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Elaine Feeney

'A superb, multi-generational story told in stunning, poetic prose. Elaine Feeney is one of Irish literature's most gifted and persuasive storytellers.' SINÉAD GLEESON 
 
Claire O’Connor’s life has been on hold since she broke up with Tom Morton and moved from cosmopolitan London back home to the rugged West of Ireland to care for her dying father. But snatches of her old life are sure to follow her, when Tom unexpectedly moves nearby for work. As Claire is thrown back into a love she thought she’d left behind, she questions if Tom has come for her or for himself. 
 
Living in her childhood home brings its own challenges. While Claire tries to maintain a normal life – obsessing over the internet, going to work and minding her own business – Tom’s return stirs up haunting memories trapped within the walls of the old family house. 
 
Let Me Go Mad in My Own Way is a story of love and resilience, rich with history and drama, and the legacies of violence and redemption. As the secrets of the past are revealed, Claire must confront whether she can escape her history to make her own future – and whether finding herself means facing herself too.

Let Me Go Mad in My Own Way

George Orwell

A selection of George Orwell's prescient, clear-eyed and stimulating writing on the subjects of truth and lies. With an introduction by Alan Johnson. 
 
'Freedom is the freedom to say that two plus two equals four. If that is granted, all else follows.' 
 
This selection of George Orwell’s writing, from both his novels and non-fiction, gathers together his thoughts on the subject of truth. It ranges from discussion of personal honesty and morality, to freedom of speech and political propaganda. Orwell’s unique clarity of thought and illuminating scepticism provide the perfect defence against our post-truth world of fake news and confusion. 
 
'The further a society drifts from the truth, the more it will hate those that speak it.' 
 
Includes an introduction by Alan Johnson and passages from Burmese Days, The Road to Wigan Pier, Coming Up for Air, The Lion and the Unicorn, Animal Farm, Nineteen Eighty-Four, Orwell’s letters, war-time diary, criticism and essays including ‘Fascism and Democracy’, ‘Culture and Democracy’, ‘Looking Back on the Spanish War’, ‘As I Please’, ‘Notes on Nationalism’, ‘The Prevention of Literature’, ‘Politics and the English Language’ and ‘Why I Write’.

Orwell on Truth

Gabriela Cabezón Cámara

WINNER OF THE NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE 
 
From deep in the wilds of the New World, Antonio de Erauso writes a letter to his aunt, the prioress of the convent he escaped as a young girl. Since leaving his past behind, he’s become Antonio, conquistador. Now, hiding in the jungle and hounded by the army he deserted, Antonio is caring for two Guaraní girls he rescued from enslavement. But the New World has one more metamorphosis in store, which might save them all from extinction. 
 
Tender and surreal, We Are Green and Trembling conveys glimmers of hope for the future within the brutal colonial history of Latin America, finding in the rainforest a magical space for transformation.

We Are Green and Trembling

Carmen Martin Gaite

As compulsively page-turning as a thriller, Carmen Martin Gaite's drama of broken dreams, lies, and the search for love is an intense meditation on the strange adventure of living 
 
"Ever since the beginning of the world, living and dying have been two sides of one coin, tossed in the air - But for me - to be perfectly honest - living's the strange thing" 
 
The protagonist of this novel, a 35-year-old woman who has lived hard and loved hard, has just lost her mother. Struggling to keep her curiosity about an inexplicable world intact, she finds her precarious equilibrium constantly besieged by resurfacing oddballs from her past and her own tendency to daydream. To force a little structure into her life, she decides to pick up her old, unfinished doctoral dissertation about an extravagant 18th century adventurer. As she wades through old papers in a dusty archive, she is forced to confront her own strange childhood, her parents' strange relationship, and the feelings that bond her to the strange architect she shares a life with.

Living's The Strange Thing

Gail Jones

LONGLISTED FOR THE 2016 STELLA PRIZE 
 
We travel to find ourselves; to run away from ourselves. 
 
