Nigella Lawson has written eleven bestselling cookery books including the classics How to Eat and How To Be A Domestic Goddess – the book that inspired a whole new generation of bakers. These books, and her TV series, have made her a household name around the world. 
 
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Nigella Lawson

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Michael Longley

Michael Longley has remarkable powers of reinvention. Certain themes remain constant - the natural world, war, violence, love, friendship, art, death - but they also keep changing because the forms and genres of his poetry never stand still. In A Hundred Doors a sinuous short line complements his variations on pentameter and hexameter. And Longley's interlacing of individual lyrics, so that a diverse collection seems a single poem, intensifies in the shadow of mortality. 
 
A sequence about his grandchildren's births is counterpointed by elegies, including Longley's continuing elegy for the Great War dead. The Mayo townland, Carrigskeewaun, with its cast of leverets, otters, swans, wrens, lesser twayblade and bird's-foot trefoil, also takes on fresh guises. Longley is among Europe's foremost 'ecological' poets. Yet Carrigskeewaun is ultimately symbolic, a microcosm, a 'soul-arena'. 
 
A Hundred Doors roams in time and space. The title-poem evokes the oldest Byzantine church in Greece: Our Lady of a Hundred Doors on the island of Paros. The remains of a Greek temple 'ache' beneath its floor. Wild orchids, which crop up in Greece and the Italian Garfagnana as well as Ireland, are among the collection's multiple 'doors'. Others are music and paintings, 'cloudberry jam from Lapland', a Shetland pony. This is work of power, precision and delicacy: poems that 'bend and magnify the daylight', poems by a master craftsman.

A Hundred Doors

Andrew Barrow

'Your brother looked healthy, happy, natural. But everything else about him is extremely odd. Not faintly odd. Extremely odd. Except in appearance. He's the opposite of you.' Quentin Crisp 
 
At the age of twenty-two, the youngest of five brothers, Jonathan Barrow, was killed with his fiancée in a car crash. He left behind the manuscript of a novel, The Queue, in which, among other things, he prophesied his own death. The story of a boy and a dachshund, populated by a kaleidoscopic menagerie of people and animals and an array of anthropomorphic in-betweens, The Queue is a vivid and irreverent portrayal of the world in which Jonathan and his awe-struck older brother Andrew were raised. 
 
Jonathan and his book form the framework of a remarkable study of a young man's inner and outer effervescence, his family, England and high and low society in the Swinging Sixties. Filled with fascinating and fantastical anecdotes, Animal Magic documents a heady and peripatetic childhood in Lancashire, the Lake District and Wiltshire, misadventures at home and school, and the early working life of the two brothers, on the lower rungs of show business, backstage at Claridge's, and finally in advertising. This spellbinding elegy negotiates love affairs, family tensions, exhibitions, publishers' rejections and precarious living in a flat in Tite Street, Chelsea. 
 
Punctuated with excerpts from The Queue and Jonathan's other bizarre and brilliant writings, Animal Magic is a book bursting with humour, wit and pathos and featuring an outlandish cast of characters, from an eccentric father, a mischievous family dog and a down-and-out ex-schoolmaster to curious stars of Swinging London like Mick Jagger and Tommy Cooper. It is a memoir unlike any other.

Animal Magic

A Brother's Story

Guy Delisle

Guy Delisle's work for a French animation studio requires him to oversee production at various Asian studios on the grim frontiers of free trade. His employer puts him up for months at a time in 'cold and soulless' hotel rooms where he suffers the usual deprivations of a man very far from home. After Pyongyang, his book about the strange society that is North Korea, Delisle turned his attention to Shenzhen, the cold, urban city in Southern China that is sealed off with electric fences and armed guards from the rest of the country. The result is another brilliant graphic novel - funny, scary, utterly original and illuminating.

Shenzhen

A Travelogue From China

Matthew Sweeney

The poems in A Smell of Fish connect and radiate like the spokes of a wheel: haiku, sestinas, poems beginning with a line by somebody else or sparked off by foreign travel, a version of Dante, a sea sequence set on the Suffolk coast, and - long overdue - Matthew Sweeney's own version of the old Irish poem where his namesake is turned into a bird. 
 
