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Vasily Grossman

Based around the pivotal WWII battle of Stalingrad (1942-3), where the German advance into Russia was eventually halted by the Red Army, and around an extended family, the Shaposhnikovs, and their many friends and acquaintances, Life and Fate recounts the experience of characters caught up in an immense struggle between opposing armies and ideologies. Nazism and Communism are appallingly similar, 'two poles of one magnet', as a German camp commander tells a shocked old Bolshevik prisoner. At the height of the battle Russian soldiers and citizens alike are at last able to speak out as they choose, and without reprisal - an unexpected and short-lived moment of freedom. Grossman himself was on the front line as a war correspondent at Stalingrad - hence his gripping battle scenes, though these are more than matched by the drama of the individual conscience struggling against massive pressure to submit to the State. He knew all about this from experience too. His central character, Viktor Shtrum, eventually succumbs, but each delay and act of resistance is a moral victory. Though he writes unsparingly of war, terror and totalitarianism, Grossman also tells of the acts of 'senseless kindness' that redeem humanity, and his message remains one of hope. He dedicates his book, the labour of ten years, and which he did not live to see published, to his mother, who, like Viktor Shtrum's, was killed in the holocaust at Berdichev in Ukraine in September 1941.

Life and Fate

Erich Maria Remarque

In 1914 Paul Bäumer and his classmates are marched to the local recruiting office by a sentimentally patriotic form-master. On a calm October day in 1918, only a few weeks before the Armistice, Paul will be the last of them to be killed. In All Quiet on the Western Front he tells their story. 
 A few years after it was published in 1929 the Nazis would denounce and publicly burn Remarque's novel for insulting the heroic German army - in other words, for 'telling it like it was' for the common soldier on the front line where any notions of glory and national destiny were soon blasted away by the dehumanizing horror of modern warfare. 
 Remarque has an extraordinary power of describing fear: the appalling tension of being holed up in a dugout under heavy bombardment; the animal instinct to kill or be killed which takes over during hand-to-hand combat. He also has an eye for the grimly comic: the consignment of coffins Paul and his friends pass as they make their way up the line for a new offensive; the young soldiers joyfully tucking into double rations when half their company are unexpectedly wiped out. 
 Remarque's elegy for a sacrificed generation is all the more devastating for the laconic prose in which his teenaged veteran narrates shocking experiences which for him have become the stuff of daily life. Paul cannot imagine a life after the war and can no longer relate to his family when he returns home on leave. Only the camaraderie of his diminishing circle of friends has any meaning for him. He comes especially to depend on an older comrade, Stanislaus Katczinsky, and one of the most poignant moments in the book is when he carries the wounded Kat on his back under fire to the field dressing station, with starkly tragic outcome. 
 The saddest and most compelling war story ever written.

All Quiet on the Western Front

Ernest Hemingway

One of Hemingway's finest novels, A FAREWELL TO ARMS was published in 1929 when the author was at the height of his power, It draws on his own experiences serving with the Italins in World War One when he was severely wounded in action and awarded the Croce de Guerra. This is a vivid portrait of men at war which also explores their deeper responses to the cruetly and heroism of Battle

A Farewell To Arms

Fred Uhlman

The romantic forested landscape of southwest Germany is the setting for the birth of a friendship that will haunt sixteen-year-old Hans Schwarz for the rest of his life. Hans is Jewish, the son of a doctor who is confident that the rise of the Nazis is only 'a temporary illness' afflicting his beloved country. Hans's new classmate, Konradin von Hohenfels, is a dazzling young aristocrat whose mother keeps a portrait of Hitler on her dressing-table. Hans is immediately drawn to Konradin, and thrilled when a close bond forms between them, forged by common interests that set them apart from the other boys. But their loyalties are soon tested in ways they could not have imagined. Three decades later, from the vantage point of New York City, Hans once again confronts this life-shaping episode from his youth, through a stunning revelation that he stumbles upon by chance. In its story of friendship undone by History, Reunion combines the explosive compression of a fable with the emotional depth of an epic novel many times its length.

Reunion

Jaroslav Hašek

An attack on war which broadens into a satire on the ANCIEN REGIME of the Austro-Hungarian empire, THE GOOD SOLDIER SVEJK recreates the age-old figure of the simple soldier whose sheer determination to survive brings into question the mighty social and political institutions he confronts. Set in a Central Europe which has long since vanished, Hasek's novel is nevertheless a timeless portrait of the 'little man' doughtily waging his own war against authority

The Good Soldier Svejk

Joseph Roth

At the end of the Great War, Andreas Pum has lost a leg but at least he has a medal and a barrel-organ which he plays on the streets of Vienna. At first the simple-minded veteran is satisfied with his lot, and he even finds an ample widow to marry. But then a public quarrel with a respectable citizen on a tram turns Andreas's life onto a rapid downward trajectory. As he loses first his beggar's permit, then his new wife, and even his freedom, he is finally provoked into rejecting his blind faith in the benevolence of both government and God.

Rebellion

Joseph Heller

A burlesque epic in the tradition of THE GOOD SOLDIER SCHWEIK, CATCH-22 exposes the absurdity of war by applying its own demented logic to America's involvement in Korea. The 'catch' is that soldiers have to claim to be mad in order to get out of fighting - but being capable of making such a claim automatically proves them sane. With a cast of magnificently larger-than-life characters who are rushed along at a breathless pace, for once this really is a novel it's hard to put down. CATCH-22 was made into a film.

Catch 22

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