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Charles Timoney

THINGS YOU DIDN'T KNOW ABOUT FRANCE: You burnt Joan of Arc! ? Smuggling live chickens into rugby matches is patriotic ? How many times to kiss on the cheek ? Where not to cross the road ? French guns don't go 'bang' ? What do you call a party? ? bon appetit is vulgar ? A six-pack is a bar of chocolate ? The dangers of being called Peter or Penny ? Your smallest finger is your 'ear' finger ? The importance of Wednesdays ? How to tip ? and when to celebrate Christmas? 
 
Forget the French you learnt at school. Based on twenty years of hard-won knowledge, Pardon My French takes you through all the words you need to survive, shows how and why they work, and steers you past all the pitfalls and potential embarrassments of speaking French in France. 
 
From sugar-cube etiquette to why the Marseillaise is all about slaughtering Austrians and Prussians as bloodily as possible, Charles Timoney lays bare the Gallic mindset alongside their bizarre language. Covering all areas of everyday life from eating and drinking to travel, work and, crucially, swearing and sounding like a teenager, this is not just the most entertaining, but also the most useful book on France and the French you'll ever read.

Pardon My French

Unleash Your Inner Gaul

Peter Brannen

All life is made from CO2 . It was there at earth’s birth, and throughout evolution. It has kept our planet habitable for hundreds of millions of years. It has given us all the splendours of the world we know today. And yet it also holds the potential for life's destruction. 
 
In this gripping adventure through eras and places, award-winning science journalist Peter Brannen tells the story of the world’s most important molecule. We travel from the beginning of time all the way up to our present reality, witnessing the staggering journey that CO2 has undertaken. 
 
As we watch its movements through the rocks, the air, the oceans and living beings over four billion years, we come to see more clearly what it means for us to be churning through ancient life – in the form of fossil fuels – as we power our industrial world. We are, Brannen shows, performing an unprecedented experiment on our planet. If we are to avoid its catastrophic consequences, we must all begin to deepen our understanding of this curious substance, which has given us everything from the very first life forms on earth to the business titans reshaping our planet today.

The Story of CO2 Is the Story of Everything

Tom Feiling

No sex. No kids. No future? 
 
When Tom Feiling moved to Tokyo as a student in the early nineties, Japan was a beacon of the future: a rising superpower, a technology giant, and a global symbol of prosperity, civility and success. When he returned twenty-four years later, the country was still a sign of things to come – but, he began to realize, it was no longer a beacon. It was a warning. 
 
This book offers a unique portrait of life in contemporary Japan, from the quiet of its furthest flung villages to the dynamism of its megacities. It tells the story of how, from the mid-seventies onwards, Japanese society unknowingly embarked on a vast, silent process of transformation that is still unfolding today. The country is still peaceful; it is still prosperous. But the population is shrinking. As things stand, it will fall by a third with each new generation. 
 
Travelling through shrines and bars, rice fields and mango farms, coffee shops and old peoples’ homes, Feiling meets those affected by, and driving, this transformation. Through countless interviews and extensive research, he weaves together a powerful account of how and why men and women are ceasing to pair off and have kids. He reveals how sexual appetites and behaviours are both shaped by, and reshaping the evolving economy, and considers the risks – and the opportunities – of the rise in solo living in Japan, and beyond. 
 
Clear-sighted and surprising, Alone in Japan is a portrait of love, sex and death in contemporary Japan that should provoke and engage us all. It is an electrifying portrait of a nation on the brink by one of the most original reporters working today.

Alone in Japan

A Journey to the Future

Pete Souza

As Chief Official White House photographer, Pete Souza travelled with the president to document each meeting, trip and encounter for historical record. His moving, candid images were shared widely on social media throughout President Obama's eight year tenure. This book contains a carefully curated selection of images that capture the spirit of a historic era.

Obama: An Intimate Portrait

The Historic Presidency in Photographs

Thomas W. Laqueur

Long before the phrase ‘man’s best friend’ became common parlance, dogs were already standing beside us in art as in life. In The Dog’s Gaze, the historian Thomas W. Laqueur invites us to explore why they feature more than any other animal in the ways in which we picture ourselves and our stories. 
 
