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Ivo Andric

Set in the town of Travnik, Bosnian Chronicle presents the struggle for supremacy in a region that stubbornly refuses to submit to any outsider. The time is Napoleonic and the novel, both in its historical scope and psychological subtlety, is Tolstoyan. Inevitably, in its portrayal of conflict and fierce ethnic loyalties, the story is eerily relevant to readers today. 
 
Ottoman viziers, French consuls, and Austrian plenipotentiaries are consumed by a ceaseless game of diplomacy and double-dealing: expansive and courtly face-to-face, brooding and scheming behind closed doors. As they have for centuries, the Bosnians themselves observe and endure the machinations of greater powers that vie, futilely, to absorb them. Ivo Andric’s masterwork is imbued with the richness and complexity of a region that has brought much tragedy to our century and known so little peace.

Bosnian Chronicle

Paul Durcan

Peter Robb

For most of us Christmas is the season of huge helpings of good food, good drink, and with luck, good cheer, as the rituals of cracker-pulling, present-giving and happy or sulphurous family reunions fizzle and bang through the long afternoon. 
 
For anyone who has ever had too much of it, or felt out of it, or wanted to be out of it, or even succeeded in being out of it then been unexpectedly rescued by a good friend, this book-length poem contains a lifeline of humour and sanity in a world run seasonally mad. 
 
It is a funny, subversive, melancholy, self-mocking conversation between two men - Paul and Frank - in the top storey flat of a Dublin apartment block; a Stations of Christmas under the influence of "woman-hunger". Once read, Christmas Day itself will never be the same again. 
 
The volume also contains a second new work, "A Goose in the Frost", a tribute to Seamus Heaney on winning the Nobel Prize for Literature.

Christmas Day

Murray Bail

Thirteen Australian package tourists set off around the world on the holiday of a lifetime. But as they trawl from country to country, through cities and round ever more obscure museums they find nothing as they expect it, least of all themselves. Homesickness is an enchanting novel: a wry, witty look at the ways people interact, a catalogue of comic digressions and tantalising information in which the world becomes a museum with no exhibit more bizarre than human nature itself.

Homesickness

Yury Dombrovsky

The Year of Terror, 1937. Zybin, an exiled intellectual and archaeologist in the far province of Alma-Ata, finds himself wrongly accused of a crime during the darkest days of Stalin's reign. Soon, he and his colleagues are caught up in an ambitious Cheka investigator's attempts to set up a show trial to rival those taking place in Moscow. 
 
Vivid, courageous and defiant, The Faculty of Useless Knowledge is the crowning achievement by the author of The Keeper of Antiquities and The Dark Lady and draws heavily on autobiographical experience. First published in Russian in 1978, it is a masterpiece of anti-totalitarian literature, and stands alongside the works of Solzhenitsyn and Bulgakov in illuminating the chaos, absurdity and bureaucratic labyrinths of Soviet Russia.

The Faculty Of Useless Knowledge

Peter Matthiessen

In this magnificent novel, which is the conclusion to the celebrated Watson trilogy, E.J. Watson tells his own story, through his turbulent life, to his death at the hands of vigilantes. From his destitute childhood in South Carolina, and the terrible events which haunt him for the rest of his days, the narrative shifts to the wilds of the Florida Everglades. Here, Watson establishes himself as a successful sugar-cane farmer, trying in vain to escape his past, and the uncontrollable, vicious side of his nature which is ultimately his downfall. 
 
Intelligent, a devoted husband and a lover, a stern father and a man capable of cruelty and cold-blooded murder, Watson is a character staggeringly real in his complexity. Bone by Bone confronts not only the racism, brutality and entrepreneurial greed of the American South at the turn of the century but also the paradox at the heart of human nature: our capacity for fierce love, compassion and unspeakable violence.

Bone by Bone

Anna Politkovskaya

Anna Politkovskaya turns her steely gaze on President Putin and his early regime in this explosive book. 
 
From Putin's tyrannical grip on ordinary citizens to rampant corruption in highest ranks of the government, as well as Mafia dealings, scandals in the provinces and the decline of the intelligentsia, Politkovskaya offers a scathing condemnation of the President and his rule, revealing a shocking state of affairs: soldiers dying from malnutrition, parents requiring to bribes to recover their dead sons' bodies and conscripts are being hired out as slaves. 
 
Politkovskaya was an internationally admired, fearless and award-winning journalist who was assassinated in 2006. More relevant and important than ever in today's political landscape, Putin's Russia is both a gripping portrayal of a country in crisis and the testament of an extraordinary reporter. 
 
