Steve Roud was Local Studies Librarian for the London Borough of Croydon and served as Honorary Librarian of the Folklore Society for over fifteen years. He has been researching British folklore for over thirty years and is the joint author of the Oxford Dictionary of English Folklore, plus other books on traditional drama and folk song, and the Penguin Guide to the Superstitions of Britain and Ireland, which won the Katharine Briggs Folklore Award in 2004. His publications include London Lore (2008) and The Lore of the Playground (2010). He also compiles the Folk Song Index and the Broadside Index, two internationally acclaimed computer databases of traditional folk and popular song. He lives in Sussex.

Steve Roud

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Tim Benson

'A welcome and important addition to this genre—especially given that it contains more than 300 cartoons, most of which have not been utilised in previously published books . . . With great skill Benson has created a highly readable, entertaining, and politically insightful description for each cartoon . . . Buy and read this delightful book.' INTERNATIONAL CHURCHILL SOCIETY 
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Following an unrivalled political career that spanned a remarkable sixty years and reached both the heights and the depths of political fortune, Sir Winston Churchill undoubtedly became the world's most caricatured politician of all time. From entering Parliament in 1900 through to his retirement in 1964, Winston Churchill in Cartoons will chart Churchill's illustrious and tumultuous political career through the work of leading cartoonists from around the world. 
 
Through these cartoons there developed very contrary views of Churchill; the glorious cigar-chomping wartime leader and the flawed politician. In America he was adored by cartoonists, while in Nazi Germany and in the post-war Soviet Union he was, unsurprisingly, painted as a bumbling buffoon. After his passing in 1965, great contemporary cartoonists including Peter Brookes, Steve Bell, Matt and Gerald Scarfe, continued to use him as a benchmark for the world leaders that followed. 
 
Featuring the work of the some of the greatest cartoonists of all time and providing a new perspective of an iconic figure, Winston Churchill in Cartoons will include the very best and wittiest portrayals of Churchill the glorious wartime leader, controversial politician, and emblematic British statesman.

Churchill: A Life in Cartoons

Sebastian Faulks

'A wise and heartfelt piece of writing' THE TIMES 
 
'Witty' INDEPENDENT 
 
'Wry and reflective . . . a soulful look at a life in words' i PAPER 
 
‘A wonderful portrait of an age, and of a writer’ RORY STEWART, author of Politics on the Edge 
 
‘Utterly fascinating’ DAVID KYNASTON, author of A Northern Wind 
 
'Shot through with the kind of depth and detail that can only come from a masterful writer finally turning his pen to his own life. Fresh, wise and finely-wrought' ALICE WINN, author of In Memoriam 
 
‘As charming and funny in schoolboy episodes as he is thought-provoking in the darker environs of mental health, Sebastian Faulks is always resonant, civilised and sane’ MARK KNOPFLER 
 
***In Fires Which Burned Brightly, Faulks, a reluctant memoirist, offers readers a series of detailed snapshots from a life in progress. They include a post-war rural childhood – ‘cold mutton and wet washing on a rack over the range’ – the booze-sodden heyday of Fleet Street and a career as one of the country’s most acclaimed novelists. 
 
There are not one, but two daring escapes from boarding school; the delirium of a jetlagged American book tour; the writing of Birdsong in his brother’s house in 1992; and memorable trips across the channel to France. Politics, psychiatry and frustrated ventures into the world of entertainment are analysed with patience and rueful humour. 
 
The book is driven by a desire ‘to arrive where we started and know the place for the first time.’ It ends with a tribute to Faulks’s parents and a sense of how his own generation was shaped by the disruptive power of war and its aftermath.Sharply perceptive and alive with a generous wit, Fires Which Burned Brightly is a work of subtle yet profound intelligence and warmth. 
PRAISE FOR SEBASTIAN FAULKS 
 
'Faulks writes with great emotional authority' SUNDAY TIMES 
 
'A prodigiously talented writer' NEW YORK TIMES 
 
'Faulks is beyond doubt a master' FINANCIAL TIMES 
 
'The most impressive novelist of his generation' SUNDAY TELEGRAPH

Fires Which Burned Brightly

A Life in Progress

Hannah Murray

In 2017, Hannah Murray was a successful actor whose career had taken her to Hollywood and given her the opportunity to act with A list stars and Oscar-winning directors. But as the daily costs of acting grew, from the degradations of auditions to repeating violent scenes over and over, Hannah found herself searching for something to make her feel better. One day, a reiki healer promises her a new kind of treatment, a kind of magic, and all of a sudden Hannah’s life is changed. 
 
Back in London, she becomes increasingly involved with the organisation behind the magic, an organisation whose charismatic leader, promises of secret knowledge, and increasingly complex rituals, are seductive, cult-like – and ultimately destructive, as Hannah finds herself on a week-long course from her friends and family - and her sanity falls apart. Detained in hospital, she struggles to understand the difference between what’s real, and what’s imagined. The result is a propulsive, shockingly honest, and extraordinarily intimate portrayal of a mind taken over the edge. 
 
From the outer edges of fame, through Hollywood film sets and London parties, Hannah’s life has slowly moved from that of a successful starlet to that of a young woman seduced by the magical thinking of an organisation that promises health and happiness beyond her wildest dreams, but her reality becomes far more disturbing than she could ever have imagined. 
 
Shocking, intimate and compulsive, The Make-Believe is an ultimately uplifting and inspiring story of empathy, resilience and the power of belief.

