Nigella Lawson has written eleven bestselling cookery books including the classics How to Eat and How To Be A Domestic Goddess – the book that inspired a whole new generation of bakers. These books, and her TV series, have made her a household name around the world. 
 
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Nigella Lawson

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Rachel Aspden

In 2003, Rachel Aspden arrived in Egypt as a 23-year-old trainee journalist. She found a country on the brink of change. Of Egypt's 80 million citizens, two-thirds were under 30. The new generation were stifled, broken and frustrated – caught between a dictatorship with nothing to offer them and autocratic parents still clinging to tradition and obedience after a lifetime of fear. 
 
In January 2011, the young people’s patience ran out. They thought the revolution that followed would change everything for them. But as violence escalated, the economy collapsed and as the united front against Mubarak shattered into sectarianism, many found themselves wavering, hesitant to discard the old ways. 
 
What happens when a revolution unravels? 
 
Why is a generation raised on Hollywood movies and global brand names turning to religion? 
 
How do you choose between sex and tradition, consumerism and faith? 
 
Why would people who once chanted for freedom support a military state? 
 
And where will the next generation take the Middle East? 
 
Following the stories of four young Egyptians – Amr the atheist software engineer, Amal the village girl who defied her family and her entire community, Ayman the one-time religious extremist and Ruqayah the would-be teenage martyr – Generation Revolution unravels the complex forces shaping the lives of young people caught between tradition and modernity, and what their stories mean for the future of the Middle East.

Generation Revolution

On the Front Line Between Tradition and Change in the Middle East

Cédric Sapin-Defour

Having a dog as company makes nothing feel excessive – not time or space. It's not even about passing time, but being of it. 
 
A tiny ad in a local newspaper catches Cédric Sapin-Defour’s eye: a litter of Bernese Mountain Dog puppies need homes. A lonely, single, sports teacher and mountain climber in the French Alps, Cédric visits the dogs and immediately falls for the puppy with a blue collar. 
 
Named Ubac, French for the north side of the mountain – the rainy, cloudy slope – the puppy quickly upends Cédric’s life. They go on hikes together, taking to the hills and exploring, forging a bond that brings joy and a sense of fulfillment and adventure. They brave the world together, hate to be apart, crave the mountains and the natural world; they protect each other. 
 
Over the course of thirteen years, their pack expands to include Mathilde, Cédric’s wife, and more dogs. Ubac and Me is an intimate meditation on a joyous life lived too fast, the aching pain of separation, and the transformative effect of unconditional love. A dog named for the rainy side of the mountain is an inspiring lesson in how walking the rocky, cloudy hills together can bring the greatest light, the sunniest joys, even if the shared journey is unbearably short. 
 
 
‘Not just a tribute to the love humans feel for their pets but also a means of voicing the deep grief that can be felt after a dog’s death, when all that is left is a collar and hairs, and the house seems too big without them.’ Guardian 
 
Ubac and Me has been a surprise bestseller and word-of-mouth sensation in France, championed by indie booksellers, selling 400,000 copies. 
 
Translated by Adriana Hunter.

Ubac and Me

A Life of Love and Adventure With a French Mountain Dog

Lawrence Osborne

‘I am taking a few months off to travel and wander, drinking my way across the Islamic world to see whether I can dry myself out, cure myself of a bout of alcoholic excess. It is a personal crisis, a private curiosity… I am curious to see how non-drinkers live. Perhaps they have something to teach me.’ 
 
Booze is mankind's premier drug of choice, the most popular mind-altering substance ever devised, and it plays a furtive, celebrated and subversive role in nearly every culture on earth. In The Wet and the Dry, Lawrence Osborne explores the culture of permission, particularly in the West, and the opposing culture of prohibition, notably in the Islamic East. 
 
Osborne’s globe-trotting odyssey takes him from the luxurious bars of Milan to the vineyards of Lebanon, threatened by Hezbollah; from Swedish vodka to Pakistani strawberry gin; from the Nellie Dean pub in Soho to the dangerous brothels and drinking dens on the Malaysian border; from the boutique scotch produced on Islay to the liquor destroying Native American reservations; and from the only brewery in the dry country of Pakistan to the search for a bottle of New Year’s champagne in Oman. All the while, Osborne’s own Irish family history of terrifying alcoholism fails to deter him from seeking out a drink wherever he can.

