Steve Roud was Local Studies Librarian for the London Borough of Croydon and served as Honorary Librarian of the Folklore Society for over fifteen years. He has been researching British folklore for over thirty years and is the joint author of the Oxford Dictionary of English Folklore, plus other books on traditional drama and folk song, and the Penguin Guide to the Superstitions of Britain and Ireland, which won the Katharine Briggs Folklore Award in 2004. His publications include London Lore (2008) and The Lore of the Playground (2010). He also compiles the Folk Song Index and the Broadside Index, two internationally acclaimed computer databases of traditional folk and popular song. He lives in Sussex.

Steve Roud

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Ernesto Che Guevara

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'All we could see was the dust on the road ahead and ourselves on the bike, devouring kilometers in our flight northward' 
 
'In late 1951, Guevara and Alberto Granado set off on the 500cc Norton they nicknamed La Poderosa ('The Powerful One') with no other agenda than a lust for life and a desire to see it all. The Motorcycle Diaries offer a unique perspective on what led this would-be doctor from relatively affluent Argentina to become one of the 20th century's most important political figures ... genuinely exhilarating' Guardian 
 
'For every comic escapade of the carefree roustabout there is an equally eye-opening moment in the development of the future revolutionary leader. By the end of the journey, a politicized Guevara has emerged to predict his own legendary future' Time

The Motorcycle Diaries

George Orwell

The Lion and the Unicorn was written in London during the worst period of the Blitz. It is vintage Orwell, a dynamic outline of his belief in socialism, patriotism and an English revolution. His fullest political statement, it has been described as 'one of the most moving and incisive portraits of the English character' and is as relevant now as it ever has been.

The Lion and the Unicorn

Socialism and the English Genius

Silvia Federici

A cult classic since its publication in the early years of this century, Caliban and the Witch is Silvia Federici's history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages through the European witch-hunts, the rise of scientific rationalism and the colonisation of the Americas, it gives a panoramic account of the often horrific violence with which the unruly human material of pre-capitalist societies was transformed into a set of predictable and controllable mechanisms. It is a study of indigenous traditions crushed, of the enclosure of women's reproductive powers within the nuclear family, and of how our modern world was forged in blood.

Caliban and the Witch

Women, the Body and Primitive Accumulation

James Baldwin

Raoul Peck

The New York Times bestseller based on the Oscar nominated documentary film 
 
In June 1979, the writer and civil rights activist James Baldwin embarked on a project to tell the story of America through the lives of three of his murdered friends: Medgar Evers, Malcolm X and Martin Luther King, Jr. He died before it could be completed. In his documentary film, I Am Not Your Negro, Raoul Peck imagines the book Baldwin never wrote, using his original words to create a radical, powerful and poetic work on race in the United States - then, and today. 
 
'Thrilling . . . A portrait of one man's confrontation with a country that, murder by murder, as he once put it, "devastated my universe"' The New York Times 
 
'Baldwin's voice speaks even more powerfully today . . . the prose-poet of our injustice and inhumanity . . . The times have caught up with his scalding eloquence' Variety 
 
 'A cinematic séance . . . One of the best movies about the civil rights era ever made' Guardian 
 
 'I Am Not Your Negro turns James Baldwin into a prophet' Rolling Stone

I Am Not Your Negro

'The story of the negro in America is the story of America ... it is not a very pretty story' 
 
James Baldwin's breakthrough essay collection made him the voice of his generation. Ranging over Harlem in the 1940s, movies, novels, his preacher father and his experiences of Paris, they capture the complexity of black life at the dawn of the civil rights movement with effervescent wit and prophetic wisdom. 
 
'A classic ... In a divided America, James Baldwin's fiery critiques reverberate anew' Washington Post 
 
'Edgy and provocative, entertainingly satirical' Robert McCrum, Guardian 
 
'Cemented his reputation as a cultural seer ... Notes of a Native Son endures as his defining work, and his greatest' Time

Notes of a Native Son

Saul Bellow

In the mid-1970s, Saul Bellow visited Israel and To Jerusalem and Back is his account of his time there. Immersing himself in its landscape and culture, he records the opinions, passions and dreams of Israelis of varying viewpoints &ndash; from Prime Minister Rabin, novelist Amos Oz and the editor of an Arab-language newspaper to a kibbutznik escaped from the Warsaw ghetto and the barber at Bellow&rsquo;s hotel. Through meditations steeped in history and literature he adds his own reflections on being Jewish in the twentieth century. Bellow&rsquo;s exploration of a beautiful and troubled city is a powerful testament to the unique spirit and challenges of Israel, its history and its future.

To Jerusalem and Back

Richard Hofstadter

'American political life … has served again and again as an arena for uncommonly angry minds'How can a country be captured by rumours, surreal conspiracy theories and the most brazen of conmen? The historian Richard Hofstadter asked these questions in the 1960s, amid fears of rising extremism in America. Yet his dazzling dissection of the paranoid worldview – a brew of overheated exaggeration, suspicion and perceived victimhood, which can derail entire nations – is a lesson for the ages in the seductive politics of the irrational.In an era where we feel assailed by endless paranoid public statements, Hofstadter’s discussion of famous and obscure untruths, some of which have profoundly impacted American domestic and foreign policy, provide the antidote for the present day.

The Paranoid Style in American Politics

June Jordan

For the poet and activist June Jordan, neither poetry nor activism could easily be disentangled from the other. Her storied career came to chronicle a living, breathing history of the struggles that defined the USA in the latter half of the twentieth century; and her poetry, accordingly, put its dazzling stylistic range to use in exploring issues of gender, race, immigration, representation and much else besides. 
 
Here, above all, are sinuous, lashing and passionate lines, virtuosic in their musicality and always bearing the stamp of Jordan's irrepressible personality. Here are poems of suffusing light and profound anger: poems moved as much by political animus as by a deep love for the observation of human life in all its foibles, eccentricities, strengths and weaknesses. 
 
With a foreword by Pulitzer Prize winner Jericho Brown, The Essential June Jordan allows new readers to discover - and old fans to rediscover - the vital work of this endlessly surprising poet who, in the words of Adrienne Rich, believed that 'genuine, up-from-the-bottom revolution must include art, laughter, sensual pleasure, and the widest possible human referentiality.'

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