Steve Roud was Local Studies Librarian for the London Borough of Croydon and served as Honorary Librarian of the Folklore Society for over fifteen years. He has been researching British folklore for over thirty years and is the joint author of the Oxford Dictionary of English Folklore, plus other books on traditional drama and folk song, and the Penguin Guide to the Superstitions of Britain and Ireland, which won the Katharine Briggs Folklore Award in 2004. His publications include London Lore (2008) and The Lore of the Playground (2010). He also compiles the Folk Song Index and the Broadside Index, two internationally acclaimed computer databases of traditional folk and popular song. He lives in Sussex.

Steve Roud

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Robert Coover

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In his carnivalesque and riotously inventive Pricksongs &amp; Descants Robert Coover remakes old stories: of Red Riding Hood, Hansel and Gretel, and Beauty (who married her Beast and spends a lifetime suffering his doggy stink). And he reshapes his own: a man makes repeating, re-imagined journeys in an office elevator (while his fellow riders taunt and tempt him), and in the seminal, fractal 'The Babysitter' every moment in a single night is played and replayed, every hope and threat of sex and violence done and undone. Coover's dark, wilfil, comic imagination revels brilliantly in contradictions, a master of chaos.

Pricksongs & Descants

Russell Hoban

An inexplicable message flashing onto the screen of his Apple II computer at 3 a.m. heralds the beginning of a startling quest for frustrated author Herman Orff. Taking up the offer of a cure for writer's block leads him to 'those places in your head that you can't get to on your own'. Herman is plunged into a semi-dreamland inhabited by a bizarre combination of characters from myth and reality: the talking head of Orpheus; a lost love; the young girl of Vermeer's famous portrait - and a frequency of Medusas.

The Medusa Frequency

Penguin Modern Classics

Ludmilla Petrushevskaya

A woman finds herself filling a pit in the forest in the middle of the night; a family lock each other in their bedrooms to battle a strange plague; a wizard punishes two beautiful ballerinas by turning them into one hugely fat circus performer; a colonel is warned not to lift the veil from his dead wife's face; and a distraught father brings his daughter back to life by eating human hearts in his dreams. 
 
In these blackly comic tales of revenge, disturbing deaths and haunting melancholy, Ludmilla Petrushevskaya blends miracles and madness in the darkest of modern fairy tales.

There Once Lived a Woman Who Tried to Kill Her Neighbour's Baby: Scary Fairy Tales

These two novellas by the groundbreaking, fearless, and immeasurably influential Robert Coover are dirty, funny and brilliant. In Briar Rose a sleeping beauty is trapped in an enchantment for a hundred years, dreaming of stories in which someone like her wakes up disappointed, or becomes a mother, or is stripped and defiled. And, as she dreams, outside, failed princes die and hang their remains on the thorns of a briar hedge. In Spanking the Maid a maid and her master are each committed to their own hard service: she, attempting to perform her simple duties without error; he, supplying punishment by rod, belt, hairbrush, whip, cane and slipper when she inevitably fails. These tales of desire are Coover at his most darkly playful.

Briar Rose & Spanking the Maid

Angélica Gorodischer

In city squares and golden palaces, a series of storytellers recount the history of the greatest Empire that never was: a history in which orphans rise from the underworld to the throne, mad emperors raze cities, captive dancers induce fatal delirium and murderous empresses plot against their own children. 
 
Angélica Gorodischer’s novel, masterfully translated by Ursula K. Le Guin, conjures a vivid fictional universe of labyrinthine cities, desert caravans and the lawless South – and of an Empire fated to rise, fall and rise again.

Kalpa Imperial

The Greatest Empire That Never Was

Angela Carter

In eighteenth century France, Charles Perrault rescued from the oral tradition fairy tales that are known and loved even today by virtually all children in the West. Angela Carter came across Perrault's work and set out to adapt the stories for modern readers of English. In breathing new life into these classic fables, she produced versions that live on as classics in their own right, marked as much by her signature wit, irony, and subversiveness as they are by the qualities that have made them universally appealing for centuries.

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