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Lewis Carroll

Everyman's Children's Classics has more than 50 titles in print. It offers the finest editions currently available of the world's greatest children's books in handsome, full cloth hardcover bindings. 
 
The library brings back into print major illustrators such as Ivan Bilibin, Kate Greenaway, Arthur Rackham, Nicolas Bentley, Walter Crane, Aubrey Beardsley, Edward Ardizzone, W.Heath Robinson and Mervyn Peake.

Lewis Carroll's Alice has been enchanting children for over 150 years. Head strong Alice, the impatient White Rabbit, the fearsome Queen of Hearts and the hilarious Mad Hatter are among the best loved literary creations. 
This beautiful collectable illustrated edition has the original illustrations and is cloth bound.

Alice's Adventures In Wonderland And Through The Looking Glass

Johanna Spyri

William Sharp

When Heidi, a five-year-old orphan, is dumped on her reclusive grandfather who lives on a remote mountainside above a Swiss village, he is none too pleased by her arrival. But Heidi quickly wins him over with her cheerful disposition and kindness, and thoroughly enjoys her new life, spending the summer days roaming the Alpine pastures with young Peter the goatherd. Three years later, this rural idyll is cruelly interrupted when her aunt fetches Heidi away to the city as a hired companion for Clara, a rich girl who is disabled. Clara adores her new friend, but the family's strict housekeeper tries to repress Heidi's high spirits and she becomes ill, pining for her mountain home. The resolution of Heidi's dilemma transforms the lives of everyone around her and has entranced readers for generations with its vision of the joys of country life and the power of love and friendship.

Heidi

Margery Clark

Auntie Katusha has just come from the Old Country, bringing poppy seeds to make cakes for a mischievous four-year-old boy named Andrewshek. A little neighbour, Erminka, who wears red boots which are too big for her, joins Andrewshek for a series of adventures with talking animals, including a greedy goose who steals the cakes; a naughty white goat who hides on the roof; and a kitten, a dog and two chickens who are determined to gatecrash the children’s tea party. There is art on every page, featuring cheeky animals, gooseberry tarts, colourful shawls and Russian dolls, and cheerful Auntie Katusha in her kerchiefed and aproned splendour.

The Poppy Seed Cakes

Carlo Collodi

Everyone knows Pinocchio, the walking, talking wooden puppet carved from a table leg. Pinocchio, an endearing scamp, is always getting himself into trouble. But it isn't the sort of trouble most kids get into. Skiving off school, he is kidnapped by a puppeteer, robbed by a Cat and Fox, and persuaded to visit an earthly paradise where naughty children have perpetual fun - and turn into donkeys. Sold to a circus, then to a man who tries to drown him for his donkey-skin, he miraculously turns back into a puppet and goes in search of his 'father' (whom he must rescue from the belly of a giant dogfish ...). 
 
Throughout these manic adventures he is haunted by the ghost of a Talking Cricket he has crushed to death for giving good advice, and watched over by his personal guardian fairy. All the while, Pinocchio dreams of becoming a real boy. Told with wit and humour, his story is also a moral fable about making the right choices, and what it is to be a loving human being. 
 
Pinocchio is an astonishing work of fantasy which has been toned down and sentimentalized over the years, not least by the Walt Disney film. Everyman returns to a beautifully illustrated early translation of 1916 which captures the vivid inventiveness of Collodi's original.

Pinocchio

Jean de La Fontaine

R. de la Nézière

Seventeenth-century Frenchman Jean de La Fontaine happily plundered Aesop and other classical writers as a source for his witty, elegant fables, as well as inventing a number of his own. Seeking to expose the weaknesses of human nature, he offered vivid perspectives on greed and flattery, envy and avarice, love and friendship, old age and death. The sixty fables collected here – from 'The Crow and the Fox' and 'The Cock and the Pearl' to 'The Grasshopper and the Ant' and 'The Town Mouse and the Country Mouse' – are illustrated with more than a hundred drawings by R. de La Nezière which which charmingly capture La Fontaine’s unforgettable cast of animal personalities.