The Wet And The Dry

A Drinker's Journey

George Orwell

It was a bright cold day in April, and the clocks were striking thirteen. 
 
The year is 1984, and life in Oceania is ruled by the Party. Under the gaze of Big Brother, Winston Smith yearns for intimacy and love - "thought crimes" that, if uncovered, would mean imprisonment, or death. But Winston is not alone in his defiance, and an illicit affair will draw him into the mysterious Brotherhood and the realities of resistance. 
 
Nineteen Eighty-Four has been described as chilling, absorbing, satirical, momentous, prophetic and terrifying. It is all these things, and more. 
 
The Authoritative Text. With an introduction by Robert Harris. 
 
*The jacket of this stunning hardback edition features period artwork by Elizabeth Friedlander, one of Europe's pre-eminent 20th-century graphic designers. Look out for complementary editions of Orwell's essential works Animal Farm and Down and Out in Paris and London.*

Nineteen Eighty-Four

Michelle Orange

'Rich and moving' New York Times 
 
'A book that expands and breaks your heart' Adelle Waldman, author of The Love Affairs of Nathaniel P. 
 
A revelatory enquiry into selfhood, freedom, mortality, storytelling, and what it means to be a mother's daughter 
 
During one of the texting sessions that became our habit over the period I now think of as both late and early in our relationship, my mother revealed the existence of someone named Janis Jerome. 
 
So begins Michelle Orange's extraordinary inquiry into the meaning of maternal legacy - in her own family and across a century of seismic change. Jerome, she learns, is one of her mother's many alter egos: the name used in a case study, eventually sold to the Harvard Business Review, about her midlife choice to leave her husband and children to pursue career opportunities in a bigger city. 
 
A flashpoint in the lives of both mother and daughter, the decision forms the heart of a broader exploration of the impact of feminism on what Adrienne Rich called 'the great unwritten story': that of the mother-daughter bond. 
 
Through a blend of memoir, social history, and cultural criticism, Pure Flame pursues a chain of personal, intellectual, and collective inheritance, tracing the forces that helped transform the world and what a woman might expect from it.

Pure Flame

On Mothers and Daughters

George Orwell was an inveterate keeper of diaries. Eleven diaries are presented here, and we know there may be two more from his time in Spain hidden away in the NKVD Archives in Moscow. Covering the period 1931-1949, this volume follows Orwell from his early years as a writer up to his last literary notebook. 
 
His Hop-Picking Diary covers some of Orwell's time spent down and out; a wonderful entry from 1931 tells of a communal shave in the Trafalgar Square fountains. The notes from his travels through industrial England, which formed the basis of The Road to Wigan Pier, show the development of the gifted young novelist and impassioned social commentator. 'Frightful landscape of slag-heaps and belching chimneys.[...] Beards of ice on lock gates.' This same acute power of observation is evident in his diaries from Morocco, where he also encountered extreme poverty. We catch a glimpse of a different Orwell at home. His domestic diaries chart the progress of his garden and animals with a keen eye, from the succinct, 'Pig active again.' to the more poetic, 'One of the plants that carries the snow most beautifully is lavender.' 
 
The wartime diaries make fascinating reading, from descriptions of events overseas, to the daily violence closer to home and his astute perspective on the politics of both. Orwell offers a different take on the typical view of the home front. 'War is simply a reversal of civilised life, its motto is "Evil be thou my good", and so much of the good of modern life is actually evil that it is questionable whether on balance war does harm.' 
 
The diaries provide a new and entirely refreshing insight into Orwell's character and help towards an understanding of his great works.

Diaries

Emi Yagi

Rika Horauchi’s new part-time job is to converse with a statue of Venus – in Latin – every Monday, when the museum is closed. 
 
Initially reluctant, Rika starts to enjoy her strange new job. Recommended by her old university professor for her exemplary language skills, Rika leads an otherwise unassuming life, working the rest of the week in a frozen-food warehouse. As Venus comes to life in the quiet of the museum, they talk about everything. Venus opens up new worlds for Rika, both intellectually and emotionally. They soon fall in love. But when the museum’s curator, Hashibami, makes it clear he wants to keep Venus for himself, what will Rika do? 
 
When the Museum is Closed is by turns charming, funny and surprising, a surreal take on our most real emotions and concerns: love, loneliness, freedom, perceptions of beauty and how women are seen in society. A joyful queer love story, this fresh and original new novel confirms Emi Yagi as one of the most exciting Japanese writers published in English today.

