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Walter Scott

IVANHOE (1819) was the first of Scott's novels to adopt a purely English subject and was also his first attempt to combine history and romance, which later influenced Victorian medievalism. Set at the time of the Norman Conquest, Ivanhoe returns from the Crusades to claim his inheritance and the love of Rowena and becomes involved in the struggle between Richard Coeur de Lion and his Norman brother John.  The gripping narrative is structured by a series of conflicts: Saxon versus Norman, Christian versus Jew, men versus women, played out against Scott's unflinching moral realism.

Ivanhoe

Len Deighton

<a href="https://shop.penguin.co.uk/collections/book-bundles-modern-classics/?&amp;utm_source=Penguin.co.uk&amp;utm_medium=Linked_text&amp;utm_campaign=Penguin_Modern_Classics_Series_26_06">Choose 3 timeless classics for only £21 over on the Penguin Shop</a>

31 June, 1943. An RAF crew prepare for their next bombing raid on Germany. It is a night that many will never forget. Len Deighton's devastating novel is a gripping minute-by-minute account of what happens over the next twenty-four hours. Told through the eyes of ordinary people in the air and on the ground - from a young pilot to the inhabitants of a small town in the Ruhr - Bomber is an unforgettable portrayal of individuals caught up in the wreckage of war.

Bomber

Penguin Modern Classics

Victor Hugo

In the turmoil of the French Revolution, the year 1793 represented the peak of bloody revolutionary violence. Victor Hugo plunges into this tumultuous period with a story of courage and betrayal across the political classes. As the revolution rages, three characters – a nobleman turned revolutionary, a devoted mother, and a zealous commander – find their fates intertwined in a struggle that tests their convictions and loyalties. Hugo's last great novel was also his most political and prophetic – and is the equal of Les Misérables in drama, emotion, adventure and sacrifice.

Ninety-Three

Susan Sontag

Where the Stress Falls is divided into three sections: the first, 'Reading', includes ardent pieces on writers from Sontag's own private canon - Machado de Assis, Barthes, W. G. Sebald, Borges, Tsvetaeva and Elizabeth Hardwick. In the second, 'Seeing', she shares her passions for film, dance, photography, painting, opera and theatre. And in the final section, 'There and Here', Sontag explores her own commitments to the work (and activism) of conscience and to the vocation of the writer.

Where the Stress Falls

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