Steve Roud was Local Studies Librarian for the London Borough of Croydon and served as Honorary Librarian of the Folklore Society for over fifteen years. He has been researching British folklore for over thirty years and is the joint author of the Oxford Dictionary of English Folklore, plus other books on traditional drama and folk song, and the Penguin Guide to the Superstitions of Britain and Ireland, which won the Katharine Briggs Folklore Award in 2004. His publications include London Lore (2008) and The Lore of the Playground (2010). He also compiles the Folk Song Index and the Broadside Index, two internationally acclaimed computer databases of traditional folk and popular song. He lives in Sussex.

Steve Roud

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Dan Kennedy

How would you like a six-figure marketing job at the hallowed record label that signed everyone who counts in the last fifty years of pop music? Before you answer, we'll throw in a plush office, a hip assistant and a bottomless expense account? 
 
Dan Kennedy thinks all of his dreams have come true at once. In reality, he's just walked into a nightmarish episode of The Office. From his first assigment - creating a campaign celebrating 25 years of Phil Collins' love songs - he knows he's in way over his head, and from the looks of others around the boardroom, he's not alone. 
 
With cameos by ageing rock stars, dinosaur music-biz kingpins, hip-hop thugs and Iggy Pop, Rock On is an achingly funny tale of rock and roll, office life, and what happens when the suits take control.

Rock On

How I Tried to Stop Caring about Music and Learn to Love Corporate Rock

David Bellos

Jacques Tati's Monsieur Hulot, unmistakeable with his pipe, brolly and striped socks, was a creation of sheer slapstick genius that made audiences around the world laugh at the sheer absurdity of life. This biography charts Tati's rise and fall, from his earliest beginnings as a music hall mime during the Depression, to the success of Jour de Fete and Mon Oncle, to Playtime, the grandiose masterpiece that left the once delebrated director bankrupt and begging for equipment to complete his final films. Analysing Tati's singular vision, Bellos reveals the intricate staging of his most famous gags and draws upon hitherto inaccessible archives to produce a unique assessment of his work and its context for film lovers and film students alike.

Jacques Tati His Life & Art

Andre Dubus III

It is the summer of 1967 and, with one more year of high school to go, Leo Suther still has a lot to learn. He's in love with Allie Donovan, the beautiful girl who has turned his head ever since she moved to his small Massachusetts town. And he feels a real draw to the blues his father has taught him. Leo soon finds himself in the middle of a consuming love affair - and an intense testing of his political values by Allie's father, who challenges him on the escalating Vietnam conflict and forces him to examine just where he stands in relation to the people in his life. Throughout his - and the nation's - unforgettable 'summer of love', Leo is learning the language of the blues, which seem to echo the mourning he feels for his dead mother, his occasionally distant father, and the youth that is fast giving way to manhood.

Bluesman

Matthew Baylis

Alastair Strange is having trouble.  His girlfriend Martha, tired of late night telly and takeaway pizzas, has reinvented herself as the real estate princess of Putney. His dream job has turned into a nightmare and his Dad's been arrested for burglary.  Just when things couldn't get worse, along comes Alastair's old friend, society It-girl Tara, with a tantalising job offer. Alastair finds himself teaching media studies in an Ealing school.  A cushy number, he thinks, but that's before Tara calls the favour in- The derelict Ealing Studios are next to the school - their presence haunts Alastair and acts as a continual motif for his story, combining the quirky wit and eccentricity of the Ealing films with an eye for the absurdities of modern urban life.  Flat-sharing with the impossible Davenport, dealing with mysterious girls on the bus and disastrous blind dates, it would seem that there is, perhaps, one last comedy left in Ealing.

The Last Ealing Comedy

Bruce Robinson

WITH AN INTRODUCTION BY JOHNNY DEPP 
 
A screenplay based on the novel by Hunter S. Thompson 
 
It's 1960. In a highrise hotel not far from the beaches of San Juan, a man is recovering from an animal of a hangover. 
 
Paul Kemp is an alcoholic journalist who's barely seen better days, arriving at the only job he can get: writing horoscopes for failing rag The Daily Star. His fellow hacks are mostly crazy drunks on the verge of quitting, so Kemp fits in perfectly. 
 
But when he meets the impossibly gorgeous Chenault and her flashy boyfriend Sanderson, Kemp finds himself in way over his head - party to shady business deals, in hair-raising car chases with enraged Puerto Ricans, experimenting with a hitherto unknown hallucinogen - and finally discovers a mad, desperate devotion to the truth. 
 
Bruce Robinson brings Hunter S. Thompson's novel to the big screen with all the brilliance, wild humour and fierce energy associated with the acclaimed writer and director of Withnail &amp; I and The Killing Fields.

The Rum Diary: A Screenplay

Nik Cohn

What lunacy would cause a 55-year-old white male to embroil himself in the world of New Orleans rap - as ideas man, talent-spotter, lyricist, and would-be producer? Nik Cohn has loved (and hated) hip-hop since its birth and loved (and hated) New Orleans for even longer - an addiction he's never wanted to kick. But nothing prepared him for the experience of being pitched, more or less by accident, into the role of Triksta, rap impresario. 
 
