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Joyce Cary

From her prison cell, the irrepressible, magnetic Sara Monday looks back on the past half-century of her life in Herself Surprised. Born into a poor family, her employment while still a young girl as a cook in a middle-class household set her on a colourful and picaresque path. In To Be a Pilgrim, Tom Wilcher, a wealthy and disgraced lawyer who has been both Sara’s employer and her lover, has retreated to his estate near the end of his life to wrestle with his tormented conscience. And the centre of The Horse's Mouth, a charming, talented, 
impoverished artist named Gulley Jimson–also a lover of Sara Monday–is a restless, rebellious, and self-serving scoundrel whose antics verge on the appalling and farcical. 
 
Read together, these three vigorous and unforgettable narrative voices offer a sweeping vision of the first half of the twentieth century that is lyrical, profane, tragic, and comic all at once. 
 
Published in 1941, 1942, and 1944, the novels in Cary’s trilogy were designed to reveal three complex characters, not only as they see themselves, but as they are seen by one another, resulting in a work of three-dimensional depth and force. 
 
'Family life just goes on. Toughest thing in the world. But of course it is also the microcosm of a world. You get everything there—birth, life, death, love and jealousy, conflict of wills, of authority and freedom, the new and the old. And I always choose the biggest stage possible for my theme...' Joyce Cary

Herself Surprised, To Be a Pilgrim, The Horse's Mouth

The story of a house and two sisters, Howards End is also a subtle meditation on national, sexual and social identities. Half German by birth and middle-class English by upbringing, Helen and Margaret Schlegel struggle to come to terms with the problems of their inheritance in Edwardian England. If the contrasting temperaments of the heroines often recall Sense and Sensibility, the comparison with Jane Austen is fully justified by the power of Forster’s irony and the brilliance of his wit.

Howards End

Everyman's Pocket Classics complements highly successful Pocket Poets series, offering the best prose writing in a handy pocket-sized format. Like all Everyman Library books, each title is printed on a cream-wove, acid-free paper with full cloth sewn binding, headbands and silk ribbon marker. Eminently collectable and great gifts.

In this beautifully packaged anthology A. S. Byatt, Alice Munro, Elizabeth Bowen, Sherwood Anderson, Edith Wharton, Anita Desai, Colm Tóibín, Lorrie Moore and many others reflect upon all aspects of motherhood in stories lyrical and satirical, realistic and fantastic, hilarious and heart-breaking. Here at last is a gift-book that is neither sentimental nor 'inspirational', offering instead high-quality literary fiction which will continue to entertain long after the chocolates have been eaten and the flowers thrown away.

Stories of Motherhood

Mikhail Bulgakov

"My favorite novel -it's just the greatest explosion of imagination, craziness, satire, humor, and heart." Daniel Radcliffe. 
 
The devil with his retinue, a poet incarcerated in a mental institution for speaking the truth, and a startling re-creation of the story of Pontius Pilate, constitute the elements out of which Mikhail Bulgakov wove The Master and Margarita, the unofficial masterpiece of twentieth-century Soviet fiction. Long suppressed in its native land, this account of strange doings in Moscow in the 1930s provides us with the essence of the sceptical, trenchant, unadulterated voice of dissent

The Master and Margarita

Martin Amis

Everyone is always out there searching for someone and something, usually for a lover, usually for love. And this is a love story. 
 
But the murderee - Nicola Six - is searching for something and someone else: her murderer. She knows the time, she knows the place, she knows the motive, she knows the means. She just doesn't know the man. 
 
London Fields is a brilliant, funny and multi-layered novel. It is a book in which the narrator, Samson Young, enters the Black Cross, a thoroughly undesirable public house, and finds the main players of his drama assembled, just waiting to begin. It's a gift of a story from real life...all Samson has to do is write it as it happens.

London Fields

Jane Smiley

This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm among his three daughters. When the youngest objects, she is cut out of his will, which sets in motion a chain of events that brings dark truths to light. Ambitiously conceived and stunningly written, A Thousand Acres spins the most fundamental themes of truth, justice, love, and pride into a universally acclaimed masterpiece.

