Nigella Lawson has written eleven bestselling cookery books including the classics How to Eat and How To Be A Domestic Goddess – the book that inspired a whole new generation of bakers. These books, and her TV series, have made her a household name around the world. 
 
www.nigella.com 
@Nigella_Lawson

Nigella Lawson

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Tim Spector

** THE ONLY GUT-HEALTH COOKBOOK YOU NEED FROM THE #1 SUNDAY TIMES BESTSELLING AUTHOR OF FOOD FOR LIFE** 
 
**As seen on Channel 4’s What Not to Eat** 
 
'A book full of fantastic recipes and ideas.' Yotam Ottolenghi 
‘Packed with food you will love – and that your microbes will, too’ Dr Clare Bailey Mosley 
'Flavours and recipes you’ll want to eat every day' Melissa Hemsley 
‘Delicious and astonishingly, life-changingly, simple’ Davina McCall 
'Tim’s principles for eating well are totally transformative' Hugh Fearnley-Whittingstall 
 
In: 30 plants a week. Out: Calorie counting. 
In: Fermenting. Out: Ultra-processed foods. 
But, how? 
 
The Food For Life Cookbook takes the ground-breaking guidance in Tim Spector's #1 bestselling guide to the new science of eating well and, in over 100 delicious and achievable recipes created in collaboration with ZOE, the nutrition science company that he co-founded, shows just how simple and enjoyable it can be to adapt to a gut-friendly way of eating. 
 
Shaped by Tim's own experience of transforming the way he eats, as well as common requests from readers and ZOE members, chapters include 15-minute meals, ideas for eating well when the fridge looks bare, and generous feasts and sweet treats for special moments with friends. 
 
Packed with plant-led inspiration for delicious meals to feed you, your family and your microbiome, as well as tips for increasing plant diversity and science-based explanations for the nutritional benefits of the ingredients and recipes included, The Food For Life Cookbook is a must-have for every gut-loving home and kitchen. 
 
Cook for life. Join the food revolution. 
 
PRAISE FOR FOOD FOR LIFE: 
'A fresh look at food' JAMIE OLIVER 
 
‘Fascinating’ NIGELLA LAWSON 
 
‘No fads, no nonsense, just practical, science-based advice on how to eat well’ Daily Mail, Books of the Year 
 
Tim Spector, Number 1 Sunday Times bestseller, February 2024

The Food For Life Cookbook

100+ Recipes Created with ZOE

Helen Longstreth

Move away, run away, wash up on a strange shore and the room is the same. It will always be the same room... The same problems in a new arrangement. 
 
Funny, sorrowful and filled with love and life, this beautiful and beguiling memoir goes in search of what we keep behind the doors of the past, how it haunts the present and what it takes to make sense of it all. 
 
Helen Longstreth’s chaotic childhood: the relentless cycle of her father’s alcoholic relapses, the six kids coming and going, the abject apologies and uncertain forgiveness, the meals that bring the family back together again. But while she is studying in America, the land of her parents’ birth, her father dies – and it all comes to an abrupt end. 
 
In the years that follow, she is drawn back to America and another world of chaotic love and alcoholic madness, dying fathers and lost boys. The same problems in a new arrangement. 
 
Ten years after her father’s death, Helen returns to her childhood home to spend a rainy summer with her mother, whose own gift for narrative is a complicated inheritance. Her father’s office, his briefcase, and his desk – all untouched since his death – loom beneath the leaking roof. At last, she begins to open the drawers…

Things in Every Room

Erin Maglaque

A bold new history of the female body, combining memoir with archival research to reveal a hidden history of birthing, caring and desiring – with radical implications for how we understand our bodies today 
 
Sex and abortion, pregnancy and birth, feeding and rocking and washing: these are embodied practices with a deep past. Yet the history of the female body remains largely unknown – even unimagined. 
 
