Steve Roud was Local Studies Librarian for the London Borough of Croydon and served as Honorary Librarian of the Folklore Society for over fifteen years. He has been researching British folklore for over thirty years and is the joint author of the Oxford Dictionary of English Folklore, plus other books on traditional drama and folk song, and the Penguin Guide to the Superstitions of Britain and Ireland, which won the Katharine Briggs Folklore Award in 2004. His publications include London Lore (2008) and The Lore of the Playground (2010). He also compiles the Folk Song Index and the Broadside Index, two internationally acclaimed computer databases of traditional folk and popular song. He lives in Sussex.

Steve Roud

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Norma Clarke

If Aphra Benn is widely regarded as the first important woman writer in English, who was the second? In literary history, the eighteenth century belongs to men: Pope and Swift, Richardson and Fielding. Asked to name a woman, even the specialist stumbles. Jane Austen? She didn't publish until 1811. Aphra Benn herself? She died in 1869. 
 
The Rise and Fall of the Woman of Letters tells the remarkable but little-known story of women writers in the eighteenth century - of poets, critics, dramatists and scholars celebrated in their own time but all but forgotten by the beginning of the new century. 
 
Eliza Haywood, Catherine Cockburn, Elizabeth Elstob, Delarivier Manley, Elizabeth Rowe, Jane Barker, Elizabeth Thomas, Anna Seward... In a book which ranges from country house to Grub Street, Norma Clarke recovers these and other writers, establishes the reasons for their eclipse and discovers that a room of one's own in the eighteenth century was as likely to be a prison cell as a boudoir.

The Rise and Fall of the Woman of Letters

Edward Pearce

Charles Greville (1794-1865) made his first occasional diary entries in 1814, but the diary only became a regular habit in the mid-1820s, continuing with occasional breaks, about which he is self-reproachful, through the reigns of George IV, William IV and Victoria. Finally, in 1860, after shaking his head over the worrying triumphs of Garibaldi, he closed it, once and for all. The grandson of a duke, Greville looked with a level and scornful eye upon royalty. George was 'the most worthless dog that ever lived'; William 'the silliest old gentleman in his own dominions, but what can be expected of a man with a head like a pineapple?' The diaries roused Queen Victoria - 'an odd woman' - from the lethargy of her widowhood.She spoke of Greville's 'indiscretion, indelicacy, ingratitude toward friends, betrayal of confidence and shameful disloyalty'. 
 
Greville's circle included Talleyrand, Wellington, Macaulay, Sydney Smith, Princess Lieven, Lord Grey, Melbourne, Guizot and Disraeli, as well as 'jockeys, bookmakers and blackguards'.As Clerk of the Privy Council, Greville works for a compromise on the Reform Bill.He witnesses Covent Garden theatre burning down.His closest friend, Lord De Ros, is caught cardsharping. Visiting Balmoral, he finds Albert and Victoria living 'not merely like small gentlefolks, but like very small gentlefolks'. When cholera comes, he writes laconically of 'Mrs Smith, young and beautiful, taken ill while dressing for Church and dead by nightfall.' Not a chatterbox, Charles Greville brilliantly assembles everyone else's chatter. This is the intelligent voice of another age, an uneasy aristocrat catching history on the turn and looking dubiously at the future.

The Diaries Of Charles Greville

Donald R Morris

In 1879, armed only with their spears, their rawhide shields, and their incredible courage, the Zulus challenged the might of Victorian England and, initially, inflicted on the British the worst defeat a modern army has ever suffered at the hands of men without guns. 
 
This is the definitive account of the rise of the Zulu nation under the great ruler Shaka and its fall under Cetshwayo. The story is studded with tales of drama and heroism: the Battle of Isandhlwana, where the Zulu army wiped out the major British column; and Rorke's Drift, where a handful of British troops beat off thousands of Zulu warriors and won eleven Victoria Crosses. 
 
Acclaimed for its scholarship, its monumental range, and its spellbinding readability, The Washing of the Spears is a gripping portrait of not just the Zulu War of 1879, but also of Britain’s colonial policy at this moment.