‘A Guide to Berlin’ is the name of a short story written by Vladimir Nabokov in 1925, when he was a young man of 26, living in Berlin. 
 
A group of six international travellers, two Italians, two Japanese, an American and an Australian, meet in empty apartments in Berlin to share stories and memories. Each is enthralled in some way by the work of Vladimir Nabokov, and each is finding their way in deep winter in a haunted city. A moment of devastating violence shatters the group, and changes the direction of everyone’s story. 
 
Brave and brilliant, A Guide to Berlin traces the strength and fragility of our connections through biographies and secrets.

A Guide to Berlin

Paul Micou

'My first mistake was to be heterosexual.' 
Such is one of several complaints in the first of four conversations between Henry Hart - who is a married father of two young girls - and his long-time friend, Darius Saddler - who is gay and unattached. 
It is just over a year since the two men last met. Crippled and humiliated by debt, Hart - a dealer in antique maps - has managed to ruin his marriage, to commit an undeniable act of theft, and to become a suspect in France for a very serious crime. 
With a lover on the side, a stolen map in his pocket, an ace French detective on his trail, a wife who is unusually cold and in the know, it is time for Hart to enlist the help of his oldest friend. 
Confessions of a Map Dealer relates the attempts of Hart and Saddler to knit their lives together again, and to extricate Hart from the myriad problems he has brought upon himself. 
A mystery, a one-sided love story, a tale of guilt, blackmail and self-delusion, Confessions of a Map Dealer is an intricate comedy of errors from a celebrated practitioner of the genre.

Confessions of a Map Dealer

Anthony Powell

These journals, started in 1982 when Powell had become 'stuck' on a novel, became the place where he could most happily exercise his extraordinarily acute and often witty powers of observation and record his memories of times and writers past. 
 
This, the second volume of the journals sees the writer in his house in Somerset, The Chantry, encountering old friends, journalists, publishers, relations. He reads through the plays of Shakespeare, and also re-reads A dance to the Music of Time, giving an astonishingly dispassionate and perceptive analysis of his own greatest creation. He remembers Evelyn Waugh, Phillip Larkin, Malcolm Muggeridge, Gerald, Brenan and John Betjeman. He is visited by, among others, V.S Naipaul, Alison Lurie, Roy Jenkins, and Harold Pinter. He becomes a Companion of Honour. His beloved cat Trelawney dies. In these frank and entertaining pages, the daily life of a writer unfolds in a volume that will delight his many fans as much as its predecessor did.

Journals 1987-1989

Michelle Orange

'Rich and moving' New York Times 
 
'A book that expands and breaks your heart' Adelle Waldman, author of The Love Affairs of Nathaniel P. 
 
A revelatory enquiry into selfhood, freedom, mortality, storytelling, and what it means to be a mother's daughter 
 
During one of the texting sessions that became our habit over the period I now think of as both late and early in our relationship, my mother revealed the existence of someone named Janis Jerome. 
 
So begins Michelle Orange's extraordinary inquiry into the meaning of maternal legacy - in her own family and across a century of seismic change. Jerome, she learns, is one of her mother's many alter egos: the name used in a case study, eventually sold to the Harvard Business Review, about her midlife choice to leave her husband and children to pursue career opportunities in a bigger city. 
 
A flashpoint in the lives of both mother and daughter, the decision forms the heart of a broader exploration of the impact of feminism on what Adrienne Rich called 'the great unwritten story': that of the mother-daughter bond. 
 
Through a blend of memoir, social history, and cultural criticism, Pure Flame pursues a chain of personal, intellectual, and collective inheritance, tracing the forces that helped transform the world and what a woman might expect from it.

Pure Flame

On Mothers and Daughters

Lawrence Osborne

‘I am taking a few months off to travel and wander, drinking my way across the Islamic world to see whether I can dry myself out, cure myself of a bout of alcoholic excess. It is a personal crisis, a private curiosity… I am curious to see how non-drinkers live. Perhaps they have something to teach me.’ 
 