In this exhilarating book, Erin Maglaque explores the hidden history of the desiring, labouring, caring women of the pre-modern past. From fragments in medical texts, trial transcripts, legal treatises, prayerbooks, letters, and diaries, she assembles a chorus of women’s voices. We encounter a vanished past both strikingly recognisable and strange, when ideas of the female body, sexuality, work and pleasure were more varied, more unruly, and sometimes freer. 
 
This is the invisible history of the female body – working, desiring, bleeding, rocking, spinning, dying. Reaching deeper into the shared history of women’s lives, Presence points towards a radical new way of understanding our bodies today.

Presence

A Hidden History of the Female Body

Michael Longley

Michael Longley has remarkable powers of reinvention. Certain themes remain constant - the natural world, war, violence, love, friendship, art, death - but they also keep changing because the forms and genres of his poetry never stand still. In A Hundred Doors a sinuous short line complements his variations on pentameter and hexameter. And Longley's interlacing of individual lyrics, so that a diverse collection seems a single poem, intensifies in the shadow of mortality. 
 
A sequence about his grandchildren's births is counterpointed by elegies, including Longley's continuing elegy for the Great War dead. The Mayo townland, Carrigskeewaun, with its cast of leverets, otters, swans, wrens, lesser twayblade and bird's-foot trefoil, also takes on fresh guises. Longley is among Europe's foremost 'ecological' poets. Yet Carrigskeewaun is ultimately symbolic, a microcosm, a 'soul-arena'. 
 
A Hundred Doors roams in time and space. The title-poem evokes the oldest Byzantine church in Greece: Our Lady of a Hundred Doors on the island of Paros. The remains of a Greek temple 'ache' beneath its floor. Wild orchids, which crop up in Greece and the Italian Garfagnana as well as Ireland, are among the collection's multiple 'doors'. Others are music and paintings, 'cloudberry jam from Lapland', a Shetland pony. This is work of power, precision and delicacy: poems that 'bend and magnify the daylight', poems by a master craftsman.

A Hundred Doors

Andrew Barrow

'Your brother looked healthy, happy, natural. But everything else about him is extremely odd. Not faintly odd. Extremely odd. Except in appearance. He's the opposite of you.' Quentin Crisp 
 
At the age of twenty-two, the youngest of five brothers, Jonathan Barrow, was killed with his fiancée in a car crash. He left behind the manuscript of a novel, The Queue, in which, among other things, he prophesied his own death. The story of a boy and a dachshund, populated by a kaleidoscopic menagerie of people and animals and an array of anthropomorphic in-betweens, The Queue is a vivid and irreverent portrayal of the world in which Jonathan and his awe-struck older brother Andrew were raised. 
 
Jonathan and his book form the framework of a remarkable study of a young man's inner and outer effervescence, his family, England and high and low society in the Swinging Sixties. Filled with fascinating and fantastical anecdotes, Animal Magic documents a heady and peripatetic childhood in Lancashire, the Lake District and Wiltshire, misadventures at home and school, and the early working life of the two brothers, on the lower rungs of show business, backstage at Claridge's, and finally in advertising. This spellbinding elegy negotiates love affairs, family tensions, exhibitions, publishers' rejections and precarious living in a flat in Tite Street, Chelsea. 
 
Punctuated with excerpts from The Queue and Jonathan's other bizarre and brilliant writings, Animal Magic is a book bursting with humour, wit and pathos and featuring an outlandish cast of characters, from an eccentric father, a mischievous family dog and a down-and-out ex-schoolmaster to curious stars of Swinging London like Mick Jagger and Tommy Cooper. It is a memoir unlike any other.

Animal Magic

A Brother's Story

Hannah Berry

Excitement is building for this year’s Twammies and Clementine Darling is hotly tipped to win Best Female Singer and Political Spokesperson! 
 
The government is embarrassed about the leak of a confidential email exchange, but have you heard about Clementine’s new beau Devon Ayre? Yes, human cloning appears to have been legalised, but wasn’t Devon once together with Clementine’s arch rival Coral Jerome? And does it really matter what dubious corporate connections helped get this bill into place while Clementine and Coral are locking horns in a violent feud? 
 
