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Woody Brown

Woody Brown’s vibrant and profoundly moving debut novel takes us to sun-bleached California, to a daycare centre for Los Angeles’s disabled community. 
 
Among the clients and staff are Carlos, a charismatic aide who lost his mother as a boy, and Jorge, who is gentle, nonspeaking and prone to escape despite Carlos’s best efforts. Tom, a beautiful young man with cerebral palsy, pines for Ann, the lifeguard for the summer who feels out of her depth. Then there’s Dave, the centre’s director. He wanted to be an actor, but finds himself on a very different path. 
 
At the heart of Upward Bound is Walter, a recent college student returning to the company of his peers after a family tragedy. Around him, a story unfolds of friendships forged, connections missed and the dreams – some new, others almost forgotten – that shape us. With his wit, empathy and astonishing gifts as a storyteller, Woody Brown immerses us in life as we have never experienced it before.

Upward Bound

Edward St Aubyn

A brother and sister lost and found, in a novel that seizes your heart and enthrals your mind, from the author of the Patrick Melrose series. 
 
 * The Orwell Prize Finalist 2025 * 
 
 ‘We set off in opposite directions and walked around the world until we met, and I’m very pleased we have…’ 
It is summer. Sebastian is in treatment following a breakdown that has left him with a fragile hold on reality and a hunger to connect with the mother who abandoned him. His therapist, Martin, also faces challenges, including his adopted daughter Olivia’s tenuous relationship with her biological mother. Olivia, meanwhile, is producing a radio series on natural disasters, which itself seems to be running parallel to the events unfolding in her personal life. 
Over a year, their fates collide in outrageous and poignant ways, revealing their destinies in a new light. Parallel Lines is a novel about connection, family, love, and the cascading consequences of our choices. 
PRAISE FOR EDWARD ST AUBYN: 
‘Perhaps the most brilliant English novelist of his generation’ 
ALAN HOLLINGHURST 
‘I love Edward St Aubyn’DONNA TARTT 
‘Nothing can prepare you for the rich, acerbic comedy of St Aubyn’s world’ 
ZADIE SMITH

Parallel Lines

Dimitris Anastasiou

A=-A is a beautiful, dark and surreal story, about a man called Alpha whose world is quite literally turned upside down for a day. As he wanders the streets of his hometown, reality flips on its axis, sending him and the reader on a wild and extraordinary journey. 
 
This wholly immersive, escapist, psychedelic mystery centres around two profound philosophical questions: in a strange and unreliable world, can we be certain of anything? And if we stop craving certainty - and entertain doubt - what new possibilities become available to us? 
 
'Gloriously odd, deeply moving . . . In short: a trip.' - Niall Griffiths, winner of the Wales Book of the Year 2020

A=-A

Raymond Briggs

A marvellous, life-enhancing book for all ages, now a major animated film starring Jim Broadbent, Brenda Blethyn and Luke Treadaway 
 
Utterly original, deeply moving and very funny, Ethel &amp; Ernest tells the story of Raymond Briggs' parents' marriage, lady's maid Ethel and milkman Ernest, from their first chance encounter in 1928, through the birth of their son Raymond in 1934, to their deaths, within months of each other, in 1971. 
 
Told in Brigg`s unique strip-cartoon format, Ethel and Ernest live through the defining moments of the twentieth century: the darkness of the Great Depression, the build up to World War II, the trials of the war years, the euphoria of VE Day and the emergence of a generation from post war austerity to the cultural enlightenment of the 1960s. 
 
Ethel &amp; Ernest is a heartfelt and affectionate tribute to an ordinary couple and an extraordinary generation.

Ethel & Ernest

William Goldsmith

The Bind charts the rise and fall of Egret Bindings, once the most prestigious firm of bookbinders in London. 
 
In 1910 brothers Guy and Victor Egret take on an ambitious commission: a deluxe, jewelled binding of a collection of poems, A Moonless Land. It proves to be a moment of hubris. The work triggers their ruin, watched by the disapproving spirit of their father, Garrison Egret. 
 