Dogs have been ubiquitous in the worldmaking of visual artists as far back as the Palaeolithic age. Looking across the western tradition, from Giotto to Goya and Rubens to Rego, Laqueur shows what their presence – as hunting partners, beloved friends and even conduits to the afterlife – reveals about our own ways of seeing and how we want to be remembered. Far from being mere motifs, dogs are an integral and intentional element of the images in which they appear: they provide narrative coherence; they look out and bear witness, often on the artist’s behalf; they illuminate our understanding of morality and melancholy and some, like us, become celebrities. Indeed, as the author shows, dogs in art are our social doppelgängers, our companions in looking and being. 
 
Richly illustrated and lovingly written, The Dog’s Gaze is a unique visual history that examines the shared social history of our two species and offers fresh insights into the human condition through the eyes of our canine companions.

The Dog's Gaze

A Visual History

Antara Haldar

For 250 years, a ghostly hand—bloodied and invisible—has scripted our lives. Telling the story of economics like never before, Everyman makes legible the ethereal ink in which it’s etched. 
 
A character-driven psychological drama, it presents economics’ leading man, Neo, the textbook rational actor – with his apostles, Finn, the model ‘finance bro,’ Davos, globalization’s ambassador, Wash, envoy to distant lands, and Tek, the quintessence of the tech industry – tracing their rise through the most significant moments of global economic history: the birth of capitalism to the Great Depression, the Financial Crisis to the ascent of populism. But with the by-the-book Gini and her sister, Palma, protesting the system, Tek contemplating a coup, Ordinary Joe losing patience, and a runaway monster, are they on the edge of a precipitous fall? 
 
Kaleidoscopic like global capitalism, Everyman blends fact and fiction, future and history, tragedy and comedy. It combines novelistic flair and cutting-edge research to offer a bold new vision, built on emotion and social cooperation. If we replace a strawman—economics’ apocryphal protagonist—with flesh-and-blood, could we avert tragedy and alter the plot of capitalism? And, as Economic Man and Everyman battle for its soul, who, ultimately, is economics for?

Everyman

The Story of Economics in Three Acts

Various Authors

In The Penguin Book of the International Short Story, writers from different nations, languages and sensibilities come together in a globe-spanning and long overdue tour of modern fiction. In ‘Super-Frog Saves Tokyo’, Haruki Murakami presents a man who believes a giant amphibian is enlisting him to protect his city from an impending earthquake. In ‘War of the Clowns’, Mozambique’s Mia Couto sketches a perfect allegory for our divided culture. In the predecessor story to her iconic novel The Vegetarian, Han Kang depicts a protagonist quietly undergoing an unlikely transformation in a high-rise in Seoul. A Colm Tóibín character thinks, ‘I do not even believe in Ireland’, while Carol Bensimon reflects from Brazil, ‘All great ideas seem like bad ones at some point’. Salman Rushdie brings us to unsettled rural India, Olga Tokarczuk to a circus exhibit, Abdellah Taïa to the queer Arab world, Ted Chiang to a far-off galaxy. 
 
For a long time, it was the norm for three quarters of the stories in international anthologies to be American or English. In this collection, the work of thoughtful and accomplished translators opens the door wide for those curious about what lies beyond the Western canon and classroom. Writers from six continents, ranging from new voices to literary icons, each offer a window into a distinct point of view, both transcending and illuminating their place of origin. They offer not only captivating prose, but a reminder of the power of the imagination across space and time.

