Steve Roud was Local Studies Librarian for the London Borough of Croydon and served as Honorary Librarian of the Folklore Society for over fifteen years. He has been researching British folklore for over thirty years and is the joint author of the Oxford Dictionary of English Folklore, plus other books on traditional drama and folk song, and the Penguin Guide to the Superstitions of Britain and Ireland, which won the Katharine Briggs Folklore Award in 2004. His publications include London Lore (2008) and The Lore of the Playground (2010). He also compiles the Folk Song Index and the Broadside Index, two internationally acclaimed computer databases of traditional folk and popular song. He lives in Sussex.

Steve Roud

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Joad Raymond Wren

‘Highly ambitious and impressive … a rich, multifaceted and thought-provoking book' 
Noel Malcolm, Times Literary Supplement 
 
News moves. It is a battle, a scandal, a disaster. It is a letter, a newspaper, a proclamation. News is a material thing, but also something between us, something we take into us and feel. 
 
This book tells the story of news from the sunset of the Middle Ages to the rise of mass media in modern times. It begins in Renaissance Italy, with the envoys and merchants who drew in and disseminated news across Europe, establishing its channels and conventions. Following the beat of news around the continent, it uncovers a vast, invisible network traversing the boundaries of geography and politics, religion and language. 
 
Joad Raymond Wren allows the reader to see news – of the battle of Lepanto, the siege of Vienna – spreading around this network in real time. Dispelling the tenacious myth that news was until the printing press scarce and unreliable, and until the telegraph slow and provincial, he opens up windows onto a world buzzing with news from faraway. News brought the distant closer, and provided the means for Europe to know itself. The continent was, for a time, held together by that most essential of human acts: communication.

The Great Exchange: Making the News in Early Modern Europe

Daniel Neep

Few countries have had as vexed a political history as Syria. Carved out of the Ottoman empire at the end of the First World War, Syria was then brutally ruled by France. This French ‘mandate’ carved out new borders with equally provisional neighbours in a process that pulled apart families, trade networks and political assumptions that had already been ravaged by the war. 
 
Syria's subsequent history has been a series of attempts to make sense of its borders, including a failed attempt in the late 1950s to unite with Egypt and several humiliations at the hands of Israel's armed forces. The civil war that broke out in 2011 plunged Syria into a nightmarish series of disasters, including the terrible years of Islamic State, ultimately resulting in the reimposition of Bashar al-Assad’s dictatorship, which came to an end in 2024. 
 
Daniel Neep’s remarkable book creates a gripping, intelligent narrative of how Syrians have lived through these events, never losing sight either of the fates of ordinary people or of Syria’s rich, complex and diverse society, unwillingly or willingly brought together in such a highly contested space.

A History of Modern Syria

Thomas W. Laqueur

Long before the phrase ‘man’s best friend’ became common parlance, dogs were already standing beside us in art as in life. In The Dog’s Gaze, the historian Thomas W. Laqueur invites us to explore why they feature more than any other animal in the ways in which we picture ourselves and our stories. 
 
Dogs have been ubiquitous in the worldmaking of visual artists as far back as the Palaeolithic age. Looking across the western tradition, from Giotto to Goya and Rubens to Rego, Laqueur shows what their presence – as hunting partners, beloved friends and even conduits to the afterlife – reveals about our own ways of seeing and how we want to be remembered. Far from being mere motifs, dogs are an integral and intentional element of the images in which they appear: they provide narrative coherence; they look out and bear witness, often on the artist’s behalf; they illuminate our understanding of morality and melancholy and some, like us, become celebrities. Indeed, as the author shows, dogs in art are our social doppelgängers, our companions in looking and being. 
 
Richly illustrated and lovingly written, The Dog’s Gaze is a unique visual history that examines the shared social history of our two species and offers fresh insights into the human condition through the eyes of our canine companions.

The Dog's Gaze

A Visual History

Justin Marozzi

Slavery in the Islamic world has a long, complex and controversial history. Captives and Companions is a brilliant synthesis of history and contemporary reportage, which brings to life the voices of the enslaved in stories of eighth-century concubines and ninth-century revolts, thirteenth-century slave soldiers who established dynastic rule over Egypt, Syria and Iraq, eighteenth-century corsairs and twentieth century 
pearl divers in the Gulf. It also includes first-hand accounts of this legacy in the twenty-first century, including the depredations of Daesh and continuing hereditary slavery in Mali and Mauritania. 
 