Livestock is a razor-sharp satire on our relationship with the media from critically acclaimed graphic novelist Hannah Berry. In the fight for the public’s attention, why let public interest get in the way?

Livestock

Audrey Niffenegger

Otherworldly, provocative, and strange, Audrey Niffenegger’s art is a vital a part of her vision as her bestselling novels The Time Traveler’s Wife and Her Fearful Symmetry. Awake in the Dream World is a mid-career retrospective of Nifffenegger’s work, reflecting her talent for cultivating a captivating narrative exclusively through pictures and her own confrontations with life, mortality, and magic. 
 
Niffenegger's fantastical body of work is reminiscent of renowned pen and ink predecessors such as Edward Gorey, Aubrey Beardsley, Egon Schiele, Edward Dulac, and Horst Janssen, but with a brutally honest and unapologetically strange female perspective that touches upon the universal trials of life - death and decay, love, jealousy, redemption, and the inevitability of change. Her works on paper, lithographs, and aquatints reflect the often surreal narratives of her artist's books. Through self-portraiture, Niffenegger reveals her own self-assurance and whimsy alongside anxiety and loneliness, probing darker corners of the human heart and mind, often exploring the hopeless struggle with what Shakespeare called 'this bloody tyrant, Time'. 
 
Essays by Audrey Niffenegger, National Museum of Women in the Arts Curator of Book Arts Krystyna Wasserman, and Art Institute of Chicago Curator and School of the Art Institute Professor Mark Pascale explore the artist's influences and work. 
 
Published in conjunction with an exhibition at the National Museum of Women in the Arts

Awake in the Dream World

The Art of Audrey Niffenegger

Adrian Tinniswood

Behind the Throne is a history of family life. 
 
The families concerned were royal families. But they still had to get up in the morning. They ate and entertained their friends and worried about money. Henry VIII kept tripping over his dogs. George II threw his son out of the house. James I had to cut back on the drink bills. 
 
The great difference is that royal families had more help with their lives than most. Charles I maintained a household of 2,000 people. Victoria’s medical establishment alone consisted of thirty doctors, three dentists and a chiropodist. Even in today’s more democratic climate, Elizabeth II keeps a full-time staff of 1,200. A royal household was a community, a vast machine. Everyone, from James I’s Master of the Horse down to William IV’s Assistant Table Decker, was there to smooth the sovereign’s path through life while simultaneously confirming his or her status. 
 
Behind the Throne uncovers the reality of five centuries of life at the English court, taking the reader on a remarkable journey from one Queen Elizabeth to another and exploring life as it was lived by clerks and courtiers and clowns and crowned heads: the power struggles and petty rivalries, the tension between duty and desire; the practicalities of cooking dinner for thousands, or ensuring the king always won when he played a game of tennis. 
 
Behind the Throne is nothing less than a domestic history of the royal household, a reconstruction of life behind the throne. Readers go on progress with Elizabeth I as she takes her court and her majesty to her subjects. They dance the conga round the state rooms of Buckingham Palace with George VI. 
 
They find out what it was like to dine with queens, and walk with kings.

Behind the Throne

A Domestic History of the Royal Household

Mimi Pond

'A total treat - bravo' Sunday Times 
 
'A spectacular, dizzying romp' Alison Bechdel, Fun Home 
 
Outrageous, passionate and glamourous - a stunning graphic biography of the six sisters who blazed their way through the 20th century, beguiling their peers, the press and then the rest of the world 
 
As a young girl living in sun-bleached 1960s suburban California, Mimi Pond fell in love with the Mitford sisters. Nancy, Pamela, Diana, Unity, Jessica and Deborah Mitford brought society glitz, pageantry, scandal, and real (rainy) weather to her own prosaic life. 
 
High society debutantes known for rubbing shoulders with some of history’s most infamous fascists and communists, the sisters were also, in turn, gifted writers, inveterate nicknamers, chicken-raising homebodies, scathing wits, and passionate adventurers in the maelstrom of the 20th century. 
 
