Nigella Lawson has written eleven bestselling cookery books including the classics How to Eat and How To Be A Domestic Goddess – the book that inspired a whole new generation of bakers. These books, and her TV series, have made her a household name around the world. 
 
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Nigella Lawson

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George Bernard Shaw

Shaw&rsquo;s story is rife with such &lsquo;beyond opinions&rsquo;, as an Anglo-Irish Protestant, a Dubliner in London, and a socialist living in the aftermath of the industrial revolution. In one sense, as a Protestant choosing to live in London, he is a John Bull, yet he remains Irish &ndash; an Irish Bull, something alluded to in his one play set in Eire, John Bull&rsquo;s Other Island.

John Bull's Other Island

Nezami Ganjavi

Called 'the Romeo and Juliet of the East' by Lord Byron, Layli and Majnun is a classic tale of forbidden love that gained widespread popularity following its depiction in this twelfth-century narrative poem. Much like the lovers in the Shakespearean classic, Layli and Majnun's star-crossed lovers have become icons of both Persian literature and popular culture thanks to Nizami's accessible narrative poem, which is translated here in rhyming couplets by the acclaimed poet and scholar of Persian literature Dick Davis.

Layli and Majnun

George Orwell

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The Lion and the Unicorn was written in London during the worst period of the Blitz. It is vintage Orwell, a dynamic outline of his belief in socialism, patriotism and an English revolution. His fullest political statement, it has been described as 'one of the most moving and incisive portraits of the English character' and is as relevant now as it ever has been.

The Lion and the Unicorn

Socialism and the English Genius

Ved Mehta

Fly and the Fly Bottle is perhaps Ved Mehta's masterpiece: a collection of his brilliantly revealing conversations with some of the twentieth century's most important philosophers. Engaging with such heavyweights as Isaiah Berlin, Gilbert Ryle, and Elizabeth Anscombe, Mehta is not only able to shed light on the personalities involved in shaping modern philosophy, as well as on the particularities of that philosophic thought, but also to minutely examine the surrounding atmosphere of mid-century British life.

Fly and the Fly-Bottle

John Webster

John Ford

These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores the role of women and issues of power, sex and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo themes of incest and forbidden lust in a daring reworking of Romeo and Juliet. 
 
Jane Kingsley-Smith has edited the plays from the earliest quartos and added invaluable editorial material, including explanatory glosses and a new introduction that discusses how the playwrights used the theatre to explore issues around women, sex, power and violence. 
 
Together with the Penguin volume of Five Revenge Tragedies, edited by Emma Smith, this is the essential sourcebook for drama in the period. 
 
'Revenge, hatred, villainy, incest, and murder upon murder are their constant themes ... and they handle these horrors with little or no moral purpose, save that of exciting and amusing the audience ... We should call him a madman who allowed his daughters or his servants to see such representations' - Charles Kingsley 
 
JOHN WEBSTER was born in about 1578 in London. He studied law at the Middle Temple before embarking on a career in the theatre, collaborating on many plays with contemporary dramatists. But it was his two solo-authored tragedies, The White Devil (1612) and The Duchess of Malfi (1614) which sealed his reputation. In 1606 he married Sara Peniall, who was seven months pregnant, and they went on to have at least four children. He died in the 1630s. 
 
JOHN FORD was born in 1586 in Devon. His early career was wholly concerned with poetry and philosophical works, and it was not until the 1620s that he began collaborating on stage plays. In the late 1620s, he began writing alone, producing the eight plays on which his reputation would be based, including The Broken Heart (1620) and 'Tis Pity She's a Whore (c.1630). Nothing more is known of Ford after the performance of his last play in 1638. 
 
JANE KINGSLEY-SMITH completed her PhD at the Shakespeare Institute, Stratford-upon-Avon and is the author of two monographs: Shakespeare's Drama of Exile (2003) and Cupid in Early Modern Literature and Culture (2010). She is a Reader at Roehampton University, London, and a regular guest speaker at Shakespeare's Globe.

The Duchess of Malfi, The White Devil, The Broken Heart and 'Tis Pity She's a Whore

Thomas Carlyle

The most important writings by the great and controversial Victorian polemicist. 
 
Carlyle was one of the great figures of his age: thunderous, passionate, irascible, sceptical and idealistic. This selection is representative of all stages of Carlyle's career, and includes 'Sign of the Times', his essay against the mechanization of the age and the rise of the machines; the whole of 'Chartism'; and extracts from The French Revolution, Heroes and Hero-Worship, Sartor Resartus, Past and Present, as well as other pieces. The book also includes an introduction and notes by Alan Shelston. 
 
