 
Ivor and Marco have been getting high since they were thirteen, started dealing at fourteen, by fifteen they were carrying knives. At sixteen years old, they hurtle from one trip to the next, one fight to the next, always watching their backs. Ivor dreams of getting out - finishing school, becoming a lawyer, marrying the girl he loves from the corner shop - but the path he's on only leads one way. 
 
In flashes of firecracker prose, shot through with rare empathy, irrepressible wit and gut-punch pathos, Oliver Lovrenski gives voice to young men growing up in a brutal and chaotic world.

Back in the Day

Isabel Waidner

Two men meet in a flat in London. They are total strangers and yet they look remarkably alike. Lewis is grieving his dead wife; Korine is hiding from his very-much-alive one. Lewis never had children; Korine is an ambivalent parent at best. Lewis is an erstwhile actor, too depressed to attend the big audition that has just fallen into his lap. Korine has tried a dozen dead-end jobs but never pursued his acting dreams. 
 
Two men living mirror image lives. Each seeking a second chance to get things right. Each wanting what the other has. 
 
As If is an existential farce about the road not taken. Surreal and slyly poignant, suffused with ironic melancholia, it is a parable for the twenty-first century everyman: a character trapped in reality’s hall of mirrors, endlessly searching for something to live for.

As If

Sophie Mackintosh

Clara and Francis are in love - but nobody knows it. For months they have been slipping away from their respective lives, sharing sweet, stolen afternoons in anonymous hotel rooms. Until one day they wake up in a bedroom neither of them recognises with no memory of how they got there. 
 
They find themselves in a strange, impossible city: a place populated entirely by adulterers. Here they can at last live openly as a couple, without fear of consequence, putting the theory of their love into practice. Here the sky is painted over the old town square in changeless, cloudless blue. Ripe fruits wait on their kitchen table each morning and the sunset comes down in a blaze of pink each night. And contact with the real world is impossible. As long as Clara and Francis are here, they only have each other. 
 
How do you know when you’ve found true love? How much would you sacrifice to keep hold of it? And how long can you stay in paradise before the cracks start to show?

Permanence

Nicola Williams

When the Head Clerk at her Chambers is murdered, Lee Mitchell doesn’t know who she can trust. 
 
One of the last people to see him alive, the crime is pinned on Junior Clerk Dean who ‘seems like the type’. Working-class and still living on the estate where he grew up, he has the most to gain from Tom’s death. 
 
But Lee knows how easily prejudices can snowball into convictions – and steps in to defend him. As the trial progresses, people Lee has worked with for years become suspects as her Chambers crumbles into a world of chaos and deceit. 
 
And, what of the diary, whispered about by those at Chambers? The one Tom used to blackmail Lee’s friends and enemies alike to do his bidding? The one containing secrets some might kill to keep hidden? 
 
Maybe finding it will be the key to solving his murder. Or maybe some secrets are better left buried . . .

Killer Instinct

Arundhati Roy

Arundhati Roy’s first work of memoir, this is a soaring account, both intimate and inspiring, of how the author became the person and the writer she is, shaped by circumstance, but above all by her relationship to her extraordinary, singular mother Mary, who she describes as ‘my shelter and my storm’. 
 
Distraught and even a “little ashamed” at the intensity of her response to the death of the mother she ran from at age eighteen, Arundhati began to write Mother Mary Comes to Me. The result is this astonishing, disconcerting, surprisingly funny chronicle—unique and simultaneously universal, of the author’s life, from childhood to the present, from Kerala to Delhi. 
 
With the scale, sweep, and depth of her novels and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.

Mother Mary Comes To Me

Kenan Orhan

Dilara is having her bathroom renovated. Her father's memory has started collapsing, dementia stealing a little more of him each day; her apartment must be adapted so he can move in with her. But when the builders finally unveil their handiwork, there is a problem: instead of a new bathroom, they have built a prison cell. Not just any cell - one that Dilara recognises. It is a room from Silivri Prison in Istanbul. 
 
At first she is outraged, exasperated, determined to reverse the bizarre mistake. Dilara's family are political exiles: they fled Turkey years ago and have never been back. The last thing she wants is a piece of her abandoned homeland appearing uninvited in her new home. But gradually her indignation gives way to curiosity. Even as she struggles to care for her dying father, to stretch their dwindling savings and stop the wheels coming off her marriage, she is drawn back again and again to the mysterious prison cell, which seems to connect, impossibly, to a city that once belonged to her - to the salt wind off the Marmara, the sky full of gulls and domes and minarets - a portal back to Istanbul.

The Renovation

Puk Qvortrup

'Three in the bed. One not yet born, another dead, and I'm alive.' 
 