Drawn with inimitable artistic flair and a mischievous affinity for the decadent and grandly declining aristocracy, Mimi Pond brings the Mitfords to life in this glittering and lovingly researched family biography.

Do Admit

The Mitford Sisters and Me

Joff Winterhart

Sam is 27 and needs to get a job. Keith, who claims to be a second cousin of his (absent) father, offers him one. On Keith’s card it says he does ‘distribution and delivery’, which seems to consist of ‘a lot of driving around, getting out of the car for a few minutes and then getting back in’, Sam tells his mother. And so the days go by, Keith driving to a trading estate, ducking into a portakabin, all the while telling Sam stories about his first boss, Geoff Crozier, his mentor in distribution and delivery. As the weeks pass, Sam gets to know Keith’s friends, flirty Hazel-Claire from whom they buy two pasties every day at lunchtime, a variety of receptionists, and a few tantalising secrets from Keith’s past… 
 
As in Days of the Bagnold Summer, Joff Winterhart is a master at depicting ordinary life in all its utterly poignant and funny mundanity.

Driving Short Distances

**WINNER OF THE 2022 FELTRINELLI INTERNATIONAL POETRY PRIZE ** 
 
 
'One of the most perfect poets alive. There is something in his work both ancient and modern. I read him as I might check the sky for stars.' Sebastian Barry 
 
Michael Longley's new collection takes its title from Dylan Thomas - 'for the sake of the souls of the slain birds sailing'. The Slain Birds encompasses souls, slayings and many birds, both dead and alive. The first poem laments a tawny owl killed by a car. That owl reappears later in 'Totem', which represents the book itself as 'a star-surrounded totem pole/ With carvings of all the creatures'. 'Slain birds' exemplify our impact on the creatures and the planet. But, in this book's cosmic ecological scheme, birds are predators too, and coronavirus is 'the merlin we cannot see'. Longley's soul-landscape seems increasingly haunted by death, as he revisits the Great War, the Holocaust and Homeric bloodshed, with their implied counterparts today. Yet his microcosmic Carrigskeewaun remains a precarious 'home' for the human family. It engenders 'Otter-sightings, elvers, leverets, poetry'. Among Longley's images for poetry are crafts that conserve or recycle natural materials: carving, silversmithing, woodturning, embroidery. This suggests the versatility with which he remakes his own art. Two granddaughters 'weave a web from coloured strings' and hang it up 'to trap a big idea'. The interlacing lyrics of The Slain Birds are such a web.

The Slain Birds

Anna Trench

The story of female footballer Florrie and the amazing hidden history of the women’s game come to life in this debut graphic novel about football, friendship and falling in love. 
 
'Beautifully drawn and very well written' ALISON BECHDEL 
 
'If you put Alison Bechdel's Fun Home in football kit, you might come up with something like Florrie' ZING TSJENG 
 
When Florrie’s great-niece discovers Florrie was a footballer in the early twentieth century, she unearths a secret history both on and off the pitch. 
 
Boxes from the attic contain photos, objects and letters, revealing football games and love affairs in Norfolk, London and Paris. Florrie’s adventures touch on both invented and real events: huge crowds at matches in London and Preston, international fixtures, dances at lesbian club Le Monocle in Paris, and the devastating consequences of the FA's 1921 ban on women's football. 
 
This is a story of self-discovery, friendship and queer love, alongside huge (and little known) historical moments for the women’s game. In Florrie, Anna Trench brings readers a beautifully drawn, evocative and warm-hearted love-song to an unforgettable woman and sport. 
 
'Bright with the feeling of liberation, and the risks and joys of following your heart' SEÁN HEWITT 
 
Charming and incredibly moving' RACHEL RAMSAY

Florrie

A football love story

Guy Delisle

Guy Delisle's work for a French animation studio requires him to oversee production at various Asian studios on the grim frontiers of free trade. His employer puts him up for months at a time in 'cold and soulless' hotel rooms where he suffers the usual deprivations of a man very far from home. After Pyongyang, his book about the strange society that is North Korea, Delisle turned his attention to Shenzhen, the cold, urban city in Southern China that is sealed off with electric fences and armed guards from the rest of the country. The result is another brilliant graphic novel - funny, scary, utterly original and illuminating.