Booze is mankind's premier drug of choice, the most popular mind-altering substance ever devised, and it plays a furtive, celebrated and subversive role in nearly every culture on earth. In The Wet and the Dry, Lawrence Osborne explores the culture of permission, particularly in the West, and the opposing culture of prohibition, notably in the Islamic East. 
 
Osborne’s globe-trotting odyssey takes him from the luxurious bars of Milan to the vineyards of Lebanon, threatened by Hezbollah; from Swedish vodka to Pakistani strawberry gin; from the Nellie Dean pub in Soho to the dangerous brothels and drinking dens on the Malaysian border; from the boutique scotch produced on Islay to the liquor destroying Native American reservations; and from the only brewery in the dry country of Pakistan to the search for a bottle of New Year’s champagne in Oman. All the while, Osborne’s own Irish family history of terrifying alcoholism fails to deter him from seeking out a drink wherever he can.

The Wet And The Dry

A Drinker's Journey

Layla Martinez

The house breathes. 
 
The house contains bodies and secrets. 
 
‘A house of women and shadows built from poetry and revenge’ Mariana Enriquez 
 
The house is visited by ghosts, by angels that line the roof like insects, and by saints that burn the bedsheets with their haloes. 
 
It was built by a small-time hustler as a means of controlling his wife, and even after so many years, their daughter and her granddaughter can’t leave. 
 
They may be witches or they may just be angry, but when the mysterious disappearance of a young boy draws unwanted attention, the two isolated women, already subjects of public scorn, combine forces with the spirits that haunt them in pursuit of something that resembles justice. 
 
Layla Martínez’s eerie debut novel Woodworm is class-conscious horror that drags generations of monsters into the sun. 
 
Translated by Sophie Hughes and Annie McDermott

Woodworm

Beatriz Serrano

Life can’t go on like this – can it? This book is for everyone who has ever wanted more: more time, more meaning, more connection. 
 
On the surface, Marisa’s life looks enviable. She lives in a nice apartment in the heart of Madrid, her friendly neighbour and lover Pablo lives downstairs, and she’s risen quickly through the ranks at a successful advertising agency. 
 
And yet Marisa hates her job and everything about it. Over one hot summer, she spends her working hours locked in her office, bingeing on YouTube videos and getting high on tranquilizers, wondering if everyone cries when their alarm goes off in the morning. When she can, she escapes to the air-conditioned basement of the Prado Museum. 
 
But Marisa’s façade of success is in danger of being exposed as she’s forced to deliver a talk on creativity at her company’s horrendous annual team-building retreat. Surrounded by psychopathic bosses, annoyingly overzealous colleagues, flirty facilitators, and an excess of drugs, Marisa is pushed to the brink of a complete spiral. 
 
Told with acid humour to explosive consequences, Discontent is a dazzling tale of modern angst and finally acting on our wilder impulses to reclaim our lives from work.

Discontent

It was a bright cold day in April, and the clocks were striking thirteen. 
 
The year is 1984, and life in Oceania is ruled by the Party. Under the gaze of Big Brother, Winston Smith yearns for intimacy and love - "thought crimes" that, if uncovered, would mean imprisonment, or death. But Winston is not alone in his defiance, and an illicit affair will draw him into the mysterious Brotherhood and the realities of resistance. 
 
Nineteen Eighty-Four has been described as chilling, absorbing, satirical, momentous, prophetic and terrifying. It is all these things, and more. 
 
The Authoritative Text. With an introduction by Robert Harris. 
 
*The jacket of this stunning hardback edition features period artwork by Elizabeth Friedlander, one of Europe's pre-eminent 20th-century graphic designers. Look out for complementary editions of Orwell's essential works Animal Farm and Down and Out in Paris and London.*

Nineteen Eighty-Four

Laurent Quintreau

Eleven executives are seated round a meeting room table. Their voices make up this novel. The president harangues them about cost cutting, restructuring, redundancy. As they feign attention the reader is privy to their most intimate thoughts. 
 
