Renowned urban artist Shepard Fairey's new look for Orwell's timeless satire
'All animals are equal. But some animals are more equal than others.'
Mr Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm. Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the ideals of the rebellion are corrupted, then forgotten. And something new and unexpected emerges. . .
Animal Farm - the history of a revolution that went wrong - is George Orwell's brilliant satire on the corrupting influence of power.
Animal Farm is one of the most famous warnings ever written. Orwell's immortal satire - 'against Stalin' as he wrote to his French translator - can be read on many levels. With its piercing clarity and deceptively simple style it is no surprise that this novel is required reading for schoolchildren and politicians alike. This fable of the steadfast horses Boxer and Clover, the opportunistic pigs Snowball and Napoleon, and the deafening choir of sheep remains an unparalleled masterpiece.
One reviewer wrote 'In a hundred years' time perhaps Animal Farm ... may simply be a fairy story: today it is a fairy story with a good deal of point.' Over sixty years on in the age of spin, it is more relevant than ever.
Rejected by such eminent publishing figures as Victor Gollancz, Jonathan Cape and T.S. Eliot, Animal Farm was published to great acclaim by Martin Secker and Warburg on 17 August 1945 in an edition of 4500 copies. In the centenary year of Martin Secker, Ltd., Harvill Secker is proud to publish this special edition with a brand-new introduction by Christopher Hitchens.
'The creatures outside looked from pig to man, and from man to pig, and from pig to man again: but already it was impossible to say which was which...'
Halas & Bachelor studio's classic and controversial 1954 animation of Animal Farm, George Orwell's chilling fable of idealism betrayed, was the first ever British animated feature film. This landmark illustrated edition of Orwell's novel was first published alongside it, and features the original line drawings by the film's animators, Joy Batchelor and John Halas.
A searing account of George Orwell's observations of working-class life in the bleak industrial heartlands of Yorkshire and Lancashire in the 1930s, The Road to Wigan Pier is a brilliant and bitter polemic that has lost none of its political impact over time. His graphically unforgettable descriptions of social injustice, cramped slum housing, dangerous mining conditions, squalor, hunger and growing unemployment are written with unblinking honesty, fury and great humanity. It crystallized the ideas that would be found in Orwell's later works and novels, and remains a powerful portrait of poverty, injustice and class divisions in Britain.
Published with an introduction by Richard Hoggart in Penguin Modern Classics.
'It is easy to see why the book created and still creates so sharp an impact ... exceptional immediacy, freshness and vigour, opinionated and bold ... Above all, it is a study of poverty and, behind that, of the strength of class-divisions' Richard Hoggart
These essays, reviews and articles illuminate the life and work of one of the most individual writers of this century - a man who created a unique literary manner from the process of thinking aloud and who elevated political writing to an art.
Renowned urban artist Shepard Fairey's new look for Orwell's classic dystopian tale
One of Britain's most popular novels, George Orwell's Nineteen Eighty-Four is set in a society terrorised by a totalitarian ideology propagated by The Party.
Winston Smith works for the Ministry of Truth in London, chief city of Airstrip One. Big Brother stares out from every poster, the Thought Police uncover every act of betrayal. When Winston finds love with Julia, he discovers that life does not have to be dull and deadening, and awakens to new possibilities. Despite the police helicopters that hover and circle overhead, Winston and Julia begin to question the Party; they are drawn towards conspiracy. Yet Big Brother will not tolerate dissent - even in the mind. For those with original thoughts they invented Room 101. . .
Nineteen Eighty-Four is George Orwell's terrifying vision of a totalitarian future in which everything and everyone is slave to a tyrannical regime. The novel also coined many new words and phrases which regular appear in popular culture, such as 'Big Brother', 'thoughtcrime', 'doublethink' and 'Newspeak'.
George Orwell's vivid memoir of his time living among the desperately poor and destitute, Down and Out in Paris and London is a moving tour of the underworld of society.