Shenzhen

A Travelogue From China

Lucie Arnoux

A funny, heartfelt graphic memoir about living in foreign countries, and finding one's place both at home and abroad. 
 
In this delightful graphic novel, Lucie Arnoux chronicles her adventures around the world. Growing up in Marseille as a misfit with a passion for drawing, she decides to settle in London to pursue her dream career as a comics writer. Je Ne Sais Quoi shows us London through the eyes of a mischievous and clear-sighted young French woman, the joys and pains of being an outsider and, ultimately, how to live life to its fullest.

Je Ne Sais Quoi

The Adventures of a French Woman in London

Desmond Morris

How intelligent are horses? Why do they toss their heads and what makes them paw the ground? 
After spending more than twenty years studying the body language of the human species, Desmond Morris has turned his attention to the behavior of some of our closest animal companions. First he looked at dogs, then cats, and now horses. As Curator of Mammals at the London Zoo he was able to study closely the zebras and wild horse in his charge. More recently, as a racehorse owner, he has scrutinized the glamorous world of thoroughbred racing. 
 
Throughout his long involvement with horses, Desmond Morris has never stopped asking questions. In Horsewatching he sets out to answer them. As a zoologist and a lifelong student of animal behavior, he approaches the horse world in an unusual way, dealing with topics often ignored in equine literature. In addition to examining details of behavior, Dr Morris considers such questions as why horseshoes bring good luck, why we don’t eat horses, why jockeys are allowed to whip their mounts and why we call a bad dream a nightmare. 
 
And for punters everywhere, he applies his zoological mind to the all-important question of why some horses run faster than others…

Horsewatching

Matthew Sweeney

The poems in A Smell of Fish connect and radiate like the spokes of a wheel: haiku, sestinas, poems beginning with a line by somebody else or sparked off by foreign travel, a version of Dante, a sea sequence set on the Suffolk coast, and - long overdue - Matthew Sweeney's own version of the old Irish poem where his namesake is turned into a bird. 
 
In this, his seventh collection, we are back in a world where all explanations are withheld. 'If Beckett and Kafka come to mind', as Sean O'Brien wrote in his essay on Sweeney in The Deregulated Muse, 'they are not simply influences but kindred imaginations'. So we encounter a valley mysteriously filling with the smell of fish, second-world-war planes reappearing over London, a secret attic mural of a naked ex-lover, a cosmonaut abandoned on the moon, and a subterranean tunnel that runs the length of Ireland. 
 
Whatever the subject, we are in the confident hands of one of the most imaginatively gifted poets now writing.

A Smell Of Fish

Julia Blackburn

A spellbinding new book by the much-acclaimed writer, a journey to South Africa in search of the lost people called the /Xam - a haunting book about the brutality of colonial frontiers and the fate of those they dispossess. 
 
In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa to see for herself the ancestral lands that had once belonged to an indigenous group called the /Xam. 
 
Throughout the nineteenth century the /Xam were persecuted and denied the right to live in their own territories. In the 1870s, facing cultural extinction, several /Xam individuals agreed to teach their intricate language to a German philologist and his indomitable English sister-in-law. The result was the Bleek-Lloyd Archive: 60,000 notebook pages in which their dreams, memories and beliefs, alongside the traumas of their more recent history, were meticulously recorded word for word. It is an extraordinary document which gives voice to a way of living in the world which we have all but lost. 'All things were once people', the /Xam said. 
 
Blackburn's journey to the Karoo was cut short by the outbreak of the global pandemic, but she had gathered enough from reading the archive, seeing the /Xam lands and from talking to anyone and everyone she met along the way, to be able to write this haunting and powerful book, while living her own precarious lockdown life. Dreaming the Karoo is a spellbinding new masterpiece by one of our greatest and most original non-fiction writers. 
 