There's the self-destructive violence of the former chief executive, the depraved cynicism of the man on the make, the gruelling daily routine of a working mother, the glacial despair of the HR director, the libidinous fantasies of the career bureaucrat. All have one thing in common: each of them, from the depths of their frustration, is at war with all the others. 
 
At the centre of this Divine Comedy, like Lucifer with a business school sheen, reigns Rorty, the president, a blue-eyed corporate assassin. Gross Margin is a savage and hilarious novel about contemporary office life.

Gross Margin

Paul Durcan

In The Art of Life Paul Durcan takes us around County Mayo in his "filthy, two-door, bottle-green Opel Astra", stopping off at Westport and Achill Island, where he declares himself to be "globally sad", but "locally glad". Next he travels east to Dublin to hold in his arms his newborn granddaughter and thence to Tuscany, Poland and Japan. Along the way he reflects upon parental pride, the aches and pains of old age, the trim bottoms of snooker players, the wisdom of ex-wives and dogs on Sandymount Strand, while introducing us to a host of colourful characters, including a bishop, a roofer, a milkman, a priest and an unmarried mother. 
 
Is there an art of living or is life a work of art? This magnificent collection - originally published on Paul Durcan's sixtieth birthday - reveals one of Ireland's most successful and popular poets at the height of his powers and continuing to challenge, amuse and delight.

The Art Of Life

Enrique Vila-Matas

A man's obsession with literature leads him to see the world through the eyes of fiction 
 
Literature can be contagious; it can also be our only means of salvation. That at least is the experience of Montano, the 'unreliable narrator' of Enrique Vila-Matas' prize-winning novel, a man and a writer who is so obsessed with the books of certain celebrated contemporaries that he is unable to put pen to paper or utter a word without summoning up their work or their lives, and whose malady is that he finds it impossible to distinguish between real life and fictional reality. Part picaresque novel, part intimate diary, part memoir, part philosophical musings, Vila-Matas has created a labyrinth in which writers as various as Cervantes, Sterne, Kafka, Musil, Perec, Bolaño, Coetzee, Sebald and Magris cross endlessly surprising paths, while his protagonist leads the reader on an unsettling journey from European cities such as Nantes, Barcelona, Lisbon, Prague and Budapest to the Azores and the Chilean port of Valparaíso. 
 
Yet for all the author's dazzling literary pyrotechnics, this is a novel that is always witty and accessible.

Montano

Gonzalo Torné

Joan-Marc’s out of work, he’s alone, he has a heart condition, his mother’s addicted to pills, he can’t stand his sister. Otherwise, life is beautiful. 
 
And there’s a lot that his estranged second wife doesn’t know about him. But in Divorce is in the Air he now sets out to tell her. He begins with the failure of his first marriage, describing a holiday taken in a last-ditch attempt to salvage a once passionate relationship. 
 
Recalling this ill-fated trip triggers a life-story’s worth of flashbacks. From pivotal childhood scenes – his earliest sexual encounters, his father’s suicide – he moves on through the years, hopscotching between Barcelona and Madrid, describing a life of indulgence and of appetites. 
 
The result is an unapologetic, daring, acerbic novel by an electrifying young writer about love and the end of love, and how hard it can be to let go.

Divorce is in the Air

George Orwell was an inveterate keeper of diaries. Eleven diaries are presented here, and we know there may be two more from his time in Spain hidden away in the NKVD Archives in Moscow. Covering the period 1931-1949, this volume follows Orwell from his early years as a writer up to his last literary notebook. 
 