The Penguin Book of the International Short Story

Ron Chernow

Born in 1835, the man who would become America’s first, and most influen­tial, literary celebrity spent his childhood dreaming of piloting steamboats on the Mississippi. But when the Civil War interrupted his career on the river, the young Mark Twain went west and accepted a job at the local newspaper, writing dis­patches that attracted attention for their brashness and humour. It wasn’t long until the former steamboat pilot from Missouri was recognized across the country for his literary brilliance.In this rich and nuanced portrait of Twain, Ron Chernow brings his powers to bear on a man who shamelessly sought fame and fortune, and crafted his persona with meticulous care. After establishing himself as a jour­nalist, satirist, and performer, and a family man, Twain went on to write The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. He threw himself into the epicentre of American culture, emerging as the nation’s most notable political pundit and the only white author of his generation to grapple so fully with the legacy of slavery. At the same time, his madcap business ventures eventually bankrupted him and led him and his family to nine years of exile between London, France, Germany and Italy. During this time, he lost his wife and two daughters – the last stage of his life marked by heartache, politi­cal crusades, and eccentric behaviour that sometimes obscured darker forces at play.Drawing on Twain’s bountiful archives, includ­ing thousands of letters and hundreds of unpublished manuscripts, Chernow here captures the magnificent and often maddening life of one of the most original characters in literary history, reminding us why Twain’s writing continues to be read, debated and quoted over a hundred years after his passing.

Mark Twain

Clare Jackson

ames VI & I, who died 400 years ago, was one of Britain’s most consequential and interesting monarchs, not least in creating the British monarchy itself by joining the English and Scottish thrones. A major intellectual, James's preoccupations ranged from witchcraft and theological controversy to hunting, diplomacy, poetry and sartorial fashion. The 'Mirror of Great Britain' was a spectacular jewel that gave symbolic endorsement to James's vision of British union, but mirrors themselves — with their limitless capacity to magnify, illuminate and distort — supplied James with one of his favourite literary metaphors.Ruler of Scotland for nearly four decades before his accession to the English throne in 1603, James was a ‘cradle king’ whose long reigns encompassed extraordinary dramas, including his abduction in the ‘Ruthven Raid’ in 1582 and his attempted assassination in the Gunpowder Plot of 1605. In his lifetime, James often confounded contemporaries’ expectations while his posthumous reputation has been distorted by crude stereotypes.Closely attentive to James’s own words — in numerous publications, manuscript musings, topical verse and private correspondence — Clare Jackson's wonderful new book tells the story of this highly unusual monarch with great flair and insight.

The Mirror of Great Britain

A Life of James VI & I

Patricia Nilsson

If online pornography is a circus, its tent has been pitched all around us. And we’re not just spectators – we’re the prancing ponies. 
 
Pornography is everywhere. Every day, tens of thousands of hours of sexual content is uploaded to the internet. In a single year, visitors to the world’s most popular adult site will view more than four billion hours of porn—the equivalent of half a million years. This explosion in online pornography is affecting our world in profound and wholly unexpected ways. And yet we know strikingly little about where it comes from, whose pockets it’s lining, or what its lasting effects might be. 
 
In Guilty Pleasure, award-winning journalist Patricia Nilsson exposes how, over the past two decades, this vast, shadowy industry has quietly reshaped sexuality, culture, work, and the internet itself. She tracks how the digital age turned the business of erotic art into something else entirely, as Hollywood moguls gave way to anonymous moneymen determined to profit from our desires – at almost any cost. Today, whether we consume porn or not, we are living in the world they made: in an economy, and a society, saturated by the logic of pornography. We are stuck in its addictive, alienating cycles of stimulation, self-soothing, and craving. 
 
Drawing on years of investigative reporting, and emerging research about the impacts of porn, Guilty Pleasure uncovers the inner workings of the industry that has revolutionized everything. Nilsson brings to light the secretive owners of the companies that dominate it; the complicated realities of online sex work; and the bizarre role payment companies play in legislating what is, and isn’t, acceptable. Ultimately, she shows, the story of pornography in the online age leads us to the most urgent question of all: what does it mean to live in a world where almost everything about us – our attention, our desires, our anxieties – is monitored and manipulated by unaccountable figures who will stop at nothing to keep us watching?

Guilty Pleasure

The Pornification of the Internet, the Economy, and Everything Else

Mark Mazower

For most of history, antisemitism has been understood as a menace from Europe’s political Right, the province of blood-and-soil ethno-nativists who built on Christendom’s long-standing suspicion of its Jewish population and infused it with racist pseudo-science. Such threats culminated in the nightmare of Nazi Germany and the Holocaust. 
 