A darkly humorous tale of sibling rivalry and creative one-upmanship, The Bind shows once again that William Goldsmith is an incomparable storyteller and a marvellously inventive artist.

The Bind

Anne Carson

Since Glass and God, which was her first full-length collection published in Britain and which was nominated for the 1998 Forward Prize, Anne Carson has published a book a year to extraordinary critical acclaim. Her last two volumes, Autobiography of Red and Men in the Off Hours were both shortlisted for the T.S. Eliot Prize, and she has received numerous North American awards, including the prestigious MacArthur Fellowship. 
 
In her brilliant new book, she tells a single story. A long-time love, now a crumbling marriage, unfolds in 29 'tangos' of narrative verse, informed by the romanticism of Keats, the wisdom of the classical world and, most importatnly, by Carson's own unique sensibility. 
 
The unnamed narrator - sometimes 'I', sometimes 'the wife' - speaks of the man she calls only 'the husband', illuminating moments that are by turn sensual, erotic, painful and heartbreaking. The Beauty of the Husband is a work that explores these oldest of lyrical subjects - beauty, desire, love, betrayal - with freshness and devastating power. 
 
**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

The Beauty Of The Husband

Linea Maja Ernst

A luscious summer novel about friends, lovers, and friends' lovers 
 
‘Clever, wry, and incredibly sexy’ SUSANNAH DICKEY 
 
Five friends from university; seven summer days in a cabin in rural Denmark. A chance to swim, sunbathe, flirt, read and mess around like in the old days. 
 
At least that’s what Sylvia had hoped. But when her friends arrive with real jobs, kids and partners, Sylvia is left wondering what happened to the radical ways of living they embraced at university. Worse, Esben and Karen announce their plan to get married at the end of the week, striking a blow to Sylvia’s simmering, decades-long crush on Esben – a crush that her monogamous girlfriend Charlie would definitely not approve of. 
 
Whilst the group swim, sunbathe, cook and flirt their way to midsummer night, desire and anxiety swirl in equal measure. As the wedding day approaches, will they achieve their arcadian dreams or will everything come tumbling down? 
 
'Delicious, and provocative' ESTHER FREUD 
 
‘Sensuous and vivid, simmering with sexual tension and with an undercurrent of deep longing... A book to devour' LAURA KAY 
 
'Trembles and flashes with hot emotion, confusion and pangs of longing. I loved its cast of characters' AMY KEY 
 
‘Linea Maja Ernst writes about sexual desire so well that it turns her readers on’ Weekendavisen

Waist Deep

Jeanette Winterson

I can change the story because I am the story. 
 
With her execution looming, a woman is fighting for her life. Every night she tells a story. Every morning, she lives one more day. One Aladdin Two Lamps cracks open the legendary story of Shahrazad in One Thousand and One Nights to reveal new questions and answers we are still thinking about today. Who should we trust? Is love the most important thing in the world? Does it matter whether you are honest? What makes us happy? 
 
In her guise as Aladdin – the orphan who changes his world – Jeanette Winterson asks us to reread what we think we know and look again at how fiction works in our lives, giving us the courage to change our own narratives and alter endings we wish to subvert. As a young working-class woman, with no obvious future beyond factory work or marriage, Winterson realised through the power of books that she could read herself as fiction as well as fact. 
 
Weaving together fiction, magic and memoir, this remarkable book is a tribute to the age-old tradition of storytelling and a radical step into the future – an invitation to look more closely at our own stories, and to imagine the world anew.