Puk is 26 years old, preparing for the birth of her second child, when her husband has a heart attack on his morning run. She leaves their toddler with a friend and dashes to the hospital, where Lasse lies unresponsive in a coma. He dies a few hours later. 
 
Into a Star follows Puk and her young family for one year after this tragedy, which has shattered the ordinary life she thought she would live, as she finds her way slowly through the enormous grief and, eventually, out the other side. With remarkable dignity, candour and attention to the domestic details that make us human, Puk Qvortrup invites us into the hardest moments of her life. And she reveals, amid the devastation, a powerful thread of hope.

Into a Star

Ta-Nehisi Coates

In his keenly anticipated new book, The Message, he explores the urgent question of how our stories – our reporting, imaginative narratives and mythmaking – both expose and distort our realities. Travelling to three resonant sites of conflict, he illuminates how the stories we tell – as well as the ones we don’t – work to shape us. 
 
The first of the book’s three main parts finds Coates on his inaugural trip to Africa – a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers along with him to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology – visibly on display in this capital of the confederacy, with statues of segregationists still looming over its public squares. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. 
 
Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive myths that shape our world – and our own souls – and embrace the liberating power of even the most difficult truths.

The Message

Michael Marshall

Here, for the first time, is complete collection of actor and entertainer Stanley Holloway&rsquo;s incomparable comic monologues, which he performed between 1929 and 1941. All the much-loved characters such as Albert Ramsbottom (&lsquo;with a stick with an &lsquo;orse&rsquo;s &lsquo;ead &lsquo;andle&rsquo;), Sam Small (&lsquo;Sam, Sam, pick oop tha&rsquo; arm), and King &lsquo;Arold (&lsquo;on his &lsquo;orse with his &lsquo;awk in his &lsquo;and&rsquo;) are gathered together and brilliantly illustrated by cartoonist Bill Tidy.

The Stanley Holloway Monologues

Deborah Levy

Who was Gertrude Stein? 
 
Avant-garde American poet and art collector who made her home in Paris, godmother of modernism, queer icon, friend to Picasso and Hemingway, self-declared genius — a writer who has baffled readers and critics for a century. 
 
And why does she matter? 
 
The narrator of Deborah Levy’s latest, dazzling fiction has gone to Paris to find out. There she meets Eva with the blinding gaze, an artist in a long-distance marriage, and Fanny, a sexually adventurous financier; together they cook, walk, read and argue late into the nights. 
 
As Paris sweeps her along in its ceaseless flow, she thinks – about what we have to lose to become modern, navigating anxiety, living with uncertainty, angry fathers, making a new life in another country, art and language – how all these things looked to Gertrude Stein in the early days of the twentieth century, and how they look to her and her friends in the early twenty-first. 
 
This is a book about how we put ourselves together— an exhilarating, witty, cosmopolitan meditation on the pleasures and challenges of friendship, desire and living with other people. But it is also crashes through genre to create an inspired portrait of Stein herself: a writer who experimented fearlessly with a new way of living and who wrestled herself free from the nineteenth century to invent a brand-new way of looking at the world.

My Year in Paris with Gertrude Stein

A Fiction

Lydia Davis

'A writer as mighty as Kafka, as subtle as Flaubert, and as epoch-making, in her own way, as Proust'(Ali Smith) 
Lydia Davis gathered a selection of her non-fiction writing for the first time in 2019 with Essays. Now, she continues the project with Essays Two, focusing on the art of translation, the learning of foreign languages through reading, and her experience of translating, amongst others, Flaubert and Proust, about whom she writes with an unmatched understanding of the nuances of their styles. 
Every essay in this book is a revelation.

Essays Two

Han Kang

Beginning one morning in December, We Do Not Part traces the path of Kyungha as she travels from the city of Seoul into the forests of Jeju Island, to the home of her old friend Inseon. Hospitalized following an accident, Inseon has begged Kyungha to hasten there to feed her beloved pet bird, who will otherwise die. 
 
Kyungha takes the first plane to Jeju, but a snowstorm hits the island the moment she arrives, plunging her into a world of white. Beset by icy wind and snow squalls, she wonders if she will arrive in time to save the bird – or even survive the terrible cold which envelops her with every step. As night falls, she struggles her way to Inseon’s house, unaware as yet of the descent into darkness which awaits her. 
 
There, the long-buried story of Inseon’s family surges into light, in dreams and memories passed from mother to daughter, and in a painstakingly assembled archive documenting a terrible massacre on the island seventy years before. 
 
We Do Not Part is a hymn to friendship, a eulogy to the imagination and above all an indictment against forgetting.

