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John Ruskin

The finest editions available of the world's greatest classics from Homer to Achebe, Tolstoy to Ishiguro, Proust to Pullman, printed on a fine acid-free, cream-wove paper that will not discolour with age, with sewn, full cloth bindings and silk ribbon markers, and at remarkably low prices. All books include substantial introductions by major scholars and contemporary writers, and comparative chronologies of literary and historical context.

To call Praeterita an autobiography is to tell only part of the truth. A book like no other, by oneof the greatest masters of English prose., it is less a narrative than the prismatic sotry of an extraordinary mind and a passionate heart told in terms of the author's aesthetic education. Ruskin was not merely the most important anglophone art critic and social commentator of the late nineteenth century: for his admirers - who included Proust - he was a Tolstoyan figure with the magic of an artist and the moral authority of a sage. Yet above all he was loved as a personality by friends and readers alilke, and it is the individual human qualitites which shine through the mercurial pages of Praeterita

Praeterita And Dilecta

Pocket clothbound volumes from the world's greatest poets, and with a stunning range of anthologies. Each volume has an elegant jacket, full cloth sewn binding, silk ribbon marker and headbands, with gold stamping on front and spine and decorative endpapers. In size, price and presentation they make ideal gifts and are a joy to read and collect. More than eighty titles in print.

This is a collection of classic animal poems. The poems include: Robert Burns's &quot;To a Mouse&quot;; Ted Hughes's &quot;Hawk Roosting&quot;; Christopher Smart's &quot;My Cat Jeoffry&quot;; and e.e. cummings's grasshopper-shaped poem.

Animal Poems

Place of refuge, place where we can be ourselves; place we long to escape from, place where we are confronted by absence and loneliness; shabby downtown apartment or idyllic country cottage. Like it or loathe it, home is where we do most of our living. 
 Home is, of course, many things to many poets. It is Billy Collins's favourite armchair and Imtiaz Dharker's 'Living Space' in the slums of Mumbai. It is Wordsworth's 'dear Valley' of Grasmere, and Philip Larkin's Coventry, that place where nothing so famously happens. It may be somewhere we long for, perhaps unattainably: Ovid and Mahmoud Darwish lament their home countries, Kapka Kassabova seeks 'a house we can never find', while Jules Supervielle is 'Homesick for the Earth'. 
 
There is an abundance of domestic life. Attend a miserable breakfast chez Jacques Prévert; observe Wendy Cope and partner happily 'Being Boring'. Cut to Anna Barbauld's washing-day, Marilyn Nelson dusting, Buson mending his clothes and Fiona Wright contending with a Tupperware party. Peep in on Amy Lowell in the bath and John Donne in bed, Auden in the privy and Joy Harjo at the kitchen table. Here are removals and homecomings, neighbours good and bad. Inevitably, after a year of enforced domesticity, some lockdown thoughts (Anna McDonald, Pauline Prior-Pitt); Mary Oliver's dream house, Naomi Shihab Nye's homes where children live, the far-from-safe houses of U. A. Fanthorpe, and some final reflections on the idea of a dwelling place from Rumi, Emily Dickinson, John Burnside, Vinita Agrawal, Derek Walcott, Les Murray and Iman Mersal. 
It may not always be sweet, but there is certainly No Place Like Home.

No Place Like Home

Poems

Everyman's Pocket Classics complements highly successful Pocket Poets series, offering the best prose writing in a handy pocket-sized format. Like all Everyman Library books, each title is printed on a cream-wove, acid-free paper with full cloth sewn binding, headbands and silk ribbon marker. Eminently collectable and great gifts.

Stories of Art and Artists gathers two centuries of stories from around the world. From Nathaniel Hawthorne’s “The Artist of the Beautiful” and Albert Camus’s “The Artist at Work” to Bernard Malamud’s “Rembrandt’s Hat” and Aimee Bender’s “The Color Master,” the tales collected here range from haunting fables about the power of art to vivid portraits of those who create. 
Featured art forms include sculpture, pottery, architecture, miniatures, landscapes, portraits, and abstract painting, illumined in brilliant stories by such great writers as Honoré de Balzac, Hermann Hesse, Franz Kafka, Marguerite Yourcenar, John Berger, William Boyd, Doris Lessing, Valerie Martin, Julian Barnes, Orhan Pamuk, and A. S. Byatt. Writers have long been fascinated by the idea of artistic genius, the relationship between portraits and their subjects, the inspirational role of muses, and the effects on artists of ambition, failure, and success. Their dazzling literary evocations of the visual arts—using one art form to reflect on another—make Stories of Art and Artists an irresistible gift for lovers of art of all kinds.