'An astounding, disarming book, full of grief and beauty' Olivia Laing 
 
'Blackburn's wise, wonderfully idiosyncratic books are poetic, informed by a...genius for serendipity' Lucy Hughes-Hallett, New Statesman

Dreaming the Karoo

A People Called the /Xam

'Glamour, scholarship and superlative storytelling [...] an enthralling read.' 
LUCY WORSLEY 
 
Adrian Tinniswood opens the doors on the excess, intrigue and absurdities of life in the late Victorian and Edwardian country house 
 
In the decades before the First World War, the owners of the nation’s stately homes revelled in a golden age of glory and glamour. Nothing lay beyond their reach in a world where privilege and hedonism went hand-in-hand with duty and honour. 
 
This was a time when the ancestral seats of ancient nobility stood side-by-side with the fabulous palaces of Jewish bankers and Indian princes, when dukes and duchesses mixed with aristocratic society hostesses who had learned to dance in the chorus line and self-made millionaires who had been raised in the slums of Manchester and Birmingham. 
 
The Power and the Glory explores the country house during this golden age, when Britain ruled over a quarter of the world’s population, when its stately homes were at their most opulent and when, for the privileged few, life in the country house was the best life of all. 
 
'A wonderful book.' 
JUDITH FLANDERS 
 
'Scintillating and brilliant, from a master of the subject.' 
GARETH RUSSELL 
 
**A DAILY TELEGRAPH BOOK OF THE YEAR**

The Power and the Glory

The Country House Before the Great War

Kate Beaton

Wonder Woman! Hunks! Great men and women of history! Step aside – Kate Beaton is coming for you. 
 
The author of the smash hit Hark! A Vagrant returns with all-new sidesplitting comics that showcase her irreverent love of history, pop culture and literature. Collected from her wildly popular website, readers will guffaw over 'Strong Female Characters', the wicked yet chivalrous Black Prince, 'Straw Feminists in the Closet' and a disgruntled Heathcliff. Delight in what the internet has long known - Beaton's humour is as sharp and dangerous as a velocipedestrienne, so watch out!

Step Aside, Pops

A Hark! A Vagrant Collection

Alison Weir

Triumph and tragedy, love and loss, murder and malice in the lives of five fifteenth-century queens, from 'the queen of history writing' (Sunday Express) 
 
The fifteenth century was a turbulent age: the Hundred Years War between England and France, and the Wars of the Roses dominated the lives of people both inside and out of the royal courts. 
 
Joan of Navarre, Katherine of Valois, Margaret of Anjou, Elizabeth Wydeville and Anne Neville were the queens who stood by England's sovereigns, caught up in wars that changed the course of their lives, and the course of history. 
 
They were also formidable women who defied the limitations of their times, often living out the brutal consequences of their determination. 
 
Alison Weir uncovers their stories in this final volume of her ground-breaking series on the queens of medieval England. Queens at War is a stunning culmination of research by a historian at the full extent of her powers and gripping account of five women on the throne. 
 
* 
PRAISE FOR ALISON WEIR: 
 
‘A meticulous scholar’ New York Times 
‘She is an excellent storyteller: descriptions are vivid and her knowledge of the sources is extensive’ Spectator 
‘Weir’s hugely popular history books are as gripping as novels’ The Times 
‘[Weir] writes in a pacy, vivid style, engaging the heart as well as the mind’ Independent 
‘Alison Weir has the rare gift of being able to bring history vividly to life’ Choice

Queens at War

England's Medieval Queens

Alison Bechdel

Internationally-acclaimed graphic-literary talent Alison Bechdel offers acerbically funny insight into the lesbian culture of 1980s America in this comic strip collection. 
 
Bechdel's brilliantly imagined counter-cultural band of friends - academics, social workers, booksellers - fall in and out of love, negotiate relationships, raise children, switch careers and cope with aging parents. The Essential Dykes To Watch Out For fuses high and low culture - from foreign domestic policy to domestic routine, postmodern theory to hot sex - in a serial graphic narrative 'suitable for all humanist persuasions'. 
 