Fables

W Heath Robinson

From the Eastern folk tales that make up the vast collection known as THE THOUSAND AND ONE NIGHTS certain stories - of Aladdin, Sindbad and Ali Baba - have become everlasting favourites with children and a magical ingredient of Christmas pantomine. First introduced to Europe in the early eighteenth century by the French orientalist, Antione Galland, who translated and bowdlerized the stories to suit contemporary taste, this edition presents the fourteen best-known tales selected from an English text of 1821. The illustrations are reproduced from a larger collection in 1899. William Heath Robinson then at the start of his career, was commissioned with four others and his drawings (much the best) reveal a gentle, romantic charm that has been forgotten in the success of his later, purely comic work.

Aladdin

and Other Tales From The Arabian Nights

Felix Salten

Kurt Wiese

Bambi, a Life in the Woods is a 1923 Austrian coming-of-age novel written by Felix Salten - now published as a beautiful hardback edition in the Everyman's Library Children's Classics series. 
 
The novel traces the life of Bambi, a male roe deer, from his birth through childhood, the loss of his mother, the finding of a mate, the lessons he learns from his father, and the experience he gains about the dangers posed by human hunters in the forest. It is also, in its most complete translation, seen as a parable of the dangers and persecution faced by Jews in Europe.

Bambi

A Life In The Woods

Philip Pullman

Peter Bailey

‘I was a rat!’ So insists a scruffy boy named Roger. Maybe it’s true, but what is he now? A terrifying monster running wild in the sewers? The Daily Scourge is sure of it. A victim of ‘Rodent Delusion’? The hospital nurse says yes. A lucrative fairground attraction? He is to Mr. Tapscrew. Or is Roger just an ordinary little boy? Only three people believe this version of the story, and it may take a royal intervention–and a bit of magic–to convince everyone 
else. A playful parody of the press, I Was a Rat! is a magical weaving of humour, fairy tale, and adventure. 
 
When, in A Scarecrow and His Servant, a bolt of lightning brings Scarecrow to life, he proves to be a courteous but pea-brained fellow with grand ideas. He meets a boy, Jack, who becomes his faithful servant and the two embark upon a terrifying series of adventures–including battles, brigands, broken hearts, and treasure islands. But little does the Scarecrow know that he is being followed by a family who desperately wishes he’d never sprung to life. 
 
Two stories of myth, magic and adventure from the master teller of tales.

I Was a Rat! Or, The Scarlet Slippers and The Scarecrow and his Servant

Jacob Grimm

Wilhelm Grimm

No children's library is complete without this beautiful Everyman's Library hardcover edition of the Brothers Grimm's original fairy tales. 
Hansel and Gretel, Rapunzel, Rumpelstiltskin, Tom Thumb, and Snow White (Snowdrop) are among the jewels we owe to the German Brothers Grimm, who began in the first decade of the 19th century to seek out and listen to village storytellers. The best-loved of the tales they discovered have inspired generations and are now brought together with the marvellous pictures that in 1900 first established the reputation of one of the greatest children's illustrators of all time, Arthur Rackham. 
 
 
Beautiful illustrations in monochrome by Arthur Rackham make this collection of famous fairy stories a wonderful and timeless gift for children's and adults alike.

Grimms' Fairy Tales

Louisa May Alcott

Just two years after the extraordinarily successful publication of LITTLE WOMEN and GOOD WIVES, Louisa Alcott's brother-in-law died, leaving two sons. She immediately decided to write a sequel to provide for her sister and nephews, and LITTLE MEN, published in 1871, became a tribute to her father's theories of education. The story is set in Plumfield, a school run by Jo and her German husband, Professor Bhaer, and they follow the precepts of Grandpa March in cultivating the little mind - 'not tasking it with long hard lessons, parrot-learned, but helping it to unfold as naturally and beautifully as sun and dew help roses bloom'. The different ways in which the children, good and bad, respond to this kind of nurturing make up the episodes of the novel which instantly proved as popular as its predecessors, selling 42, 000 in the first year after its publication.

Little Men

Life at Plumfield With Jo's Boys

Roald Dahl

Quentin Blake

Master storyteller Roald Dahl is by far the most popular children's writer of the late twentieth century, and The BFG (the Big Friendly Giant), recently adapted for the stage with great success, is set to become a claasic of its period (it was first published in 1982) This story of a vegetarian giant who disapproves of eating children has all the Dahl ingredients of humour, irreverence and verve that have made readers of countless youngsters. The humour is perfectly matched by Quentin Blake's irresistible drawing.