The Make-Believe

A memoir of magic and madness

Robbie Robertson

The rock legend tells the story of his wild ride with Martin Scorsese – as friends, adventure-seekers, and boundary-pushing collaborators – with all the heart of his New York Times bestselling memoir Testimony 
 
'Intense, exciting, delirious' THE TIMES 
'Thrilling, beautiful, honest' TELEGRAPH 
'A wild ride' ROLLING STONE 
 
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For four decades, Robbie Robertson produced music for Martin Scorsese's films, a relationship that began when Robertson convinced Scorsese to direct The Last Waltz, the iconic film of the Band's farewell performance at the Winterland Ballroom on Thanksgiving 1976. 
 
The closing of the Band's story with that landmark concert thrust Robertson into a new and uncertain world. With his relationship with his bandmates deteriorating and his marriage collapsing, Robertson arrived on Scorsese’s Beverly Hills doorstep only to find his friend in similar straits. Before the night was out, Scorsese had invited him to move in. Both men, already culture-transforming stars before the age of thirty-five, stood at a creative precipice, searching for the beginning of a new phase of life and work. As their friendship deepened into a career-altering collaboration, their shared journey would take them around the world and down the rabbit hole of American culture in the long hangover of the seventies. Buffeted on either side by temptation and paranoia, veering closer to self-destruction than either wanted to admit, together they had devoted themselves to a partnership defined by equal parts admiration and ambition. 
 
With a cast of characters featuring Robert De Niro, Harvey Keitel, Federico Fellini, Sophia Loren, Sam Fuller, Liza Minelli, Tuesday Weld, and many more, Insomnia is an intimate portrait of a remarkable creative friendship between two titans of American arts, one that would explore the outer limits of excess and experience before returning to tell the tale.

Insomnia

Michael Palin

With his eightieth birthday looming, it crossed Michael Palin’s mind that now might be the time to hang up his boots, to lounge about at home, to take things easy. Then the opportunity to visit Africa’s most populous nation arose. A few weeks later, he was at Lagos airport, camera crew in tow. 
 
 The journal he kept during his trip offers a fascinatingly kaleidoscopic view of a country where some 500 languages are spoken and which contains within its borders everything from tropical rainforests to grasslands to desert plains. At one moment he is in vibrant but chaotic Lagos, the next in the seemingly deserted streets of Nigeria’s hyper-modern capital, Abuja, the next in the polluted oil fields of the Niger Delta. He is welcomed as an honoured guest by a powerful emir and harangued by a passerby in Benin City. He hears the testimony of a kidnap victim of the terrorist group Boko Haram and experiences the collective spiritual ecstasy of one of Nigeria’s mega churches. And throughout his trip, he experiences at first hand the contradictions of a country that has so much natural wealth and human talent and yet simultaneously grapples with corruption, religious strife and deep inequality. 
 
 Illustrated throughout with colour photographs taken on the trip, and brimming with wry humour and fascinating insights, this is a vivid and varied portrait of a complex country.

In Nigeria

Amber Husain

If you are what you eat, what does that make you? Virtuous, cool, immortal? Or deviant, pitiful, ill? Is it useful to make these judgements? Do they help us improve our lives? 
 
In a world where it feels as though the value of your life can be gauged by the goodness in your dinner, it is possible, even easy, to lose the will to live. This became particularly obvious to writer Amber Husain when suddenly, despite almost thirty years of practice, it seemed she had forgotten how to eat. 
 
Medical wisdom tries fix the problem non-eater by teaching them the rules of Good Diet. But what if the problem is precisely the narrowing of life to questions of personal goodness? Suspecting there might be more to her stand-off with food than matters of identity and diet, Husain embarked on an enquiry into the special role of eating in our relationship with the world. 
 
Combining a personal account of modern eating-disorder treatments, from the disturbing to the sublime, with a sprawling collective history of eating in hard times, Tell Me How You Eat unearths the astonishing effect of how we feed ourselves and others, not just on who we are, but on how we perceive our own political power. In doing so, it marks a bold and inspiring confrontation with our very understanding of food.

Tell Me How You Eat

Food, Power and the Will to Live

Robin Givhan

From Pulitzer Prize-winning culture critic Robin Givhan comes a groundbreaking chronicle of the legacy of Virgil Abloh, whose iconic rise to the top of the fashion industry transformed our ideas about the connection between who we are and what we wear 
 
In 2018, shockwaves were sent around the fashion industry when Virgil Abloh was appointed the head of menswear for Louis Vuitton. Despite no formal training in pattern-making or tailoring, Abloh had become the first Black designer to serve as artistic director in the brand’s 164-year history. 
 
Make It Ours tells the story of how that moment came to be and how Abloh came to symbolise and embody the industry’s way forward. Using Abloh’s surprising path to the top of the luxury establishment, Givhan unfolds the larger story of how the cloistered, exclusive fashion world faced a revolution from below in the form of streetwear and designers unafraid to storm the gate, and how a simple t-shirt came to hold as much cultural power as a haute couture gown. 
 
With unparalleled access to Abloh’s family, friends, collaborators, and contemporaries, and featuring a cast of fascinating characters ranging from groundbreaking Black designers like Ozwald Boateng to Abloh’s mercurial but critical employer and mentor Kanye West, Givhan weaves a spellbinding tale of a young man’s rise amidst a cultural moment that would upend a century’s worth of ideas about luxury and taste. This is at once a remarkable biography of a singular creative force and a powerful meditation on fashion and race, taste and exclusivity, genius and luxury.

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