'A searing portrait of a country in disarray and of the man at its helm, from the bravest of journalists' New York Times 
 
'Anna Politkovskaya is a heroic journalist' Guardian 
 
'We will continue to learn from her for years' Salman Rushdie

Putin's Russia

The definitive account of Putin’s rise to power

During the 1970s and 1980s, Peter Matthiessen took part in a number of expeditions to Africa, witnessing first-hand the continent’s many and diverse peoples and wildlife. The fruits of these journeys are three of the most impressive essays on the natural world of the late twentieth century. 
 
The Tree where Man Was Born documents wild landscapes, peoples and animals, observed in a series of journeys in East Africa, from the Sudan, south through Uganda, Kenya and Tanzania, exploring the Serengeti, the Maasai Mara, the Ngorongoro crater and the archaeological sites of the Rift Valley. 
 
African Silences recounts two expeditions made to West and Central Africa, including Zaire (as it then was), Gabon and the Central African Republic. 
 
Sand Rivers describes the Selous game reserve in Southern Tanzania, one of the largest, but least-known refuges for animals left on earth, and provides an unforgettable portrait of this area and the fierce, lonely men who created it. 
 
These three classic works represent Matthiessen the naturalist at his finest; written an all-encompassing curiosity and knowledge that brings alive the people, places and wildlife he encounters, and updated with a new introduction by the author.

An African Trilogy

Aleksandr Solzhenitsyn

At the height of Stalin's postwar terror, Innokenty, a young diplomat and scion of a corrupt ruling class, discovers an earlier and more spiritual tradition than that adopted by the October Revolution, the beginning of a process which is Solzhenitsyn's basic theme: the individual's experience of acquiring an immortal soul. 
 
Unwisely but generously, Innokenty helps a friend in danger of arrest, only to be arrested himself and sent to a special prison. This, the archetype of the Gulag, is described with masterful psychological insight. There are no heroes and hardly any villains; oppressors are no less victims then the oppressed. 
 
In the great tradition of the Russian novel, The First Circle is both a brooding account of human nature and a scrupulously exact description of a historical period.

The First Circle

Almudena Solana

This is the story of Aurora Ortiz, who lives in Madrid, and who, at the age of only thirty, has been widowed and needs to find a job. Although she is in no position to choose, she would ideally like to work as a caretaker in a quiet block of flats where she would just watch life pass by. Aurora's aspirations are simple and few, and with the help of her neighbour and friend Fany, who lends her a computer, she composes what she considers a suitable curriculum vitae and proceeds to tramp the streets of the city in search of work. With her vitality and freshness, her innocence, her unconventional intelligence and her relative lack of commercial ambition, Aurora Ortiz is a new type of heroine, one whose ethos and view of the world run contrary to most contemporary trends, she is a character who might have emerged from one of Pedro Almod-var's films.  The means by which she comes to terms with the burden and pressures of modern life will strike chords with many of her own European generation.

The Curriculum Vitae of Aurora Ortiz

Henry Green

Edited by the author's grandson, the novelist Matthew Yorke, and with an Introduction by John Updike, this book is an excellent selection of Henry Green's uncollected writings. It includes a number of outstanding stories never previously published, written during the '20s and '30s ("Bees", "Saturday", "Excursion", and the remarkable "Mood" among them). It contains a highly entertaining account of Green's service in the London Fire Brigade during the War; a short play written in the 1950s; and a selection of his journalism, including revelatory articles about the craft of writing, a marvellous evocation of Venice, a description of falling in love, reviews which illuminate his literary enthusiasm and the entertaining interview with Terry Southern for the Paris Review. It is rounded off with a biographical memoir by Green's son, Sebastian Yorke. Fascinating and invaluable as an introduction to Green, Surviving casts new light on his work and illustrates the many facets of this exceptional writer, one of the two most important English novelists of his time.

Surviving

Raymond Carver

When he died in August 1988, Raymond Carver had just published what were thought to be his last stories in the collection entitled Elephant and his own collection of stories, Where I'm Calling from. Five previously unpublished stories have recently been discovered, and this new volume brings together all of his uncollected fiction, including a fragment of an unfinished novel, five early stories, and all of his non-fiction prose. 
 
Three of these late-found stories are fine examples of Carver's late, open style, while two date from his middle period. The non-fiction prose includes all of his essays, together with occasional commentary on his own fiction and poetry, writings on the American short story, and reviews of work by his contemporaries, among them Donald Barthelme, Richard Brautigan, Jim Harrison, Thomas McGuane and Richard Ford. Also included is Carver's latest essay "Friendship", about a London reunion with Richard Ford and Tobias Wolff. 
 