The BFG

C S Evans

This most beloved of all fairy tales is told in many versions and found in many different cultures - from the Italian CENERANTOLA to the Russian CHERNUSHKA For this edition, first published in 1919, Charles Sedon Evans, a schoolmaster turned publisher, used the features of the tale as told by Charles Perrault - the pumpkin coach the mice horses, the rat coachman, the lizard footmen and the glass slipper - but expanded it to a full-length story so as to offer Arthur Rackham maximum opportunity to illustrate every step of the drama with his exquisite silhouette drawings. This is one of the most beautiful and delightful children's book ever published.

Cinderella

Richard Doyle

The story of Jack, the intrepid little boy whose courage and ingenuity defeated a host of many-headed giants several times his size, is an English folk-tale that must have been told often in the Victorian nursery of the Doyle family. Growing up in the 1830s, they were all gifted children, especially Richard, whose natural talent for draughtsmanship was matched by imaginative invention and a passion for legend and the grotesque. In 1842, when only eighteen, he created for his own delight a picture-book version of Jack The Giant Killer, writing the text by hand, and carefully placing on each page a water-colour illustration within a pictorial border. The new everyman edition has typeset the text for greater legibility and redesigned the book for contemporary appeal, while retaining Doyle's vivid and characterful illustrations, enlarged and enhanced by modern colour printing techniques. The result is a book that will satisfy the modern child's appetite for bloodthirsty exploits of wonder and magic, yet is at the same time a true collector's item for anyone interested in the history of children's book illustration.

Jack The Giant Killer

Joseph Jacobs

One of the great nineteenth-century folklorists, Joseph Jacobs collected stories from oral sources and made scholarly notes on their origin, but he deliberately recorded them in a plain and direct style which he thought suitable for children and which makes them 'supremely tellable'. First published in 1890, his famous collection includes all the well-known tales, such as JACK AND THE BEANSTALK and DICK WHITTINGTON, as well as British variants of stories common to many cultures. The illustrations by John Batten are taken from the first edition.

English Fairy Tales

Rosemary Sutcliff

C. Walter Hodges

The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954. 
 
Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond Hadrian's Wall to find out what happened to the discredited legion in which his father served, and to salvage, if he can, its Eagle and its honour. 
 
All the essential elements of a classic adventure are here - the daring quest, the uncovering of the secrets of the past, and a nerve-racking escape across the mountains, pursued by vengeful tribesmen. But it is the human element which triumphs, and one of the most memorable scenes in the book is Marcus appealing to a crowd baying for blood to save a young British gladiator from certain death during the Saturnalia Games. Proud son of a Brigantian chieftain, Esca becomes his slave, then his freedman, and the indispensable companion of his travels. The Eagle of the Ninth is partly the story of their growing friendship, crossing the divide created by conquest and colonialism; and partly Marcus's journey of self-discovery as he learns of his father's fate and comes to terms with the end of his own military career. At the end he embraces a different, more hopeful future - not in Rome but 'under the pale and changeful northern skies' - acquiring a farm in the Downs, and marrying the girl next door. 
 
The Eagle of the Ninth has all its author's hallmark qualities - a mature and complex story, a wealth of historical detail, cultural sensitivity, wit and compassion. Above all, Sutcliff is able to conjure up the atmosphere of a distant age in a totally convincing way. It is hardly surprising that her work would set the standard for all historical fiction to come.

The Eagle of the Ninth

Wonderful collection of nonsense verse, from Chesterton to Dahl, Lear to Carroll. 
With beautitul, original illustrations, both full colour and black &amp; white.

Everyman Book Of Nonsense Verse

Kate Greenaway

This charming volume brings back into print some of the finest illustrated children's books from the Arts and Crafts Movement: Kate Greenaway's much-loved alphabet book, A Apple Pie, along with a selection of her illustrated nursery rhymes. 
 
Greenaway's drawings conjure up a never-never land of rural simplicity and innocence–an escape from the squalor of Victorian cities–that is as delightful now as it was when these gems of children's literature first appeared in the 1880s.

An Apple Alphabet And Traditional Nursery Rhymes

Rudyard Kipling

Among the best loved of all classics for children are the tales of Mowgli, the boy who learned the law of the jungle as he grew up among a pack of wolves in India's Seeonee Hills. First published in 1894, the book imagines a child living and flourishing in a community of animals - an idea that perhaps had its origin in Kipling's unhappy childhood. 'His stories are not animal stories in the realistic sense; they are wonderful, beautiful fairy tales, ' wrote Ernest Thompson Seton, the great Canadian naturalist. Kurt Wiese's illustrations, commissoned by the American firm of Doubleday in 1932, have never appeared in Britain before. An artist with a particular interest in animals and an amazing visual memory, he remembered all he had observed on his travels in the Far East during the early 1900s, first as a salesman in China and then as a prisoner-of-war of the Japanese.