The Washing Of The Spears

The Rise and Fall of the Zulu Nation Under Shaka and its Fall in the Zulu War of 1879

Russell Miller

Compiled from interviews, diaries, letters and contemporaneous first-person accounts - many never before published - this oral history follows the adventures of the courageous men and women who volunteered for service with Britain's Special Operations Executives and the United States' Office of Strategic Services. They parachuted behind enemy lines, often alone, with orders to cause mayhem. Arrest almost always resulted in torture and emprisonment; sometimes in execution. In occupied France, equipped with false identities, they played a deadly game of cat and mouse with the Gestapo; in the Balkans they discovered that the fiery politics of the region were as dangerous as the enemy; in the Burmese jungle they led native marauders in surprise attacks against the Japanese. Supported by a team of back-room boffins who dreamed up ingenious devices like exploding rats and invisible ink, the special agents of World War Two really were a breed apart. This is their extraordinary story, in their own words.

Behind The Lines

The Oral History of Special Operations in World War II

Roger Osborne

The Floating Egg begins with the search for an alchemist's secret, and ends with the re-imagination of a past world. Each chapter is connected to a particular corner of north-east England, and each explores the uncertain line where myth is dissolved into science, and belief gives way to knowledge. 
 
Different episodes show how the fall of Constantinople converted the common rock of the Yorkshire cliffs into a source of extraordinary wealth and power, and how this in turn uncovered the inhabitants of a succession of past worlds; how a stone falling from the sky near this same coast changed the minds of all the natural philosophers of Europe; and how a new science was born on the top of the tower of York Minster. We learn about the cloak-and-dagger world of fossil trading in the town of Whitby; and we see the entire life-work of a forgotten scientific genius who died from consumption at the age of twenty-five, having revolutionised his science. 
 
The stories move from documentary accounts to fictional recreations of historic events, from contemporary writing and illustrations to present-day reflection. By using different ways of describing the world of scientific endeavour, the author has produced a fascinating visually beautiful and highly entertaining book which allows us to witness the birth of a new science - the science of geology.

The Floating Egg

Episodes in the Making of Geology

Valerie Grove

Frank and funny, unorthodox, liberated and quintessentially English, Dodie Smith, playwright and novelist, was the author of those immortal classics, The Hundred and One Dalmations and I Capture the Castle. One of the most successful dramatists of her generation, she spent the war years in America, befriended Christopher Isherwood and, through Walt Disney's film, became a household name.

Dear Dodie

The Life of Dodie Smith

Gregor Dallas

The seventeen months from April 1814 to August 1815 were an extraordinary period in European history; a period which saw two sieges of Paris, a complete revision of Europe's political frontiers, an international Congress set up in Vienna, civil war in Italy and international war in Belgium.Gregor Dallas tells the story of these days through the perspectives of three very different European cities: the great metropolis of London, post-revolutionary Paris and baroque Vienna.  The writing is almost cinematic in its power to evoke and bring to life the Europe of Tolstoy: the ebb and flow of power, of armies and of peoples across Europe's northern plains.  Working essentially from primary sources, Dallas is as interested in the weather conditions before battle as in the way cartoonists reacted to court intrigues and fashions.It is also Europe seen through the eyes of its central players: Talleyrand, who has served nearly every French regime since the Revolution of 1789; Metternich, who devises new plans for a 'Germany' that does not yet exist and for a 'Europe' that remains devided; Wellington, who reveals himself a diplomat as well as a soldier; Tsar Alexander, an idealist seeking to impose a uniform plan for all Europe; and 'Boney' himself, who has his own ideal of Europe and, though banished to Elba, does not abandon his dream to realise it.

1815

The Roads to Waterloo

Timothy Mowl

William Kent (1685-1748) was great without a hint of gravitas, a con man who became one of the artistic geniuses of his age. He was a high camp Yorkshire bachelor, brought back by Lord Burlington from an artistic apprenticeship in Rome where he had painted for a cardinal and won prizes from a pope. In London he charmed the surly old Hanoverian King George I, redecorated Kensington Palace for him with a clumsy bravura, and survived the subsequent critical storm - just. England was in stylistic chaos after rejecting its lawful Stuart rulers and Burlington was imposing a chaste and dreary Palladianism on a philistine island people. Kent saw his chance and never looked back. 
 