A Thousand Acres

Charles Dickens

The finest editions available of the world's greatest classics from Homer to Achebe, Tolstoy to Ishiguro, Proust to Pullman, printed on a fine acid-free, cream-wove paper that will not discolour with age, with sewn, full cloth bindings and silk ribbon markers, and at remarkably low prices. All books include substantial introductions by major scholars and contemporary writers, and comparative chronologies of literary and historical context.

This brilliantly coloured tale of the French Revolution is an historical romance set in Paris and London. Famous for the character of Sidney Carton who sacrifices himself upon the guillotine' it is a far, far better thing I do than I have ever done '- the novel is also a powerful study of crowd psychology and the dark emotions aroused by the Revolution, illuminated by Dickens' lively comedy

A Tale of Two Cities

Fyodor Dostoyevsky

Dostoesky's drama of sin, guilt and redemption transmutes the sordid story of an old woman's murder by a desperate student into the nineteenth century's profoundest and most compelling philosophical novel. Grim in theme and setting, the book nevertheless seduces by its combination of superbly drawn characters, narrative brilliance and manic comedy.

Crime And Punishment

Here are libraries modest, mobile, mystical (Borges of course) and magical (Helen Oyeyemi's enchanting 'Books and Roses'); public and private, provincial and prestigious. Little that happen in Elizabeth McCracken's eccentric library did not happen in real life - even down to the murder; and it is rumoured that on 3 June 1997 the British Museum Reading Room really was visited by the ghost of Max Beerbohm's obscurest of poets, Enoch Soames... 
Fiction and reality merge in Cortazar's 'A Continuity of Parks'. Characters step out of their books in Fay Weldon's 'Lily Bart's Hat Shop', while Jasper Fforde's Jurisfiction operatives enter Wuthering Heights to deliver a Rage-Counselling session. Charles Lamb muses on the annoying book-borrowing habits of Samuel Taylor Coleridge; the teenage Teffi is overawed by Tolstoy; Helene Hanff in Manhattan launches her famous correspondence with a London antiquarian bookshop at 84 Charing Cross Road. 
Reading, as the Queen informs an appalled private secretary, is 'untidy, discursive and perpetually inviting'. And also, of course, a lot of fun. Sit comfortably, then, and begin.

Stories of Books and Libraries

Ivan Turgenev

This volume pairs two novels, one early, one late, by Ivan Turgenev, master chronicler of nineteenth-century Russia. 
 
Nest of the Gentry (1859) was his most popular work in his lifetime, and with good reason. An elegiac story of love and loss, it is both universal and particularly Russian. The hero Fyodor Lavretsky, son of a wealthy landowner and educated in the Western style, falls romantically in love with a woman he meets at the Moscow opera; they settle in Paris. When the marriage fails, he returns to Russia, a rootless cosmopolitan or ‘superfluous man’. Back on his country estate, can he make a new start, reconcile himself to his responsibilities to the land and the people, and achieve an almost spiritual fulfilment in his love for his young cousin Liza? 
 
In Virgin Soil (1877), an older Turgenev boldly tackles the new radical politics of his era. The Tsarist regime is increasingly under challenge. Young people are flocking to the countryside to live side by side with the peasants, both to learn from them and to radicalise them. Poet Alexey Nezhdanov is an unlikely revolutionary, an over-thinking Hamlet figure, and a tragedy waiting to happen. While working as a tutor on a country estate, he is attracted to the self-assured and politically committed Marianna – an ardent idealist determined to sacrifice herself for the revolutionary cause. Turgenev, himself a liberal, deals sympathetically with his characters, respecting the seriousness of purpose of this new generation whose methods he could not endorse. Virgin Soil turned Turgenev into an international figure, and explicator of the perplexing Russian political scene (in its year of publication hundreds of young Populists were brought to trial, many receiving heavy sentences); in Russia it was roundly condemned on all sides. 
 
Turgenev was a supreme artist; in both these novels his profound humanity, his love for nature and for the Russian countryside, shine through the lyrical elegance of his prose.

Nest of the Gentry & Virgin Soil

Italo Calvino

Calvino's dazzling post-modernist masterpiece combines a love story, a detective story and a sardonic dissection of the publishing industry in a scintillating allegory of reading. Based on a witty anaolgy between the reader's desire to finish the story and the lover's desire to consummate his or her passion, IF ON A WINTER'S NIGHT is the tale of two bemused readers whose attempts to reach the end of same book - IF ON A WINTER'S NIGHT by Italo Calvino - are constantly and comically frustrated. THE ARABIAN NIGHTS of our day

If On A Winter's Night A Traveller

James Baldwin

'Until I die there will be those moments, moments seeming to rise up out of the ground like Macbeth’s witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils...' 
 
Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. David has just proposed marriage to his American girlfriend, but while she is away on a trip he becomes involved in a doomed affair with a bartender named Giovanni. With sharp, probing insight, James Baldwin's classic narrative delves into the mystery of love and tells an impassioned, deeply moving story that reveals the unspoken complexities of the human heart.

Giovanni's Room

Peter Carey

OSCAR AND LUCINDA is a sweeping, irrepressibly inventive novel set in nineteenth-century England and Australia where the two potential lovers lead parallel lives until chance brings them together on board ship. 
A narrative tangle of love, religion, gambling, commerce and colonialism culminates in a nightmare expedition – the result of a wager – to transport a glass church across the Australian wilderness. 
 
 In TRUE HISTORY OF THE KELLY GANG the legendary Australian outlaw Ned Kelly speaks for himself in a voice that is direct, colloquial, theatrical, and utterly magical. To his pursuers he is nothing but a monstrous criminal, but to his own people he is a hero, defying British imperial authority in support of the poor Irish settlers who are its victims. In a dazzling act of ventriloquism, Carey brings the famous bushranger unforgettably to life.

Oscar and Lucinda

True History of the Kelly Gang

D H Lawrence

In the bleak aftermath of World War I, Constance, Lady Chatterley, is a young woman trapped in an unfulfilling marriage to an aristocrat whose war wounds have left him paralysed. With her husband's encouragement, she enters into a liaison with Oliver Mellors, the gamekeeper on their country estate in Nottinghamshire. As this illicit relationship grows into tenderness, mutual respect and sensual passion, Constance discovers that true fulfilment requires a real connection of both mind and body. Lady Chatterley's Lover shocked its original audience with its vindication of adulterous love across the class divide as well as its explicit descriptions of sex. It retains its power today as a hymn to erotic love and as an impassioned treatise on 'tender-hearted fucking' as a means to salvation from the horrors of war and the sterility of modern life. It is all the more poignant that Lawrence wrote this book - three times over - while he was dying from tuberculosis. 
 The modern world was not interested in its salvation. Lawrence had Lady Chatterley privately printed in Italy in 1928, but strict obscenity laws in the UK rendered it unpublishable there for more than thirty years.

Lady Chatterley's Lover

Vasily Grossman

Based around the pivotal WWII battle of Stalingrad (1942-3), where the German advance into Russia was eventually halted by the Red Army, and around an extended family, the Shaposhnikovs, and their many friends and acquaintances, Life and Fate recounts the experience of characters caught up in an immense struggle between opposing armies and ideologies. Nazism and Communism are appallingly similar, 'two poles of one magnet', as a German camp commander tells a shocked old Bolshevik prisoner. At the height of the battle Russian soldiers and citizens alike are at last able to speak out as they choose, and without reprisal - an unexpected and short-lived moment of freedom. Grossman himself was on the front line as a war correspondent at Stalingrad - hence his gripping battle scenes, though these are more than matched by the drama of the individual conscience struggling against massive pressure to submit to the State. He knew all about this from experience too. His central character, Viktor Shtrum, eventually succumbs, but each delay and act of resistance is a moral victory. Though he writes unsparingly of war, terror and totalitarianism, Grossman also tells of the acts of 'senseless kindness' that redeem humanity, and his message remains one of hope. He dedicates his book, the labour of ten years, and which he did not live to see published, to his mother, who, like Viktor Shtrum's, was killed in the holocaust at Berdichev in Ukraine in September 1941.

Life and Fate

Nikolai Gogol

Since its publication in 1842, Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life and as a splendidly exaggerated tale; as a paean to the Russian spirit and as a remorseless satire of imperial Russian venality, vulgarity, and pomp. As Gogol's wily antihero, Chichikov, combs the back country wheeling and dealing for "dead souls"--deceased serfs who still represent money to anyone sharp enough to trade in them--we are introduced to a Dickensian cast of peasants, landowners, and conniving petty officials, few of whom can resist the seductive illogic of Chichikov's proposition. This lively, idiomatic English version by the award-winning translators Richard Pevear and Larissa Volokhonsky makes accessible the full extent of the novel's lyricism, sulphurous humour, and delight in human oddity and error.