In this, his seventh collection, we are back in a world where all explanations are withheld. 'If Beckett and Kafka come to mind', as Sean O'Brien wrote in his essay on Sweeney in The Deregulated Muse, 'they are not simply influences but kindred imaginations'. So we encounter a valley mysteriously filling with the smell of fish, second-world-war planes reappearing over London, a secret attic mural of a naked ex-lover, a cosmonaut abandoned on the moon, and a subterranean tunnel that runs the length of Ireland. 
 
Whatever the subject, we are in the confident hands of one of the most imaginatively gifted poets now writing.

A Smell Of Fish

Famously referred to as part of the 'Axis-of-Evil', North Korea remains one of the most secretive and mysterious nations in the world today. A series of manmade and natural catastrophes have also left it one of the poorest. When the fortress-like country recently opened the door a crack to foreign investment, cartoonist Guy Delisle found himself in its capital Pyongyang on a work visa for a French film animation company, becoming one of the few Westerners to witness current conditions in the surreal showcase city. 
 
Armed with a smuggled radio and a copy of 1984, Delisle could only explore Pyongyang and its countryside while chaperoned by his translator and a guide. But among the statues, portraits and propaganda of leaders Kim Il-Sung and his son Kim Jong-Il - the world's only Communist dynasty - Delisle was able to observe more than was intended of the culture and lives of the few North Koreans he encountered. 
 
His astute and wry musings on life in the austere and grim regime form the basis of this remarkable graphic novel. Pyongyang is an informative, personal and accessible look at an enigmatic country.

Pyongyang

A Journey in North Korea

Anne Carson

Anne Carson' s first full-length publication in Britain, Glass and God introduces an assured and challenging new voice: vivid, laconic, precise. Her 'Short Talks' are about everything from Sylvia Plath to Franz Kafka, from waterproofing to walking backwards; the brilliant long poem 'The Glass Essay' deals with the end of a contemporary love affair, but is haunted by the Brontë sisters. 
 
Blending the modern and the classical, Anne Carson writes with an intensity and an integrity that is transfiguring.

Glass And God

Since Glass and God, which was her first full-length collection published in Britain and which was nominated for the 1998 Forward Prize, Anne Carson has published a book a year to extraordinary critical acclaim. Her last two volumes, Autobiography of Red and Men in the Off Hours were both shortlisted for the T.S. Eliot Prize, and she has received numerous North American awards, including the prestigious MacArthur Fellowship. 
 
In her brilliant new book, she tells a single story. A long-time love, now a crumbling marriage, unfolds in 29 'tangos' of narrative verse, informed by the romanticism of Keats, the wisdom of the classical world and, most importatnly, by Carson's own unique sensibility. 
 
The unnamed narrator - sometimes 'I', sometimes 'the wife' - speaks of the man she calls only 'the husband', illuminating moments that are by turn sensual, erotic, painful and heartbreaking. The Beauty of the Husband is a work that explores these oldest of lyrical subjects - beauty, desire, love, betrayal - with freshness and devastating power. 
 
**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

The Beauty Of The Husband

James Lasdun

Concerned with transformations and dislocations - both physical and emotional - the poems in James Lasdun's second collection speak exquisitely of desire and loss. 
 
Jetlagged, estranged, out of synch or out of kilter, the figures in these poems sometimes just miss each other, sometimes connect explosively. And under their feet - whether it's a Roman pavement, a hill-path in Mexico, a Surrey lawn or a New York street - there is always something primitive, turbulent, ready to reveal itself. Intellectually rigorous, musical and deftly formal these apparently classical poems blend a dark, erotic animus with an exhilarating wit.

The Revenant

Sharon Olds

Sharon Olds completes her cycle of family poems in a book at once intense and harmonic, playful with language, and rich with a new self-awareness and sense of irony. 
 
The opening poem, with its sequence of fearsome images of war, serves as a prelude to poems of home in which humour, anger, and compassion sing together with lyric energy - sometimes comic, sometimes filled with a kind of unblinking forgiveness. These songs of joy and danger - public and private - illuminate one another. As the book unfolds, the portrait of the mother goes through a moving revision, leading us to a final series of elegies of hard-won mourning. One Secret Thing is charged throughout with Sharon Olds's characteristic passion, imagination, and poetic power.

One Secret Thing

Jeanette Winterson

I can change the story because I am the story. 
 