We Do Not Part

Joe Dunthorne

Joe Dunthorne’s great-grandfather was a family legend: the eccentric pre-war inventor of radioactive toothpaste and the Jewish refugee from the Nazis who returned to Germany under cover of the Berlin Olympics to pull off a heist on his own home. 
 
Joe always knew he would write a book about this one day. The only problem was that the old man had already written the book of his life – an unpublished memoir so dense and rambling that none of his living descendants had attempted to read it. And, as it turned out when Joe finally cracked open the manuscript, it told a very different story from the one he thought he knew…

Children of Radium

A Buried Inheritance

Anna Goldreich

Moving to the countryside is supposed to fix Clare and Phoebe’s relationship. A fresh start, a change of scenery, a chance to heal after the miscarriage of their baby girl. 
 
Instead, Phoebe feels suffocated. Back in the rural community she ran from at seventeen and unable to face the partner she cannot help, she throws herself into work on the family farm. Clare is a stranger in the village, uninitiated and out of place. She spends her days drifting around the cottage, its walls groaning and shifting as she withdraws into a world inside her head. 
 
One day, wandering through the forest nearby, Clare finds a leveret – her own little Isla. A surrogate to lick and love. A way to feel whole again. 
 
But as Isla grows into an adult hare she becomes wild and unruly – a kicking, biting, scratching creature. With Clare’s grasp on reality growing ever more tenuous, Phoebe begins to question whether Isla is the cure for grief Clare is searching for as she desperately clings on to the woman she loves . . . 
 
With this bruisingly tender love story, debut author Anna Goldreich has conjured a hazy dream of a novel about the fantasies we create as a refuge from grief. The Leveret is a heartbreakingly gorgeous and lyrically haunting hymn to queer love and the power to rebuild from the wreckage of a relationship.

The Leveret

Liliane Lijn

In 1958, talented and fearless and eighteen years old, Liliane Lijn left her family home and moved to Paris alone to become an artist. Once there, she found an art world filled with the wild energy of creative revolution – peopled and controlled almost entirely by men. 
 
In the years that followed, Lijn built a life for herself in the city. She embraced the hectic bohemian spirit of the Left Bank. She befriended artists, painters, poets, gallerists and revolutionaries, as the late Surrealists gave way to a burgeoning Pop Art movement. She had disastrous love affairs with difficult men. She experimented boldly, creating ground-breaking sculptures with light, text and movement. And as her profile steadily grew, she was told again and again that there are no great women artists: ‘There never have been.’ 
 
Liquid Reflections is her memoir of these years of experiment and adventure – years when Lijn was constantly in motion, from Paris to New York to Venice to Athens, from paper and canvas to wax and Perspex to oil and water. In love, she became pregnant but rebelled against the idea that a woman could not be both a great artist and a mother. 
 
And she sought – and found – radical pleasure in the act of creative expression and in the living, sensuous world around her. 
 
Based on personal diaries from the time, this is a riveting and revelatory account of a singular coming of age: a glittering portrait of the artist as a young woman. 
 
'I wrote LIQUID REFLECTIONS because I wanted to take my readers on the journey I made to become an artist. It's the story of an idealistic, inspired young woman who refuses to accept the prejudices of her time. Becoming an artist was also a search for my own identity…’ Liliane Lijn

Liquid Reflections

Linn Ullmann

Each summer of her childhood, the daughter visited her father at his remote Faro island home on the edge of the Baltic Sea. 
 
Years later, when she is grown with children of her own and he's in his eighties, they plan to write a book together. It will be about age and time, language and memory. She will ask the questions. He will answer them. The tape recorder will record. But old age has caught up with him in ways neither could have foreseen. And when the man is gone, only memories - both remembered and recorded - remain. 
 
Heart-breaking and spellbinding, Unquiet is a seamless blend of fiction and memoir in pursuit of elemental truths about how we live, love, lose and age.

Unquiet

Ali Smith

Ghosts don't exist. 
They don't. End of. 
Story, however. 
It is haunting. 
Everything tells it. 
 
It all starts when Petra and her little sister Patch hear a horrifying story from the past and find themselves making up a ghost. 
Is it imaginary? Is it real? 
 
Then it all starts again thirty years later when Petra, now estranged from Patch, finds a phantom horse kicking the furniture to pieces in her bedroom. 
What to do? She phones her sister. 
 
In a chiaroscuro dance through our increasingly antagonistic era, Glyph asks if we’re attending to the history that’s made us and to the history we’re making. A funny, warm and clear-eyed take on where we are now, Glyph is about what our imaginations are for and how, in a broken, brutal and divided time, we rekindle care, solidarity, resistance and openness. 
 
This anti-war novel, Ali Smith’s most soulful, playful and vital yet, is a work of lightness that goes deep to counter the forces currently flattening the modern world. 
 