Queen Caroline, the real ruler, used him to project in sensational garden buildings by the Thames at Richmond her vision of a new scientific Britain. Sir Robert Walpole paid him to turn Houghton Hall in Norfolk into an imperial palace, outshining anything the German monarchs could raise. Another prime minister, the virtuous Henry Pelham, built with Kent a revolutionary suburban bolt-hole in Surrey. Between them they invented the Gothic Revival out at Esher, but have never been given the credit. 
 
Late in life, while raising an alabaster temple to Jupiter at Holkham Hall, also in Norfolk, and the sexiest interiors in London on Berkeley Square, Kent was discovering his true genius, laying out casually at Esher, Stowe in Buckinghamshire and Rousham near Oxford, the Arcadian image of the 'English Garden' that would take the continent, even France, by storm as England's only original contribution to European culture.

William Kent

Architect, Designer, Opportunist

Nicholas Stargardt

Witnesses of War is the first work to show how children experienced the Second World War under the Nazis. Children were often the victims in this most terrible of European conflicts, falling prey to bombing, mechanised warfare, starvation policies, mass flight and genocide. But children also became active participants, going out to smuggle food, ply the black market, and care for sick parents and siblings. As they absorbed the brutal new realities of German occupation, Polish boys played at being Gestapo interrogators, and Jewish children at being ghetto guards or the SS. Within days of Germany's own surrender, German children were playing at being Russian soldiers. As they imagined themselves in the roles of their all-powerful enemies, children expressed their hopes and fears, as well as their humiliation and envy. 
 
This is the first account of the Second World War which brings together the opposing perspectives and contrasting experiences of those drawn into the new colonial empire of the Third Reich. German and Jewish, Polish and Czech, Sinti and disabled children were all to be separated along racial lines, between those fit to rule and those destined to serve; ultimately between those who were to live and those who were to die. 
 
Because the Nazis measured their success in terms of Germany's racial future, children lay at the heart of their war. Drawing on a wide range of new sources, from welfare and medical files to private diaries, letters and pictures, Nicholas Stargardt evokes the individual voices of children under Nazi rule. By bringing their experiences of the war together for the first time, he offers a fresh and challenging interpretation of the Nazi social order as a whole.

Witnesses Of War

Children's Lives Under the Nazis

Vanessa Bell

Vanessa Bell, artist, sister of Virginia Woolf, wife of Clive Bell and lover of Duncan Grant, is one of the most fascinating and modern figures of the Bloomsbury set, but unlike most of them she rarely put pen to writing paper. When she did, she was witty and illuminating about their early lives. The eldest of the Stephen family, she grew up with Virginia in Victorian gloom at Hyde Park Gate and later blossomed in bohemian style in Bloomsbury. From the twenties to the forties she lived and painted at Charleston Farmhouse like a heroine of the sixties and seventies, at the centre of a colourful world of family, friends, artists and intellectuals. Sketches in Pen and Ink is a unique collection of largely unpublished memoirs - most of them written to be read at meetings of the Memoir club, in which Vanessa writes with wit and charm about herself, her childhood, her remarkable family and friends, her moving relationship with Roger Fry, and her art. Her daughter, Angelica Garnett, has written a vivid and personal introduction which adds considerably to our understanding of this extraordinary woman and artist.

Sketches In Pen And Ink

A Bloomsbury Notebook

James Wood

When James Wood's first collection of essays, The Broken Estate, was published in 1999, the reviewers hailed a master critic. The common thread in Wood's latest collection of essays is what makes us laugh - and the book is an attempt to distinguish between the perhaps rather limited English comedy (as seen in Waugh, for example) and a 'continental' tragic-comedy, which he sees as real, universal and quixotic. 
 
A particularly acerbic, and very funny, essay - which has been widely celebrated - deals with Zadie Smith, Rushdie, Pynchon and DeLillo; its title, 'Hysterical Realism', has already entered the phrasebook of literary language. 
 
With its brilliant studies of Shakespeare, Dickens and Dostoevsky, Naipaul, Pritchett and Bellow, The Irresponsible Self offers more exhilarating despatches from one of our finest living critics.

The Irresponsible Self

On Laughter and the Novel

Richard Aldous

‘Engaging and highly entertaining’ Sunday Times 
 
 The dramatic confrontation between the two 'mighty opposites' of the Victorian age, brilliantly recreated by a talented young historian. 
 
