Nigella Lawson has written eleven bestselling cookery books including the classics How to Eat and How To Be A Domestic Goddess – the book that inspired a whole new generation of bakers. These books, and her TV series, have made her a household name around the world. 
 
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Nigella Lawson

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Zadie Smith

In this keenly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects which have captured her attention in recent years. 
 
She takes an exhilaratingly close look at artists Toyin Ojih Odutola, Kara Walker and Celia Paul. She invites us along to the movies, to see and to think about Tár, and to Glastonbury to witness the ascendance of Stormzy. She takes us on a walk down Kilburn High Road in her beloved North West London and invites us to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. She considers changes of government on both sides of the Atlantic – and the meaning of ‘the commons’ in all our lives. 
 
Throughout this thrilling collection, Zadie Smith shows us once again her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

Dead and Alive

Michael Marshall

Here, for the first time, is complete collection of actor and entertainer Stanley Holloway&rsquo;s incomparable comic monologues, which he performed between 1929 and 1941. All the much-loved characters such as Albert Ramsbottom (&lsquo;with a stick with an &lsquo;orse&rsquo;s &lsquo;ead &lsquo;andle&rsquo;), Sam Small (&lsquo;Sam, Sam, pick oop tha&rsquo; arm), and King &lsquo;Arold (&lsquo;on his &lsquo;orse with his &lsquo;awk in his &lsquo;and&rsquo;) are gathered together and brilliantly illustrated by cartoonist Bill Tidy.

The Stanley Holloway Monologues

Isabel Waidner

Two men meet in a flat in London. They are total strangers and yet they look remarkably alike. Lewis is grieving his dead wife; Korine is hiding from his very-much-alive one. Lewis never had children; Korine is an ambivalent parent at best. Lewis is an erstwhile actor, too depressed to attend the big audition that has just fallen into his lap. Korine has tried a dozen dead-end jobs but never pursued his acting dreams. 
 
Two men living mirror image lives. Each seeking a second chance to get things right. Each wanting what the other has. 
 
As If is an existential farce about the road not taken. Surreal and slyly poignant, suffused with ironic melancholia, it is a parable for the twenty-first century everyman: a character trapped in reality’s hall of mirrors, endlessly searching for something to live for.

As If

ABC Merriman-Labor

In Britons Through Negro Spectacles Merriman-Labor takes us on a joyous, intoxicating tour of London at the turn of the 20th century. Slyly subverting the colonial gaze usually placed on Africa, he introduces us to the citizens, culture and customs of Britain with a mischievous glint in his eye. This incredible work of social commentary feels a century ahead of its time, and provides unique insights into the intersection between empire, race and community at this important moment in history.

Britons Through Negro Spectacles

Oliver Lovrenski

Last night i got woke up by marco ringing, and he was crying, he said, he died ivor, he died, and i didnt need to hear who to know, i just hung up. 
 
Ivor and Marco have been getting high since they were thirteen, started dealing at fourteen, by fifteen they were carrying knives. At sixteen years old, they hurtle from one trip to the next, one fight to the next, always watching their backs. Ivor dreams of getting out - finishing school, becoming a lawyer, marrying the girl he loves from the corner shop - but the path he's on only leads one way. 
 
In flashes of firecracker prose, shot through with rare empathy, irrepressible wit and gut-punch pathos, Oliver Lovrenski gives voice to young men growing up in a brutal and chaotic world.

Back in the Day

Anna Goldreich

Moving to the countryside is supposed to fix Clare and Phoebe’s relationship. A fresh start, a change of scenery, a chance to heal after the miscarriage of their baby girl. 
 
Instead, Phoebe feels suffocated. Back in the rural community she ran from at seventeen and unable to face the partner she cannot help, she throws herself into work on the family farm. Clare is a stranger in the village, uninitiated and out of place. She spends her days drifting around the cottage, its walls groaning and shifting as she withdraws into a world inside her head. 
 
One day, wandering through the forest nearby, Clare finds a leveret – her own little Isla. A surrogate to lick and love. A way to feel whole again. 
 
But as Isla grows into an adult hare she becomes wild and unruly – a kicking, biting, scratching creature. With Clare’s grasp on reality growing ever more tenuous, Phoebe begins to question whether Isla is the cure for grief Clare is searching for as she desperately clings on to the woman she loves . . . 
 
With this bruisingly tender love story, debut author Anna Goldreich has conjured a hazy dream of a novel about the fantasies we create as a refuge from grief. The Leveret is a heartbreakingly gorgeous and lyrically haunting hymn to queer love and the power to rebuild from the wreckage of a relationship.

The Leveret

'Married five times. Mother. Lover. Aunt. Friend. 
She plays many roles round here. And never 
Scared to tell the whole of her truth, whether 
Or not anyone wants to hear it. Wife 
Of Willesden: pissed enough to tell her life 
Story to whoever has ears and eyes...' 
 
Zadie Smith's first play is a joyous re-imagining of Chaucer's classic, The Wife of Bath's Tale. As the crowd in a small pub on the Kilburn High Road stand up to share their stories, the Wife of Willesden is not afraid to bare it all...

The Wife of Willesden

Robert Macfarlane

Jackie Morris

A great thinning of the skies is underway. Around 50% of bird species are in decline worldwide. Our dawns and springs are quieter each year than the last. An almost unimaginable abundance has been lost. It does not have to be this way –– but we will not save what we do not love. 
 
The Book of Birds is a compendium of forty-nine bird species, from Avocet to Yellowhammer, all of which are presently declining or endangered in Britain. Inspired by the classic bird-books with which the authors grew up, this is a field guide with a difference. It asks not ‘What is that bird?’, but ‘Who is that bird?’ It shows its readers how to identify birds, but also how to identify with them. 
 