Justin Marozzi traces the extraordinary variety of enslavement in the Islamic world, which ranged from agricultural labour and domestic toil to elite concubinage, guardianship of sacred spaces, political leadership and even military command. He shows how Africa bore the brunt of the demand for slave labour, fuelled throughout the nineteenth century by expanding global markets and commodity chains. Slavers plied African coasts, traders raided inland for human cargo, and millions were marched across the Sahara into captivity. Meanwhile, North African corsairs turned the Mediterranean into a slave-raiding ‘free-for-all’ between Muslims, Christians and Jews. 
 
Taking the reader on an extraordinary historical journey from Baghdad to Bamako, Tripoli to Timbuktu, Istanbul to the Black Sea, this is the riveting human drama of those caught up in one of history’s most remarkable overlooked stories.

Captives and Companions

A History of Slavery and the Slave Trade in the Islamic World

Jane Rogoyska

The Hotel Lutetia is a Paris institution, the only ‘grand’ hotel on the city’s bohemian Left Bank. Ever since it opened, it has served as a meeting place for artists, musicians and politicians. André Gide took his lunch here, James Joyce lived in one of its rooms, Picasso and Matisse were regular guests. It has a darker history, too. During one short period, it became a focus for some of the most dramatic and terrible events in recent history. 
 
In the 1930s the Hotel Lutetia attracted intellectuals and political activists, forced to flee their homes when Hitler came to power, who met here with the hope of forming an alternative government. But when war came, Paris was occupied, and the hotel became the headquarters of the German military intelligence service – and the centre of their operation to root out enemies of the Reich. In 1945, the Lutetia was requisitioned once more, this time transformed into a reception centre for deportees returning from concentration camps. 
 
Hotel Exile is about what happens on the edges of a war. At its heart are three groups of people connected to a place, to one another, and to the dark ideology which dictates the course of their lives. A masterpiece of empathy and concision, Jane Rogoyska’s extraordinary new book offers us a vision of individual human beings desperately trying to find a path through some of the twentieth century’s most devastating events.

Hotel Exile

Paris in the Shadow of War

Quinn Slobodian

Ben Tarnoff

Who on earth is Elon Musk and what is he doing? Is he a hero, a villain, or does he swing constantly between those two poles? According to the constant media gush driven by his every act and pronouncement, Musk is best understood in personal terms. This book argues differently. Rather than seeing Musk as an individual, it sees him as an avatar of something called Muskism: a playbook for our new postliberal age. 
 
It’s not that Musk himself holds a coherent set of beliefs; you could say his life is one long improvisation. And he’s certainly never used the word Muskism – just as, a century ago, Henry Ford never used Fordism to define his own postliberal modernity. In exploring the forces that have shaped Musk, from South Africa to Silicon Valley, Space X to DOGE, Quinn Slobodian and Ben Tarnoff outline the motifs and practices that have come to dominate our own crisis-ridden world. 
 
Muskism, they show, speaks the language of crisis and emergency to invoke a less human future: where humans are purged from the productive process and, through social media and video games, merged with the machine. This is a worldview in which the technocrat is king; which piggybacks on the state to achieve supremacy; and in which only a select few deserve salvation. If you enter, this book warns you, you will grind and you will live in the shadow of one man – but the rewards could be priceless and the alternative might be extinction.

Muskism

A Guide for the Perplexed

John Cassidy

At a time when we are faced with fundamental questions about the sustainability and morality of the economic system, Capitalism and Its Critics provides a kaleidoscopic history of global capitalism, from colonialism and the Industrial Revolution to the ecological crisis and artificial intelligence. 
 
John Cassidy adopts a bold new approach: he tells the story through the eyes of the system’s critics. From eighteenth-century weavers who rebelled against early factory automation to Eric Williams's paradigm-changing work on slavery and capitalism, to the Latin American dependistas, the international Wages for Housework campaign of the 1970s, and the modern degrowth movement, this absorbing narrative traverses the globe. It looks at familiar figures – Smith, Marx, Luxemburg, Keynes, Polanyi – from a fresh perspective, but also focuses on many less familiar, including William Thompson, the Irish proto-socialist whose work influenced Marx; Flora Tristan, the French proponent of a universal labour union; John Hobson, the original theorist of imperialism; and J. C. Kumarappa, the Indian exponent of Gandhian economics. 
 