 Gladstone and Disraeli were the fiercest political rivals of the modern age. Their intense hatred was ideological and deeply personal. Victorian Britain ruled the oceans and vast territories 'on which the sun never set'. The vitriolic duel between Gladstone and Disraeli was nothing less than a battle to lead the richest and most powerful nation on earth. 
 
 To Disraeli, his antagonist was an 'unprincipled maniac' characterised by an 'extraordinary mixture of envy, vindictiveness, hypocrisy and superstition'. For Gladstone, his rival was 'The Grand Corrupter' whose destruction he plotted 'day and night, week by week, month by month'. Victorians were electrified by the confrontation. No wonder that when Lewis Carroll's Through the Looking-Glass appeared in 1871, so many readers recognised the great adversaries as the warring lion and unicorn 'fighting for the crown'. 
 
 Richard Aldous gives us the first modern telling of this dramatic story of an intense and momentous rivalry. His vivid narrative style - at turns powerful, witty, stirring and theatrical - breathes new life into a familiar, half-remembered tale that is pivotal in Britain's island history. The Lion and the Unicorn is a brilliant rethinking of the Gladstone and Disraeli story for a new generation. 
 
Richard Aldous confirms a perennial truth: in politics, everything is personal.

The Lion and the Unicorn

Gladstone vs Disraeli

Frances Spalding

'The best of these Darwins is that they are cut out of rock - three taps is enough to convince one how immense is their solidarity.' So wrote Virginia Woolf affectionately of Gwen Raverat, the granddaughter of Charles Darwin. 
 
In this first full biography, Frances Spalding looks beyond the artist Gwen Raverat's childhood memoir; Period Piece, and creates a fascinating and moving portrait of Charles Darwin's granddaughter. She explores her Darwin inheritance; her conflicts when she moves beyond her home environment to enter the Slade School of Art; her encounter with post-Impressionism; and her friendships with Stanley Spencer, Rupert Brooke and members of the Bloomsbury set. At each stage, Gwen's artistic creativity is interwoven with her relationships and circumstances. She helps revive the medium of wood-engraving and with her husband, Jacques Raverat, celebrates the South of France in the art they produce while living in Venice. 
 
Drawing on a huge cache of unpublished papers, Spalding brings us a life lived with bravery, humour; realism and integrity, surrounded by a remarkable cast of relatives, friends and associates.

Gwen Raverat

Friends, Family and Affections

Victoria Glendinning

Victoria Glendinning provides a woman's view of Anthony Trollope, placing emphasis on family, particularly on his relationship with his mother. But it is Anthony as a husband and lover that intrigues her most. She looks at the nature of his love for his wife, Rose and at his love for Kate Field.

Trollope

Piers Brendon

In his account of four characters, each of whose importance was global, each of them, in their different ways, 'monsters', Piers Brendon writes wittily, sharply and succinctly - and brilliantly illuminates an age. His cast is as follows: Lord Northcliffe, the creator of modern journalism; Arthur Balfour, at the centre of the British political stage for half a century, and inspirer of the Balfour Declaration which changed the face of the Middle East; Mrs Emmeline Pankhurst, founder of the Suffragettes, whose personal gentility contrasted so oddly with her violent activities; and Baden-Powell, the Boy Scout who never really grew up, but who created a movement that spread to almost every country in the world. Piers Brendon maintains that the Edwardian era has been obfuscated by huge biographies. With four shafts of superb irony he penetrates the mists.

Eminent Edwardians

Four figures who defined their age: Northcliffe, Balfour, Pankhurst, Baden-Powell

Angela Bourke

In 1895 twenty-six-year-old Bridget Cleary disappeared from her house in rural Tipperary. At first, some said that the fairies had taken her into their stronghold in a nearby hill, from where she would emerge, riding a white horse. But then her badly burned body was found in a shallow grave. Her husband, father, aunt and four cousins were arrested and charged, while newspapers in nearby Clonmel, and then in Dublin, Cork, London and further afield attempted to make sense of what had happened. 
 
In this lurid and fascinating episode, set in the last decade of the nineteenth century, we witness the collision of town and country, of storytelling and science, of old and new. The torture and burning of Bridget Cleary caused a sensation in 1895 which continues to reverberate more than a hundred years later. 
 
