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Henry Eliot

For six decades the Penguin Modern Classics series has been an era-defining, ever-evolving series of books, encompassing works by modernist pioneers, avant-garde iconoclasts, radical visionaries and timeless storytellers. 
 
This reader's companion showcases every title published in the series so far, with more than 1,800 books and 600 authors, from Achebe and Adonis to Zamyatin and Zweig. 
 
It is the essential guide to twentieth-century literature around the world, and the companion volume to The Penguin Classics Book. 
 
Bursting with lively descriptions, surprising reading lists, key literary movements and over two thousand cover images, The Penguin Modern Classics Book is an invitation to dive in and explore the greatest literature of the last hundred years.

The Penguin Modern Classics Book

Edward Ross

Golden Axe. The Sims. Half Life. Mega Drive. SNES. Like many teenagers around the world, Edward Ross grew up on a steady diet of video games and fascinating gadgets. As he continued to obsess over video games while drawing comic books, he started wondering what it was that made them more than just a pastime. Why do we play? 
 
This gorgeously illustrated book takes us deep into the history of video games, from the early prototypes created in the late 1940s through the growth of the medium in the 1970s and into the modern era, in which games are a crucial part of mainstream culture. Exploring politics, history and personal stories, and moving seamlessly from the greatest hits to engrossing indie games, Gamish is a love letter to an obsession that has gripped more than two billion people around the world.

Gamish

A Graphic History of Gaming

Jean-Marc Jancovici

Christophe Blain

THE #1 INTERNATIONAL BESTSELLER 
*A Financial Times Most Anticipated Book of 2024* 
 
“Can a graphic novel save the planet? Perhaps.” – Elizabeth Kolbert 
 
Is this the end of the world? Perhaps not. 
 
In this eye-opening, hopeful and hugely entertaining bestseller, a climate expert takes a leading graphic novelist on a journey to understand the profound changes that our planet is undergoing. The scientist, Jean-Marc Jancovici, walks us through just about everything: from the innermost workings of our minds to toothbrushes, office jobs, and oil; ancient history and modern geopolitics; economics and ecology; the unfolding climate crisis and its consequences for us all. As he describes the world we live in - a world whose future is deeply uncertain - the artist, Christophe Blain, listens and draws. 
 
Coming face to face with global warming, the unlikely duo - along with Mother Nature, Pop Eye and Jiminy Cricket, among others - create a picture of what the solution to our predicament actually looks like. Yes, we have a fossil-fuel problem, but simply switching to renewable energy won’t fix it. We can and must rethink everything: our energy supply, our economies and our whole world. They leave us with an inspiring vision of the future in which food, education, housing, transport and communities - in other words, all of us - work together and, with a few technological fixes, succeed in creating a world without end. 
 
“Masterful and unforgettable... A testament to the power of the graphic novel" - Marjane Satrapi, author of Persepolis 
 
“READ. THIS. BOOK.”- Eliza Griswold, Pulitzer Prize-winning journalist 
 
 
Over 1 million copies sold since publication, The Guardian, October 2024

World Without End

The New Yorker

The New Yorker was launched in 1925, and offers reporting, criticism, essays, fiction, poetry, humour, and cartoons. From the very outset, the founders, Harold Ross and Jane Grant, declared that their sophisticated magazine was 'not edited for the old lady in Dubuque'. 
 
The New Yorker has also offered great literature in short stories from such acclaimed writers as John Cheever, Roald Dahl, Alice Munro, Haruki Murakami, Vladimir Nabokov, J. D. Salinger, and Shirley Jackson. From the very first issue, the now iconic monocled dandy Eustace Tilley made The New Yorker's covers unique and pointed. These signature traits have continued right up to the present day in the striking and sometimes controversial covers from such artists as Peter Arno, William Steig, Saul Steinberg, Jean-Jacques Sempé, and Art Spiegelman. 
 
Selected by Françoise Mouly

Postcards from The New Yorker

One Hundred Covers from Ten Decades

Mark Ovenden

Maxwell Roberts

In this gorgeously illustrated collection of airline route maps, Mark Ovenden and Maxwell Roberts look to the skies and transport readers to another time. Hundreds of images span a century of passenger flight, from the rudimentary trajectory of routes to the most intricately detailed birds-eye views of the land to be flown over. Advertisements for the first scheduled commercial passenger flights featured only a few destinations, with stunning views of the countryside and graphics of biplanes. As aviation took off, speed and mileage were trumpeted on bold posters featuring busy routes. Major airlines produced highly stylized illustrations of their global presence, establishing now-classic brands. With trendy and forward-looking designs, cartographers celebrated the coming together of different cultures and made the earth look ever smaller. 
 
Eventually, fleets got bigger and routes multiplied, and graphic designers have found creative new ways to display huge amounts of information. Airline hubs bring their own cultural mark and advertise their plentiful destination options. Innovative maps depict our busy world with webs of overlapping routes and networks of low-cost city-to-city hopping. But though flying has become more commonplace, Ovenden and Roberts remind us that early air travel was a glamorous affair for good reason. Airline Maps is a celebration of graphic design, cartographic skills and clever marketing, and a visual feast that reminds us to enjoy the journey as much as the destination.

Airline Maps

A Century of Art and Design

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