Stories of Art & Artists

Benvenuto Cellini

Benvenuto Cellini is an artist-craftsman, one of the greatest sculptors in the renaissance, passionately devoted to art, the worshipper and frequenter of the great men of his time, the 'divine' Michelangelo, who came to his studio, the 'marvellous' Titian (the adjectives are Cellini's ). He loathed the sculptor Torregiano because he had broken Michelangelo's nose.His autobiography gives a quite extraordinarily vivid account of daily life in Renaissance Florence and Rome, its studios, its taverns, its violence, his loves, the kings, cardinals and popes who commission his works. At 27 he helps direct the defence of the castello San Angelo; his account of his imprisonment there under a mad castellan (who thought he was a bat), his escape by an improvised rope, his recapture, his confinement in 'a cell of tarantulas and venomous worms' is a chapter of adventure equal to any in fact or fiction. Later he describes burning all his furniture to achieve sufficient heat to cast of one of his most famous works, Perseus and the Head of Medusa. 
Cellini's Life was translated by Goethe into German. The Everyman translation by Anne Macdonell (1903) is widely recognised as the most faithful to the energy and spirit of the original.

The Autobiography of Benvenuto Cellini

John James Audubon

John James Audubon (1785-1851) was for half a century America's dominant wildlife artist. His seminal Birds of America, a collection of 435 life-size prints, is still a standard work, and the name Audubon remains synonymous with birds and bird conservation the world over. Born in Haiti, the illegitimate son of a French sea-captain, he was raised in France and sailed to America at the age of 18 where he went into business and began his study of birds. In 1819 he was briefly jailed for bankruptcy; with no other prospects, he set off on his epic quest to depict America's avifauna, with nothing but his gun, artist's materials, and a young assistant. Floating down the Mississippi, he lived a rugged hand-to-mouth existence while his devoted wife, Lucy, earned money as a tutor to wealthy plantation families. In 1826 he sailed with his partly finished collection to England. Lionized as the 'American woodsman', he hit just the right Romantic note for the era, and was an overnight success, finding printers for his book first in Edinburgh, then London. It was a classic American tale of triumph over adversity. 
Here are vivid 'bird biographies', his correspondence with Lucy, journal accounts of his dramatic river journeys and hunting trips with the Osage Indians, and a generous sampling of brief stories that have long been out of print, 'The Burning of the Forests' and 'Kentucky Barbecue on the Fourth of July' among them. The Audubon Reader is an unforgettable encounter with early America: with its wildlife and birds, with its people and its primordial wilderness.

The Audubon Reader

Sculpture has the longest memory of the arts: from the Paleolithic era we find stone carvings and clay figures embedded with human longing. And poets have long been fascinated by the idea of eternity embodied by the monumental temples and fragmented statues of ancient civilizations. 
 
From Keats's Grecian urn and Shelley's 'Ozymandias' to contemporary verse about Maya Lin's Vietnam Veterans Memorial and Janet Echelman's windborne hovering nets, the pieces in this collection convert the physical materials of the plastic arts - clay, wood, glass, marble, granite, bronze - into lapidary lines of poetry. Whether the sculptures celebrated here commemorate love or war, objects or apparitions, forms human or divine, they have called forth evocative responses from a wide range of poets, including Homer, Ovid, Shakespeare, Baudelaire, Rilke, Dickinson, Yeats, Auden and Plath. 
 
A compendium of dazzling examples of one art form reflecting on another, Poems About Sculpture is a treat for art lovers.

Poems About Sculpture

Giorgio Vasari

The painter and architect Giorgio Vasari (1511-74) was a pupil of Michaelangelo who worked mainly in Florence and Rome. He is famous today, however, as the author of LIVES OF THE PAINTERS, SCULPTORS AND ARCHITECTS, the work which effectively founded the study of art history and remains one of its greatest monuments. Vasari's distinctive blend of biography and criticism has exerted an immeasurable influence on all subsequent historians, but its value for contemporary readers consists as much in the liveliness and piquancy of the stories his book contains, and the vivid light it casts on the great masters of early Italian painting.

Lives of the Painters Boxed Set

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