Steve Roud was Local Studies Librarian for the London Borough of Croydon and served as Honorary Librarian of the Folklore Society for over fifteen years. He has been researching British folklore for over thirty years and is the joint author of the Oxford Dictionary of English Folklore, plus other books on traditional drama and folk song, and the Penguin Guide to the Superstitions of Britain and Ireland, which won the Katharine Briggs Folklore Award in 2004. His publications include London Lore (2008) and The Lore of the Playground (2010). He also compiles the Folk Song Index and the Broadside Index, two internationally acclaimed computer databases of traditional folk and popular song. He lives in Sussex.

Steve Roud

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Sebastian Faulks

'A wise and heartfelt piece of writing' THE TIMES 
 
'Witty' INDEPENDENT 
 
'Wry and reflective . . . a soulful look at a life in words' i PAPER 
 
‘A wonderful portrait of an age, and of a writer’ RORY STEWART, author of Politics on the Edge 
 
‘Utterly fascinating’ DAVID KYNASTON, author of A Northern Wind 
 
'Shot through with the kind of depth and detail that can only come from a masterful writer finally turning his pen to his own life. Fresh, wise and finely-wrought' ALICE WINN, author of In Memoriam 
 
‘As charming and funny in schoolboy episodes as he is thought-provoking in the darker environs of mental health, Sebastian Faulks is always resonant, civilised and sane’ MARK KNOPFLER 
 
***In Fires Which Burned Brightly, Faulks, a reluctant memoirist, offers readers a series of detailed snapshots from a life in progress. They include a post-war rural childhood – ‘cold mutton and wet washing on a rack over the range’ – the booze-sodden heyday of Fleet Street and a career as one of the country’s most acclaimed novelists. 
 
There are not one, but two daring escapes from boarding school; the delirium of a jetlagged American book tour; the writing of Birdsong in his brother’s house in 1992; and memorable trips across the channel to France. Politics, psychiatry and frustrated ventures into the world of entertainment are analysed with patience and rueful humour. 
 
The book is driven by a desire ‘to arrive where we started and know the place for the first time.’ It ends with a tribute to Faulks’s parents and a sense of how his own generation was shaped by the disruptive power of war and its aftermath.Sharply perceptive and alive with a generous wit, Fires Which Burned Brightly is a work of subtle yet profound intelligence and warmth. 
PRAISE FOR SEBASTIAN FAULKS 
 
'Faulks writes with great emotional authority' SUNDAY TIMES 
 
'A prodigiously talented writer' NEW YORK TIMES 
 
'Faulks is beyond doubt a master' FINANCIAL TIMES 
 
'The most impressive novelist of his generation' SUNDAY TELEGRAPH

Fires Which Burned Brightly

A Life in Progress

Hannah Murray

In 2017, Hannah Murray was a successful actor whose career had taken her to Hollywood and given her the opportunity to act with A list stars and Oscar-winning directors. But as the daily costs of acting grew, from the degradations of auditions to repeating violent scenes over and over, Hannah found herself searching for something to make her feel better. One day, a reiki healer promises her a new kind of treatment, a kind of magic, and all of a sudden Hannah’s life is changed. 
 
Back in London, she becomes increasingly involved with the organisation behind the magic, an organisation whose charismatic leader, promises of secret knowledge, and increasingly complex rituals, are seductive, cult-like – and ultimately destructive, as Hannah finds herself on a week-long course from her friends and family - and her sanity falls apart. Detained in hospital, she struggles to understand the difference between what’s real, and what’s imagined. The result is a propulsive, shockingly honest, and extraordinarily intimate portrayal of a mind taken over the edge. 
 
From the outer edges of fame, through Hollywood film sets and London parties, Hannah’s life has slowly moved from that of a successful starlet to that of a young woman seduced by the magical thinking of an organisation that promises health and happiness beyond her wildest dreams, but her reality becomes far more disturbing than she could ever have imagined. 
 
Shocking, intimate and compulsive, The Make-Believe is an ultimately uplifting and inspiring story of empathy, resilience and the power of belief.

The Make-Believe

A memoir of magic and madness

Robbie Robertson

'Intense, exciting, delirious' THE TIMES 
'Thrilling, beautiful, honest' TELEGRAPH 
'A wild ride' ROLLING STONE 
 
For four decades, Robbie Robertson produced music for Martin Scorsese's films, a relationship that began when Robertson convinced Scorsese to direct The Last Waltz, the iconic film of the Band's farewell performance at the Winterland Ballroom on Thanksgiving 1976. 
 
The closing of the Band's story with that landmark concert thrust Robertson into a new and uncertain world. With his relationship with his bandmates deteriorating and his marriage collapsing, Robertson arrived on Scorsese’s Beverly Hills doorstep only to find his friend in similar straits. Before the night was out, Scorsese had invited him to move in. Both men, already culture-transforming stars before the age of thirty-five, stood at a creative precipice, searching for the beginning of a new phase of life and work. As their friendship deepened into a career-altering collaboration, their shared journey would take them around the world and down the rabbit hole of American culture in the long hangover of the seventies. Buffeted on either side by temptation and paranoia, veering closer to self-destruction than either wanted to admit, together they had devoted themselves to a partnership defined by equal parts admiration and ambition. 
 
With a cast of characters featuring Robert De Niro, Harvey Keitel, Federico Fellini, Sophia Loren, Sam Fuller, Liza Minelli, Tuesday Weld, and many more, Insomnia is an intimate portrait of a remarkable creative friendship between two titans of American arts, one that would explore the outer limits of excess and experience before returning to tell the tale.

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