His Hop-Picking Diary covers some of Orwell's time spent down and out; a wonderful entry from 1931 tells of a communal shave in the Trafalgar Square fountains. The notes from his travels through industrial England, which formed the basis of The Road to Wigan Pier, show the development of the gifted young novelist and impassioned social commentator. 'Frightful landscape of slag-heaps and belching chimneys.[...] Beards of ice on lock gates.' This same acute power of observation is evident in his diaries from Morocco, where he also encountered extreme poverty. We catch a glimpse of a different Orwell at home. His domestic diaries chart the progress of his garden and animals with a keen eye, from the succinct, 'Pig active again.' to the more poetic, 'One of the plants that carries the snow most beautifully is lavender.' 
 
The wartime diaries make fascinating reading, from descriptions of events overseas, to the daily violence closer to home and his astute perspective on the politics of both. Orwell offers a different take on the typical view of the home front. 'War is simply a reversal of civilised life, its motto is "Evil be thou my good", and so much of the good of modern life is actually evil that it is questionable whether on balance war does harm.' 
 
The diaries provide a new and entirely refreshing insight into Orwell's character and help towards an understanding of his great works.

Diaries

Volume 3 of The Complete Works of George Orwell 
 
No one has ever been as severe as George Orwell himself as to the merits of A Clergyman’s Daughter. He didn’t want this, his second novel, reprinted and he had, he once said, ‘made a muck of it’. Orwell’s disenchantment may in part stem from the way the book was – to use his favourite word for this process – ‘garbled’ during its passage from the typescript to print. 
 
Although it is generally agreed that Orwell did not effectively reconcile the sections of this novel, the development of the narrative was greatly hindered by the effects of censorship. This arose from the publisher’s understandable fears at the time that the book as submitted would lead to actions for libel, defamation and obscenity. In consequence, many pages were ‘toned down’ (again, Orwell’s words), what was specific was made vague and unlocalised, and Dorothy’s crucial loss of memory left unexplained. 
 
The discovery of details of cuts and changes required – most important of which is Mr Warburton’s attempt to rape Dorothy – make it possible to assess A Clergyman's Daughter afresh. Some passages can be restored precisely; whole areas of change can be identified though not restored. As a result, Dorothy’s ‘little odyssey’, her loss of faith and her subsequent resigned acceptance of her lot, can at last be read with a far clearer understanding of what Orwell intended. No one who reads A Clergyman's Daughter can ever regard the plight of those who exist homeless and adrift in a great city in the same way again, especially in the bitter cold of winter. Here Orwell is unforgettable: nowhere else does he write with quite such poignancy.

A Clergyman's Daughter

William Peskett

Survivors is William Peskett's second book in the Secker &amp; Warburg Poets series. At one level, it marks his move 'From Belfast to Suffolk' (the title of one of the poems), but more importantly it shows him coming to terms with the world of nature and the world of man with a new maturity.

Survivors

Kotaro Isaka

'Fascinating and thought provoking with some genuine surprises and incredibly clever ideas that kept me thinking about it long after I finished it… a Japanese Black Mirror!' Ajay Chowdhury, author of The Waiter 
 
Some mother-in-laws are hard. This one might be murder. 
 
Miyako suspects her mother-in-law is a murderer. It’s not just a case of them rubbing each other up the wrong way – there is definitely something suspicious going on. But Miyako isn’t exactly what she seems either. Her husband has no idea about her past life as a secret agent. When she decides to use her professional skills to investigate her mother-in-law, the delicate equilibrium of their lives is thrown wildly out of balance. 
 
Many decades later, in a future world where electronic communication has been irrevocably compromised, confidential messages must be delivered by trusted couriers like Mito. But one delivery pulls Mito into a conspiracy beyond his wildest imaginings, and forces him into a race against time to defeat a world-changing technological threat. 
 
Seesaw Monster contains two sharp, thrilling linked novellas - SEESAW MONSTER and SPIN MONSTER - from the bestselling and multi-award-winning writer Kotaro Isaka, internationally celebrated for his offbeat humour and inventive talent for twists. 
 
