Nigella Lawson has written eleven bestselling cookery books including the classics How to Eat and How To Be A Domestic Goddess – the book that inspired a whole new generation of bakers. These books, and her TV series, have made her a household name around the world. 
 
www.nigella.com 
@Nigella_Lawson

Nigella Lawson

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Donal Ryan

Winner of the An Post Irish Novel of the Year 2020 
Longlisted for the International Dublin Literary Award 
 
'You have to truly love people to write like this' RACHEL JOYCE 
 
'One of the greatest novels of this century' SUNDAY INDEPENDENT 
 
'Gorgeously wrought' GUARDIAN 
 
 
In 1973, twenty-year-old Moll Gladney takes a morning bus from her rural home and disappears. 
 
Bewildered and distraught, Paddy and Kit must confront an unbearable prospect: that they will never see their daughter again. 
 
Five years later, Moll returns. What - and who - she brings with her will change the course of her family's life forever. 
 
Beautiful and devastating, this exploration of loss, alienation and the redemptive power of love reaffirms Donal Ryan as one of the most talented and empathetic writers at work today. 
 
_________ 
 
'Outstanding ... Tender and beautifully written' INDEPENDENT 
 
'All the beauty and sorrow of life can be found in these pages' KATHLEEN MACMAHON 
 
'Exquisite . . . Beautiful' ANNE GRIFFIN, author of WHEN ALL IS SAID 
 
'Ryan gathers together the fragments of broken lives and makes us something new and beautiful from them' RÓNÁN HESSION, author of LEONARD AND HUNGRY PAUL

Strange Flowers

Alison Jameson

On his way back up from the yard Bird had seen something white and round – a girl who had curled herself into a ball. Lifting her was like retrieving a ball of newspaper from out of the grass or an empty crisp bag that someone had flung over the ditch. She seemed to lack the bones and meat and muscle of real people. She felt as if she was filled with feathers. 
 
On the day Midge Connors comes hurtling into Bird Keegan’s life, she flings open his small, quiet world. He and his two sisters, Olive and Margaret, have lived in the same isolated community all their lives, each one more alone than the others can know. 
 
Taking in damaged, sharp-edged Midge, Bird invites the scorn of his neighbours and siblings. And as they slowly mend each other, family bonds – and the tie of the land – begin to weigh down on their tentative relationship. Can it survive the misunderstandings, contempt and violence of others? 
 
A poignant and powerful study of the emotional lives of three siblings and the girl who breaks through their solitude.

This Family of Things

Hilary Fannin

'This is heartache for grown ups. The Weight of Love pulls you in and does not let go' ANNE ENRIGHT 
 
'Beautiful and painful, exquisitely written, shot through with nostalgia for our earlier selves' MARIAN KEYES 
 
London, 1996. Robin and Ruth meet in the staff room of an East London school. Robin, desperate for a real connection, instantly falls in love. Ruth, recently bereaved and fragile, is tentative. 
 
 When Robin introduces Ruth to his childhood friend, Joseph, a tortured and talented artist, their attraction is instant. Powerless, Robin watches on as the girl he loves and his best friend begin a passionate and turbulent affair. 
 
 Dublin 2017. Robin and Ruth are married and have a son, Sid, who is about to emigrate to Berlin. Theirs is a marriage haunted by the ghost of Joseph and as the distance between them grows, Robin makes a choice that could have potentially devastating consequences. 
 
 The Weight of Love is a beautiful exploration of how we manage life when the notes and beats of our existence, so carefully arranged, begin to slip off the stave. An intimate and moving account of the intricacies of marriage and the myriad ways in which we can love and be loved. 
 
'Delicate, powerful, hypnotic' DONAL RYAN 
 
'Fannin's novel is already likely to be a serious contender for one of the books of the year' SUNDAY TIMES

The Weight of Love

Shane Connaughton

‘The small room was thick with dark blue uniforms. Bull’s wool the men called the material. Silver buttons. Black boots. Caps. Batons holstered in shiny black leather cylinders. Handcuffs hanging from coat hooks, the keys dangling on thick green ribbon. Dusty files on shelves. Shiny whistles on silver chains. Ink. Nibbed pens. Blotting paper. The big map of the district on the wall and beside it a rainfall chart. The men having broken their “at ease” positions, gathered into the middle of the room. His father seemed lost. Like a man with a herd of cattle he could no longer control.’ 
 
