Steve Roud was Local Studies Librarian for the London Borough of Croydon and served as Honorary Librarian of the Folklore Society for over fifteen years. He has been researching British folklore for over thirty years and is the joint author of the Oxford Dictionary of English Folklore, plus other books on traditional drama and folk song, and the Penguin Guide to the Superstitions of Britain and Ireland, which won the Katharine Briggs Folklore Award in 2004. His publications include London Lore (2008) and The Lore of the Playground (2010). He also compiles the Folk Song Index and the Broadside Index, two internationally acclaimed computer databases of traditional folk and popular song. He lives in Sussex.

Steve Roud

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Thomas W. Laqueur

Long before the phrase ‘man’s best friend’ became common parlance, dogs were already standing beside us in art as in life. In The Dog’s Gaze, the historian Thomas W. Laqueur invites us to explore why they feature more than any other animal in the ways in which we picture ourselves and our stories. 
 
Dogs have been ubiquitous in the worldmaking of visual artists as far back as the Palaeolithic age. Looking across the western tradition, from Giotto to Goya and Rubens to Rego, Laqueur shows what their presence – as hunting partners, beloved friends and even conduits to the afterlife – reveals about our own ways of seeing and how we want to be remembered. Far from being mere motifs, dogs are an integral and intentional element of the images in which they appear: they provide narrative coherence; they look out and bear witness, often on the artist’s behalf; they illuminate our understanding of morality and melancholy and some, like us, become celebrities. Indeed, as the author shows, dogs in art are our social doppelgängers, our companions in looking and being. 
 
Richly illustrated and lovingly written, The Dog’s Gaze is a unique visual history that examines the shared social history of our two species and offers fresh insights into the human condition through the eyes of our canine companions.

The Dog's Gaze

A Visual History

Imani Perry

Throughout history, the concept of Blackness has been remarkably intertwined with another color: blue. In daily life, it is evoked in countless ways. Blue skies and blue water offer hope for a life beyond the current conditions. But blue is also the color of deep melancholy and heartache, echoing Louis Armstrong’s question, "What did I do to be so Black and blue?" In Black in Blues, celebrated author Imani Perry uses the world’s favorite color as a springboard for a riveting emotional, cultural, and spiritual journey—an examination of race and Blackness that transcends politics or ideology. 
 
Drawing deeply from her own life as well as from art and history, Perry traces both blue and Blackness from their earliest roots to their many embodiments of contemporary culture: The dyed indigo cloths of West Africa that were traded for human life in the 16th century. The mixture of awe and aversion in the old-fashioned characterization of dark-skinned people as "Blue Black". The fundamentally American art form of blues music, sitting at the crossroads of pain and pleasure. The blue flowers she plants in memory of a loved one. 
 
Attuned to both the harrowing and the sublime aspects of the human experience, Black in Blues is a poignant, spellbinding, and utterly original work from one of our greatest thinkers.

Black in Blues

How a Color Tells the Story of My People

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