The landscape is very different now, as Mark Mazower argues in this piercingly brilliant book. More than four-fifths of the world’s Jews now live in Israel and the United States, with the former’s military dominance of its region guaranteed by the latter while the loudest voices decrying antisemitism see it coming from the Left not the Right. 
 
Mazower clearly and carefully shows us how we got here, seeking to illuminate rather than blame. Very few words have the punch of ‘antisemitism’ and yet no term is more liable to be misunderstood in ways affecting free speech and foreign policy alike. On Antisemitism is a vitally important attempt to draw a line that must be drawn.

On Antisemitism

A Word in History

Claudia Rankine

‘We are being asked to hold, visually and emotionally, realities we do not yet have a viable system of language or policy for’ 
 
Two friends meet in an art gallery after decades of silence. The idealism that once bound them together fissured and fractured under the weight of collective and personal griefs. Through their memories of youthful certainty, the antagonism of their conversation and the embers of their enduring kinship, they navigate the wreckage of our world today – the hope, the anger and the exhaustion. 
 
In her most personal and emotionally resonant writing yet, Claudia Rankine blends narrative, memory and criticism in a poignant exploration of the beautiful but complicated friendships that we rely on to unsettle us, to make us better – exposing the fiction in the facts of our lives and demanding action in our time of relentless loss.

Triage

Truth, Art and Fiction

Tom Overton

Tom Overton got to know John Berger around 2010, after he gave his archive to the British Library: a kind of homecoming to the city of his birth, after a life lived mostly in self-imposed exile in Switzerland and France. Curious about the origin of a piece of writing or art, Tom would scan something in and email it. Then there’d come a call, very early, very late. ‘Hello? Is that Tom? This is John. John Berger. Can I tell you a story?’ Tom realised he was bringing this archive back into John’s life, peering together through holes in time, remembering things he couldn’t himself. And then, at the beginning of 2017, John died. 
 
In this extraordinary new book, Overton explores the life and work of one of the great cultural figures of the last century, who came of age in a world threatened by nuclear apocalypse, and grew old in a world dominated by the idea that human life should be ordered with the logic of profit, always looking forward, never back. Berger’s work reimagined the relationship between art and technology; charted the disappearance of peasants from the world and documented migrant labour; explored with huge compassion the AIDS crisis; was trenchantly opposed to the new world order that emerged in the 1990s and the War on Terror and passionately committed to the Palestinian cause. There were so many different subjects to his work; so many precisely chosen forms. 
 
Cutting through the reverence that can build around any writer of his scope of achievement and drawing on both personal memory and a vast and previously unseen trove of material, Overton comes face to face with John Berger, showing the continued importance of a figure, whose work focused on the creating and recreating of communities past and present. For at the centre of this book, above all, is the idea that John Berger wants our company, and we need his.

John Berger

From Life

Kimberlé Williams Crenshaw

One of most influential thinkers today offers a deeply engaging story of justice and power in America 
 
When Kimberlé Crenshaw was five years old in Ohio during the civil rights era, she was the only girl denied a lead role in her nursery play. Puzzled by her teacher's behaviour, she spoke up - and never stopped. That instinct to question power, to challenge what others accepted as fair, would shape not only her own life but the way we now understand race and gender. 
 
In Backtalker, Crenshaw traces her journey from a spirited girl in Canton, Ohio to one of the most influential legal thinkers today. Through childhood lessons and painful reckonings - a boyfriend’s violence in college, a back door at Harvard Law, the silencing of women in the civil rights movement - Crenshaw learned to see the patterns others missed, refusing to stay behind the lines the world drew for her. 
 
Out of those experiences came two ideas that changed everything: intersectionality, the recognition that race, gender, and class overlap to create unique forms of discrimination; and critical race theory, the argument that racism is structural. Crenshaw’s voice has since echoed through some of the most charged moments in recent history - from Anita Hill’s testimony to the rise of Black Lives Matter - insisting that true justice means seeing the whole picture. 
 
Backtalker is both a memoir of awakening and the origin story of a transformative mind. Crenshaw’s story is ultimately about fairness and power - and the enduring battle for America’s soul.

