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Thomas Cranmer

The finest editions available of the world's greatest classics from Homer to Achebe, Tolstoy to Ishiguro, Proust to Pullman, printed on a fine acid-free, cream-wove paper that will not discolour with age, with sewn, full cloth bindings and silk ribbon markers, and at remarkably low prices. All books include substantial introductions by major scholars and contemporary writers, and comparative chronologies of literary and historical context.

The plays of Shakespeare, the Authorized version of the Bible and the Book of Common Prayer, all produced in the late 16th/early 17th centuries, are the three dounding texts of the English nation and its language. Not only do they share a beauty and a power of style which have never been equalled: their influence on Anglophone culture remains profound. Originally produced by Archbishop Cranmer and his allies to bolster the Tudor secession from Catholicism, the Pray Book rapidly took on a life of its own. Until the present century, most Anglicans knew long stretches of the text by heart. It invaded the style of 17th-century p oets and even 19th century novelists like George Elliot. It still colours our language and our way of feeling today, though we hardly know it. In recent years the Prayer Book has been under attack by modernizers and radicals within the church itself. On the 450th anniversary of its first appearance, the time has come to proclaim the value of this work once more and to recognize it for what it is: a liturgical and literary masterpiece.

The Book Of Common Prayer

1662 Version

R C Zaehner

Comprises such sacred books of India as the hymns of the &quot;Rig-Veda&quot;, the world's first recorded poems, the stirring pantheistic speculations of the &quot;Upanishads&quot; and the &quot;Bhagavad-Gita&quot;, a cosmic drama of God's self-revelation in human history, on the field of human battle.

Hindu Scriptures

Henry David Thoreau

In this classic of American literature, Thoreau gives an account of his two years’ experience of the ‘simple life’ in the woods, telling how he sought and found material and spiritual sustenance in the solitude of the cabin which he built for himself on the shore of Walden Pond, near Concord, Massachusetts.

Walden

John Milton

Pocket clothbound volumes from the world's greatest poets, and with a stunning range of anthologies. Each volume has an elegant jacket, full cloth sewn binding, silk ribbon marker and headbands, with gold stamping on front and spine and decorative endpapers. In size, price and presentation they make ideal gifts and are a joy to read and collect. More than eighty titles in print.

John Milton (1608-74) was celebrated in his time as a public servant of the Cromwellian regime and as the author of brilliant polemical pamphlets about education religion and freedom of speech, but his posthumous reputation rests principally on his work as a poet, noteably in PARADISE LOST. This poem, written after the poet was driven out of public life by the Restoration, and begun when he was already blind, is a worthy successor to the epics of Homer and Virgil. In majestic blank verse it describes Lucifer's fall from heaven, the creation of mankind, Eve's temptation, and the expulsion of Adam and Eve from paradise. After the Bible, this is perhaps the greatest masterpiece of Christian literature. The present volume contains extensive selections from PARADISE LOST, chosen to illustrate its author's genius for high drama, vivid description and savage irony. In addition, there are substantial extracts from COMUS and SAMSON AGONISTES, and many of Milton's sonnets and shorter poems, including the famous LYCIDAS.

Milton Poems

The pieces in this volume are taken from all religions and traditions with the purpose of providing material for prayer and meditation. They are arranged in seven sections following the Canonical Hours of the Chruch: Matins, Prime, Tierce, Sext, Nones, Vespers and Compline. Each section gathers poems and prose according to theme and mood and suiting the hours of the day. Sources include Herbert, Hopkins, Donne, Christina Rossetti, Cowper, St Anselm, Cardinal Newman, Bunyan, Blake, Bonhoeffer, Emily Dickinson, Herrick, Wesley, Mother Theresa, Tennyson, Spenser, Simone Weil, Kierkegaard, St Francis, the Book of Common Prayer, the Bhagavad Gita, Buddhist Scriptures, the Dead Sea Scrolls.

Prayers And Meditations

Saint Augustine

Augustine’s spiritual autobiography is not only a major document in the history of Christianity and a classic of Roman Africa: it also marks a vital moment in the history of Western culture. As Augustine explains how, when and why he became the man he is at the time of writing, he probes the great themes which others were to explore after him – faith, time, truth, identity and self-understanding – in a detail unmatched in ancient literature. 
 
Illustrated with vivid portraits of friends, family, colleagues and enemies, The Confessions provides a remarkably candid account of the passage from a life of sensuality and superstition to a genuine spiritual awakening. The result is a powerful narrative of one man’s religious journey which continues to shape the way we write and behave today.

The Confessions

The King James Bible of 1611 has been one of the richest sources for English language and literature for nearly four centuries and is itself a work of the greatest poetic beauty. This beautifully designed edition is for the general reader, uncluttered by footnotes and set in full pages rather than the usual narrow columns. George Steiner's introduction illuminates the Bible's profound effect on the history of English literature and includes a moving personal reading of the greatest of texts. It also places the Bible within the history and development of Judaeo-Christian thought.