One Aladdin Two Lamps

Joff Winterhart

Sam is 27 and needs to get a job. Keith, who claims to be a second cousin of his (absent) father, offers him one. On Keith’s card it says he does ‘distribution and delivery’, which seems to consist of ‘a lot of driving around, getting out of the car for a few minutes and then getting back in’, Sam tells his mother. And so the days go by, Keith driving to a trading estate, ducking into a portakabin, all the while telling Sam stories about his first boss, Geoff Crozier, his mentor in distribution and delivery. As the weeks pass, Sam gets to know Keith’s friends, flirty Hazel-Claire from whom they buy two pasties every day at lunchtime, a variety of receptionists, and a few tantalising secrets from Keith’s past… 
 
As in Days of the Bagnold Summer, Joff Winterhart is a master at depicting ordinary life in all its utterly poignant and funny mundanity.

Driving Short Distances

Amelia Loulli

One in three women in Britain have an abortion. For such a common procedure, it has not been the subject of a dedicated book of poetry - not, at least, until now. 
 
*Winner of the Seamus Heaney First Collection Poetry Prize 2025* 
 
'Painful, brave and steadfastly honest' ANDREW MCMILLAN 
 
'Original, essential... An unforgettable collection' FIONA BENSON 
 
Amelia Loulli opens this fearless, frank, absorbing debut with the words 'I'm going to tell you what happened', and that is precisely what she does. With these careful, generous, insistent poems, we are led through the experience of abortion and surprised at every turn. There is vulnerability and despair, there is the shame and silence too, but there is also the constant, steady pulse of compassion, tenderness and wonder at the world. 
 
Slip is a daring book, not just in subject but in style: skilfully worked, integrating the rich terror of nursery rhymes and folk tales with the bland banalities and euphemisms of social interaction, of medical techniques. It is also, sadly, a necessary book - provocative and transformative poetry about women as mothers and survivors. A cry of fury and a cry of love.

Slip

Anne Carson' s first full-length publication in Britain, Glass and God introduces an assured and challenging new voice: vivid, laconic, precise. Her 'Short Talks' are about everything from Sylvia Plath to Franz Kafka, from waterproofing to walking backwards; the brilliant long poem 'The Glass Essay' deals with the end of a contemporary love affair, but is haunted by the Brontë sisters. 
 
Blending the modern and the classical, Anne Carson writes with an intensity and an integrity that is transfiguring.

Glass And God

Andrew Barrow

'Your brother looked healthy, happy, natural. But everything else about him is extremely odd. Not faintly odd. Extremely odd. Except in appearance. He's the opposite of you.' Quentin Crisp 
 
At the age of twenty-two, the youngest of five brothers, Jonathan Barrow, was killed with his fiancée in a car crash. He left behind the manuscript of a novel, The Queue, in which, among other things, he prophesied his own death. The story of a boy and a dachshund, populated by a kaleidoscopic menagerie of people and animals and an array of anthropomorphic in-betweens, The Queue is a vivid and irreverent portrayal of the world in which Jonathan and his awe-struck older brother Andrew were raised. 
 
Jonathan and his book form the framework of a remarkable study of a young man's inner and outer effervescence, his family, England and high and low society in the Swinging Sixties. Filled with fascinating and fantastical anecdotes, Animal Magic documents a heady and peripatetic childhood in Lancashire, the Lake District and Wiltshire, misadventures at home and school, and the early working life of the two brothers, on the lower rungs of show business, backstage at Claridge's, and finally in advertising. This spellbinding elegy negotiates love affairs, family tensions, exhibitions, publishers' rejections and precarious living in a flat in Tite Street, Chelsea. 
 
Punctuated with excerpts from The Queue and Jonathan's other bizarre and brilliant writings, Animal Magic is a book bursting with humour, wit and pathos and featuring an outlandish cast of characters, from an eccentric father, a mischievous family dog and a down-and-out ex-schoolmaster to curious stars of Swinging London like Mick Jagger and Tommy Cooper. It is a memoir unlike any other.

Animal Magic

A Brother's Story

Martin Amis

Back in a facsimile edition is Martin Amis’s closet passion project, first published in 1982: a compulsive gamer’s guide to arcades and beating your younger self’s high score 
 
In this offbeat book, introduced by Stephen Spielberg, acclaimed author Martin Amis explores how 1980s video games took a generation by storm. Delving into the electric atmosphere of the arcades where he misspent his youth, he asks: Why did Space Invaders invade our hearts and minds? How much time, loose change and sex appeal did they cost us? And most importantly, which secret cheats and tactics must we master to reach the next level? 
 
