Nigella Lawson has written eleven bestselling cookery books including the classics How to Eat and How To Be A Domestic Goddess – the book that inspired a whole new generation of bakers. These books, and her TV series, have made her a household name around the world. 
 
www.nigella.com 
@Nigella_Lawson

Nigella Lawson

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Rosemary Ashton

They were the most remarkable couple in London: the great sage Carlyle, with his vehement prophecies, and his witty, sardonic wife Jane.  It was a strong, close, mutually admiring yet often mutually antagonistic partnership, fascinating to all who observed it. The Carlyles lived at the heart of English life in mid-Victorian London, but both were outsiders, a largely self-educated Scottish pair who took a sometimes caustic look at the society they so influenced - Carlyle through his copious writings, and both through their network of acquaintances and correspondents.  Carlyle's fame was confirmed by his Sartor Resartus of 1843, The French Revolution, his lectures on heroes and hero-worship and by his radical account of contemporary industrial Britain in Past and Present, 1843.  Both husband and wife were great letter-writers, Carlyle commenting on the matters of the day, dashing off pen portraits of those he met and Jane with her brilliant stories and her sharp, dry humour.  Yet despite her brilliance, Jane suffered, especially from Carlyle's infatuation with the lion-hunting Lady Ashburton, and the tensions in their marriage grew.  The letters they wrote, both to each other and to others, make theirs the most well-documented marriage of the nineteenth century and give us an unequalled portrait of a famously unhappy marriage. This moving and vivid biography describes their relationship with each other, from their first meeting in 1821 to Jane's death in 1866, and also their relationship with the world outside.  Rosemary Ashton's inimitable blend of rigorous scholarship, warm sensitivity and lively wit makes this not only a portrait of a marriage but a picture of a whole age, elegant, erudite and entertaining.

Thomas And Jane Carlyle

Portrait of a Marriage

Dur e Aziz Amna

2019 WINNER OF THE BODLEY HEAD | FINANCIAL TIMES ESSAY PRIZE 
 
'Surkh gulaaban day mausam vich, 
Phulaan de rang kaalay. 
 
(In the season of red roses, 
These flowers are turning black.)' 
 
Your Tongue Is Still Yours is a poetic meditation on language, regional cultures and how identity exists in the many layers between the two. Punjabi. Urdu. English. Arabic. Balti. Shina. Khowar. Wakhi. 
 
Dur e Aziz Amna goes back to Pakistan, traversing its different regions before returning to New York, considering how language has shaped her past and how it might do the same for her children’s future.

Your Tongue Is Still Yours

Reflections On Language

Christopher Hitchens

As the Duke and Duchess of Sussex bring renewed focus to the monarchy, now is the perfect time to re-examine Christopher Hitchens’s powerful polemic. 
 
In this scathing essay, Christopher Hitchens looks at the relationship of the press and the public to the royal family, unpacking the tautology and contradictory arguments that prop it up. In his inimitable style, Hitchens argues that our desire not to profane or disturb the monarchy is a failure of reason and a confusion of reality. Fealty to the magic of monarchy stops us looking objectively at our own history and hinders open-minded criticism of our present. It is time we outgrew it. 
 
 With the recent birth of royal baby Archie, during a time of austerity and national inequality, Hitchens’s 10,000-word critique is even more relevant today than when it was first published in 1990. 
 
 'Christopher is one of the most terrifying rhetoricians that the world has yet seen' Martin Amis

The Monarchy

A Critique of Britain's Favourite Fetish

Saranya Subramanian

RUNNER-UP OF THE 2020 BODLEY HEAD / FINANCIAL TIMES ESSAY PRIZE 
 
'It's an exhausting, futile battle, really. Every night, the same smug cockroach squeezes herself out of my bathroom drain's grilled lid, scuttles into the toilet and shower area, and waltzes around like she owns the place.' 
 
The Cockroach and I is an astonishingly vivid, funny, trenchant portrait of life in Bombay in 2020 during the pandemic. It is alive to the nameless and the numberless of the city, alive to history, and alive to the special strangeness of a year of living surrounded by death and uncertainty. 
 
Here are innumerable human beings pushed inside their homes while insects and animals roam freely, each playing their roles.

The Cockroach and I

Chris Newens

2017 WINNER OF THE BODLEY HEAD | FINANCIAL TIMES ESSAY PRIZE 
 
In this quest across India during the recent cash crisis, Chris Newens follows in the footsteps of TV chef Rick Stein in search of divine truth and the perfect curry. Steeped in the smells and colours of south India, Cash and Curry is a brilliantly funny and intelligent journey of discovery that muses on the love of food, various incarnations of godliness, the power of belief and the true meaning of value.

Cash and Curry

An Unlikely Pilgrimage

Anthony Barnett

This is the most important, wide-ranging and critical debate so far published on the monarchy. 
 
It is not concerned with the trivia and tragedy of the Windsor's personal lives. Instead, a glittering range of contributors from across the spectrum of opinion focus on what the monarchy means for Britain today. Do we - can we? - continue to live in what Anthony Barnett calls in a provocative introductory essay, "an empire state?" 
 