PRAISE FOR KOTARO ISAKA: 
 
‘Unlike anything you're likely to have read before . . . white-hot with double-crosses’ Financial Times 
 
‘Entertaining . . . high-speed . . . with lots of twists and turns’ The Times 
 
‘Thoroughly enjoyable’ Guardian

Seesaw Monster

An impassioned correspondence between two former school friends as they reach crisis in middle age, from the prize-winning Spanish novelist Carmen Martin Gaite 
 
Sofia is a mother of three grown-up children and trapped in a loveless marriage to Eduardo. Mariana is a successful psychiatrist, incapable of forming stable relationships with men. 
 
As their lives reach crises in middle age, these two women, former school friends who had grown apart, reach out to each other through an exchange of impassioned letters in Gaite's effusive epistolary novel. 
 
Mariana, a psychiatrist and TV pundit, flees Madrid for a friend's empty house in a coastal resort, where she obsesses over Raimundo, a suicidal, manic-depressive writer who seems part friend, part patient, part lover. Her old friend, Sofia, walks out on her vain, hypercritical husband, Eduardo, a business executive who talks only about money, and moves in with her three rebellious children, who share a disorderly apartment. 
 
In alternating voices mixing letters with notebook excerpts and invented stories, the two women relentlessly analyze their relationships, erotic fantasies and trips abroad. Strewn with allusions to Kafka, Dali, Bunuel, Tagore and Katherine Mansfield, their outpourings incorporate meditations on memory, love, sex, the treacherous nature of words, chance and the difficulty of confronting one's past without embellishing it.

Variable Cloud

Michel Laub

*Selected as one of the Best Books 2017 in the Financial Times* 
'One of Brazil’s finest authors offers a meditation on betrayal, guilt, survival and the many ways in which personal and collective histories collide' - Ángel Gurría-Quintana 
 
Is it better to burn out than to fade away? An entrancing novel of loss and regret, from the prizewinning Brazilian novelist Michel Laub. 
 
In this sinuous meditation on passion, youth and guilt, a man looks back over twenty years to his relationship with his first love, Valeria, and its tragic climax.. 
 
They both had tickets to Nirvana in 1993, the only gig the band ever played in Brazil. But he was on military service and failed to join her. She was there with his best friend instead. Consumed by insecurities and tricks of memory, he continues to feel, two decades later, that one fateful night has defined his entire adult life. 
 
Entwining this most personal story with seminal events of the 1990s, A Poison Apple circles around and back to some of the biggest questions: what is a life worth? What does it mean to really commit to living? And can we ever break free of the past? 
 
Successor to his prizewinning Diary of the Fall, this is a beautiful and haunting novel that shows Michel Laub at his mesmeric best.

A Poison Apple

Volume 9 of The Complete Works of George Orwell 
 
‘It was a bright cold day in April and the clocks were striking thirteen.’ This is the opening sentence of the most influential novel of the century, in English or in any of the sixty or more languages which boast a translation. Nineteen Eighty-Four has been described as chilling, absorbing, satirical, momentous, prophetic and terrifying. It is all these things, and more. 
 
Not only does the novel have a ferocious impact, it has also made an irreplaceable contribution to the language – Big Brother, Newspeak, Thought Police, Unperson and Doublethink are just a few words it introduced. 
 
Originally entitled ‘The Last Man in Europe’, Nineteen Eighty-Four also proved to be Orwell’s last book, the physical effort of typing up the final draft leading to his eventual collapse from TB that had dogged him since before the outbreak of the Second World War. He lived long enough to see it become an immediate bestseller on both sides of the Atlantic on publication in June 1949. 
 
For this edition the text had been meticulously edited according to Orwell’s wishes, including the re-instatement of Winston Smith’s controversial acceptance of the equation ‘2+2=5’.

"A Proustian journey into the interior, a dazzling psychodrama and, arguably, one of the best novels out of Spain in recent decades" Kirkus Reviews 
 
On the day he is released from prison in Madrid, Leonardo learns of his parents' death in a car crash. He returns to their empty town house, a rich young man now, but with a life to reconstruct out of fragments. At first all he wants is to be atone to took over books, diaries, and old photographs, the mute witnesses to his own childhood and his parents' wretched marriage. But in time he concentrates on the Quinta Blanca, the white house by the cuff edge where his grandmother used to nourish him on stories, especially Hans Christian Andersen's "The Snow Queen". 
 