Part cautionary tale, part celebration of a lifelong addiction, this is an essential manual for many a self-confessed cyber geek, computer nerd and joystick junkie.

Invasion of the Space Invaders

An Addict's Guide to Battle Tactics, Big Scores and the Best Machines

Howard Jacobson

A tragicomic portrait of one man's unravelling in an absurd, twisted world, Howl is the propulsive new novel from Booker-Prize winner Howard Jacobson. 
 
'The undisputed British master of black comedies' Observer 
 
In the aftermath of October 7, Ferdinand Draxler walks the streets of London in despair. Everything has changed – the sights, the sound, the spirit. He too is not who he was. Is he at the crossroads of history or is it just a bend in the cul-de-sac of his own gloomy nature? 
 
The son of a Holocaust survivor who accuses him of cowardice and the father of a daughter who sees him as complicit in genocide, Draxler fixates on bad news. He shouts at the television. He carries his own tin of paint to cover up graffiti. The staffroom at the primary school of which he is headmaster has become a battlefield of inflamed opinion he does nothing to quiet. 
 
His wife Charmian is a beacon of calm but even she isn't sure she can save Ferdie from himself. 'Don't worry about me,' he tells her. 'I don't have what it takes to go mad.' 
 
'Jacobson's writing is virtuoso. He is the master of shifting tones, from the satirical to the serious. His prose has the sort of elastic precision you only get from a writer who is truly in command' Independent

Howl

John Burnside

Lucid, lyrical, and intellectually profound: this collection of poems resonates with life and death, but mostly what falls in between: the charmed darkness. 
 
Several ghosts haunt Learning to Sleep, from the author's mother, commemorated in an exquisitely charged variant on the pastoral elegy, to the poet Arthur Rimbaud, who wanders an implausible Lincolnshire landscape looking for some sign of belonging. Throughout the book, the powers and dominions of a lost pagan ancestry emerge unexpectedly through the gaps in contemporary life: half-seen and fleeting, but profoundly present. Behind it all, the figure of Hypnos, the Greek god of sleep, marks Burnside's own attempts to come to terms with the severe sleep disorder from which he has suffered for years, a condition that culminated in the recent near-death experience that informs the latter part of the book. 
 
Add to this a series of provocative meditations on the ways in which we are all harmed by institutions, from organised religion, or marriage, to the tawdry concepts of gender and romantic love that subtly govern our personal lives, and Learning to Sleep reveals Burnside at his most elegiac, while still retaining a radical pagan's sense of celebration and cultural independence. 
 
‘I read it over and over again, marvelling at its concision and beauty.' Cressida Connolly, Spectator 
 
** A SPECTATOR BOOK OF THE YEAR 2021**

Learning to Sleep

Barbara Anderson

Oliver Gurth Perkins is seventy-five, and the darkest cloud on his horizon is that the local bookshop no longer stocks paperbacks of the Times cryptic crosswords. He has an easy companionship with his wife; his dental practice is undemanding; his son is a decent enough sort; and his granddaughter who comes for the school holidays is his delight. But when a minor heart episode convinces Oliver that it's time for him to take more interest in the lives of those close to him, further shocks are in store- Change of Heart is a glittering jewel of a book, an audacious mixture of comic invention and human insight that is Barbara Anderson at her very best.

Change Of Heart

Rich Cohen

There are many books about Israel, but none like this. From Rich Cohen, the author of the acclaimed Tough Jews, The Avengers, and Sweet and Low, comes a new approach to a story we thought we knew. Breaking through the heated polemics and intractable politics, Israel Is Real is a fresh voice, a tale of people and ideas, of the background of present-day Israel. 
 