Blending biography, panoramic history, and lively exploration of economic theories, Capitalism and Its Critics illuminates the deep roots of many of the most urgent issues of our time.

Capitalism and Its Critics

A Battle of Ideas in the Modern World

Jeremy Atherton Lin

A Book of the Year for The New Yorker and Electric Lit 
 
It’s 1996, and Jeremy, a young American, has met the British boy of his dreams — just as, amid a media frenzy, US Congress prepares the Defense of Marriage Act, denying same-sex couples rights including immigration. The pair snatch time in forests and deserts, London fashion shows, and East Village hotel rooms; eventually, finding no other way to stay together, they shack up illicitly among unlikely allies in San Francisco. 
 
What emerges is an unexpected romantic comedy haunted by centuries of gay ghosts. Deep House moves through the couple’s various domiciles while unlocking doors to a lineage of outsiders who came before them: hapless criminals, sexpot bartenders, friars, pirates, government workers who subvert the system and activists who go all the way to the Supreme Court to fight for their freedoms. Combining cultural history with radically intimate memoir, Deep House is at once a romp through the queer archives and the innermost tale of two boyfriends who made a home in the shadows of a turbulent civil rights battle.

Deep House

The Gayest Love Story Ever Told

Oleksandr Mykhed

&lsquo;We were so happy and didn&rsquo;t know it&hellip;&rsquo; 
 
A thirty-three-year-old writer lives in a quiet European suburb with his wife and his dog. His parents have bought an apartment nearby. On weekends they go out for brunch, cook and see friends. Life is good; it is normal. Then the invaders come. 
 
Language of War is about what happens when your world changes overnight. When you wake up to the sound of helicopters and the smell of gunpowder. When your home is hit by shells or broken into by gunmen, and you spend another night in a basement-turned-bomb shelter. When, even though you&rsquo;ve never held a weapon before, you realise the only choice is to fight back. It is about things one can never forget, or forgive. 
 
Bringing together Oleksandr Mykhed&rsquo;s vivid day-by-day chronicles of the invasion of Ukraine with a chorus of other voices &ndash; his family, friends in exile, those who have fought and have witnessed unimaginable atrocities &ndash; this book is both a record, and a reckoning. Haunting and timeless, it asks how it is possible to find the words to describe a new reality; how you can still make sense of the world when the only language you can speak is the language of war.

The Language of War

Mark Mazower

For most of history, antisemitism has been understood as a menace from Europe’s political Right, the province of blood-and-soil ethno-nativists who built on Christendom’s long-standing suspicion of its Jewish population and infused it with racist pseudo-science. Such threats culminated in the nightmare of Nazi Germany and the Holocaust. 
 
The landscape is very different now, as Mark Mazower argues in this piercingly brilliant book. More than four-fifths of the world’s Jews now live in Israel and the United States, with the former’s military dominance of its region guaranteed by the latter while the loudest voices decrying antisemitism see it coming from the Left not the Right. 
 
Mazower clearly and carefully shows us how we got here, seeking to illuminate rather than blame. Very few words have the punch of ‘antisemitism’ and yet no term is more liable to be misunderstood in ways affecting free speech and foreign policy alike. On Antisemitism is a vitally important attempt to draw a line that must be drawn.

On Antisemitism

A Word in History

Sergio Luzzatto

In nineteenth-century France, the first fascist was born. Decades before Mussolini, the Marquis de Morès became the first populist and openly antisemitic leader in the Western world. A key figure behind the Dreyfus affair, he tore France apart with his inflammatory media rhetoric and violent stunts. Who was this man, who both anticipated and propelled the fascist politics that erupted in the twentieth century? 
 