Backtalker

A Memoir

Hu Anyan

Hu Anyan has held nineteen different jobs since he graduated. He’s been a convenience store clerk, a bicycle salesman, a security guard and a delivery driver (among many other things). Every time the work gets punishing or the bosses too bossy, he moves on, from city to city, carrying with him nothing but his copies of Chekhov and Carver. This is his story. 
 
A runaway bestseller in China, I Deliver Parcels in Beijing is about what it’s like to try and make a living – and stay sane – in the gig economy. From the pecking order on a parcel-sorting factory floor to the perfect alcohol dose to get some daylight shut-eye before a punishing night shift, from the Kafkaesque bureaucracy of the hiring departments to the ideal layout of a delivery route, Hu illuminates the hidden lives behind the roles that keep our world going. But he also shows how, through the liberating power of literature, he finds solace, and even freedom in his existence. Quietly radical, brimming with humanity and humour, this book asks: what does work really mean? What should it mean? And do any of us really know how to live?

I Deliver Parcels in Beijing

On Making a Living

Nicholas Vincent

King John ruled England for seventeen and a half years. For most of that time he enjoyed, if not popularity, then great wealth and power. Yet to posterity his entire reign has come to be embodied in a single image. Furious, outmanoeuvred, crippled with vice, the King sits at Runnymede sealing or more often (and anachronistically) signing Magna Carta. No matter whether we approach this event as reactionaries wishing that the King would assert himself, as conservatives delighted by the restoration of constitutional 'rights', or as radicals longing for liberty and revolution, Runnymede changes everything in our perception of King John. Seventeen years of history are reduced to a picnic on the banks of the Thames. John is exposed as villainous and pathetic. The people triumph. Tyranny is righted. 
 
Nicholas Vincent's fascinating portrayal of a complex man unpicks the character behind one of England's most despised kings. Was he as evil as legend suggests? Or has he been unfairly misunderstood?

John (Penguin Monarchs)

An Evil King?

Philip Gourevitch

Philip Gourevitch's modern classic We Wish to Inform You That Tomorrow We Will Be Killed With Our Families opened our eyes to the 1994 genocide of Rwanda's Tutsi minority: close to a million people murdered by their neighbours in one hundred days. Now Gourevitch brings us an intimate exploration of how killers and survivors live together again in the same communities, grappling with seemingly impossible burdens of memory and forgetting, vengefulness and forgiveness. 
 
 A powerful literary reckoning, You Hide That You Hate Me and I Hide That I Know is the culmination of twenty-five years of reporting. The book takes its title from a Rwandan adage that speaks to the uneasy trade-offs that reconciliation demands. Since the genocide, Rwanda has engaged in the most ambitious and sweeping process of accountability ever undertaken. 'Truth Heals' was the slogan. But truth also wounds. And truth is always contested. 
 
 As Gourevitch returns to the same families in one small hillside village, their accounts of killing and surviving inform and enlarge one another, illuminating the ways that we seek, individually and collectively, to negotiate our irreparable pasts. This moving book continuously invites us - as only great writing can - to think, and to think again.

You Hide That You Hate Me and I Hide That I Know

Paul McCartney

This is the story, in their own words, of a band that came to define a generation. Wings: The Story of a Band on the Run tells the madcap history of Paul McCartney and his newly formed band, from their humble beginnings in the early 1970s to their dissolution barely a decade later. Drawn from over 500,000 words of interviews with McCartney, family and band members, and other key participants, Wings recounts the musical odyssey taken by a man searching for his identity in the aftermath of The Beatles’ breakup. Soon joined by his wife – American photographer Linda McCartney – on keyboard and vocals, drummer Denny Seiwell and guitarist Denny Laine, McCartney sowed the seeds for a new band that would provide the soundtrack to the decade.Organised chronologically around McCartney, RAM and nine Wings albums, the narrative begins when a twenty-seven-year-old superstar, rumoured to be dead, fled with his new wife to a remote sheep farm in Scotland amid a sea of legal and personal rows. Being there gave McCartney time to create and was where this new band emerged. Wings then follows the group as they play unannounced shows at university halls, tour in a sheared-off double-decker bus with their children, survive a robbery on the streets of Nigeria, and eventually perform blockbuster stadium shows on their world tour, all while producing some of the most enduring music of the time.With extraordinary recollections collected by Oscar-winning director Morgan Neville and edited into a genre-defining oral history by Ted Widmer, Wings transports the reader to the grit and glamour of the 1970s. Introduced with a heartfelt foreword by McCartney, Wings: The Story of a Band on the Run contains 150 black-and-white and colour photographs, many previously unseen, as well as timelines, a gigography and a full discography, in an art form all its own.