Cohen relates Israel's story as that of a place long ago destroyed and transformed into an idea . . . and which, sixty years ago, was retransformed into a place, and therefore into something that can once again be destroyed. From the medieval false prophets, to the nineteenth-century Zionists, and on to present-day figures like Ariel Sharon, Cohen tells the stories of the people obsessed with this fine line between place and idea, creation and destruction. He reclaims from obscurity a multitude of figures marginalised by history, but whose lives are key to any real understanding of Israel.

Israel is Real

Charles Burns

‘A sleazy, slow-burning, page-turning exploration of a midlife crisis…. He’s not a million miles off [a Noble Prize].’ 
Thomas W. Hodgkinson, a Spectator Book of the Year 
 
Charles Burns’ graphic trilogy has been hailed as one of the masterpieces of the form. Now readers can find the long strange trip of Doug in all its mind-bending, heartbreaking totality. The fragments of the past collide with the reality of the present, nightmarish dreams evolve into an even more dreadful reality, and when you finally find out where all of this has been going, and what it means ... it will make you go right back to the first page and read it all again with new eyes. Just like Doug.

Last Look

Andy Hixon

Lucia is a hard town, full of hard people. It stands looking out across the unforgiving sea that is slowly swallowing it. Its people are all unemployed, with nothing to live for but a pint and fight. 
 
Among them are Brick and Morty, one a disabled, heartbroken divorcee and aspiring writer, the other his best friend and protector, a fantasist and aspiring Ultimate Fighting Welterweight Champion of the world.

Lucia

Posy Simmonds

The brilliant graphic novel behind the major new film starring Gemma Aterton (Quantum of Solace), Jason Flemyng (Lock, Stock and Two Smoking Barrels), Fabrice Luchini (In the House) and Mel Raido (Spooks) 
 
Gemma is the bored, pretty second wife of Charlie Bovery, the reluctant stepmother of his children and the bête-noire of his ex-wife. Gemma's sudden windfall and distaste for London take them across the Channel to Normandy, where the charms of French country living soon wear off. 
 
Is it a coincidence that Gemma Bovery has a name rather like Flaubert's notorious heroine? Is it by chance that, like Madame Bovary, Gemma is bored, adulterous, and a bad credit risk? Is she inevitably doomed? These questions consume Gemma's neighbour, the intellectual baker, Joubert. Denying voyeurism, but nevertheless noting every change in the fit of her jeans, every addition to Gemma's wardrobe, her love-bites and lovers, Joubert, with the help of the heroine's diaries, follows her path towards ruin. Adultery and its consequences. Disappointment and deception. The English in France. Fat and slim. Then and now.

Gemma Bovery

Nadia Shireen

Our fearless heroine Billy is back! But, something TERRIBLE has happened! 
 
Billy's loyal sidekick Fatcat is kidnapped by a fire-breathing dragon. Uh-oh! 
 
Luckily for Fatcat, Billy won't stand for that: off she goes on a brave rescue mission... 
 
Join Billy for another fairy tale adventure with a twist. 
 
'It's a great story for everyone, especially those not used to seeing themselves centre-stage'- The Guardian on Billy and the Beast 
 
'Shireen's latest book confirms her as one of the brightest and best picture book creators working in Britain today... Sensational.' - The Observer 
 
Explore the other titles from Billy and Fatcat:: 
 
Billy and the Beast 
Billy and the Pirates

Billy and the Dragon

Elizabeth McCracken

Warm, wise and full of practical tips, this book is the ideal companion to every writing life 
 
'Elizabeth McCracken is one of America's finest writers' Garth Greenwell 
 
Write every day 
Show, don’t tell 
Write what you know 
Kill Your Darlings 
 
These are some of the most popular nuggets of advice given to writers, universally agreed to be true. They are all pieces of writing advice that Elizabeth McCracken expertly and persuasively shoots down in A Long Game. 
 