The Old Testament

The Authorized or King James Version

Rumi

Rumi: Unseen Poems – the second volume of Rumi in the Everyman Pocket Poet series – is a treasury of poems which have never been translated before, researched and translated by Rumi biographer Brad Gooch and the Iranian writer Maryam Mortaz. 
The thirteenth-century Persian poet Rumi was trained in Sufism, a mystic tradition within Islam. He founded the Mevlevi Order, often known as the Whirling Dervishes, who use dance and music as part of their spiritual devotion. His poetry combines the sacred and the sensual, expressing both rapturous divine love, and aching human love for his companion and teacher, Shams of Tabriz. It has long been popular in the West, never more so than in the last twenty-five years, when a new wave of free translations introduced him to an ever-widening audience. 
However, some of these recent translations have been more in the nature of interpretations by writers who are not Persian speakers. Cultural and Islamic references central to an understanding of Rumi's poetry have been toned down or omitted. And so vast was Rumi's output that earlier scholarly translators were obliged to be selective, leaving a rich vein of verse still unmined. From this Gooch and Mortaz have made a selection of ghazals (short lyric poems) and rubaiyat (quatrains), aiming in their own translations to achieve fidelity to the originals while preserving all Rumi's lyric exuberance. 
This book makes a perfect companion to the first Everyman volume of Rumi, which presents the very best of the twentieth-century translations.

The Unseen Poems

Hanshan

The best of Hanshan's treasured poems—among the earliest of Zen Buddhist poetry, beloved by the Beat Generation—here newly translated by Peter Harris and organised thematically in a beautiful Pocket Poet hardcover. Long ranking among the most inspiring works of world literature, the poems of Hanshan (whose name means Cold Mountain), were written at least twelve centuries ago on trees, rocks, and walls by a semi-mythical Buddhist monk living in the mountains of south-eastern China.

Hanshan: Cold Mountain Poems

Lao Tze

Written during the Golden Age of Chinese philosophy, and composed partly in prose and partly in verse, the Tao Te Ching is the most terse and economical of the world's great religious texts. In a series of short, profound chapters it elucidates the idea of the Tao, or the Way, and of Te - Virtue, or Power - ideas that in their ethical, practical and spiritual dimensions have become essential to the life of China's powerful civilization. 
 
The Tao Te Ching has been translated into Western languages more times than any other Chinese work. It speaks of the ineffable in a secular manner and its imagery, drawn from the natural world, transcends time and place. The application of its wisdom to modern times is both instructive and provocative - for the individual, lessons in self-awareness and spontaneity, placing stillness and consciousness of the word around above ceaseless activity; for leaders of society, how to govern with integrity, to perform unobtrusively the task in hand and never to utter words lightly; for both, the futility of striving for personal success. 
 
D. C. Lau's classic English version remains a touchstone of accuracy. Informed by the most impressive scholarship this is a translation both for academic study and for general readers who prefer to reflect on the meaning of this ancient text unencumbered by the subjective interpretations and poetic licence of more recent 'inspirational' translations. Sarah Allan's masterly introduction discusses the origins of the work, sheds light on the ambiguities of its language, and places it firmly in its historical and philosophical context. 
 
The Everyman edition uses Lau's translation of the Ma Wang Tui manuscripts (discovered in 1973) in the revised 1989 version published by The Chinese University Press. The iconic text is presented uncluttered by explanatory notes. A chronology and glossary are included, together with the translator's informative appendices.

Tao Teh Ching

The appreciation of Zen philosophy and art has become universal, and Zen poetry, with its simple expression of direct, intuitive insight and sudden enlightenment, appeals to lovers of poetry, spirituality, and beauty everywhere. This collection of translations of the classical Zen poets of China, Japan and Korea includes the work of Zen practioners and monks as well as scholars, artists, travellers and recluses, and covers fifteen centuries of Oriental literature with poets ranging from Xie Lingyun (5th century) through Wang Wei and Hanshan (8th century) and Yang Wan-li (12th century) to Shinkei (15th) Basho (17th) and Ryokan (19th).

Zen Poems

Gerard Manley Hopkins

The greatest English religious poet of the nineteenth century, Gerard Manley Hopkins (1844-89) was a Jesuit priest and literary scholar whose life ended prematurely after his exhausting pastoral work among the slums of Liverpool and Dublin. His poems are dazzling celebrations of God's endless creative power couched in a uniquely expressive poetic diction, and all his mature poetry is her reprinted, together with illuminating fragments from journals, letters, sermons and lectures in which he expounds his literary and religious outlook.

Hopkins Poems And Prose

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