Call If You Need Me takes us into Carver's workshop, and alongside All of Us: The Collected Poems and Where I'm Calling from: The Selected Stories completes the picture of one of the most original writers in the English language of his generation.

Call If You Need Me

Christine Jordis

Relying on atmosphere and sensation over fact and statistic, Christine Jordis has written a deeply personal, vividly impressionistic account of several journeys to the Indonesian islands of Bali and Java. Dazzled, wide-eyed, but always astute, Jordis describes famous monuments, native dances, encounters with locals. She conjures up the various literary and artistic figures who sought refuge and inspiration in Indonesia - Arthur Rimbaud, Herman Melville, Joseph Conrad - and brings ancient legends to life. From the heart of the lush tropical forests, Jordis guides her readers through the technicolor paradise that makes Paris seem grey in comparison. Ultimately, it is these very colours that infuse her life - and her readers' lives - with new meaning.

Bali, Java in My Dreams

Daniel Pennac

Pathetic, contrite and hapless, Benjamin is nonetheless the scapegoat at The Store: there is nothing for which he cannot be blamed. While his blunders remain minor, most of his unwitting victims can find it in their hearts to forgive him, but when violent explosions begin to follow him around, he inevitably becomes the prime suspect. With his girlfriend Julie by his side, Benjamin thrusts himself into uncovering the mystery, delving deep into underground Paris and pursuing the truth through a maze of bizarre criminality and oppressive shadows.

Scapegoat

Jaan Kross

Translated by Eric Dickens 
 
Treading Air follows the life of Ullo Paerand through 30 years of violent political upheaval. Abandoned by his father as a child, he grows up to become an electoral assistant to the parliamentary office in Tallinn and it is in this position that Ullo witnesses first the Soviet and then the German occupation of Estonia. Forced out of his honest profession Ullo becomes involved with the Resistance but, when many Estonians flee the country, he chooses to remain. An interlude of a decade shows much has changed since the end of the War; Soviet influence is marked in the style of government and the manner of the people. The narrative unfolds in stories imparted to an unknown "author" by a 70-year-old Ullo. Just before the end, however, Kross introduces a teasing ambiguity: Ullo dies before he is able to answer the last question about his life.

Treading Air

"Living introduced a whole school of proletarian literature, and yet remains apart from, and superior to, any of its followers" Times Literary Supplement 
 
 
The Duprets, upper-class owners of a Birmingham iron-foundry, struggle to keep the business going in the 1920s, while young Lily Gates keeps house for three men who are employed there: the patriarchal Craigan, who owns the house; her worthless father Joe; and stalwart Jim, who is bashfully courting her. Sensing, however, that life must hold greater excitement than she can hope for in this closed little world, Lily succumbs to the bolder approach of a rival suitor, Bert, who takes her to the pictures and, eventually, to Liverpool with a view to a new life in Canada. Bert is not destined to stay the course, though, and the affair ends in tears. Bravely Lily returns to her threadbare household. 
 
 
"Living is a book about how people really live: their hopes, but also their compromises and defeats" Jeremy Treglown 
 
"The best novel of working-class factory life we have" Walter Allen 
 
"His terrain here is close to D.H. Lawrence's, with the difference that whereas Lawrence escaped from the working class, Green escaped into it...His feat of equilibrium was to show lives whose impoverishment he fully recognized as nevertheless sites of comedy, excitement, complex feeling, and beauty" John Updike

Living

Yashar Kemal

There is an ancient Turkish tradition which promises a place in paradise to anyone who sets a small bird free. Three boys start up a bird-catching business to enable people to free them in order to secure their place in heaven, but the city-dwellers have become sceptical, and tragedy lies in wait for the boys.

The Birds Have Also Gone

Manuel Rivas

A glorious cast of animals and birds, as well as humans, relate the magical stories that form the plot of Manuel Rivas's extraordinary novel. An old lady, Misia, tells how the 300 ravens of Xallas are the warrior-poets of the last King of Galicia. A priest, Don Xil, explains to a peasant girl, Rosa, that the beautifully carved women in the local church are not saints, but represent the seven deadly sins. A mouse, Matac-ns, a poacher in his previous life, is chased by a cat, the bagpiper and anarchist, Arturo of Lousame. A bat, Gaspar, relates his own death to a lizard. In a nearby cellar, half the parish are found to have transmigrated into spiders, snails, toads-Manuel Rivas's story emerges like spirals of smoke, in a series of memorably poetic images. His characters have their roots deep in the traditions, legends and history of his beloved Galicia. Few contemporary storytellers share his power of vision and sense of cultural identity, or can narrate their tales with such tenderness and humour.