McCracken has been writing for most of her life. For over thirty-five years, she has also taught creative writing to generations of students, including at Iowa, guiding many writers towards their own answers to the question of how to write fiction. In A Long Game, she shares insights gleaned along the way, deconstructing received wisdom whilst playfully tackling the mysteries that are inherent to writing and creativity. 
 
This book will lead any writer, at any stage of their career, back to the page. As much a book about the life of a working artist as it is a guide to thinking about fiction, A Long Game is a revelatory and indispensable resource, and the ideal companion to every writing life. 
 
‘Elizabeth McCracken was my teacher, and it’s a joy to know that now more people will have access to her brilliance through A Long Game… A guidebook for any fiction writer, and a problem-solving and cheering companion that makes writing a less lonely business’ Yiyun Li

A Long Game

How to Write Fiction

Ottessa Moshfegh

Read the novel that catapulted Ottessa Moshfegh to literary stardom: a gorgeously sordid story of love and murder on the high seas 
 
'One of America's most exciting - and most provocative - young novelists' Financial Times 
 
'You’re in safe, if sticky hands... A wild ride' The Times 
 
Somewhere in the Indian Ocean, 1851: McGlue is down in the hold, still too drunk to be sure of his name, situation or orientation – but he has blood on his hands. He may have killed a man. That man may have been his best friend. As the ship makes its voyage home to Salem, Massachusetts, intolerable memory accompanies reluctant sobriety. 
 
A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection.

McGlue

Ian McEwan

'One of the finest writers alive' Sunday Times 
 
2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found. 
 
2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost. 
 
Tom Metcalfe, a scholar at the University of the South Downs, part of Britain's remaining archipelagos, pores over the archives of the early twenty-first century, captivated by the freedoms and possibilities of human life at its zenith. 
 
When he stumbles across a clue that may lead to the great lost poem, revelations of entangled love and a brutal crime emerge, destroying his assumptions about a story he thought he knew intimately. 
 
A quest, a literary thriller and a love story, What We Can Know is a masterpiece that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost. 
 
'A true master' Daily Telegraph 
 
'McEwan is one of the most accomplished craftsmen of plot and prose' New York Times

What We Can Know

J. D. Daniels

'What a nutjob!' - Geoff Dyer 
 
'Questions that occurred to me as I read this brilliant, baffling book: What the hell is this? Who the hell is this? Is this poetry?' - Tom Bissell 
 
Can civilization save us from ourselves? That is the question J. D. Daniels asks in his first book, a series of six letters written during dark nights of the soul. Working from his own highly varied experience – as a janitor, night watchman, adjunct professor, drunk, exterminator, dutiful son –he considers how far books and learning and psychoanalysis can get us, and how much we’re stuck in the mud. 
 
In prose wound as tight as a copper spring, Daniels takes us from the highways of his native Kentucky to the Balearic Islands and from the Pampas of Brazil to the rarefied precincts of Cambridge, Massachusetts. His travelling companions include psychotic kindergarten teachers, Israeli sailors, and Southern Baptists on fire for Christ. In each dispatch, Daniels takes risks – not just literary (voice, tone, form) but also more immediate, such as spending two years on a Brazilian jiu-jitsu team (he gets beaten to a pulp, repeatedly) or participating in group psychoanalysis (where he goes temporarily insane). 
 
Daniels is that rare thing, a writer completely in earnest whose wit never deserts him, even in extremis. Inventive, intimate, restless, streetwise and erudite, The Correspondence introduces a brave and original observer of the inner life under pressure.

The Correspondence

Sarah Lippett

Sometimes, the simplest stories are the best... This is a lovely, tender book... Stan and Nan are all of our grandparents, their stability and infinite kindness much mourned as our ever-changing worlds spin frantically on.' 
Rachel Cooke, Observer 
 
My nan wrote me many letters back in 2011. They were about the love of her life, my grandad, Stanley Burndred. I’ve never met him, he died long before I was born, but his drawings, paintings and ceramics have been in my life for as long as I can remember. Every wall of Nan’s house would be decorated by his artworks and every windowsill bore his ceramic creations. Whenever we visited Nan in the Black Country I would study the ornaments and pictures, wondering who had made them. It wasn’t until I wrote to Nan many years later, receiving in return beautiful handwritten letters detailing his life, that it became apparent that the work was his. 
 