'You have talked so often of going to the dogs - and well, here are the dogs, and you have reached them.'
Written when Orwell was a struggling writer in his twenties, it documents his 'first contact with poverty'. Here, he painstakingly documents a world of unrelenting drudgery and squalor - sleeping in bug-infested hostels and doss houses of last resort, working as a dishwasher in Paris's vile 'Hôtel X', surviving on scraps and cigarette butts, living alongside tramps, a star-gazing pavement artist and a starving Russian ex-army captain. Exposing a shocking, previously-hidden world to his readers, Orwell gave a human face to the statistics of poverty for the first time - and in doing so, found his voice as a writer.
Orwell's classic satire ANIMAL FARM continues to be an international best seller. For the first time ever, ORWELL AND POLITICS brings this major work together with the author's other works exploring the nature of politics and the Second World War.
George Orwell's best-known novels, Animal Farm, describing a revolution that goes horribly wrong, and Nineteen Eighty-Four, portraying a world where human freedom has been crushed, are two of the most famous, well-quoted and influential political satires ever written. The other novels in this volume also tell stories of people at odds with repressive institutions: the corrupt imperialism of Burmese Days, disaffection with materialistic society in Keep the Aspidistra Flying, the perils of modern suburban living in Coming Up for Air and surviving on the streets in A Clergyman's Daughter.
All the novels brought together here display Orwell's humour, his understanding of human nature and his great compassion.
George Orwell's paean to the end of an idyllic era in British history, Coming Up for Air is a poignant account of one man's attempt to recapture childhood innocence as war looms on the horizon.
George Bowling, forty-five, mortgaged, married with children, is an insurance salesman with an expanding waistline, a new set of false teeth - and a desperate desire to escape his dreary life. He fears modern times - since, in 1939, the Second World War is imminent - foreseeing food queues, soldiers, secret police and tyranny. So he decides to escape to the world of his childhood, to the village he remembers as a rural haven of peace and tranquillity. But his return journey to Lower Binfield may bring only a more complete disillusionment ...
'Very funny, as well as invigoratingly realistic ... Nineteen Eighty-Four is here in embryo. So is Animal Farm ... not many novels carry the seeds of two classics as well as being richly readable themselves' John Carey, Sunday Times
Gordon Comstock loathes dull, middle-class respectability and worship of money. He gives up a 'good job' in advertising to work part-time in a bookshop, giving him more time to write. But he slides instead into a self-induced poverty that destroys his creativity and his spirit. Only Rosemary, ever-faithful Rosemary, has the strength to challenge his commitment to his chosen way of life. Through the character of Gordon Comstock, Orwell reveals his own disaffection with the society he once himself renounced.
Enlivened with vivid autobiographical detail, George Orwell's Keep the Aspidistra Flying is a tragically witty account of the struggle to escape from a materialistic existence, with an introduction by Peter Davison in Penguin Modern Classics.
Intimidated by her father, the rector of Knype Hill, Dorothy performs her submissive roles of dutiful daughter and bullied housekeeper. Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name. Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy's faith is challenged by a social reality that changes her life.
The articles collected in George Orwell's Essays illuminate the life and work of one of the most individual writers of this century - a man who elevated political writing to an art.
This outstanding collection brings together Orwell's longer, major essays and a fine selection of shorter pieces that includes 'My Country Right or Left', 'Decline of the English Murder', 'Shooting an Elephant' and 'A Hanging'. With great originality and wit Orwell unfolds his views on subjects ranging from a revaluation of Charles Dickens to the nature of Socialism, from a comic yet profound discussion of naughty seaside postcards to a spirited defence of English cooking. Displaying an almost unrivalled mastery of English plain prose, Orwell's essays created a unique literary manner from the process of thinking aloud and continue to challenge, move and entertain.
This Penguin Modern Classics edition includes an introduction by Bernard Crick.
Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic Socialism as I understand it'. Thus wrote Orwell following his experiences as a militiaman in the Spanish Civil War, chronicled in Homage to Catalonia. Here he brings to bear all the force of his humanity, passion and clarity, describing with bitter intensity the bright hopes and cynical betrayals of that chaotic episode: the revolutionary euphoria of Barcelona, the courage of ordinary Spanish men and women he fought alongside, the terror and confusion of the front, his near-fatal bullet wound and the vicious treachery of his supposed allies.
A firsthand account of the brutal conditions of the Spanish Civil War, George Orwell's Homage to Catalonia includes an introduction by Julian Symons in Penguin Modern Classics.
George Orwell was an inveterate keeper of diaries. The Orwell Diaries presents eleven of them, covering the period 1931-1949, and follows Orwell from his early years as a writer to his last literary notebook. An entry from 1931 tells of a communal shave in the Trafalgar Square fountains, while notes from his travels through industrial England show the development of the impassioned social commentator.
This same acute power of observation is evident in his diaries from Morocco, as well as at home, where his domestic diaries chart the progress of his garden and animals with a keen eye; the wartime diaries, from descriptions of events overseas to the daily violence closer to home, describe astutely his perspective on the politics of both, and provide a new and entirely refreshing insight into Orwell's character and his great works.
'Shooting an Elephant' is Orwell's searing and painfully honest account of his experience as a police officer in imperial Burma; killing an escaped elephant in front of a crowd 'solely to avoid looking a fool'. The other masterly essays in this collection include classics such as 'My Country Right or Left', 'How the Poor Die' and 'Such, Such were the Joys', his memoir of the horrors of public school, as well as discussions of Shakespeare, sleeping rough, boys' weeklies and a spirited defence of English cooking. Opinionated, uncompromising, provocative and hugely entertaining, all show Orwell's unique ability to get to the heart of any subject.
A collection of witty and incisive non-fiction, George Orwell's Shooting an Elephant includes an introduction by Jeremy Paxman in Penguin Modern Classics.
Based on his experiences as a policeman in Burma, George Orwell's first novel presents a devastating picture of British colonial rule. It describes corruption and imperial bigotry in a society where, 'after all, natives were natives - interesting, no doubt, but finally ... an inferior people'. When Flory, a white timber merchant, befriends Indian Dr Veraswami, he defies this orthodoxy. The doctor is in danger: U Po Kyin, a corrupt magistrate, is plotting his downfall. The only thing that can save him is membership of the all-white Club, and Flory can help. Flory's life is changed further by the arrival of beautiful Elizabeth Lackersteen from Paris, who offers an escape from loneliness and the 'lie' of colonial life.
George Orwell's first novel, inspired by his experiences in the Indian Imperial Police in Burma, Burmese Days includes a new introduction by Emma Larkin in Penguin Modern Classics.
This is the essential edition of the essential book of modern times, 1984, now annotated for students with an introduction by D. J. Taylor.
Ever since its publication in 1949, George Orwell's terrifying vision of a totalitarian regime where Big Brother controls its citizens like 'a boot stamping on a human face' has become a touchstone for human freedom, and one of the most widely-read books in the world. In this new annotated edition Orwell's biographer D. J. Taylor elucidates the full meaning of this timeless satire, explaining contemporary references in the novel, placing it in the context of Orwell's life, elaborating on his extraordinary use of language and explaining the terms such as Newspeak, Doublethink and Room 101 that have become familiar phrases today.
'Politics and the English Language' is widely considered Orwell's most important essay on style. Style, for Orwell, was never simply a question of aesthetics; it was always inextricably linked to politics and to truth.'All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia.When the general atmosphere is bad, language must suffer.'Language is a political issue, and slovenly use of language and cliches make it easier for those in power to deliberately use misleading language to hide unpleasant political facts. Bad English, he believed, was a vehicle for oppressive ideology, and it is no accident that 'Politics and the English Language' was written after the close of World War II.