Wings

The Story of a Band on the Run

In 2020, an extraordinary trove of nearly a thousand photographs taken by Paul McCartney on a 35mm camera was re-discovered in his archive. They intimately record the months towards the end of 1963 and beginning of 1964 when Beatlemania erupted in the UK and, after the band's first visit to the USA, they became the most famous people on the planet. The photographs are McCartney's personal record of this explosive time, when he was, as he puts it, in the 'Eyes of the Storm'. 
 
1964: Eyes of the Storm presents 275 of McCartney's photographs from the six cities of these intense, legendary months - Liverpool, London, Paris, New York, Washington, D.C. and Miami - and many never-before-seen portraits of John, George and Ringo. In his Foreword and Introductions to these city portfolios, McCartney remembers 'what else can you call it - pandemonium' and conveys his impressions of Britain and America in 1964 - the moment when the culture changed and the Sixties really began.

1964: Eyes of the Storm

Nick Hayes

Early one September, Nick Hayes brought his houseboat up the Thames into rural Oxfordshire, mooring opposite a strange tree that towered over the surrounding meadowland. The tree, he would discover, was a hybrid of the eastern cottonwood, brought back from colonial Canada. The land was the Hardwick estate, whose apparently timeless tranquillity – like so much of the English countryside – masks a darker history. Yet Hardwick also tells another, quite different story. 
 
Over the following months, Hayes learns that its rolling hills and fertile valleys are on the front lines of a battle between ownership and belonging. Through a golden autumn, and the frosts and floods of winter and early spring, Hayes explores an estate that, acknowledging the colonial origins of its wealth, has become a haven for those who are both unable and unwilling to be part of a countryside geared towards profit at any cost. Living and working among this extraordinary community of farmers and craftspeople, Hayes contemplates what we have lost in England, as our sense of kinship with the land, and the deep knowledge that arose from it, was destroyed. 
 
Yet, Hayes suggests, if we can learn from the cultures we have exploited, and from the tentative roots being put down in this radical Oxfordshire estate, perhaps we can start to unpick – and even re-enchant – our relationship with the land. The Medicine Tree is a singular act of storytelling and recovery: of giants, gods, witches, trees, horror and hope, of entanglement, reparation and solidarity.

The Medicine Tree

Repairing the Rotten Roots of England

Greta Thunberg

'We are the change and change is coming' 
 
In August 2018 a fifteen-year-old Swedish girl, Greta Thunberg, decided not to go to school one day. A year later, she was joined in her strike by over seven million people around the world. 
 
This is the record of a game-changing year in the fight against the climate crisis. Collecting the speeches that sparked a global movement, and iconic images of those who made it happen, No One Is Too Small to Make A Difference is a rallying cry for why we must all wake up and fight to protect the living planet, no matter how powerless we feel. Our future depends upon it. 
 
With new speeches from Vienna, Paris, New York and Montreal

No One Is Too Small to Make a Difference

Illustrated Edition

Graham Harman

How do we understand the world and our place in it? Do our lives consist of a small number of dramatic turning points, or is there nothing but a series of gradual changes from infancy to old age? Are political elections genuinely transformational, or merely arbitrary points along a shifting cultural timeline? And in physics, how can the continuities of general relativity coexist with the discontinuities of quantum theory?In Waves and Stones, Graham Harman shows that this paradoxical interaction – the question of whether reality is made up of sudden jumps, or is laid out along a gentle gradient with no clear divisions between the various things in the world – permeates every area of human life. What’s more, this paradox is as old as human thought itself. In exploring how the continuous and discrete relate to each other, he takes us on a kaleidoscopic journey from the philosophers of ancient Greece, through the writings of the great Arab historian Ibn Khaldun, through architectural and evolutionary theory, the compatibility of religion with science, and the wave-particle duality of matter.To explore the relationship between the continuous and the discrete, Harman shows, is to consider the very fabric of reality. With this dazzling new book, he proposes a new way of thinking about this ancient problem, with profound implications for our understanding of ourselves and the bewilderingly complex world in which we live.

