Nigella Lawson has written eleven bestselling cookery books including the classics How to Eat and How To Be A Domestic Goddess – the book that inspired a whole new generation of bakers. These books, and her TV series, have made her a household name around the world. 
 
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Nigella Lawson

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Paul Bowles

<a href="https://shop.penguin.co.uk/collections/book-bundles-modern-classics/?&amp;utm_source=Penguin.co.uk&amp;utm_medium=Linked_text&amp;utm_campaign=Penguin_Modern_Classics_Series_26_06">Choose 3 timeless classics for only £21 over on the Penguin Shop</a>

In the Circular Valley lives a spirit, a mute presence: Atlajala. Thirsting for sensation, this spirit enters a moth, a panther, an eel, and feels what they feel - the cool darkness of water, the pleasure of a kill. Centuries old and indifferent to time, it enters man and discovers obsession for the first time. Yearning to be incarnate as man, it enters priests, soldiers and bandits. When an adulterous couple arrives in the valley, it slips into a woman. Finally, it feels complete. But as it possesses her, she grows restless and extreme, and her affair takes a darker, more sinister turn.

The Circular Valley

John Mortimer

When a Tory MP is found dead in a swimming-pool wearing a leopardskin bikini, the embittered Leslie (now Lord) Titmuss sees the ideal opportunity to re-enter the political arena. All he needs is a puppet, and Terry Flitton - inoffensive New Labourite - is perfect. Along with his beautiful, very PC wife, Terry heads blindly for the Hartscombe and Worsfield South by-election. But is he too busy listening for the sound of victory trumpets to notice that the Tory dinosaur is not quite extinct? 
 
John Mortimer's brilliant follow-up to Paradise Postponed and Titmuss Regained, The Sound of Trumpets is a devilishly witty satire on political ambition, spin and sleaze, and the culmination of a masterly trilogy.

The Sound of Trumpets

Emmanuel Carrère

Limonov is not a fictional character, but he could have been. He's lived a hundred lives. He was a hoodlum in Ukraine, an idol of the Soviet underground, punk-poet and valet to a billionaire in Manhattan, fashion writer in Paris, lost soldier in the Balkans, and now, in the chaos after the fall of communism a charismatic party leader of a gang of political desperados.

Limonov

John Updike

Using details of the ancient Scandinavian legends that were the inspiration for Hamlet, John Updike brings to life Gertrude's girlhood as the daughter of King Rorik, her arranged marriage to the man who becomes King Hamlet, and her middle-aged affair with her husband's younger brother. As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at.  Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow of a sullen, disaffected prince.

Gertrude And Claudius

Margaret Drabble

'Her feelings for the child redeemed her from bitterness, and shed some light on the dark industrial terraces and the waste lands of the city's rubble.' 
 
One of the most acclaimed novelists of her generation, Margaret Drabble is an unmatched observer of postwar English lives, portraying social change, sexual liberation, landscape, class and the messy complications of human relationships with intricacy and honesty. In these two stories of lives colliding, a mother buying a birthday gift has her dreams destroyed, and a honeymoon leads to an unexpected epiphany. 
 
This book contains The Gifts of War and Hassan's Tower.

The Gifts of War

Robert Coover

'She arrives at 7.40, ten minutes late...' She babysits for Mr and Mrs Tucker. She has left a boyfriend alone for the evening. From this seemingly simple start Robert Coover masterfully explores the subtle barrier between 'reality' and thought. As the babysitter triggers the men's sexual fantasies, their erotic imaginations twist into alternative narratives simultaneously experienced by the reader: she does or does not take a bath; she does or does not invite her boyfriend over; she does or does not get caught unawares by Mr Tucker. In a profusion of happenings and imaginings, Coover layers moment upon moment, narrative upon narrative, to shatter the timeline of one evening into a multiplicity of events - contradictory, simultaneous, but all equally 'real'.

The Babysitter

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