When Leonardo revisits this childhood home at Christmas as the guest of its new owner, Casilda, he, too, has the sliver of ice removed from his heart by the one woman capable of doing so, and his own redemption is at hand. 
 
The Farewell Angel is about storytelling, about the determining power of stories to harm and to heat. Centered around a lighthouse and the sea-washed rocks beneath it, this haunting novel is a triumph of subtle narrative by the prize-winning author of Variable Cloud.

The Farewell Angel

Maria Gainza

At a hotel in Buenos Aires, a woman checks in under a pseudonym. She wears a black fur shawl and has no luggage. She is alone. 
 
Over the coming days and nights, she tells a story, which begins with a secret shared in a local bath house, revealing art forgery and fraud on a dazzling scale. At its heart is an enigmatic genius who for years forged portraits of the city's elite, before disappearing without trace. It is a story of influence and intrigue, in which nothing is as it seems. We're not to expect 'names, numbers or dates', she cautions, but a more subtle kind of reckoning... 
 
Told in a mordant, irresistible voice and full of sharp surprises, Portrait of an Unknown Lady is a captivating enquiry into what we mean by 'authenticity', in life as in art. At once poised and capricious, elegant and bold, it is a thrilling exploration of the relationships between what is lived, what is told, what is remembered, and what is real.

Portrait of an Unknown Lady

Volume 4 of The Complete Works of George Orwell 
 
Originally published in 1936, before Orwell achieved fame, Keep the Aspidistra Flying takes Money as its theme. Gordon Comstock gives up a good job in an advertising agency to become a part-time bookshop assistant at a meagre wage, thereby gaining leisure for writing. However, after some modest success in the world of letters he eventually slides into the abyss, to be rescued by the faithful Rosemary. 
 
Ironically, Gordon’s voyage of discovery leads him back to commercial security, marriage, and the unexpected pleasures of domesticity. But above all he learns of the courage of keeping up appearances despite hardships. The symbol of this is the potted aspidistra: the ugly, stubborn, organic emblem of social and biological survival. 
 
This new edition restores most of the material censored on first publication due to fears of action for libel, defamation and obscenity. Of particular interest are the previously suppressed advertising slogans of the 1930s and, in light of the censorship he experienced, Orwell's ironic choice of surname for Gordon: Comstock.

Keep the Aspidistra Flying

WINNER OF THE LIFETIME ACHIEVEMENT IRISH BOOK AWARD 2014 
 
Paul Durcan never imagined he would be clasped by a woman again, but life is full of surprises! After all, would it surprise you to learn that at the US Ambassador’s Residence in Dublin his libido almost destroyed the Peace Process? There is a new Pope, too, a ‘man of constant surprise’, although in St Peter’s Square Durcan encounters a monk wholly lacking in the Holy Spirit. 
 
Elsewhere he muses upon the ‘pre-crucifixion scenario’ of being prepared for surgery, the gift of a malacca cane, the joy of retail therapy, the horror that is wheel-clamping, the ‘starry mystique’ of the weather forecaster Jean Byrne, suicide, bird-watching, stammering, art, Mayo, New York City, New Zealand, murder in Syria and the commemoration of 1916. Perhaps the greatest surprise is the voice of the late Seamus Heaney coming down his chimney: ‘Are you all right down there, Poet Durcan?’ The Days of Surprise is proof that the great poet of contemporary Ireland is in fine fettle.

The Days of Surprise

David Lodge

Helen Reed, a novelist in her early forties, still grieving for her husband who died suddenly a year before, is a visiting teacher of creative writing at a university where Ralph Messenger, a cognitive scientist with a special interest in Artificial Intelligence and an incorrigible womaniser, is director of a prestigious research institute. 
 