The Jungle Book

Gillian Avery

Gillian Avery, historian of children's books and novelist whose first book THE WARDEN'S NEICE has become a modern classic of children's literature, has made a very personal selection of favourite poems. If children like them as much as she does, then (she says) they will stay in the mind long after their readers have grown out of childhood. Her taste is for the Augustan rather than the Romantic writers, but her choice of over two hundred and fifty pieces ranges widely, from ballads to Ted Hughes, from Ben Jonson to Noel Coward. The illustrations are taken from the books of natural history made by Thomas Bewick, the celebrated English wood engraver.

The Everyman Anthology Of Poetry For Children

Kenneth Grahame

This classic of the English countryside, . first published in 1908, is a favourite with readers of all ages. As the late Margery Fisher wrote, 'Adults are sadly aware of the figure of Grahame himself, languishing in a city office and longing for the river: children respond to the fun, the anarchy of Toad and the entrancing detail as Grahame's son Alastair must have done when he listened to the bedside stories that became a book. ' The author invited Arthur Rackham to illustrate his book, but Rackham said he was too busy - a decision he was happily able to reconsider in 1936 when he was approached by the American publisher of the Limited Editions Club. The project, which he carried out with love and great care for the authenticity of detail, was his last: the drawings appeared first in the USA in 1939 and in Britian in 1950.

The Wind In The Willows

L. M. Montgomery

The appeal of this Canadian classic children's book is seemingly everlasting - for it is a story of an individual making good by her own efforts, an orphaned girl sent to live with an elderly brother and sister who really want a boy to help on the farm. First published in 1908, the book was written by a scoolteacher who'd experienced the same upbringing as her heroine and who set her story in the place she knew best - Prince Edward Island. The story was popular from the start, and Mark Twain described Anne as 'the dearest, and most lovable child in fiction since the ommortal Alice'. The book has been filmed, staged, tramslated in many languages, and has been introduced by a highly successful TV dramatization. Sybil Tawse, English portrait painter and illustrator of many classics, including Mrs Gaskell's CRANFORD and Lamb's ESSAYS OF ELIA, provided the pen-and-ink drawings in 1933.

Anne Of Green Gables

Oscar Wilde

The five original fairy tales included in this volume were first published by Davis Nutt in 1888. Although it is said that Wilde wrote them for his two young sons, the author himself claimed they were '. . . . not for children, but for childlike people from eighteen to eighty'. Since then the stories have been constantly reprinted and, despite the author's disclaimer, children have made the tales their own, a particular favourite being 'The Selfish Giant' - the highly moral story of the giant who banished children from his garden, so that spring never came. Charles Robinson, who produced the illustrations for a special edition first published in 1913, brought to the book a feeliong for its innate sadness that exactly fits the poetry of Wilde's text.

The Happy Prince And Other Tales

Miguel De Cervantes

The story of the Spanish knight Don Quizote whose devotion to the tales of chivalry leads him into a series of bizarre adventures in the company of his faithful squire, Sancho Panza, blends fantasy, comedy and gripping narrative in a way that has appealed to children ever since it was first published. All the wisdom and humour of Cervantes' great seventeenth-century classic are to be found in Parry's very readable modern abridgement, enhanced by the delightful illustrations of Walter Crane, one of the greatest of all English children's book illustrators.

Don Quixote Of The Mancha

Hans Christian Andersen

When Kay gets a splinter of the wicked troll's magic mirror in his heart it becomes hard and cold - just like a lump of ice. Kay is abducted and bewitched by the chillingly beautiful Snow Queen and his loyal sister, Gerda is prepared to face anything to find her brother and bring him home. So, she undertakes the nightmarish journey to the Snow Queen's icy labyrinth. . . .