In The Wilderness

Satirizing the tedium of upper-middle-class life in post-war London, this novel depicts a world in which substance is far less important to anyone than appearance. The question asked throughout the text concerns the differences between doting and loving.

Doting

Michel Crespy

"Your career profile could be of interest to us. Would you please get in touch?" 
 
Jérôme Carceville finds it impossible to resist such an e-mail, especially when the invitation comes from De Wavre International, one of the top headhunting organizations in the world. He responds, and after undergoing a variety of searching interviews and psychometric tests, he is eventually selected for a decisive final examination. 
 
The fifteen talented and driven finalists arrive at a hotel on an island in the middle of an Alpine lake. Only two of them have a realistic chance of being offered the job, and when Del Rieco, the "games-master", informs them that the nature of the contest is stimulated economic warfare, that their only weapons will be a computer and some strategic information, and that their competitors must be eliminated, it becomes clear that this is no ordinary recruitment drive... What seems to start as a simple team-building exercise soon becomes a horrifying and bloody battle for supremacy.

Head Hunters

In 1969 Peter Matthiessen set out with the expedition led by Peter Gimbel, whose aim was to find and film underwater for the first time the most dangerous of all sea creatures - the great white shark. Acting as the expedition's chronicler and spare hand (both on the surface and below), Matthiessen accompanied the crew from the Carribean to the whaling grounds off the Durban coast, to various islands in the Indian Ocean, to Ceylon, and finally to success off the bleak south coast of Australia. 
 
Blue Meridian records the awesome experience of swimming in open water among hundreds of sharks, the beauties of strange seas and landscapes and the camaraderie, humour and tension of people who live in close proximity and risk their lives day by day.

Blue Meridian

Jorge Amado

The sleepy Brazilian beach resort of Periperi needs a hero. As if in answer to their calll, Captain Vasco Moscosco de Aragao (newly retired) arrives and soon has the townspeople enthralled with his tales of ocean-going daring and romance. 
 
Only his rival, Chico Pacheco, delves into the captain's past and discovers that he has never in his life sailed beyond the harbour bar. But just as Vasco is about to be unmaksked the Ita limps into port with her flag at half mast and her captain dead at the wheel. Pressed into service, Vasco goes to meet his destiny and so begins an adventure in love and seamanship that surpasses even his wildest fantasies.

Home Is The Sailor

Lars Gustafsson

In the beginning of the winter thaw, Lars Lennart Westin has learned that he will not live through the spring. Told through the journals of this schoolteacher turned apiarist, The Death of a Beekeeper is his gentle, courageous, and sometimes comic meditation on living with pain. 
 
Westin has refused to surrender the time left to him to the impersonality of a hospital, preferring to take his fate upon himself, to continue his solitary, reflective life in the Swedish countryside. While he watches his inner landscape reforming, the relentlessly intimate burning in his gut provides a point of psychological detachment. 'We begin again,' he insists, 'we never give up.'

The Death Of A Beekeeper

Raymond Carver, who became a master-storyteller of his generation and was hailed in Europe as 'the American Chekhov', wrote of himself: "I began as a poet. My first publication was a poem. So I suppose on my tombstone I'd be very pleased if they put 'Poet and short-story writer - and occasional essayist', in that order." 
 
This complete edition allows readers to experience the range and overwhelming power of Carver's poetry for the first time. It brings together in the order of their American publication the poems of Fires (1985), Where Water Comes Together with Other Water (1986), Ultramarine (1988), A New Path to the Waterfall (1989) and No Heroics, Please (1991). 
 
For readers who know Carver's middle period only through his selected poems, In a Marine Light (1988), it includes the windfall of 51 poems not previously published in Britain. All of Us is edited by Professor William L. Stull of the University of Hartford, and introduced with an essay on Raymond Carver's methods of composition by his widow, the poet Tess Gallagher.

All of Us

The Collected Poems

Franz Hohler

This beautiful and melancholic novella, set in the Glarner mountains in Switzerland, is told from the viewpoint of a child whose innocence of the world is combined with an acute sense of the danger present beneath the harmony of nature. Seven-year-old Katharina Ryhner is sent up the mountain to stay with her grandmother while her mother gives birth to her sixth child. It rains everyday and all the talk is of the danger of landslides. The little girl worries. When the time comes to go home, Katharina, filled with an increasing and inexplicable sense of doom, refuses to leave. Then, hearing a deafening thunderclap, she looks down the valley: a huge chunk of the mountainside is hurtling towards her home.