Drawing on a wealth of original sources, award-winning historian Sergio Luzzatto explores the forgotten story of a father of fascism. He shows how, after losing aristocratic status in modern, democratic France, Morès led an adventurous life cattle ranching on the American frontier and building a railway in the jungles of Indochina – yet found all his schemes dogged by failure. He follows in Morès’s footsteps, as, blaming supposed Jewish machinations for his defeats, he returned to France and soon controlled a large, violent militia of disgruntled workers. Even when his rapid political rise was torpedoed by a highly publicized financial scandal, his shadow continued to loom. In Vichy France, as Jewish people were being deported to Auschwitz, officials would gather to celebrate Morès’s memory. Vivid and unsettling, The First Fascist is an engrossing exploration of the roots of our present discontent.

The First Fascist

The Life and Legacy of the Marquis de Morès

Imani Perry

Throughout history, the concept of Blackness has been remarkably intertwined with another color: blue. In daily life, it is evoked in countless ways. Blue skies and blue water offer hope for a life beyond the current conditions. But blue is also the color of deep melancholy and heartache, echoing Louis Armstrong’s question, "What did I do to be so Black and blue?" In Black in Blues, celebrated author Imani Perry uses the world’s favorite color as a springboard for a riveting emotional, cultural, and spiritual journey—an examination of race and Blackness that transcends politics or ideology. 
 
Drawing deeply from her own life as well as from art and history, Perry traces both blue and Blackness from their earliest roots to their many embodiments of contemporary culture: The dyed indigo cloths of West Africa that were traded for human life in the 16th century. The mixture of awe and aversion in the old-fashioned characterization of dark-skinned people as "Blue Black". The fundamentally American art form of blues music, sitting at the crossroads of pain and pleasure. The blue flowers she plants in memory of a loved one. 
 
Attuned to both the harrowing and the sublime aspects of the human experience, Black in Blues is a poignant, spellbinding, and utterly original work from one of our greatest thinkers.

Black in Blues

How a Color Tells the Story of My People

Malcolm Gaskill

Malcolm Gaskill knew two things about his great-uncle Ralph’s wartime adventures: he’d been a prisoner in Italy, and he’d cut his way out of a train with a knife and fork. Apart from that, he’d faded into family folklore, lost to view. Until, one hot afternoon in an English country garden, a chance conversation set Gaskill on his uncle’s trail… 
 
What Ralph really did in the war was, he discovers, even more extraordinary than the exaggerations of family myth. From last-ditch fighting in the Libyan desert and incarceration in a Puglian prisoner-of-war camp, to desperate, dramatic escapes and the assuming of an entirely new identity among the peasants and partisans of the Italian Alps, Gaskill traces a life transformed by conflict, while lifting the curtain on a long-forgotten episode of the Second World War. 
 
Yet The Glass Mountain is about more than war: it’s a haunting exploration of what it means to encounter the past, and how we remember, forget and recover it. As he follows his uncle’s path through dusty archives and the landscapes, towns and villages of present-day Italy, Gaskill finds himself confronted by questions that go to the heart of how we think about the people who came before us: Why do stories matter? How much of the past can ever be true?

The Glass Mountain

Escape and Discovery in Wartime Italy

Ron Chernow

Born in 1835, the man who would become America’s first, and most influen­tial, literary celebrity spent his childhood dreaming of piloting steamboats on the Mississippi. But when the Civil War interrupted his career on the river, the young Mark Twain went west and accepted a job at the local newspaper, writing dis­patches that attracted attention for their brashness and humour. It wasn’t long until the former steamboat pilot from Missouri was recognized across the country for his literary brilliance.In this rich and nuanced portrait of Twain, Ron Chernow brings his powers to bear on a man who shamelessly sought fame and fortune, and crafted his persona with meticulous care. After establishing himself as a jour­nalist, satirist, and performer, and a family man, Twain went on to write The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. He threw himself into the epicentre of American culture, emerging as the nation’s most notable political pundit and the only white author of his generation to grapple so fully with the legacy of slavery. At the same time, his madcap business ventures eventually bankrupted him and led him and his family to nine years of exile between London, France, Germany and Italy. During this time, he lost his wife and two daughters – the last stage of his life marked by heartache, politi­cal crusades, and eccentric behaviour that sometimes obscured darker forces at play.Drawing on Twain’s bountiful archives, includ­ing thousands of letters and hundreds of unpublished manuscripts, Chernow here captures the magnificent and often maddening life of one of the most original characters in literary history, reminding us why Twain’s writing continues to be read, debated and quoted over a hundred years after his passing.

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