Winner of the Irish Times Prize for Non-Fiction

The Burning Of Bridget Cleary

A True Story

Marie Vassiltchikov

Marie `Missie' Vassiltchikov as a White Russian émigrée caught with her family in Hitler`s Germany at the outbreak of the war. She was a Bright Young Thing, part of the cosmopolitan set who managed to maintain a trance-like normality until as late as 1941 - picnics, house-parties, dinners at the Eden... 
 
Before long, however, Missie became sickened by the brutal and repressive nature of Nazi rule which overshadowed every aspect of her life. Through Adam Von Trott, for whom she worked in the Information Department of the Foreign Ministry, she became involved in the Resistance and the diaries vividly describe her part in the drama of July 1944 and its appalling aftermath. 
 
Living among the ruins of Berlin during Allied bombing raids, she grows us to be strong-minded, committed and courageous woman as she daily displays uncommon bravery in the face of the Gestapo and the detestable Dr Six of the SS. Having survived the Nazis, Missie ends the diaries as she flees from Vienna, where she has been working as a nurse, before the advancing Red Army.

The Berlin Diaries 1940-45

Isaiah Berlin

Isaiah Berlin's celebrated radio lectures on six formative anti-liberal thinkers were delivered on the BBC's Third Programme in 1952. They are published here for the first time, fifty years on. Freedom and its Betrayal is one of Isaiah Berlin's earliest and most convincing expositions of his views on human freedom and the history of ideas, views which later found expression in such famous works as 'Two Concepts of Liberty', and were at the heart of his lifelong work on the Enlightenment and its critics. 
 
In his lucid examinations of sometimes difficult ideas Berlin demonstrates that a balanced understanding and a resilient defence of human liberty depend on learning both from the errors of freedom's alleged defenders and from the dark insights of its avowed antagonists. This book throws light on the early development of Berlin's ideas, and supplements his already published writings with fuller treatments of Helvétius, Rousseau, Fichte, Hegel and Saint-Simon, with the ultra-conservative traditionalist Maistre bringing up the rear. 
 
Freedom and its Betrayal shows Berlin at his liveliest and most torrentially spontaneous, testifying to his talents as a teacher of rare brilliance and impact. Listeners tuned in expectantly each week to the broadcasts and found themselves mesmerised by Berlin's astonishingly fluent extempore style. A leading historian of ideas, who was then a schoolboy, records that the lectures 'excited me so much that I sat, for every talk, on the floor beside the wireless, taking notes'. This excitement is at last recreated here for all to share.

Freedom And Its Betrayal

Sarah Wise

Towards the end of 1831, the authorities unearthed a series of crimes at Number 3, Nova Scotia Gardens in East London that appeared to echo the notorious Burke and Hare killings in Edinburgh three years earlier. After a long investigation, three bodysnatchers were put on trial for supplying the anatomy schools of London with suspiciously fresh bodies for dissection.They later became known as The London Burkers, and their story was dubbed 'The Italian Boy' case. The furore which led directly to the passing of controversial legislation which marked the beginning of the end of body snatching in Britain. 
 
In The Italian Boy, Sarah Wise not only investigates the case of the London Burkers but also, by making use of an incredibly rich archival store, the lives of ordinary lower-class Londoners. Here is a window on the lives of the poor - a window that is opaque in places, shattered in others but which provides an unprecedented view of low-life London in the 1830s.

The Italian Boy

Murder and Grave-Robbery in 1830s London

Peter Fleming

Catching all the fascination and humour of travel in out-of-the-way places, One's Company is Peter Fleming's account of his journey through Russia and Manchuria to China when he was Special Correspondent to The Times in the 1930s. Fleming spent seven months with the 'object of investigating the Communist situation in South China' at a time when, as far as he knew, 'no previous journey had been made to the anti-communist front by a foreigner', and on its publication in 1934, One's Company won widespread critical acclaim. Packed with classic incidents - brake-failure on the Trans-Siberian Express, the Eton Boating Song singing lesson in Manchuria - One's Company was among the forerunners of a whole new approach to travel writing.

One's Company

A Journey to China in 1933

Isabelle Tombs

Robert Tombs

From Blenheim and Waterloo to 'Up Yours, Delors' and 'Hop Off You Frogs', the cross-Channel relationship has been one of rivalry, misapprehension and suspicion. But it has also been a relationship of envy, admiration and affection. 
 