The Stone Flood

Bergljot Haff

Translated by Sverre Lyngstad. Idun Hov's experiences condemn her to a life spent mostly in a mental hospital where she begins to write. The trials of Idun Hov's life and of Norway itself enter her writing, Idun's own experiences fuse with the German occupation of Norway, the shame of collaboration and the upheavals of a small nation betrayed.

Shame

A staggering, shattering novel from Turkey's greatest novelist 
 
Since Halil was shot dead in his own home by his wife Esmé's former suitor, the village has pointed the finger of guilt at the dead man's beautiful widow: she must have arranged the murder. The task of vengeance falls on Esmé's little son, Hassan: year after year he is groomed for it, his devotion to his mother sapped with talk of the unavenged ghost of Halil and his father, doomed to roam the countryisde as a translucent red snake, an insect, a bird. Hassan hears tales against his mother. How long will her innocence protect her? 
 
The stark tale of cruelty and vendetta is told in a narrative of relentless tension, reminiscent of Greek tragedy. it is one of Yashar Kemal's most beautiful and haunting novels.

To Crush The Serpent

Vincent Cronin

Matteo Ricci, an early recruit of the Jesuit order, was sent to China as a missionary in 1582. If he approached the Emperor with a Bible in one hand, in the other he carried much of the accumulated technological and philosophical wisdom of the late Renaissance Europe, and thus found favour among the Mandarins, the men of learning who enjoyed high status at the Imperial Court. He learned Chinese the better to discuss with them the problems in science and technology, as also questions of religion and the hereafter. But his progress was not unopposed, for the Wise Man from the West came to be seen as an unsettling element in a too-settled society. Ricci died in 1610, disappointed in his ambition to convert the Emperor, and with him the whole of China, to Christianity. But the seed was sown and the crop, even after almost a century of atheistic communism, continues to grow in present-day China. 
 
This story of the first fully documented contact between West and East offers a fascinating insight into the history of ideas during one of the most fertile eras in European and Chinese history. Vincent Cronin has built up a reputation with his scholarly, elegantly written works of history and biography, as one of the finest popular historians of his generation. This early book proves his gift as an acutely observant and sensitive historian.

Wise Man Of The West

Jesus Moncada

During the Great War, the Spanish town at the centre of this novel turned into a boom-town, due to the demand for coal. After that, the downhill slide began, hastened on by Anarchists and left-wingers; then the Civil War and Franco's depression. Then came the March of Progress.

The Towpath

Jan Wiese

The collapse in 1989 of the newly-built church at Perugia, killing the congregation of notables gathered for its consecration, just as they have discovered in themselves the ability to sing in perfect Latin, must surely be ascribed to the miraculous (or devilish) properties of the Madonna and Child altarpiece specially donated by the Vatican. And the quiet, unassuming archivist, whose researches had led to the rediscovery of the old Tuscan painting after so many centuries in the dark, is the very man to sift through the bundle of uncatalogued documents in the Vatican and bring to light a whole chain of dire events connected with the fourteenth-century painter, his model, and his drinking companion the village storyteller who recorded the events for posterity. Not even the archivist himself, living five hundred years later, is able to escape the dramatic influence of the picture - a portrait that at once enriches and destroys every life it touches

The Naked Madonna

George Szirtes

Published to coincide with the Hungarian Year of Culture (2003-4), this new volume in Harvill's celebrated Leopard series of anthologies comprises a selection of Hungarian prose and poetry from the second half of the twentieth century. Hungarian literature can be characterised as the literature of anxiety. Throughout the 1900s, as Europe's political and social fortunes changed, Hungary's writers reflected on those changes, absorbing and distilling them in work of documentary, poetic or comically grotesque power. This anthology of fiction and poetry begins by setting out some of the major landmarks from the end of the Second World War, then concentrates on the period before, during and after the key date of 1989, when Central Europe was transformed once again. The volume traces that history of change from Marai's wartime diaries, into the Stalinist period with the one-minute novels of Istvan Orkeny, past the paradoxical post-modernist humanism of Peter Esterhazy, and through the haunted waste-tracts of Laszlo Krasznahorkai. On the way, it gathers together the monumental, the mystical, the garrulous and the inward-driven poetries of Janos Pilinszky, Sando Weores, Agnes Nemes Nagy, Gyorgy Petri, Otto Orban and Zsuzsa Rakovszky and many younger writers. This extraordinary journey takes us up to Hungary's return to the European fold, as it moves from the psycho-geographic East towards the longed-for, lost, centre. It celebrates the anxiety, agitation, crying and whispering of the Hungarian literary imagination, posing the question that hangs above the door of the European Community: What is Europe? How do we live in it? And how do we respond to its darkness and its light?

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