Alison Bechdel has been chronicling the lives of a small universe of cartoon characters in her strip Dykes To Watch Out For, which has been syndicated in fifty alternative newspapers in the USA and has been published in eleven volumes. For this first time, this collection gathers the best of those volumes. 
 
'So much more than a comic strip... No one comes close to Alison Bechdel' Times

The Essential Dykes To Watch Out For

Famously referred to as part of the 'Axis-of-Evil', North Korea remains one of the most secretive and mysterious nations in the world today. A series of manmade and natural catastrophes have also left it one of the poorest. When the fortress-like country recently opened the door a crack to foreign investment, cartoonist Guy Delisle found himself in its capital Pyongyang on a work visa for a French film animation company, becoming one of the few Westerners to witness current conditions in the surreal showcase city. 
 
Armed with a smuggled radio and a copy of 1984, Delisle could only explore Pyongyang and its countryside while chaperoned by his translator and a guide. But among the statues, portraits and propaganda of leaders Kim Il-Sung and his son Kim Jong-Il - the world's only Communist dynasty - Delisle was able to observe more than was intended of the culture and lives of the few North Koreans he encountered. 
 
His astute and wry musings on life in the austere and grim regime form the basis of this remarkable graphic novel. Pyongyang is an informative, personal and accessible look at an enigmatic country.

Pyongyang

A Journey in North Korea

Anne Carson

Anne Carson' s first full-length publication in Britain, Glass and God introduces an assured and challenging new voice: vivid, laconic, precise. Her 'Short Talks' are about everything from Sylvia Plath to Franz Kafka, from waterproofing to walking backwards; the brilliant long poem 'The Glass Essay' deals with the end of a contemporary love affair, but is haunted by the Brontë sisters. 
 
Blending the modern and the classical, Anne Carson writes with an intensity and an integrity that is transfiguring.

Glass And God

James Lasdun

‘This story, with its wild human convulsions and its dense moral fibre, demands serious narrative muscle from its teller. James Lasdun has what it takes, and more: his final chapters are a masterclass in calm, hard reasoning’ Helen Garner 
 
What drives a loving family man with everything to lose to become a killer? 
 
In March of 2023, Alex Murdaugh was found guilty of murdering his wife Maggie and their younger son Paul at their home in South Carolina’s Lowcountry. The story became headline news around the world, with its outlandish revelations of corruption in high places, massive fraud, opioid abuse, fake suicides, suspicious accidents, and the generational recklessness of the wealthy legal dynasty at its center. 
 
James Lasdun explores the psychological puzzle at the heart of the story, which the murder trial failed to answer. Why did Alex Murdaugh murder his wife and son? 
 
Featuring a cast of villains ranging from supposedly respectable lawyers to violent street gang members and a gothic setting in a small town in America's deep south, The Family Man is a gripping, immersive, twisting investigation of a murder that seems to defy explanation.

The Family Man

In these five stories Julia Blackburn recalls the significant animals in her life and in so doing gives us a sidelong glance at the human members of her family, her painter mother and poet father. 
 
First comes Congo the bush baby, from the jungles of Madagascar via Harrods pet department. He slept in an old cap on the back of the door, and could leap about the room via the picture rails. Then there are tropical fish, tortoises, chickens, guinea pigs, foxes (the last three a combustible combination), pigs, and two very distinctive dogs, Julia's own dog, Jason, a cocker spaniel whose habits of servility and loyalty Julia's father, Thomas, was determined to undo ('He's worse than Rosencrantz and Guildenstern, fawning at my heels!') and Henry, a Parson Jack Russell terrier that Thomas got after his divorce, a dog of great independence, dignity and forbearance, whom his master used to take mountaineering. 
 
This is a delightful book, wry, funny and wise, and unmistakably the work of Julia Blackburn.