In the nearly two centuries since the final defeat of Napoleon, France and Britain have spent much of that time as allies - an alliance that has been almost as uneasy, as competitive and as ambivalent as the generations of warfare. Their rivalry both on peace and war, for good and ill, has shaped the modern world, from North America to India in the eighteenth century, in Africa, the Middle East and South East Asia during the nineteenth and twentieth centuries, and it is still shaping Europe today. 
 
This magisterial book, by turns provocative and delightful, always fascinating, tells the rich and complex story of the relationship over three centuries, from the beginning of the great struggle for mastery during the reign of Louis XIV to the second Iraq War and the latest enlargement of the EU. It tells of wars and battles, ententes and alliances, but also of food, fashion, sport, literature, sex and music. Its cast ranges from William and Mary to Tony Blair, from Voltaire to Eric Cantona; its sources from ambassadorial dispatches to police reports, from works of philosophy to tabloid newspapers, from guidebooks to cartoons and films. 
 
It's a book which brings both British humour and Gallic panache to the story of these two countries, in sickness and in health, for richer for poorer, in victory and in defeat, in dominance and in decline.

That Sweet Enemy

The British and the French from the Sun King to the Present

Hilaire Belloc

Here is the distinctly surreal world of Henry King, who perished through his 'chief defect' of chewing little bits of string; of dishonest Matilda whose dreadful lies led her to death by burning; and of Godolphin Horne who 'held the human race in scorn' and ended as the boy 'who blacks the boots at the Savoy'. 
 
Here too are the beautiful lyrics of longing and loss; the sonnets and epigrams; the hugely enjoyable Bad Child's Book of Beasts - not to mention More Beasts for Worse Children; and The Modern Traveller, one of the finest satirical poems in English. 
 
Complete Verse reveals all of Hilaire Belloc's dazzling range and makes plain why he is one of the most truly popular poets of modern times.

Complete Verse

Barney Hoskyns

Starting out as a backing group for Ronnie Hawkins, before being propelled on to the world stage by Bob Dylan, The Band literally changed the course of music with their first two albums. 
 
Retreating from the psychedelic circus of '60s rock, these four Canadians and one Arkansas boy hid away in upstate New York and steered rock 'n' roll back to its funky rural roots. Today The Band's soulful fusion of country, R&amp;B, gospel, jazz and vaudeville is more revered than ever, exerting a massive influence on everyone from Uncle Tupelo to Ryan Adams. 
 
Across the Great Divide is a vivid and rollicking account of the group's journey. Spanning the entire course of American rock, and boasting a supporting cast that includes Dylan, Janis Joplin and U2, it brilliantly captures the raw magic and complex personalities of these 'musicians' musicians'.

Across The Great Divide

Nigel Tattersfield

`I pray people will read this richly detailed and absorbing book, with its vivid renaissance of a matter most of us English seem to have wished into oblivion. ' John Fowles Meticulously kept by Walter Prideaux, the log of the Daniel and Henry provides an astonishing record of a trading venture in the year 1700. Two years earlier, the Guinea trade had been prised loose by an Act of Parliament from the monopoly of the Royal African Company, and respectable burghers in a dozen small provincial ports seized what they saw as an opportunity for quick rewards from the slave trade. Few of these merchants knew anything of trading in Africa, nor of the unscrupulous tribalchiefs who readily offered men, women and children in hard bargaining for beads, alcohol, weapons and gunpowder. In the second part of this book, Tattersfield went in search of long-forgotten documents to chart how small provincial ports fared both economically and morally in the early years of slave trading.

The Forgotten Trade

Comprising the Log of the Daniel and Henry of 1700 and Accounts of the Slave Trade From the Minor Ports of England 1698-1725

Michael Holroyd

This 1997 revised and updated biography of the celebrated artist, using the mass of new material which has come to light since Holroyd's two-volume first edition in the mid 1970s, reveals the complete story of John and his circle, from one of our great biographers. 
 
John studied at the Slade with his sister Gwen before both of them went to Paris. He lived and worked at feverish speed and his drawings were astonishing for their fluid lyrical line, their vigor and spontaneity. His life became a complex tale of two cities, London and Paris, of two wives and many families. 'The age of Augustus John was dawning,' Virginia Woolf wrote of the year 1908, which saw many portraits of writers and artists and small glowing oil panels of figures in a landscape. His most striking work was done in the years before the First World War and when he died in 1961 his death was treated as a landmark signaling the end of a distant era.