Thomas Carlyle was born in Dumfriesshire, Scotland, in 1795. Intended by his family to become a Presbyterian minister, he was influenced by the Scottish Enlightenment while at the University of Edinburgh and became a teacher instead. He later turned to literary work, publishing a life of Schiller and translations of Goethe in the 1820s. His first truly successful book was The French Revolution, which was followed by many others. He died in 1881. 
 
Alan Shelston was Senior Lecturer in English Literature at the University of Manchester until retirement in 2002. He has edited a number of Gaskell's works including The Life of Charlotte Bronte (1975) and North and South (2005), and was joint editor with John Chapple of The Further Letters of Mrs Gaskell (2000). He has published a selection of Hardy's poetry and written on a number of nineteen century authors including Dickens and Henry James.

Selected Writings

Jean Racine

This new Penguin volume includes the 'greatest hits' of French classical theatre, in vivid and acclaimed English translations. 
 
The plays in this volume - Cinna, The Misanthrope, Andromache and Phaedra - span only thirty-seven years, but make up the defining period of French theatre. In Corneille's Cinna (1640), absolute power is explored in ancient Rome, while Molière's The Misanthrope (1666), the only comedy in this collection, sees its anti-hero outcast for his refusal to conform to social conventions. Here also are two key plays by Racine: Andromache (1667), recounting the tragedy of Hector's widow after the Trojan War, and Phaedre (1677), showing a mother crossing the bounds of love with her son. 
 
John Edmunds' translation of Phaedra was originally broadcast on Radio Three with a cast including Prunella Scales and Timothy West, and was subsequently praised by Harold Pinter. This is the first time it has been published. 
 
Often hailed as the father of French tragedy, PIERRE CORNEILLE made his name with the tragicomedy Le Cid in 1637. His best-known works include the tragedies Horace (1640) and Cinna (1641). MOLIÈRE founded the 'Illustre Théâtre' troupe and wrote numerous comedies, including Tartuffe (1664), which was banned, Le Misanthrope (1666) and L'Avare (1668). JEAN RACINE became known as one of the period's leading playwrights, with such tragedies as Andromaque (1667), Britannicus (1669) and Phèdre (1677). 
 
After a varied career as an actor, teacher, and BBC TV national newsreader, JOHN EDMUNDS became the founder-director of Aberystwyth university's department of Theatre, Film and Television Studies. 
 
JOSEPH HARRIS is Senior Lecturer at Royal Holloway, University of London and author of Hidden Agendas: Cross-Dressing in Seventeenth-Century France (2005).

Four French Plays

Cinna, The Misanthrope, Andromache, Phaedra

Arthur Miller

In Joe and Kate Keller's family garden, an apple tree - a memorial to their son Larry, lost in the Second World War - has been torn down by a storm. But his loss is not the only part of the family's past they can't put behind them. Not everybody's forgotten the court case that put Joe's partner in jail, or the cracked engine heads his factory produced which caused it and dropped twenty-one pilots out of the sky ...

All My Sons

William Shakespeare

'At one and the same time the greatest of all works of English patriotism and a searing critique of warfare' Jonathan Bate 
 
Young King Henry wages war on France. Tainted by his family's past crimes and with enemies among his own men, he must face the difficult responsibilities of kingship, unite his country and rouse his 'band of brothers' to battle at Agincourt. An heroic coming-of-age story and a work of stirring patriotic oratory, Henry V also has darker undercurrents that ultimately question the price of military victory. 
 
Used and Recommended by the National Theatre 
 
General Editor Stanley Wells 
Edited by A. R. Humphreys 
with an Introduction by Ann Kaegi

Henry V

Eddie Carbone is a longshoreman and a straightforward man, with a strong sense of decency and of honour. For Eddie, it's a privilege to take in his wife's cousins, straight off the boat from Italy. But, as his niece begins to fall for one of them, it's clear that it's not just, as Eddie claims, that he's too strange, too sissy, too careless for her, but that something bigger, deeper is wrong, and wrong inside Eddie, in a way he can't face. Something which threatens the happiness of their whole family.

A View from the Bridge

One of Bernard Shaw&rsquo;s most glittering comedies, Arms and the Man is a burlesque of Victorian attitudes to heroism, war and empire. In the contrast between Bluntschli, the mercenary soldier, and the brave leader, Sergius, the true nature of valour is revealed. Shaw mocks deluded idealism in Candida, when a young poet becomes infatuated with the wife of a Socialist preacher. The Man of Destiny is a witty war of words between Napoleon and a &lsquo;strange lady&rsquo;, while in the exuberant farce You Never Can Tell a divided family is reunited by chance. Although Shaw intended Plays Pleasant to be gentler comedies than those in their companion volume, Plays Unpleasant, their prophetic satire is sharp and provocative.