An insignificant Irish border village at the tail-end of the 1950s. The Sergeant is nervous. His men are lined up for inspection in the day room of the Garda station. Chief Superintendent ‘The Bully’ Barry is on the warpath and any slip-ups will reflect badly on the Sergeant. But what can he do with the men under his command – all of them forcibly transferred from other more important stations in more important towns? Each garda has his own story, his own problems. How can a man be expected to keep the peace with such a bunch of misfits and ne’er-do-wells? 
 
Observing them with fascination, all but invisible in his own quiet corner, sits the Sergeant’s son. On the cusp of manhood, he is drawn in by these rough and ready men, stuck in this place and time, when all he wants is a chance to leave and start his life anew. Life at home in the station’s married quarters is both comfort and knife-edged, ruled over by his by-the-book father and his gentle, emotional mother. 
 
Taking up where his acclaimed A Border Station left off, Married Quarters is a funny, beautifully observed and deeply personal novel. and marks the return of Shane Connaughton, one of Ireland’s most cherished writers.

Married Quarters

Andrew Hughes

Dublin, 1841. On a cold December morning, a small boy is enticed away from his mother and his throat savagely cut. This could be just one more small, sad death in a city riven by poverty, inequality and political unrest, but this killing causes a public outcry. For it appears the culprit – a feckless student named John Delahunt – is also an informant for the authorities at Dublin Castle. And strangely, this young man seems neither to regret what he did nor fear his punishment. Indeed, as he awaits the hangman in his cell in Kilmainham Gaol, John Delahunt decides to tell his story in this, his final, deeply unsettling statement . . . 
Based on true events that convulsed Victorian Ireland, The Convictions of John Delahunt is the tragic tale of a man who betrays his family, his friends, his society and, ultimately, himself. Set amidst Dublin’s taverns, tenements, courtrooms and alleyways and with its rich, Dickensian cast of characters, this compelling, at times darkly humorous, novel brilliantly evokes a time and a place, and introduces a remarkable new literary voice.

The Convictions of John Delahunt

Longlisted for the Man Booker Prize 2018 
Shortlisted for the Costa Novel Award 2018 
 
'An engrossing, unpredictable, beautifully crafted novel' RODDY DOYLE 
 
 
Farouk's country has been torn apart by war. 
 
Lampy's heart has been laid waste by Chloe. 
 
John's past torments him as he nears his end. 
 
The refugee. The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways. 
 
_________ 
 
'A thing of such beauty and compassion, a reminder of what the very finest sentences can do to shatter and then reassemble our hearts' KAMILA SHAMSIE 
 
'I struggle to think of a writer who has been so prolific and consistent in quality as Ryan ... Brutally honest, moving and often hilarious' GUARDIAN 
 
'Donal Ryan has not only bounded over a wall into new territory, but built himself a castle there . . . This is a superb novel.' JOHN BOYNE 
 
'Beautiful and affecting' DAVID NICHOLLS 
 
'Donal Ryan writes characters so well that as a reader you think 'I've met that man', or 'I know that woman.' But as a writer you simply wonder 'how does he do it?' From a Low and Quiet Sea is brutal and beautiful, carefully crafted portraits, deep and real, tied together, fashioned by a true artist. I absolutely loved it.' KIT DE WAAL

From a Low and Quiet Sea

From the Number 1 bestselling author of STRANGE FLOWERS

Shortlisted for the Costa Novel Award 2018

From the twice Man Booker longlisted author of From a Low and Quiet Sea 
 
'Poetic, powerful and heart-rending' THE TIMES 
 
'An exquisite account of womanhood, friendship, prejudice and tradition that is both intimate in scale and awesome in achievement' IRISH INDEPENDENT 
 
 
Melody Shee is alone and in trouble. Her husband doesn't take her news too well. She can't tell her father yet because he's a good man and this could break him. She's trying to stay in the moment, but the future is looming - larger by the day - while the past won't let her go. What she did to Breedie Flynn all those years ago still haunts her. 
 
It's a good thing that she meets Mary Crothery when she does. Mary is a young Traveller woman, and she knows more about Melody than she lets on. She might just save Melody's life. 
 
_________ 
 
'A joy to read, for all that it breaks your heart' INDEPENDENT 
 
'One of the finest writers working in Ireland today ... worthy of Greek Drama' GUARDIAN 
 
'A stunning piece of work, utterly truthful and emotionally powerful' JOSEPH O'CONNOR 
 
'Work of genius ... I was entranced by it. Buckled by it' SEBASTIAN BARRY

All We Shall Know

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