Dead Souls

Edward St Aubyn

The Patrick Melrose Novels hilariously dissect the English upper class, conjuring a world of decadence, amorality, greed, snobbery, and cruelty, but never without the possibility of grace. Taken together, they are one of the most thrilling reading experiences in contemporary fiction. 
 
Edward St. Aubyn chronicled the life of Patrick Melrose across five short novels, painting an acrid portrait of a beleaguered and self-loathing world of privilege. Never Mind unfolds over a day and an evening at the family&rsquo;s chateau in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his rich and unhappy American wife, Eleanor, and their five-year-old son, Patrick. 
Bad News opens as Patrick, now twenty-two years old, sets off to collect his father&rsquo;s ashes from New York, where he will spend a drug-crazed twenty-four hours. 
Back in England, Some Hope offers Patrick the possibility of recovery (and the most debauched and riotous dinner party in contemporary fiction). 
The Booker-shortlisted Mother&rsquo;s Milk returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother&rsquo;s desire for assisted suicide, and the loss of the family home. 
At Last, set over the single day of a funeral, is the stunning final volume.

The Patrick Melrose Novels

Momentous parties have long provided dramatic scenes in fiction, from Natasha’s first ball in War and Peace to Lizzie meeting Darcy in Pride and Prejudice to J. Edgar Hoover consorting with Truman Capote in Don DeLillo’s ‘The Black and White Ball’. 
 
Revelry can be revealing of character, as in Jay Gatsby’s extravagant bash in F. Scott Fitzgerald’s The Great Gatsby and the decadent partying of the jaded expats in Ernest Hemingway’s The Sun Also Rises. More decorous affairs can conceal profound depths, as in Katherine Mansfield’s ‘The Garden Party’ and the parties at the centre of two modernist masterpieces, Virginia Woolf’s Mrs. Dalloway and James Joyce’s ‘The Dead’. Glamour with a gothic twist makes an appearance here in the fancy dress ball at Manderley from Daphne Du Maurier’s Rebecca and in Edgar Allan Poe’s ‘The Masque of the Red Death’, at which Death himself is a guest. 
 
But there is room on this dance floor for humour as well, in Evelyn Waugh’s ‘Bella Fleace Gave a Party’, Dorothy Parker’s ‘Arrangement in Black & White’, Saki's ‘A Boar Pig’ and Vladimir Nabokov’s ‘Pnin Gives a Party’. All kinds of literary greats consort in this festive gathering, a perfect gift for readers and partygoers alike.

Party Stories

Leo Tolstoy

Written over a period of more than half a century, Tolstoy’s enchanting short stories and novellas reflect every aspect of his developing art and outlook. 
 
Volume 2 reveals how these spiritual intimations flowered into a series of extraordinary late masterpieces which equal anything in the earlier novels for intensity and power. 
 
Readers of The Death of Ivan Ilych, The Kreutzer Sonata, Father Sergius, Master and Man and Hadji Murad will recognize the brilliant younger novelist, now transfigured by his passionate quest for salvation and forgiveness.

Collected Shorter Fiction Volume Two

Elizabeth Bowen

A brilliant and much admired novelist, Elizabeth Bowen (1899–1973) surpassed herself as a writer of short fiction: 'the supreme genius of her time', writes John Banville in his introduction; 'There is not a story in this substantial volume ... that is not brought off beautifully.'  A substantial volume indeed, Including 79 stories written over four decades, ranging in setting from the County Cork of the author's Anglo-Irish childhood to bomb-ravaged London where she coolly sat out the War, evoked with vivid and impeccable artistry. She has a disturbing sense of the uncanny, an acute eye for social comedy and her often emotionally secretive characters are depicted with penetrating psychological insight. She is good at houses, ghosts, children, animals ... 900 pages of sheer delight

Collected Stories

W. Somerset Maugham

After a lonely boyhood, and the painful ordeal of his schooldays, Philip's yearning for adventure takes him to Germany and later Paris where he tries to make his mark as an artist before returning to London to study medicine. Here, a tortured and one-sided love affair with Mildred, a vulgar yet irresistible waitress, changes the course of his life for ever. 
 