With lyrical precision and playfulness, Robert Macfarlane evokes each bird’s habits and habitats –– their patterns of flight and of song, how they hunt and gather, how they nest and raise their young, the stories and myths which attend them, the threats which shadow them, and how their wild lives intersect with our own. And on every page we encounter Jackie Morris’s exhilarating artwork, painted in watercolour and gold and animated by an extraordinary attention to detail and sense of life. Set among this dazzling flock of species are seven sections celebrating the 'Seven Wonders' that together make up the everyday miracle of 'Bird': Nest, Egg, Beak, Song, Feather, Flight and Migration. 
 
Seven years in the making, The Book of Birds is a love letter to the splendours and mysteries of birdlife, and a clarion call to halt the loss of birds from land, sea and sky. From Dipper to Dunnock and Kestrel to Kingfisher, from mountain to ocean and city to river, Jackie Morris and Robert Macfarlane conjure the unique spirit and lifeway of each species. This is a book to be treasured by bird-lovers of all ages, and a future classic work of reference.

The Book of Birds

A Field Guide to Wonder and Loss

Ali Smith

Ghosts don't exist. 
They don't. End of. 
Story, however. 
It is haunting. 
Everything tells it. 
 
It all starts when Petra and her little sister Patch hear a horrifying story from the past and find themselves making up a ghost. 
Is it imaginary? Is it real? 
 
Then it all starts again thirty years later when Petra, now estranged from Patch, finds a phantom horse kicking the furniture to pieces in her bedroom. 
What to do? She phones her sister. 
 
In a chiaroscuro dance through our increasingly antagonistic era, Glyph asks if we’re attending to the history that’s made us and to the history we’re making. A funny, warm and clear-eyed take on where we are now, Glyph is about what our imaginations are for and how, in a broken, brutal and divided time, we rekindle care, solidarity, resistance and openness. 
 
This anti-war novel, Ali Smith’s most soulful, playful and vital yet, is a work of lightness that goes deep to counter the forces currently flattening the modern world. 
 
A standalone novel, it’s family to Gliff (2024).

Glyph

In 2017 Robert Macfarlane and Jackie Morris broke the mould with The Lost Words, a book of paintings in watercolour and gold leaf accompanied by acrostic spell-poems, capturing the unique essence of common but underappreciated species like Otter, Acorn, Ivy and Heron, Willow and Kingfisher. The response from readers was truly extraordinary: an instant bestseller, it inspired people of all ages all over the world, prompting mass fundraising campaigns to donate copies, and adaptations into folksong, symphony, theatre, puppetry, dance and mural. Three years later the creative duo delighted fans with a second title, The Lost Spells, celebrating the spirit of Red Fox, Silver Birch, Swallow, Jackdaw, and more. 
 
The Wild Cards draws together 100 pieces of artwork from The Lost Words and The Lost Spells. Every named species from the books is pictured at least once; many appear several times, though each postcard image is unique. The series also depicts many plants and animals not named in the original books - hidden details for the keen-eyed aficionado to discover - such as Blackbird, Stag and Rowan. On the reverse of the cards is an accompanying line of spell-text along with an identification of the depicted species. They have been otherwise left blank, their space waiting to be filled in by pen, pencil or paint and sent out into the world to make and renew connections.

The Wild Cards

A 100 Postcard Box Set

Olivia Laing

‘It is dangerous to want someone this much. He has always known it, from the very first night.’ 
 
It is September 1974. Two men meet by chance in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the designer responsible for realising the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young – and beautiful – apprentice is just what he needs. 
 
He sweeps Nicholas to Rome, into the looking-glass world of Cinecittà, the studio where Casanova’s Venice will be ingeniously assembled. Then in the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism. 
 
But Nicholas has a secret and in this world of constant illusion, his real nature passes unseen. Amidst the rising tensions of Italy’s ‘Years of Lead’, he acts as an accelerant, setting in motion a tragedy he didn’t intend. 
 
The Silver Book is at once a queer love story and a noirish thriller, set in the dream factory of cinema. It’s a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.

The Silver Book

Joe Dunthorne

Joe Dunthorne’s great-grandfather was a family legend: the eccentric pre-war inventor of radioactive toothpaste and the Jewish refugee from the Nazis who returned to Germany under cover of the Berlin Olympics to pull off a heist on his own home. 
 
Joe always knew he would write a book about this one day. The only problem was that the old man had already written the book of his life – an unpublished memoir so dense and rambling that none of his living descendants had attempted to read it. And, as it turned out when Joe finally cracked open the manuscript, it told a very different story from the one he thought he knew…

Children of Radium

A Buried Inheritance

Jay Griffiths

Pet-owners and animal-lovers instinctively know that animals heal. This book offers the evidence, drawing widely on scientific discoveries, history, and Indigenous knowledge. 
 
We meet a pot-bellied pig who saved her owner's life, lions who guarded a girl from kidnappers, dolphins and whales rescuing people in danger, and dogs who can smell cancer and phone the Emergency Services. 
 
Animal sounds, from insects to birdsong and the purring of cats, are directly medicinal and their presence can heal the pain of loneliness. Animals, including donkeys, can be natural therapists for the hurt psyche, alleviating trauma, fear and depression. 
 
In this original, revelatory and exuberant book, Jay Griffiths explores how animals can have a role in every level of healing, from the individual to the collective, guiding us in how we might create societies that are healthier, fairer and kinder. Wolves may be teachers of ethics; monkeys and dogs can object to unfairness and bees take collective decisions. Animals are irresistible medicine for a healthy culture, animating the arts with spectacular vitality and verve, as poetry knows. 
 
Open-hearted, playful and wise, How Animals Heal Us puts animals at the heart of a restorative vision of health.

How Animals Heal Us

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