The letters were so beautiful I felt my nan’s story had to be told. Stan and Nan is the story of an ordinary couple and the people who loved them. The narrative follows their lives from Stan’s working-class background, to his premature death, through to Nan’s struggle to cope, and the perils of ageing. It is a memoir about the importance of family, and about death, love, living and human connection.

Stan and Nan

Bryan and Mary Talbot

A stunning new graphic novel and rallying cry to protect the planet, from the Costa-award-winning authors of Dotter of Her Father’s Eyes 
 
Set against the backdrop of disastrous flooding in the North of England, Rain dramatically chronicles the developing relationship between two young women, one of whom is a committed environmental campaigner. Their wild Brontë moorland is being criminally mismanaged. Birds and animals are being slaughtered. Across the country, crops are being systematically poisoned, even the soil itself. Rain centres on one relatively small example of moorland ownership by an elite group that impacts catastrophically on the unlanded majority living in the valley below. But the campaigners know that ‘a million other valleys need saving’. They need saving not just for the sake of their human inhabitants, but for the insects and plants, birds and mammals and all the other inhabitants large and small that we share this planet with – our non-human fellow earthlings. 
 
Rain is the first contemporary graphic novel from Bryan and Mary Talbot, dealing with the here and now of environmental degradation that threatens us all. The story follows the everyday experiences of ordinary people, while engaging with pollution, climate change, moorland mismanagement and the disruption, misery and loss that these things bring. The characters are fictitious; what's happening around them is shockingly real.

Rain

Vicki Feaver

Split between dark and light, this book records the dichotomy of human experience with unflinching force and clarity. It deals with break-up, depression, illness and death. But it also reveals an intense involvement with nature and a capacity for healing and love. There are intimate personal poems reflecting on relationships with people and creatures; poems which enter the lives of real and imaginary characters, Keats and Medea and Blodeuwedd, for example; and also poems which engage with paintings and political events. 
 
Set in a territory which connects child with adult, myth with reality, the personal with the universal, the book shows a poet fully open to the richness and possibilities of the world but also aware of its violence and pain, not as a remote observer but as someone who is a part of it.

The Book of Blood

Cristina Morales

An explosive and daring novel about bodies, sex, politics and disability by the prize-winning Spanish writer Cristina Morales 
 
Ángela, Patricia, Marga and Nati are cousins living together in Barcelona. As women branded as disabled who share a state-subsidised flat, they must fight every day to retain their independence and find new and inventive ways - from dance to underground zines - to stop the state from managing every aspect of their lives. 
 
Funny and furious, Easy Reading is an indictment of the institutions that stigmatise individuals as disabled and of the language that marginalises them. It is also a portrait - visceral, vibrant, combative - of contemporary Barcelona. But, above all, Easy Reading is a feminist celebration of the body in all its forms, of female desire and queer sexuality, and of the transgressive and revolutionary power of language. 
 
Translated from the Spanish by Kevin Gerry Dunn

Easy Reading

The new novel from the Spanish literary sensation

S. J. Harris

Poor Eustace is not very well. Convalescing in bed, his world is confined to the four walls of his grand and gloomy room. His days are spent in wild imaginings, punctuated by the occasional visit from his mother and a legion of Aunties, who fuss and smother Eustace. 
 
But then his wicked uncle arrives in a cloud of pipe smoke, accompanied by a swelling cast of prostitutes, hoodlums, drunkards and assorted hangers-on. Suddenly Eustace finds himself transformed from invalid to the star of a glittering and decadent social scene, serving drinks and holding court from his enormous bed. That is, until his Uncle's past begins to catch up with him... 
 
Eustace is blackly comic, surreal and exquisitely rendered. It marks the debut of a brilliant new graphic novelist.

Eustace

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