Commenting later on the novel’s autobiographical aspects, Maugham recalled how in writing the book he mingled fact and fiction and 'found myself free from the pains and unhappy recollections that had tormented me'.However, like Dickens’s David Copperfield to which it is often compared, Of Human Bondage goes far beyond autobiography, and is Maugham’s most ambitious and unsparing novel, revealing the author’s undoubted gift for storytelling as he explores the timeless theme of human freedom - freedom to act, to think and to love.

Of Human Bondage

Henry James

This complex tale of self-discovery -- considered by the author to be  his best work -- traces the path of an aging idealist, Lambert Strether.  Arriving in Paris with the intention of persuading his young charge to  abandon an obsession with a French woman and return home, Strether  reaches unexpected conclusions.

The Ambassadors

John Banville

The Book of Evidence, shortlisted for the Booker prize in 1989 and The Sea, which won the Booker prize in 2005, take us into the hauntingly confused worlds of two ageing male protagonists - washed- up scientist Freddie Montgomery, desperate to explain why he is being held in an Irish prison for murder (The Book of Evidence) and recently widowed art historian Max Morden, who has returned to a sleepy seaside boarding house to relive the events of his first adolescent awakenings (The Sea). With spellbinding virtuosity, Banville piles ambiguity upon ambiguity to construct tense tales of sex, betrayal and self-deception, which keep us turning the page, while questioning our own certainties about memory and identity. In both works, the acclaimed Irish novelist is revealed at his masterful best, conjuring dark wit, suspense and drama from the stunning lyrical beauty of his near-perfect prose.

The Book of Evidence & The Sea

In 1849 the young Fyodor Dostoevsky was sentenced to four years' hard labour in a Siberian prison camp for advocating socialism. Notes from a Dead House (sometimes translated as The House of the Dead), the novel he wrote on his release, tells of shocking conditions, brutal punishments, and the psychological effects of the loss of freedom and hope; it describes the daily life of the prison community, the feuds and betrayals, the moments of comedy, the unexpected acts of kindness. 
To avoid censorship, Dostoevsky made his protagonist a common criminal, but the perspective is unmistakably his own. As a member of the nobility he had been despised by his fellow prisoners, most of whom were peasants - an experience shared in the book by Alexander Petrovich Goryanchikov, a nobleman who has killed his wife. Like his creator, Goryanchikov undergoes a transformation over the course of his ordeal, as he discovers 'deep, strong, beautiful natures' amongst even the roughest of the convicts. Notes from a Dead House shows the prison camp as a tragedy for the inmates and a tragedy for Russia. It endures today as a profound meditation on freedom.

Notes from a Dead House

Günter Grass

THE TIN DRUM presents Hitler's rise and fall through the eyes of the dwarfish narrator whose magic powers become symbolic of the dark forces dominating the German nation in the period. Like Thomas Mann's DOCTOR FAUSTUS, Grass's novel explores the dark roots of power and creativity. An early advocate of 'magic realism'. Gunter Grass is the most powerful and celebrated novelist to appear in post-war Germany. His home city of Danzig is a powerful presence in this novel.

The Tin Drum

Virginia Woolf

The beautiful Everyman gift edition in hardback. 
 
The Lord Orlando's country seat has 365 rooms. An exquisitely beautiful youth, he is a favourite of the ageing Queen Elizabeth and enjoys all that Court and tavern have to offer. He falls passionately in love with the intriguing Sasha, an androgynous Russian princess, who jilts him. Stricken, he takes up Literature, penning huge quantities of poems and plays, 'all romantic, and all long'. A few decades later a still youthful Orlando is appointed ambassador to Constantinople by Charles II. Here he wakes up one day and finds he has the body of a woman. "Different sex, same person", she observes, unphased. 
In London, it is the eighteenth century, and she can hobnob with "men of genius" Pope and Swift, Johnson and Boswell. She has affairs with both women and men, but before long it is the nineteenth century, oppressively gloomy and moral and probably time to find a husband. Fortunately, in a Brontësque moment on a moor, the gender- nonconforming Marmaduke Bonthrop Shelmerdine, newly back from Cape Horn, gallops past and scoops her up into bliss. 
 
Woolf's most unusual and joyous novel was inspired by her affair with the dashing author and aristocrat, Vita Sackville West.