A white alien in a black world, with no funding or qualifications, and not a clue what he was doing, he had to rethink himself from scratch. Surrounded by a cast that included such names as Choppa and Soulja Slim, Big Ramp and Lil T, Bass Heavy, Fifth Ward Weebie, and Shorty Brown Hustle, he entered a world of tiny backstreet studios, broken-down slums and gun turfs. 
 
Triksta is the story of a three-year odyssey to the heart of rap, and New Orleans, and self-knowledge.

Triksta

Life and Death and New Orleans Rap

Tim Moore

The spangled insanity, the stubborn reinforcement of crude national stereotypes, the scoreboard shamelessly corrupted by cross-border friendship and hatred... throughout those long post-ABBA decades, the Eurovision Song Contest has been drawing 450 million of us to the sofa for all the wrong reasons. And the most gloriously wrong of all: our enduring fascination with the unfortunates left to wander the desolate summit of Mount Fiasco without a point to their names. 
 
From Lisbon to Liverpool, from the Black Sea to the Baltic, Tim Moore travels the continent to track down the thirteen Eurominstrels who suffered the entertainment world's prime humiliation.

Nul Points

Derek Jarman

Derek Jarman was one of our most celebrated artists- painter, poet, film-maker - and the author of many books, including the bestsellers Modern Nature and At Your Own Risk. 
 
The film scripts collected here for the first time- including Akenaten, Jubilee, Bob-Up-A-Down, B Movie: Little England/ A Time of Hope, Neutron and Sod 'Em - confirm Derek Jarman's reputation as a leading independent film-maker.

Up in the Air

Collected Film Scripts

Tim Thornton

Being an unsigned band isn't a situation - it's a mental illness. Few people realise they're suffering from this affliction. Russell Groom knows, and he wants to change things fast. But Russell doesn't fit the traditional rock-star mould, and his woefully unexceptional band are headed nowhere, inhabiting a world of cramped and sweaty rehearsal rooms, crap day jobs, empty gigs and interminable trips down the A303 to dodgy festival slots in Wiltshire. Enter Josh - the enigmatic and arrogant son of a successful record producer - with an offer it's impossible to refuse... 
 
Tim Thornton's new novel is a hilarious fly-on-the-wall trip round the outskirts of the music industry, with a valuable lesson: unsigned bands never become signed bands. They have to die first.

Death of an Unsigned Band

Eva Hoffman

Isabel Merton is a renowned concert pianist whose playing is marked by rare intensity. At the height of her career, she feels increasingly torn between the expressive musical realm she inhabits, and the fragmented life she leads as an itinerant artist, with its frequent flights, anonymous hotels and arbitrary encounters. 
Then Isabel meets Anzor Islikhanov, a political exile from war-torn Chechnya driven by a powerful desire to help and avenge his people. As their paths cross in several cities, they are drawn to each other - until a menacing incident throws Isabel into crisis.

Illuminations

Joshua Furst

As a young woman in the 1980's, Julia became entangled with the emerging punk scene in Minneapolis - in particular with the band Nobody's fool - until a mysterious and unspeakable catastrophe delivers her to a husband and the suburbs. Battered by mental llness, haunted by memories and grief that stretching back to her childhood, she is unable to put her past behind her - or refrain from making her daughter Cheryl into a vessel for her own hopes and fears. 
 
So it comes as little surprise when 16 year-old Cheryl packs a bag and runs away. Exactly where is anyone's guess, though as Julia envisions her daughter's every move from the house through the city's outskirts and into the city - she relives her own bygone experiences in the very same place, where the radical fringe converge. Here amidst a group of would-be revolutuionaries squatting in the Sabotage Café, Cheryl re-enacts her mothers troubled coming-of-age, initiated as she is into a sullied melange of drugs, awkward sex, glib anarchy and acts of vandalism and violence that throw into question everything that she, in her mothers mind's eye, has run from and wishes to become. 
 
A chilling, mesmerizing portrait of todays innocents burdened with the fallout of their parent's rebellion in addition to their own, The Sabotage Cafe is an unforgettable tour de force of insight and compassion, a brilliant first novel by a writer in full, ambitious command of his craft.

The Sabotage Café

Angela Carter

The Vintage Collected Edition of Angela Carter's works continues with THE CURIOUS ROOM, which contains her dramatic writings, including several previously unpublished plays and screenplays. THE CURIOUS ROOM includes a radio play about the demented Victorian painter and parricide Richard Dadd; reworkings of Puss in Boots and the Dracula story; a draft for an opera of Virginia Woolf's ORLANDO, as well as the film scripts of THE MAGIC TOYSHOP and THE COMPANY OF WOLVES. Revealing many of the enthusiasms and concerns which ignited Carter's fiction. THE CURIOUS ROOM is full of magnificent and startling new material, charged with the range and power of Carter's imagination and inventiveness.

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