The Snow Queen

Roger Lancelyn Green

The story of Robin Hood, said Roger Lancelyn Green can never die, nor cease to fire the imagination. Like the old fairy tales it must be told and told again, for it is touched with enchantment. Placing his hero's legendary history in the reign of Richard I of England. Roger Lancelyn Green has used as his sources the ballads, romances and plays, as well as the literary retellings of Noyes, Tennyson, Peacock and Scott. In this literary mosiac he has brought to life a character who is the archetypal outlaw and popular champion of the poor. Walter Crane, one of the masters of children's book illustration, created the drawing for a retelling of the Robin Hood story by Henry Gilbert. published in 1912.

The Adventures Of Robin Hood

Edgar Allan Poe

Arthur Rackham (1867-1939) was one of the leading illustrators from the golden age of British book illustration. Fairy-tale and fantasy were his forte and in later life he responded to the dark stimulus of Poe's gothic tales with gleeful appreciation of their macabre and otherworldly qualities, claiming afterwards that he had quite succeeded in frightening himself! For lovers of the thrilling and chilling, young and old, Poe's sensational stories cannot fail to hit the spot. This collection contains the best of his prose works, including of course the well-known masterpieces 'The Fall of the House of Usher' (the ultimate haunted house story), 'The Pit and the Pendulum', 'The Tell-Tale Heart' and 'The Murders in the Rue Morgue' (the very first detective story in fiction). First published in 1935 it has been redesigned, re-typeset and republished in a handsome edition which features all Rackham's original colour and black and white illustrations. A perfect gift  - though not for the faint-hearted!

Tales of Mystery and Imagination

Frances Hodgson Burnett

Originally published as a serial in the children's monthly magazine ST NICHOLAS, LITTLE LORD FAUNTLEROY was Frances Hodgson Burnett's first children's novel and on its publication in book form in October 1866 it became at once an astonishing success. Reprinted before publication (even though its first printing was 10, 000 copies), the book went on the bestseller lists alongside Tolstoy's WAR AND PEACE and Rider Haggards's KING SOLOMON'S MINES. Marghanita Laski described the novel as 'the best vesion on the Cinderella story in modern idiom that exists', and this tale of an arrogant English aristocrat reformed by his grandson, brought up in the classless society of New York, has retained its popularity over the years. Charles Brock, the PUNCH artist who epitomized the stereotype of the reserved, shy Englishman, illustrated the book with eight watercolours and forty-five pen-and-ink sketches for an edition first published by Warne in 1925.

Little Lord Fauntleroy

Johann Wyss

This classic story of a Swiss family - pastor, wife and four sons -shipwreaked on an uninhabited island (most fortunately blessed with an unlikely profusion of natural resources) was written by a Swiss army chaplain for the entertainment of his own four sons. The family adventures in survival; also provided a useful starting point for lessons in natural history. First published in Zurich in 1812-13, the story was translated into French and English shortly afterwards and has appeared in many versions ever since. When, in 1909, the American artist Louis John Rhead was invited to illustrate the Robinson's adventures, he based his numerous drawings on 'sketches made in the tropics. '

The Swiss Family Robinson

Antoine De Saint-Exupery

Written during World War II, The Little Prince tells of the friendship between the narrator, an aviator stranded in the Sahara desert, and a mysterious boy whom he encounters there. Ruler of a tiny asteroid of which he is the only inhabitant, the Little Prince chats disarmingly about his curious adventures in space and since arriving on earth; of his distant home and of his love for a beautiful and capricious rose, to whom he longs to return. A moving and deceptively simple tale, it was described by Saint-Exupéry as a children's story for adults, and it works on several levels as an allegory of his own life, or of the human condition. Children love it for its deadpan fantasy, for its sense of amused bafflement at the grown-up world and for the author's attractive watercolour illustrations which are an integral part of the book.

The Little Prince

Frank Baum

Frank Baum set out to write 'a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nighmares are left out'. Published in May 1900, The Wonderful Wizard of Oz had sold 100,000 copies by the following January, proving that this was exactly what his young readers wanted. The story of Dorothy, carried by a cyclone from a her uncle's Kansas farm to the Land of Oz, and her adventures on the yellow brick road with the Tin Man, the Scarecrow and the Cowardly Lion, has been an firm favourite with children ever since. The original illustrations by W. W. Denslow, which are reflected in the film and stage versions, have often been imitated but never surpassed.

The Wonderful Wizard Of Oz

Peter Rabbit Tales

Explore with Peter Rabbit

Peter Rabbit Animation

Peter Rabbit Slide-and-Seek

Peter Rabbit Lift-the-Flap Tales

Peter Rabbit’s Peekaboo

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