Orlando

V. S. Naipaul

Post-colonial Africa is dissected with pitiless lucidity in this disturbing novel about an outsider, the young Indian trader, Salim, who has moved from the coastal settlement where he grew up to an unnamed country in the African interior (largely based on the Democratic Republic of Congo), settling on that very bend in the river where Conrad had set his Heart of Darkness some seventy years before. Salim enters a ghost town, once a flourishing European outpost, which is fast returning to the bush. A new dictator 'the Big Man' is about to impose his regime with the assistance of Raymond, 'The Big Man's White Man', whose humanitarian concerns have won him international acclaim, but whose plans for the country's future are arrogant and delusional. Salim becomes obsessed by Raymond's wife, Yvette, and begins and affair with her. Personal and political tragedy follow, civil war returns, and Salim, contemplating the disastrous course of his life since leaving home, speaks for the powerlessness of ordinary people everywhere in the face of historical upheaval: 'I couldn't protect anyone [and] no one could protect me... we could only in various ways hide from the truth... One tide of history has brought us here ... Another tide of history was coming to wash us away.'.

A Bend in the River

Iris Murdoch

First published in 1961, The Severed Head is regarded is one of Iris Murdoch’s most entertaining works. A dark and ferocious comic masterpiece, the novel traces the turbulent emotional journey of Martin Lynch-Gibbon, a smug, well-to-do London wine merchant and unfaithful husband, whose life is turned inside out when his wife leaves him for her psychoanalyst. 
 
 In The Sea, the Sea the landscape shifts to the seclusion of an isolated house on the edge of England’s North Sea, where Charles Arrowby, a big name in London’s glittering theatrical world, has retired to write his memoirs. Arrowby’s plans begin to unravel when he meets his first love and becomes haunted by the idea of rekindling his adolescent passion. 
 
 The Severed Head and Booker prize-winner The Sea, the Sea are two of Iris Murdoch’s most accomplished novels, displaying all her talent for combining profundity with playful creativity. Both tragic and comic, brooding and hilarious, they brilliantly reveal how much our lives are governed by the lies we tell ourselves as well as our all-consuming desire for love, significance and, ultimately, redemption.

The Sea, The Sea & A Severed Head

Vladimir Nabokov

This story of a man’s lifelong entanglement with his sister is not only a love story; it manages also to be a fairy tale, an epic, a philosophical treatise on the nature of time, a parody of the history of the novel, and an erotic catalogue. It concludes with an ingenious appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom. Ada, published just after Nabokov’s seventieth birthday, is the supreme work of a virtuosic imagination at white heat. 
 
Nabokov is the most allusive and linguistically playful writer in English since Joyce, and like Pale Fire and Lolita, this novel abounds in delightful minor parodies and pastiches, countless multilingual puns and literary jokes. 
 
Ada is at its core a love story, the stuff that’s sold reams of pop music, and piles of books. Van, fourteen, falls in love with twelve-year-old Ada during a summer holiday. This premise is possibly the only aspect of Ada common to numerous other novels. Van, an unreliable narrator if there ever was one, tells the story, while the narrative shuttles seamlessly from a first person to a third person - trust Nabokov the Enchanter to achieve that trick.

or Ardor

In this lively collection, wine snobs receive their comeuppance at the hands of Roald Dahl and Edgar Allan Poe; innocents over-imbibe in tales by Jack London and Alice Munro; riotous partying exacts a comic price in stories by P. G. Wodehouse and Kingsley Amis; Charles Jackson and Jean Rhys chronicle liquor-soaked epiphanies; while John Cheever, Vladimir Nabokov and Robert Coover set their characters afloat on surreal, soul-revealing adventures. Here, too, are well-lubricated tales by Dickens, Twain, Beckett, Colette, Dorothy Parker, F. Scott Fitzgerald, Doris Lessing, Frank O'Connor, Penelope Lively, and many more. 
 
The settings include hotels and restaurants, a wine cellar in Italy, a café in Paris, a bar in Dublin, a New York nightclub, Jazz Age speakeasies, suburban lawn parties and the occasional gaol cell, and are peopled by lovers and loners, barmen and chorus girls, youths taking their first sips and experienced tipplers nursing hangovers. 
 
Whether living it up or drowning their sorrows, the vividly drawn characters in these sparkling pages will leave you shaken and stirred.

Shaken and Stirred

Intoxicating Stories

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