Plays Pleasant

Peter Parker

In the 1940s, it was believed that homosexuality had been becoming more widespread in the aftermath of war. A moral panic ensued, centred around London as the place to which gay men gravitated. 
 
Peter Parker's fascinating new compendium explores what it was actually like for queer men in London in this period, whether they were well-known figures such as Francis Bacon, Joe Orton and Kenneth Williams, or living lives of quiet &ndash; or occasionally rowdy &ndash; anonymity in pubs, clubs, more public places of assignation, or at home. It is rich with letters, diaries, psychological textbooks, novels, films, plays and police records, covering a wide range of viewpoints, from those who deplored homosexuality to those who campaigned for its decriminalisation. 
 
This second volume, from 1960 to 1967, shows how key elements in British society gradually changed their views on homosexuality, resulting in the landmark 1967 act by which it was no longer considered a crime if it took place between adults in private. This did not end violence, discrimination and prejudice, but it at least curbed official persecution. Some Men in London is a testament to queer life and its thriving, joyous subculture &ndash; a subculture without which the 1960s would have been immeasurably impoverished.

Some Men In London: Queer Life, 1960-1967

In the 1940s, it was believed that homosexuality had been becoming more widespread in the aftermath of war. A moral panic ensued, centred around London as the place to which gay men gravitated. 
 
In a major new anthology, Peter Parker explores what it was actually like for queer men in London in this period, whether they were well-known figures such as John Gielgud, &lsquo;Chips&rsquo; Channon and E.M. Forster, or living lives of quiet &ndash; or occasionally rowdy &ndash; anonymity in pubs, clubs, more public places of assignation, or at home. It is rich with letters, diaries, psychological textbooks, novels, films, plays and police records, covering a wide range of viewpoints, from those who deplored homosexuality to those who campaigned for its decriminalisation. 
 
This first volume, from 1945 to 1959, details a community forced to live at constant risk of blackmail or prison. Yet it also shows a thriving and joyous subculture, one that enriched a mainstream culture often ignorant of its debt to gay creators. Some Men In London is a testament to queer life, which was always much more complex than newspapers, governments and the Metropolitan Police Force imagined.

Some Men In London: Queer Life, 1945-1959

Rumi

Thirteenth-century Persian philosopher, mystic, scholar and founder of the order of the Whirling Dervishes, Jelaluddin Rumi was also a poet of transcendental power. His inspirational verse speaks with the universal voice of the human soul and brims with exuberant energy and passion. Rich in natural imagery from horses to fishes, flowers to birds and rivers to stars, the poems have an elemental force that has remained undiminished through the centuries. Their themes - tolerance, goodness, the experience of God, charity and awareness through love - still resonate with millions of readers around the world.

Selected Poems

Sharing its title with the poetic name for Finland - 'the land of heroes' - Kalevala is the soaring epic poem of the Finnish people. Born of an ancient tradition of folklore and song, Kalevala is a work rich in magic, cosmic mystery and myth, presenting a story of a people through the ages, from the dawn of creation. Sung by rural Finns since prehistoric times, and formally compiled by Elias Lönnrot in the nineteenth century, it is a landmark of Finnish culture and it played a vital role in galvanizing Finland's national identity in the decades leading up to independence. And yet its tales of tragedy and triumph, adventure and ambition, hope, lust, death and birth, reach far beyond the region's borders, searching the heart of human existence.

Kalevala

The Epic of the Finnish People

Ben Jonson

The three plays collected in this volume depict the faults, errors and foibles of ordinary people with exuberant humour, savage satire and acute observations. Volpone portrays a rich Venetian who pretends to be dying so that his despised acquaintances will flock to his bedside with extravagant gifts in hope of an inheritance. The Alchemist also deals with greed and gullibility, as a rascally trio of confidence tricksters, claiming to have the legendary Philosopher's Stone, fool a series of victims who are hoping to make some easy money. And in a wonderfully energetic portrait of Jacobean life, Bartholomew Fair shows a diverse group of Londoners sampling the delights and temptations of the Fair - and the traders, prostitutes and cutpurses who set out to exploit them.

Volpone and Other Plays

Homer

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Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. 
 
The epic tale of Odysseus and his ten-year journey home after the Trojan War forms one of the earliest and greatest works of Western literature. Confronted by natural and supernatural threats - shipwrecks, battles, monsters and the implacable enmity of the sea-god Poseidon - Odysseus must use his wit and native cunning if he is to reach his homeland safely and overcome the obstacles that, even there, await him.

