Steve Roud was Local Studies Librarian for the London Borough of Croydon and served as Honorary Librarian of the Folklore Society for over fifteen years. He has been researching British folklore for over thirty years and is the joint author of the Oxford Dictionary of English Folklore, plus other books on traditional drama and folk song, and the Penguin Guide to the Superstitions of Britain and Ireland, which won the Katharine Briggs Folklore Award in 2004. His publications include London Lore (2008) and The Lore of the Playground (2010). He also compiles the Folk Song Index and the Broadside Index, two internationally acclaimed computer databases of traditional folk and popular song. He lives in Sussex.

Steve Roud

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Julia Bishop

The definitive collection of folk music - one of the great English popular art forms 
 
One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A. L. Lloyd's original Penguin Book of English Folk Songs.

The New Penguin Book of English Folk Songs

Truman Capote

Now Brando looked at people with assurance, and with what can only be called a pitying expression, as though he dwelt in spheres of enlightenment where they, to his regret, did not. 
 
This mesmerizing profile of an insecure, vulnerable young Marlon Brando, brooding in a Kyoto hotel during a break from filming, is a peerless piece of journalism. 
 
Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

The Duke in His Domain

Dylan Thomas

It is spring, moonless night in the small town, starless and bible-black, the cobblestreets silent... 
 
In the Welsh seaside town of Llareggub, night is moving in the streets. Its inhabitants are lost in the land of dreams: old Captain Cat catches up with his drowned shipmates, Mog Edwards the draper is consumed by mad love for Miss Price the dressmaker, and Mrs Ogmore-Pritchard whips the ghosts of her two late husbands into shape. As the sun rises, the ‘dismays and rainbows’ of each character are played out within the cycle of one day, intertwining voices and lives, dreams and reality. By turns tender, hilarious and beautifully lyrical, Dylan Thomas's ‘play for voices’ is his most beloved work and a landmark of Welsh literature.

Under Milk Wood

A Play for Voices

Kathy Acker

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'Acker gives her work the power to mirror the reader's soul' William S. Burroughs 
 
'Kathy Acker's writing is virtuoso, maddening, crazy, so sexy, so painful, and beaten out of a wild heart that nothing can tame. Acker is a landmark writer' Jeanette Winterson 
 
This is the story of Janey, who lived in a locked room, where she found a scrap of paper and began to write down her life. It's a story of lust, sex, pain, youth, punk, anarchy, gangs, the city, feminism, America, Jean Genet and the prisons we create for ourselves. A heady, surreal mash-up of coming-of-age tale, prose, poetry, plagiarism and illustration, Kathy Acker's breakthrough 1984 novel caused huge controversy and made her an avant-garde literary icon. 
 
Published to coincide with the 20th anniversary of Kathy Acker's untimely death, Blood and Guts in High School is published for the first time in Penguin Classics, acknowledging the profound impact she has had on our culture, and alongside the authors her work pulsates with the influence of: William S. Burroughs, Cervantes and Charles Dickens, among others.

Blood and Guts in High School

Morrissey

Steven Patrick Morrissey was born in Manchester on May 22nd 1959. Singer-songwriter and co-founder of the Smiths (1982-1987), Morrissey has been a solo artist for twenty-six years, during which time he has had three number 1 albums in England in three different decades. 
 
Achieving twelve Top 10 albums (plus nine with the Smiths), his songs have been recorded by David Bowie, Nancy Sinatra, Marianne Faithfull, Chrissie Hynde, Thelma Houston, My Chemical Romance and Christy Moore, amongst others. 
 
An animal protectionist, in 2006 Morrissey was voted the second greatest living British icon by viewers of the BBC, losing out to Sir David Attenborough. In 2007 Morrissey was voted the greatest northern male, past or present, in a nationwide newspaper poll. In 2012, Morrissey was awarded the Keys to the City of Tel-Aviv. 
 
It has been said 'Most pop stars have to be dead before they reach the iconic status that Morrissey has reached in his lifetime.' 
 
Autobiography covers Morrissey's life from his birth until the present day.

Autobiography

Woody Guthrie

Bound for Glory is the funny, cynical and earthy autobiography of Woody Guthrie, the father of American folk music. He tells of his childhood running wild in an Oklahoma oil-boom town, the tragedies that struck his family and of his life on the open road during the Great Depression - hell-raising and brawling in boxcars, all the while singing a dime for his next meal. But above all, this is a song for an America Woody saw from the lonesome highway, as he travelled from one of the country to the other with guitar in hand and the songs that made him a legend drifting out over the Dust Bowl.

Bound for Glory

James Baldwin

Raoul Peck

The New York Times bestseller based on the Oscar nominated documentary film 
 
In June 1979, the writer and civil rights activist James Baldwin embarked on a project to tell the story of America through the lives of three of his murdered friends: Medgar Evers, Malcolm X and Martin Luther King, Jr. He died before it could be completed. In his documentary film, I Am Not Your Negro, Raoul Peck imagines the book Baldwin never wrote, using his original words to create a radical, powerful and poetic work on race in the United States - then, and today. 
 
'Thrilling . . . A portrait of one man's confrontation with a country that, murder by murder, as he once put it, "devastated my universe"' The New York Times 
 
'Baldwin's voice speaks even more powerfully today . . . the prose-poet of our injustice and inhumanity . . . The times have caught up with his scalding eloquence' Variety 
 
 'A cinematic séance . . . One of the best movies about the civil rights era ever made' Guardian 
 
 'I Am Not Your Negro turns James Baldwin into a prophet' Rolling Stone

I Am Not Your Negro

Peter Brook

In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht&rsquo;s revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional and fascinating, his book shows how theatre defies rules, builds and shatters illusions and creates lasting memories for its audiences.

The Empty Space

Colette

Renée, aged thirty-three and divorced from her serially unfaithful husband, reinvents herself as a dancer in France’s music halls. When a wealthy suitor appears promising marriage and stability, Renée must choose between the security he represents and her hard-won life as an artist. 
 
Colette’s great novel of the stage was based on her experiences as a struggling music hall performer following her own divorce. By turns melancholy and funny, it is a pioneering work of autofiction and a vivid portrayal of one woman’s quest for freedom.

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