Augustus John

The New Biography

Peter J Gwyn

Proud, greedy, corrupt and driven by overwhelming personal ambition. Such is the traditional image of Thomas Wolsey, Lord Chancellor, Archbishop of York, Bishop of Winchester, Abbot of St. Albans, Bishop if Tournai and Papal Legate. It is an image which Peter Gwyn examines, challenges and decisively overturns in this remarkable book. 
 
From exceedingly humble beginnings Wolsey rose to a pinnacle of power unsurpassed by any other British commoner. Peter Gwyn explores every aspect of the Cardinal's career - not least his relationship with Henry VIII - and sets it firmly in a vividly recreated Tudor world. The Wolsey who emerges is a man of prodigious energy and ability, a tireless dispenser of justice, an enlightened reformer wholly dedicated to his king and country - a man who has been consistently misrepresented and maligned for four-and-a-half centuries.

The King's Cardinal

The Rise and Fall of Thomas Wolsey

Kate Chisholm

Dr Johnson is often thought of as a strident, overbearing conversationalist, a man who famously asserted that 'Women have all the liberty they should wish to have'. But in this revealing book Kate Chisholm argues it is time to consider how Johnson lived his life, not just what he said. She proposes that the heart of the man, the truth of his character, can more clearly be seen via his many - close, generous, equal - relationships with women. 
 
At one end of the spectrum were Johnson's mother Sarah; his 'painted poppet' wife Tetty; and the women, like the prostitute Poll Carmichael and the blind poetess Anna Williams, he took in when they had nowhere else to go. At the other end were Mary Wollstonecraft, who refers to Johnson in Vindication of the Rights of Woman; Hester Thrale, renowned wit and Johnson's 'dear mistress'; Elizabeth Carter, whose translation of Epictetus was an instant bestseller; and many more besides. 
 
By looking again at this controversial figure through the eyes of this extraordinary cast of female characters, we can discover the essential and unexpected Johnson.

Wits and Wives

Dr Johnson in the Company of Women

Jonathon Green

Jonothan Green offers a time trip from lat-fifties CND, beatniks and bop to the threshold of our own decade's designer revolutionaries and style warriors. . . His chosen form is the oral history pioneered by Studs Terkel in which cross-cut voices recount a shared experience or epoch. . . what anecdotes!'Guardian. Green has collected 101 quintessential sixties groovers and lovingly teased out their memories, all of them refreshingly self-critical and remarkably sharpened by hindsight. 'Glasgow Herald. `This is the first publication I've seen on the 1960s to address all closely the question: how did it feel in that dawn to be alive?. . . An action packed tapestry of illuminating flashbacks. 'Spectator.

Days In The Life

E J M Bowlby

In this third and final volume John Bowlby completes the trilogy Attachment and Loss, his much acclaimed work on the importance of the parental relationship to mental health. Here he examines the ways in which young children respond to a temporary or permanent loss of a mother-figure and the expression of anxiety, grief and mourning which accompany such loss. The theories presented differ in many ways from those advanced by Freud and elaborated by his followers, so much so that the frame of reference now offered for understanding personality development and psychopathology amounts to a new paradigm. 
 
Attachment and Loss is a deeply important series of works that continue to influence the landscape of psychoanalysis and psychology, and Loss its revelatory closing chapter.

Loss - Sadness and Depression

Attachment and Loss Volume 3

Harry Ricketts

The stories of Rudyard Kipling are read all over the world, by people of all ages, yet no biography has fully explored the complex link between his fascinating life and his writing; untill this one. Harry Ricketts brings Kipling vividly and touchingly to life - his traumatic childhood, split between India and England (haunting the powerful Jungle Books); his youth as a reporter in India, troubled by love and politics; his entry into London literary life and his often hilarious travels in America. Ricketts explores Kiplings's imperialism and radicaism, and traces his increasing reclusiveness after his son's death in the First World War. The dramatic life is backed by subtle readings of the works , from the BARRACK-ROOM BALLADS to KIM and STALKY AND CO. With its strong narrative drive, this biography entrals and moves, while shining a strong new light on a great writer.

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