The essays include Charles Moore's stirring reassertion of the case for the crown and David Hare's denunciation of the "odious rituals of deference." Lady Longford assures us that the royal phoenix will rise from the ashes of the Windsor fire. Christopher Hitchens rebukes Shirely Williams and criticizes the monarchy for invading our privacy. Marina Warner dissects our fear of change. These and many others contribute to a debate conceived as a watershed. A debate that will be seen as having shattered the taboo on serious scrutiny of the monarchy.

Power And The Throne

Adnan Sarwar

It isn't nice but you're an animal, so you can do it, dressed in green and brown and black waiting to be attacked and smiling because you had bullets for teeth. 
 
 Adnan Sarwar, a Pakistani boy from Burnley, joined the British Army – the White Man’s Army. Why did he do it? To prove he was as white as his friends? For Queen and Country? Or to work out who he was – British, Muslim or a Soldier? Perhaps he could be all three. 
 
 ‘British Muslim Soldier’ is Adnan’s journey through the battlegrounds of war, race and identity, facing up to the often brutal realities of these fraught warzones. There is racism, family ties, tedious routine, enemies and torture. But what Adnan’s story really comes down to is love – love for his family, for his fellow squaddies – and a deep-rooted sense of identity and belonging. 
 
 …when did these clothes fit so well? When did Corporal become an older brother and when did the army become a mother? When did I become a British soldier?

British Muslim Soldier

Angelica Malin

Thirty women, from Megan Barton-Hanson and Shaparak Khorsandi to Shon Faye and Stephanie Yeboah write on what single womanhood in the modern age means to them. 
 
 
Have you ever worried about going on holiday alone? 
 
Felt queasy at the thought of Valentine's Day without a date? 
 
Thought to yourself, "I want what she has?" 
 
This book is the tonic you need. 
 
 
ANGELICA MALIN - MEGAN BARTON HANSON - ANNIE LORD - STEPHANIE YEBOAH - SHAPARAK KHORSANDI - POORNA BELL - CHARLIE CRAGGS - REBECCA REID - ASHLEY JAMES - CHANTÉ JOSEPH - ROSIE WILBY - SALMA EL-WARDANY - NATALIE BYRNE - SHON FAYE - VENUS LIBIDO - JESSICA MORGAN - FRANCESCA SPECTER - SHANI SILVER - RACHEL THOMPSON - BELLA DEPAULO - MIA LEVITIN - FELICITY MORSE - KETAKI CHOWKHANI - LUCIE BROWNLEE - CHLOE PIERRE - SOPHIA MONEY-COUTTS - NICOLA SLAWSON - RAHEL AKLILU - SOPHIA LEONIE - ROSE STOKES - MADELEINE SPENCER 
 
Curated by journalist and author Angelica Malin, Unattached explores the nuances of being single today through the voices of thirty women; with personal essays reflecting both the unique challenges (hello, going to a wedding alone), and the glorious benefits (goodbye, joint bank account). 
 
Unattached shines a light on brilliant women stepping into their power, owning being alone, and reveals the true depth of female potential when we choose to go against what society expects of us and revel in our own strength.

Unattached

Empowering Essays on Singlehood

Caryl Phillips

A New World Order ranges widely across the Atlantic World that Caryl Phillips has charted in his award winning novels and non-fiction during the course of the past twenty years.  He begins this collection by establishing his belief that there is a 'new world order' of cultural plurality, one which is being promoted by the increasingly central role of the migrant and the refugee in the modern world. He goes on to reflect on the work of such seminal figures as Derek Walcott, V. S. Naipaul, J. M. Coetzee and Nadine Gordimer, Steven Spielberg, Linton Kwesi Johnson and Marvin Gaye. Phillips writes about the moment when St Kitts, the small island of his birth, became independent and talks about the role and responsibility of being a writer born into a postcolonial world who lives on both sides of the Atlantic. He then turns the spotlight on Britain speculating about his parents' migration in the late fifties, the continued legacy of racism, his own helpless loyalty to Leeds United, and his anxieties at feeling as though he both of, and not of, Britain.

A New World Order

James Wood

In this remarkable blend of memoir and criticism, James Wood has written a master class on the connections between fiction and life. He argues that, of all the arts, fiction has a unique ability to describe the shape of our lives, and to rescue the texture of those lives from death and historical oblivion. The act of reading is understood here as the most sacred and personal of activities, and there are brilliant discussions of individual works – among others, Chekhov’s story ‘The Kiss’, W. G. Sebald’s The Emigrants, and Fitzgerald’s The Blue Flower. 
 
Wood reveals his own intimate relationship with the written word: we see the development of a provincial boy growing up in a charged Christian environment, the secret joy of his childhood reading, the links he makes between reading and blasphemy, or between literature and music. The final section discusses fiction in the context of exile and homelessness. The Nearest Thing to Life is not simply a brief, tightly argued book by a man commonly regarded as our finest living critic – it is also an exhilarating personal account that reflects on, and embodies, the fruitful conspiracy between reader and writer (and critic), and asks us to re-consider everything that is at stake when we read and write fiction.

The Nearest Thing To Life

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