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Margery Clark

Everyman's Children's Classics has more than 50 titles in print. It offers the finest editions currently available of the world's greatest children's books in handsome, full cloth hardcover bindings. 
 
The library brings back into print major illustrators such as Ivan Bilibin, Kate Greenaway, Arthur Rackham, Nicolas Bentley, Walter Crane, Aubrey Beardsley, Edward Ardizzone, W.Heath Robinson and Mervyn Peake.

Auntie Katusha has just come from the Old Country, bringing poppy seeds to make cakes for a mischievous four-year-old boy named Andrewshek. A little neighbour, Erminka, who wears red boots which are too big for her, joins Andrewshek for a series of adventures with talking animals, including a greedy goose who steals the cakes; a naughty white goat who hides on the roof; and a kitten, a dog and two chickens who are determined to gatecrash the children’s tea party. There is art on every page, featuring cheeky animals, gooseberry tarts, colourful shawls and Russian dolls, and cheerful Auntie Katusha in her kerchiefed and aproned splendour.

The Poppy Seed Cakes

Kenneth Grahame

This classic of the English countryside, . first published in 1908, is a favourite with readers of all ages. As the late Margery Fisher wrote, 'Adults are sadly aware of the figure of Grahame himself, languishing in a city office and longing for the river: children respond to the fun, the anarchy of Toad and the entrancing detail as Grahame's son Alastair must have done when he listened to the bedside stories that became a book. ' The author invited Arthur Rackham to illustrate his book, but Rackham said he was too busy - a decision he was happily able to reconsider in 1936 when he was approached by the American publisher of the Limited Editions Club. The project, which he carried out with love and great care for the authenticity of detail, was his last: the drawings appeared first in the USA in 1939 and in Britian in 1950.

The Wind In The Willows

Conrad Richter

A beautifully illustrated edition of a novel that has enthralled young American readers for generations. It is the story of John Cameron Butler-captured as a small child in a raid on the Pennsylvania frontier by the Indian tribe Lenni-Lenape. Adopted by the great warrior Cuyloga and renamed True Son, he has spent 11 years living and thinking of himself as fully Indian. But when the tribe signs a treaty that requires them to return their white captives, 15-year-old True Son is returned against his will to the family he had long forgotten, and to a life that he no longer understands or desires. Despairing and defiant, he manages a dangerous escape only to find himself painfully unsure of where he belongs. Beautifully written, sensitively told, and emotionally compelling, The Light in the Forest is an American classic that has sold more than one million copies in the last ten years in paperback.

The Light In The Forest

Jean Webster

The grandniece of Mark Twain is now remembered only for the last two books she wrote, DADDY-LONG-LEGS (1912) and its sequal DEAR ENEMY (1915). Both remain endearing stories that, as the critic Naomi Lewis says ' make rewarding reading'. Told in the form of letters, this modern version of the Cinderalla tale is an irresistible love-story of an orphan and her unknown benefactor.

Daddy-Long-Legs

Anna Sewell

Described on the title-page of the first edition as 'the autobiography of her horse, translated from the original equine', BLACK BEAUTY was Anna Sewell's only book, written when she fatally ill but determined to record her passopnate indignation at the insensitive behaviour of people towards animals. It has been loved by children ever since its first publication in 1877, just a few months before the death of its author, whose declared aim had been to 'induce kindness, sympathy and an understanding treatment of horses'. The illustrations by Lucy Kemp-Welch first apperared in 1915.

Black Beauty

Charles Dickens

Arthur Rackham

The most popular of all ghost stories was first published on 17 December 1843, and by Christmas Eve 6, 000 copies had been sold at a published price of five shillings. The story of Scrooge, a miser who becomes a different man when he is presented with visions of past, present and future by Marley's ghost, was an immediate success and has remainded so ever since. It is a book to read on Christmas Eve beside a blazing fire - and the best introduction to Dickens for young readers not quite ready for his longer novels. Arthur Rackham, master of the fantastic, illustrated the story in 1915.

A Christmas Carol

E Nesbit

Although E. Nesbit regarded her poetry as her most important work, it is her children's books (written 'to keep the house going') that ensured her lasting fame and which are still enjoyed with such affection today. Her readers have their oen favourites, but the film version of THE RAILWAY CHILDREN, with Jenny Agutter as Roberta, the eldest daughter of the man unjustly sent to prison, and the Bernard Cribbins as the friendly railway porter, brought the book to a new generation of readers who love it for Roberta's courage and the satisfaction of the ending when her father is vindicated and restored to his family. The film is regularly shown on British Television.

The Railway Children

Roger Lancelyn Green

The story of Robin Hood, said Roger Lancelyn Green can never die, nor cease to fire the imagination. Like the old fairy tales it must be told and told again, for it is touched with enchantment. Placing his hero's legendary history in the reign of Richard I of England. Roger Lancelyn Green has used as his sources the ballads, romances and plays, as well as the literary retellings of Noyes, Tennyson, Peacock and Scott. In this literary mosiac he has brought to life a character who is the archetypal outlaw and popular champion of the poor. Walter Crane, one of the masters of children's book illustration, created the drawing for a retelling of the Robin Hood story by Henry Gilbert. published in 1912.

The Adventures Of Robin Hood

Frank Baum

Frank Baum set out to write 'a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nighmares are left out'. Published in May 1900, The Wonderful Wizard of Oz had sold 100,000 copies by the following January, proving that this was exactly what his young readers wanted. The story of Dorothy, carried by a cyclone from a her uncle's Kansas farm to the Land of Oz, and her adventures on the yellow brick road with the Tin Man, the Scarecrow and the Cowardly Lion, has been an firm favourite with children ever since. The original illustrations by W. W. Denslow, which are reflected in the film and stage versions, have often been imitated but never surpassed.

The Wonderful Wizard Of Oz

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