My Animals and Other Family

Maggie Nelson

**AS SEEN ON BBC2's BETWEEN THE COVERS** 
 
A Guardian Book of the Year 
 
Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation - Olivia Laing 
 
Bluets winds its way through depression, divinity, alcohol, and desire, visiting along the way with famous blue figures, including Joni Mitchell, Billie Holiday, Yves Klein, Leonard Cohen and Andy Warhol. While its narrator sets out to construct a sort of 'pillow book' about her lifelong obsession with the colour blue, she ends up facing down both the painful end of an affair and the grievous injury of a dear friend. The combination produces a raw, cerebral work devoted to the inextricability of pleasure and pain, and to the question of what role, if any, aesthetic beauty can play in times of great heartache or grief. 
 
Much like Roland Barthes's A Lover's Discourse, Bluets has passed between lovers in the ecstasy of new love, and been pressed into the hands of the heartbroken. Visceral, learned, and acutely lucid, Bluets is a slim feat of literary innovation and grace, never before published in the UK.

Bluets

Guy Delisle expertly lays the groundwork for a cultural road map of contemporary Jerusalem, utilizing the classic stranger-in-a-strange-land point of view that made his other books, Pyongyang, Shenzhen, and Burma Chronicles, required reading for understanding what daily life is like in cities few are able to travel to. In Jerusalem: Chronicles from the Holy City, Delisle explores the complexities of a city that represents so much to so many. He eloquently examines the impact of the conflict on the lives of people on both sides of the wall while drolly recounting the quotidian: checkpoints, traffic jams, and holidays. 
 
When observing the Christian, Jewish, and Muslim populations that call Jerusalem home, Delisle's drawn line is both sensitive and fair, assuming nothing and drawing everything. Jerusalem showcases once more Delisle's mastery of the travelogue.

Jerusalem

Chronicles from the Holy City

Since Glass and God, which was her first full-length collection published in Britain and which was nominated for the 1998 Forward Prize, Anne Carson has published a book a year to extraordinary critical acclaim. Her last two volumes, Autobiography of Red and Men in the Off Hours were both shortlisted for the T.S. Eliot Prize, and she has received numerous North American awards, including the prestigious MacArthur Fellowship. 
 
In her brilliant new book, she tells a single story. A long-time love, now a crumbling marriage, unfolds in 29 'tangos' of narrative verse, informed by the romanticism of Keats, the wisdom of the classical world and, most importatnly, by Carson's own unique sensibility. 
 
The unnamed narrator - sometimes 'I', sometimes 'the wife' - speaks of the man she calls only 'the husband', illuminating moments that are by turn sensual, erotic, painful and heartbreaking. The Beauty of the Husband is a work that explores these oldest of lyrical subjects - beauty, desire, love, betrayal - with freshness and devastating power. 
 
**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

The Beauty Of The Husband

Raymond Briggs

A marvellous, life-enhancing book for all ages, now a major animated film starring Jim Broadbent, Brenda Blethyn and Luke Treadaway 
 
Utterly original, deeply moving and very funny, Ethel &amp; Ernest tells the story of Raymond Briggs' parents' marriage, lady's maid Ethel and milkman Ernest, from their first chance encounter in 1928, through the birth of their son Raymond in 1934, to their deaths, within months of each other, in 1971. 
 
Told in Brigg`s unique strip-cartoon format, Ethel and Ernest live through the defining moments of the twentieth century: the darkness of the Great Depression, the build up to World War II, the trials of the war years, the euphoria of VE Day and the emergence of a generation from post war austerity to the cultural enlightenment of the 1960s. 
 
Ethel &amp; Ernest is a heartfelt and affectionate tribute to an ordinary couple and an extraordinary generation.

Ethel & Ernest

Concerned with transformations and dislocations - both physical and emotional - the poems in James Lasdun's second collection speak exquisitely of desire and loss. 
 
Jetlagged, estranged, out of synch or out of kilter, the figures in these poems sometimes just miss each other, sometimes connect explosively. And under their feet - whether it's a Roman pavement, a hill-path in Mexico, a Surrey lawn or a New York street - there is always something primitive, turbulent, ready to reveal itself. Intellectually rigorous, musical and deftly formal these apparently classical poems blend a dark, erotic animus with an exhilarating wit.

The Revenant

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