The Odyssey

Penguin Classics

The first of Shakespeare's four plays about the Wars of the Roses, dramatizing the rivalry between power-hungry noble houses, divided by grievances inherited from the past. This Penguin Shakespeare edition is edited by Norman Sanders with an introduction by Jane Kingsley-Smith. 
 
'Send between the red rose and the white 
A thousand souls to death and deadly night' 
 
After the death of Henry V, the French revolt and threaten to reclaim their country from English rule. Guided by his Lord Protector, the young King Henry VI journeys to Paris to reaffirm his rule over France. But while the British battle Joan of Arc abroad, discontent is also breeding at home between the two ancient Houses of York and Lancaster. 
 
This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to the play, a chronology, suggestions for further reading, an essay by Rebecca Brown discussing performance options on both stage and screen, and a commentary. 
 
Shakespeare's first tetralogy, about the Wars of the Roses, is continued by Henry VI, Parts II and III, and Richard III, all available in Penguin Classics.

Henry VI Part One

This volume features the play Misalliance, which explores the incongruities of human nature and family life, and Shaw's one-act burlesque, The Fascinating Foundling.

Misalliance and the Fascinating Foundling

Louise Glück

For the past fifty years, Louise Glück has been a major force in modern poetry, distinguished as much for the restless intelligence, wit and intimacy of her poetic voice as for her development of a particular form: the book-length sequence of poems. This volume brings together the twelve collections Glück has published to date, offering readers the opportunity to become immersed in the artistry and vision of one of the world's greatest poets. 
 
From the allegories of The Wild Iris to the myth-making of Averno; the oneiric landscapes of The House on Marshland to the questing of Faithful and Virtuous Night - each of Glück's collections looks upon the events of an ordinary life and finds within them scope for the transcendent; each wields its archetypes to puncture the illusions of the self. Across her work, elements are reiterated but endlessly transfigured - Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain. Taken together, the effect is like a shifting landscape seen from above, at once familiar and unspeakably profound.

Poems

1962–2020

John Gay

The tale of Peachum, thief-taker and informer, conspiring to send the dashing and promiscuous highwayman Macheath to the gallows, became the theatrical sensation of the eighteenth century. 
 
In THE BEGGAR'S OPERA, John Gay turned conventions of Italian opera riotously upside-down, instead using traditional popular ballads and street tunes, while also indulging in political satire at the expense of the Prime Minister, Sir Robert Walpole. Gay's highly original depiction of the thieves, informers, prostitutes and highwaymen thronging the slums and prisons of the corrupt London underworld proved brilliantly successful in exposing the dark side of a corrupt and jaded society.

The Beggar's Opera

With Plays Unpleasant, Shaw issued a radical challenge to his audiences' complacency and exposed social evils through his dramatization of the moral conflicts between youthful idealism and economic reality, promiscuity and marriage, and the duties of women to others and to themselves. His first play, Widowers' Houses, depicts Harry Trench's dilemma on learning that the inheritance of his fiancée comes from her father's income as a slum landlord. In The Philanderer, charismatic Leonard Charteris proposes marriage to Grace, while he is still involved with the beautiful Julia Craven - who is not inclined to give him up so easily. And in Mrs Warren's Profession, Vivie Warren is forced to reconsider her own future when she discovers that her mother's immoral earnings funded her genteel upbringing.

Plays Unpleasant

Lewis Carroll

Henry Holiday

'They sought it with thimbles, they sought it with care; They pursued it with forks and hope; They threatened its life with a railway share; They charmed it with smiles and soap' Ever since Lewis Carroll's nonsense epic appeared in 1876 readers have joined his ten-man Snark-hunting crew and pursued the search with great enthusiasm. What are they hunting for? What is the Snark? Numerous theories have been proposed. Carroll himself provides a helpful Preface to the poem and is recorded as having explained to one reader: 'In answer to your question, 'What did you mean the Snark was?' will you tell your friend that I meant that the Snark was a Boojum. I trust that she and you will now feel quite satisfied and happy.' This edition, previously published as The Annotated Snark, reproduces the original illustrations by Henry Holiday, including the 'supressed' Boojum drawing. Martin Gardner provides an introduction, notes and bibliography, and an Appendix contains F. C. S. Schiller's 'Commentary on the Snark' and J. A. Lyndon's 'Fit the Seven-and-a-Halfth'.

The Hunting of the Snark

Pierre Corneille

The Cid, Corneille's masterpiece set in medieval Spain, was the first great work of French classical drama; Cinna, written three years later in 1641, is a tense political drama, while The Theatrical Illusion, an earlier work, is reminiscent of Shakespeare's exuberant comedies.