He is an atheist and a materialist; she is a Catholic who has lost her faith but still yearns for the consolations of religion. Ralph is attracted to Helen and she, in spite of her principles, to him. They argue about the nature of human consciousness, and the different ways it is examined in science and literature, as she resists with weakening resolution Ralph's efforts to seduce her. 
 
David Lodge has distilled the story of his acclaimed novel Thinks... to create a witty and absorbing drama about a moral, emotional and intellectual struggle between two exceptional people.

Secret Thoughts

Volume 8 of The Complete Works of George Orwell 
 
Rejected by such eminent figures as Victor Gollancz and T.S. Eliot (for Faber &amp; Faber), and by Jonathan Cape (influenced by ‘an important official at the Ministry of Information’), Animal Farm was published to great acclaim by Martin Secker &amp; Warburg on 17 August 1945 in an edition of 4,500 copies. Orwell’s immortal satire – ‘contre Stalin’ as himself wrote to his French translator – is as vivid and pungent today as it was on its first publication, and can be read on many levels. Orwell subtitled the book ‘A Fairy Story’, a genre in which he was keenly interested. It combines the poster-paint clarity of fable with the dark and mordant tones of a bitter political allegory. 
 
Animal Farm is indisputably a masterpiece, and places Orwell firmly in the great satirical tradition of Swift and Defoe. This edition incorporates all Orwell’s changes and reproduces his introduction, ‘The Freedom of the press’, which in the event he withdrew, and the preface to the Ukrainian edition, in its complete form, written at the request of the Ukrainian Displaced Persons Organisation in Munich. Also published here for the first time is Orwell’s dramatisation of Animal Farm for BBC Radio (1947).

Animal Farm

Julia Kelly

The sea stole him from her. Could it bring him back? 
 
Winter, 1900. A little boy washes up on the beach of a small fishing village in Scotland, barely alive. He bears an uncanny resemblance to teacher Dorothy's son, lost to the sea many years before. 
 
When the village is snowed in, Dorothy agrees to look after the child until he can be returned home. But, as the past rises to meet the present, long-buried secrets in this tight-knit community start to come to light. And Dorothy finds herself thrown together again with the reclusive fisherman Joseph, after years of keeping their distance. 
 
Bursting with tension and tenderness, this is an exquisite love story that delves into the precious moments that can lie behind village gossip. 
 
'A beautiful story of grief, hope and love; of dark snowy nights, the mysteries of the sea and, above all, redemption' Lucy Diamond, Sunday Times bestselling author of Something to Tell You 
 
READERS LOVE THE FISHERMAN'S GIFT: 
 
‘Took my breath away’ ***** 
‘This book emotionally destroyed me in the best way… My heart aches so much for these characters’ ***** 
‘An absolute treasure of a book. I loved it from start to finish’ ***** 
‘A haunting and evocative read. The characters, especially Dorothy, have stayed with me well beyond the pages.’ ***** 
‘A completely immersive, first-class story. Brilliantly observed, atmospheric and haunting all in one novel!’ ***** 
 
'As mistakes are forgiven, secrets revealed and love rekindled, a glimmer of hope illuminates this tender, moving debut' Daily Mail 
 
‘Spectacular... a gift to readers everywhere...a treasure’ Adriana Trigiani, New York Times bestselling author of The Good Left Undone 
 
'Rich in atmosphere and brimming with mystery… a poignant, spellbinding tale of loss and resilience.' Christina Baker Kline, New York Times No. 1 bestselling author 
 
'Stunning… Gorgeously multi-layered… evocative and heartbreaking, weaving melodic prose with a compelling story... I loved every word.' Fiza Saeed McLynn, author of The Midnight Carousel 
 
'Superbly crafted and tender, [The Fisherman's Gift]'s a brilliant evocation of time, landscape and characters - with twists to keep you gripped to the last page' Woman & Home 
 
'The characters and setting are memorable' New York Times

The Fisherman's Gift

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