Waves and Stones

On the Ultimate Nature of Reality

Robin Holloway

‘My aim in this book is to offer an invitation to the glorious long voyage of Western classical music for all those who enjoy and love it, and seek to deepen their enjoyment and love without getting caught up in musicology and technicalities: an entry to Aladdin’s cave, an injunction to ‘taste and see’ re-angled for the sense of hearing in all its complex and various modes. Not historical, but broadly chronological and thematic, from the earliest adventures in notation up to the present day – some fourteen centuries of continuity and interruptions, revolutions and renewals, complements and contrasts, via many detailed descriptions of individual composers and individual pieces. 
 
‘In part, it is an account of how music is made – its core of practice, skills, conventions, traditions – but also an attempt to chart the evolution of expression, what is being said, what felt, what communicated ‘from the heart to the heart’ – how music works upon its listeners, how it moves and stirs, how it reaches and appeals to the highest flights and deepest places (and everything between) of the organising pattern-making mind, the ebb and flow of the sensual body, the centres of emotion. 
 
‘Everything is within the art itself, at whatever epoch, in whatever idiom, whatever genre or intention. Nor is evaluation eschewed – why, as well as how, it is so good and why sometimes so deplorable. The style throughout is inherently allusive and I have tried everywhere to preserve the intonations and rhythms of speech – spontaneous, improvised, natural as breathing’- Robin Holloway

Music’s Odyssey

An Invitation to Western Classical Music

Naomi Klein

Astra Taylor

The far right is on the march again – but this time it’s different from anything we’ve seen before. A new, apocalyptic alliance of religious fundamentalists, billionaire Silicon Valley tech kings and ethno-nationalists is on the move. They’re united in their belief that some kind of cleansing cataclysm is coming, and they welcome a future of shocks, scarcity and collapse, convinced they’ll be among the saved on the other side. 
This is the world of End Times Fascism. 
 
In this blistering reckoning with our age, Naomi Klein and Astra Taylor take us deep into this man-made Armageddon complex – and show us how to resist it. Around the globe, they investigate how those who are making our world unliveable through climate chaos and job-consuming AI are preparing to protect themselves from the fallout, whether it’s by repairing to luxurious private islands for the super-rich, rocketing off to Mars or bunkering nations against a dehumanized ‘other’. 
 
But, Klein and Taylor reveal, the new supremacist survivalists are far from impregnable. They have no vision of a shared future. All they offer are remixes of a bygone past: the nihilistic, sadistic pleasures of domination. If we’re to meet this critical moment and defend what’s left of democracy before it’s smashed up beyond repair, we must break the doom loop, and find a new way of living together, rooted in our existence on this earth, in the here and now. A story not of end times – but of better times. This book shows us how.

End Times Fascism

And the Fight for the Living World

Simon Jenkins

Simon Jenkins has travelled the length and breadth of England to select his thousand best churches. Organised by county, each church is described - often with delightful asides - and given a star-rating from one to five. All of the county sections are prefaced by a map locating each church, and lavishly illustrated with colour photos from the Country Life archive. Jenkins contends that these churches house a gallery of vernacular art without equal in the world. Here, he brings that museum to public attention.

England's Thousand Best Churches

Peter Rabbit Tales

Explore with Peter Rabbit

Peter Rabbit Animation

Peter Rabbit Slide-and-Seek

Peter Rabbit Lift-the-Flap Tales

Peter Rabbit’s Peekaboo

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Quiz | Which Beatrix Potter character are you?

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Which Beatrix Potter character are you?

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The best new Puffin books of 2023

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Brilliant book quiz questions for the whole family this Christmas

12 of the best Christmas quotes from children's books

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