When the Museum is Closed

Harry Dodge

‘Where can the human animal seek its energy in this era of lockdowns and social distancing? Dodge may help us to find out’ Guardian 
 
‘If you’re a fan of Maggie Nelson’s work, you’ll like this book. It’s truly beautiful’ Dazed 
 
Is love a force akin to gravity? A kind of invisible fabric which enables communications through space and time? Artist Harry Dodge finds himself contemplating such questions as his father declines from dementia and he rekindles a bewildering but powerful relationship with his birth mother. A meteorite Dodge orders on eBay becomes a mysterious catalyst for a reckoning with the vital forces of matter, the nature of consciousness, and the bafflements of belonging. 
 
 Structured around a series of formative, formidable coincidences in Dodge’s life, My Meteorite journeys with stylistic bravura from Barthes to Blade Runner, from punk to Pale Fire. It is a wild, incandescent book that creates a literary universe of its own. Blending the personal and the philosophical, the raw and the surreal, the transgressive and the heartbreaking, Harry Dodge revitalizes our world, illuminating the magic just under the surface of daily life. 
 
'Holds you in its thrall like a brilliant friend. Dodge is a masterful writer' Miranda July

My Meteorite

Or, Without The Random There Can Be No New Thing

Anthony Powell

These journals, started in 1982 when Powell had become 'stuck' on a novel, became the place where he could most happily exercise his extraordinarily acute and often witty powers of observation and record his memories of times and writers past. 
 
This, the second volume of the journals sees the writer in his house in Somerset, The Chantry, encountering old friends, journalists, publishers, relations. He reads through the plays of Shakespeare, and also re-reads A dance to the Music of Time, giving an astonishingly dispassionate and perceptive analysis of his own greatest creation. He remembers Evelyn Waugh, Phillip Larkin, Malcolm Muggeridge, Gerald, Brenan and John Betjeman. He is visited by, among others, V.S Naipaul, Alison Lurie, Roy Jenkins, and Harold Pinter. He becomes a Companion of Honour. His beloved cat Trelawney dies. In these frank and entertaining pages, the daily life of a writer unfolds in a volume that will delight his many fans as much as its predecessor did.

Journals 1987-1989

Jessica Gross

By the time we’d said ‘I love you’ and kissed goodnight and turned out the light, thoughts of whether to resist had left my mind. 
 
I had climbed inside his body, and now he was stirring. 
 
Olive is desperate to get close to Theo – really, really close. 
 
Despite being a radio host, she’s always struggled to connect with people. And now she’s in her thirties, single, and so flustered by relationships that she secretly records her conversations, hoping to decipher social clues and find a way to be less alone. 
 
Then Theo turns up for a shift at the food pantry where she volunteers. He’s a surgeon fascinated by human organs, a former football player, and possibly as weird as Olive. For the first time, someone seems to crave and understand her. 
 
Every recording Olive makes of Theo is a balm – which just makes her more afraid of losing him. The only solution seems to be to bind him to her forever. Luckily, the gap between Theo’s front teeth is just wide enough for something – or someone – to slip inside. 
 
Arresting and immersive, Open Wide explores the boundaries of love and the body, as universal human impulses bleed into the surreal.

Open Wide

Jim Crumley

Harry Brockway

This beautiful record, on fine paper, is Crumley's homage to these noble creatures, but it is also an elegy, a love song to one swan whose silent tragedy he watched from one season to the next. 
 
‘A small mound on white feathers lies on a tussock of grass made grey by a Highland winter. It is all the monument there will ever be to the life of a swan.’ 
 
With these words, and those that follow, Jim Crumley has ensured that there will be a more enduring witness to the life of this swan, and of all swans, than that pyre of white feathers. 
 
Crumley watches, year in year out, as a pair of mute swans struggles, against the odds, to raise young on a wild patch of lock. But the pen starts to lose her eggs to predators; and the cob begins to disappear for longer and longer periods. Until comes the day when a third swan, stronger and younger than the first pen, appears at the other end of the loch. 
 
This journal of a swan-watcher, as he calls himself, is an elegy to these noble creatures; and most poignantly it is a memorial to one swan, whose silent drama he has recorded.

The Company of Swans

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