Steve Roud was Local Studies Librarian for the London Borough of Croydon and served as Honorary Librarian of the Folklore Society for over fifteen years. He has been researching British folklore for over thirty years and is the joint author of the Oxford Dictionary of English Folklore, plus other books on traditional drama and folk song, and the Penguin Guide to the Superstitions of Britain and Ireland, which won the Katharine Briggs Folklore Award in 2004. His publications include London Lore (2008) and The Lore of the Playground (2010). He also compiles the Folk Song Index and the Broadside Index, two internationally acclaimed computer databases of traditional folk and popular song. He lives in Sussex.

Steve Roud

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Siân Rees

Sweet Water and Bitter is the extraordinary sequel to Britain's abolition of the slave trade in 1807. The last legal British slave ship left Africa that year, but other countries and illegal slavers continued to trade. When the Napoleonic Wars ended in 1815, British diplomats negotiated anti-slave-trade treaties and a 'Preventive Squadron' was formed to cruise the West African coast. In six decades, this small fleet liberated 150,000 Africans and lost 17,000 of its own men doing so. This is the tale of their exciting and arduous campaign. 
 
It is a story of unforeseen consequences and a swashbuckling naval adventure, full of sensational, first-hand accounts of life at sea; of the grim 'barracoons', the slave-brokers' luxurious compounds and the lonely garrisons dotting the coast. Combining flawless research with an intimate and dramatic narrative, this is a voyage that no one will forget.

Sweet Water and Bitter

The Ships that Stopped the Slave Trade

Ngugi wa Thiong'o

During the early fifties, Kenya was a country in turmoil. While Ngugi enjoys scouting trips, chess tournaments and reading about Biggles at the prestigious Alliance School near Nairobi, things are changing at home. He arrives back for his first visit since starting school to find his house razed to the ground and the entire village moved up the road closer to a guard checkpoint. Later, his brother, Good Wallace, who fights for the rebels, is captured by the British and taken to a concentration camp. Finally, Ngugi  himself comes into conflict with the forces of colonialism when he is victimised by a police officer on a bus journey and thrown in prison for six days. This fascinating memoir charts the development of a significant voice in international literature, as well as standing as a record of the struggles of a nation to free itself.

In the House of the Interpreter

A Memoir

Antjie Krog

The first free elections in South Africa's history were held in 1994. Within a year legislation was drafted to create a Truth and Reconcilliation Commission to establish a picture of the gross human rights violations committed between 1960 and 1993. It was to seek the truth and make it known to the public and to prevent these brutal events ever happening again. From 1996 and over the following two years South Africans were exposed almost daily to revelations about their traumatic past. Antije Krog's full account of the Commission's work using the testimonies of the oppressed and oppressors alike is a harrowing and haunting book in which the voices of ordinary people shape the course of history. 
 
WINNER OF SOUTH AFRICA'S SUNDAY TIMES ALAN PATON AWARD

Country Of My Skull

Jonny Steinberg

When Asad was eight years old, his mother was shot in front of him. With his father in hiding, he was swept alone into the great wartime migration that has scattered the Somali people throughout the world. 
 
This extraordinary book tells Asad’s story. Serially betrayed by the people who promised to care for him, Asad lived his childhood at a sceptical remove from the adult world, living in a bewildering number of places, from the cosmopolitan streets of inner-city Nairobi to towns deep in the Ethiopian desert. 
 
By the time he reached the cusp of adulthood, Asad had made good as a street hustler, brokering relationships between hardnosed Ethiopian businessmen and bewildered Somali refugees. He also courted the famously beautiful Foosiya, and married her, to the astonishment of his peers. 
 
Buoyed by success in work and in love, Asad put $1,200 in his pocket and made his way down the length of the African continent to Johannesburg, whose streets he believed to be lined with gold. So began an adventure in a country richer and more violent than he could possibly have imagined. A Man of Good Hope is the story of a person shorn of the things we have come to believe make us human – personal possessions, parents, siblings. And yet Asad’s is an intensely human life, one suffused with dreams and desires and a need to leave something of permanence on this earth.

A Man of Good Hope

One Man's Extraordinary Journey from Mogadishu to Tin Can Town

Dipo Faloyin

A bright portrait of modern Africa that pushes back against harmful stereotypes to tell a more comprehensive story. 
 
'Warm, funny, biting and essential reading.' Adam Rutherford 
 
'An exhilarating journey through the myths, misconceptions and stereotypes of modern Africa. This book is the history lesson that we all need.' Jeffrey Boakye, Guardian 
 
You already know these stereotypes. So often Africa is depicted simplistically as an arid red landscape of famines and safaris, uniquely plagued by poverty and strife. 
 
In this funny and insightful book, Dipo Faloyin offers a much-needed corrective. He examines each country's colonial heritage, and explores a wide range of subjects, from chronicling urban life in Lagos and the lively West African rivalry over who makes the best Jollof rice, to the story of democracy in seven dictatorships and the dangers of stereotypes in popular culture. 
 
By turns intimate and political, Africa Is Not A Country brings the story of the continent towards reality, celebrating the energy and fabric of its different cultures and communities in a way that has never been done before. 
 
'Hilarious, ferocious, generous and convincing. It made me reconsider almost everything I thought I knew about Africa.' Oliver Bullough 
 
'This book should be on the curriculum.' Nikki May, author of Wahala

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