With her execution looming, a woman is fighting for her life. Every night she tells a story. Every morning, she lives one more day. One Aladdin Two Lamps cracks open the legendary story of Shahrazad in One Thousand and One Nights to reveal new questions and answers we are still thinking about today. Who should we trust? Is love the most important thing in the world? Does it matter whether you are honest? What makes us happy? 
 
In her guise as Aladdin – the orphan who changes his world – Jeanette Winterson asks us to reread what we think we know and look again at how fiction works in our lives, giving us the courage to change our own narratives and alter endings we wish to subvert. As a young working-class woman, with no obvious future beyond factory work or marriage, Winterson realised through the power of books that she could read herself as fiction as well as fact. 
 
Weaving together fiction, magic and memoir, this remarkable book is a tribute to the age-old tradition of storytelling and a radical step into the future – an invitation to look more closely at our own stories, and to imagine the world anew.

One Aladdin Two Lamps

Adam Thorpe

From an abandoned rowing boat in Estonia full of wild flowers to a swimming pool in the Congo full of drowned insects, Adam Thorpe's new collection takes us on a wide-ranging journey through states of gain and loss, alienation and belonging. In the title poem, the poet disturbs a flock of geese by his mere presence, and one goose takes the wrong direction, away from the flock, as a 'voluntary exile'. A bid for freedom, or a mistake? 
 
These poems explore our chances, record our traces - in the marks on skin, home movies, stone walls, the pressure of our blood, or the clearing of a dying father's study: 'foraging backwards' until something is revealed, however tentative. As always in Thorpe's work, history's violence lurks in the margins: in the silent oppression of Roman roads, a polluting pipeline in Africa or the bombing of the Alcala train, he takes the gauge of our wider compulsions, of all that decides things for us. Against this he sets what, through the other meaning of 'voluntary', suggests chance's extempore music: the gleeful play of a sea-otter, the extraordinary gift of a passing gull to his small daughter, or poetry itself. 
 
Adam Thorpe is now celebrated as a novelist, but he began as a poet. Voluntary, his sixth collection, is a timely reminder of the elegance, skill and remarkable range of this most gifted British poet.

Voluntary

Sam Willetts

The poems in this remarkable first collection have been hard won: 'Fruits of much grief they are,' as Donne said, 'emblems of more.' Having lost ten years to heroin addiction and recovery, Sam Willetts emerges now - suddenly, and apparently from nowhere - as a fully-fledged and significant English poet. 
 
In a book deeply conscious of history, one series of poems tracks his mother's escape, as a young girl, from the Nazis, in a narrative that moves from a Stuka attack on the Smolensk Road to the Krakow ghetto, the destruction of Warsaw, to Nuremberg and Nagasaki and, finally, his mother's grave. Other poems address Englishness, secular Jewishness, and the childhood pleasures of Oxfordshire - an increasingly deceptive pastoral, stalked and eventually shattered by heroin, which brings a grim new existence among dealers and users. The redemption the poet finds, through detox and rehab, love and writing, is full of regret for the years and lives wasted, but also offers a lyrical rebirth of the senses: 'In a new light, a new moon/ that isn't made of scorched tinfoil/will turn your tide again'. 
 
Deft, economical and wonderfully original, this is work that celebrates the peaks and troughs of a lived life, the poems' vivid clarity feeling both fresh and fully earned. It is rare to find an unknown poet of such mature quality, and New Light for the Old Dark represents a brilliant dawning.

New Light for the Old Dark

John Hartley Williams

Welcome to the Café des Artistes. Your host, the owner, bartender, master of ceremonies and only other guest: John Hartley Williams. Here you will be entertained and diverted - by bizarre stories of mapless roads and unreal cities, the Ostrich Palisades and the erotic stones of Bonehenge; by a spooked version of Rimbaud's 'La Bateau Ivre'; by encounters with Malcolm Lowry, the floating dead, the 'old men behind the waterfall' and the knitted poet; by poems about donkey jackets and dancing with donkeys, and a one-sided conversation with a decidedly un-Romantic polar bear two doors down from Dove Cottage. 
 
Long celebrated for his ranging, restless imagination, his baroque, elliptical narratives, his manic humour and maverick stance, Williams returns with another invitation to join him for a jug or two of wine in his out-of-kilter universe: a world that is both strange, and strangely familiar. Welcome to the Café des Artistes!

Café des Artistes

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