A standalone novel, it’s family to Gliff (2024).

Glyph

In this light-filled and multi-faceted book, her first since being awarded the Nobel Prize in Literature, Han Kang draws together the threads of her work and life, tracing the connections between her interior and exterior worlds through a sequence of essays, poems, photographs and diaries. 
 
A book of reflections, of words and light, it has at its heart the tiny, north-facing courtyard garden at her home, cultivated solely through the reflected sunlight of the mirrors which she must move throughout the day, as the earth turns on its axis. 
 
In a poem written at eight years old, Han Kang imagined a ‘gold thread’ of connection – an idea which she explores here with luminous attention, beginning with her Nobel Lecture. She writes of the wonder of following the thread we call language into the depths of other hearts, and her profound sense of an electric current which joins writer and reader. 
 
Both intimate and illuminating, Light and Thread is a book for all readers of Han Kang’s unique body of work.

Light and Thread

ABC Merriman-Labor

In Britons Through Negro Spectacles Merriman-Labor takes us on a joyous, intoxicating tour of London at the turn of the 20th century. Slyly subverting the colonial gaze usually placed on Africa, he introduces us to the citizens, culture and customs of Britain with a mischievous glint in his eye. This incredible work of social commentary feels a century ahead of its time, and provides unique insights into the intersection between empire, race and community at this important moment in history.

Britons Through Negro Spectacles

Noam Chomsky

With exceptional clarity and power of argument, Noam Chomsky lays bare as no one else can the realities of contemporary geopolitics. Divided into four sections and originally published in the US as individual short books which have collectively sold over half a million copies, How the World Works is a collection of speeches and interviews with Chomsky by David Barsamian, edited by Arthur Naiman. It includes What Uncle Sam Really Wants, about US foreign policy; The Prosperous Few and the Restless Many, about the new global economy, food, Third World 'economic miracles' and the roots of racism; Secrets, Lies and Democracy, about the US, the CIA, religious fundamentalism, global inequality and the coming eco-catastrophe; and The Common Good, about equality, freedom, the media, the myth of Third World debt and manufacturing dissent.

How the World Works

Olivia Laing

‘It is dangerous to want someone this much. He has always known it, from the very first night.’ 
 
It is September 1974. Two men meet by chance in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the designer responsible for realising the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young – and beautiful – apprentice is just what he needs. 
 
He sweeps Nicholas to Rome, into the looking-glass world of Cinecittà, the studio where Casanova’s Venice will be ingeniously assembled. Then in the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism. 
 
But Nicholas has a secret and in this world of constant illusion, his real nature passes unseen. Amidst the rising tensions of Italy’s ‘Years of Lead’, he acts as an accelerant, setting in motion a tragedy he didn’t intend. 
 
The Silver Book is at once a queer love story and a noirish thriller, set in the dream factory of cinema. It’s a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.

The Silver Book

Marv Waterstone

Is there an alternative to capitalism? In this landmark text Chomsky and Waterstone chart a critical map for a more just and sustainable society. 
 
'Covid-19 has revealed glaring failures and monstrous brutalities in the current capitalist system. It represents both a crisis and an opportunity. Everything depends on the actions that people take into their own hands.' 
 
How does politics shape our world, our lives and our perceptions? How much of 'common sense' is actually driven by the ruling classes' needs and interests? And how are we to challenge the capitalist structures that now threaten all life on the planet? 
 
Consequences of Capitalism exposes the deep, often unseen connections between neoliberal 'common sense' and structural power. In making these linkages, we see how the current hegemony keeps social justice movements divided and marginalized. And, most importantly, we see how we can fight to overcome these divisions.

Consequences of Capitalism

Manufacturing Discontent and Resistance

John Updike

In the words of his contemporary, Philip Roth, John Updike was ‘Our time’s greatest man of letters – as brilliant a literary critic and essayist as he was a novelist and short-story writer’. 
 
Over the course of his long and immensely productive career, he also proved himself a brilliant correspondent, his letters filled with comic observations, opinions and personal news, told in his characteristically elegant and exquisitely fluid style. 
 
In this sparkling selection of his letters, edited by James Schiff, we can see Updike in real time, capturing every stage of his unspooling life, from Pennsylvania farm boy to Pulitzer prizewinner; and from young father negotiating his first book contract to the bestselling writer he became, following the international success of his novels Couples and the ‘Rabbit ‘sequence. 
 
Here are letters to family, friends, editors and lovers, a remarkable outpouring over six decades – including, most movingly perhaps, the letters of his final year bidding farewell to children, colleagues and friends. 
 
Taken together, these missives make a page-turning ‘life in letters’ like no other – an intimate testament to one of the greatest of all American writers.

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