The Cid, the Cinna, the Theatrical Illusion

Terence

The Roman dramatist Terence (c. 186-159 BC) adapted many of his comedies from Greek sources, rendering them suitable for audiences of his own time by introducing subtler characterization and more complex plots. In his romantic play, The Girl from Andros, Terence portrays a love affair saved by a startling discovery. The Self-Tormentor focusses on a man's remorse after sending his son to war, and The Eunuch depicts a case of mistaken identity. Phormio is as rich in intrigue as a French farce, while The Mother-in-Law shows two families striving to save a marriage and The Brothers contrasts strict and lenient upbringings. With their tight plots and spare dialogue, Terence gave his plays a sense of humanity that became a model in the Renaissance and greatly influenced Molière.

The Comedies

R. C. Sherriff

Set in the First World War, Journey's End concerns a group of British officers on the front line and opens in a dugout in the trenches in France. Raleigh, a new eighteen-year-old officer fresh out of English public school, joins the besieged company of his friend and cricketing hero Stanhope, and finds him dramatically changed ... 
 
Laurence Olivier starred as Stanhope in the first performance of Journey's End in 1928; the play was an instant stage success and remains a remarkable anti-war classic.

Journey's End

Marshall McLuhan

Well known for coining the term 'Global Village', Marshall McLuhan's thinking was, and still is, revolutionary. His theories, many of which are illustrated in this astonishing 'inventory of effects', force us to question how modes of communication have shaped society. This is an astonishing work by a truly astonishing man. 
 
The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. This is one of four books in that series.

The Medium is the Massage

An Inventory of Effects

Oscar Wilde

De Profundis and Other Prison Writings is a new selection of Oscar Wilde's prison letters and poetry in Penguin Classics, edited and introduced by Colm Tóibín. 
 
At the start of 1895, Oscar Wilde was the toast of London, widely feted for his most recent stage success, An Ideal Husband. But by May of the same year, Wilde was in Reading prison sentenced to hard labour. 'De Profundis' is an epistolic account of Oscar Wilde's spiritual journey while in prison, and describes his new, shocking conviction that 'the supreme vice is shallowness'. This edition also includes further letters to his wife, his friends, the Home Secretary, newspaper editors and his lover Lord Alfred Douglas - Bosie - himself, as well as 'The Ballad of Reading Gaol', the heart-rending poem about a man sentenced to hang for the murder of the woman he loved. 
 
This Penguin edition is based on the definitive Complete Letters, edited by Wilde's grandson Merlin Holland. Colm Tóibín's introduction explores Wilde's duality in love, politics and literature. This edition also includes notes on the text and suggested further reading. 
 
Oscar Wilde was born in Dublin. His three volumes of short fiction, The Happy Prince, Lord Arthur Savile's Crime and A House of Pomegranates, together with his only novel, The Picture of Dorian Gray, won him a reputation as a writer with an original talent, a reputation enhanced by the phenomenal success of his society comedies - Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband and The Importance of Being Earnest. 
 
Colm Tóibín is the author of five novels, including The Blackwater Lightship and The Master, and a collection of stories, Mothers and Sons. His essay collection Love in a Dark Time: Gay Lives from Wilde to Almodovar appeared in 2002. He is the editor of The Penguin Book of Irish Fiction.

De Profundis and Other Prison Writings

Charles Dickens

Throughout his writing career Charles Dickens was a hugely prolific journalist. This volume of his later work is selected from pieces that he wrote after he founded the journal Household Words in 1850 up until his death in 1870. Here subjects as varied as his nocturnal walks around London slums, prisons, theatres and Inns of Court, journeys to the continent and his childhood in Kent and London are captured in remarkable pieces such as 'Night Walks', 'On Strike', 'New Year's Day' and 'Lying Awake'. Aiming to catch the imagination of a public besieged by hack journalism, these writings are an extraordinary blend of public and private, news and recollection, reality and fantastic description.

Selected Journalism 1850-1870

Shaw believed that theatre audiences of the 1890s deserved more than the hollow spectacle and sham he saw displayed on the London stage. But he also recognized that people wanted to be entertained while educated, and to see purpose mixed with pleasure. In these three plays of ideas, Shaw employed traditional dramatic forms - Victorian melodrama, the history play and the adventure story - to turn received wisdom upside down. Set during the American War of Independence, The Devil's Disciple exposes fake Puritanism and piety, while Caesar and Cleopatra, a cheeky riposte to Shakespeare, redefines heroism in the character of the ageing Roman leader. And in Captain Brassbound's Conversion, an expedition in Morocco is saved from disaster by a lady explorer's skilful manipulation of the truth.

Three Plays for Puritans

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