When Sasha comes across an old diary belonging to the late Lady Amelia Asher, the centuries-old manuscript transforms her life drastically. From the mundane and unappealing, Sasha finds herself erotically reawakened and she begins to push the boundaries of pleasure that she has never before experienced.
Influenced by the diary’s tales of sexual exploits Sasha becomes more and more like the fervent Lady Amelia, but she is unaware that the passionate and powerful author is far from gone. Amelia’s ghostly presence lingers and Sasha’s climaxes become other-worldly…
Derek Landy, Philip Reeve, Joseph Delaney, Susan Cooper, Eleanor Updale, Jamila Gavin, Mal Peet, Matt Haig, Berlie Doherty, Robin Jarvis and Sam Llewellyn have come together to bring you eleven ghost stories: from a ghost walk around York; to a drowned boy, who's determined to find someone to play with; to a lost child trapped in a mirror, ready to pull you in; to devilish creatures, waiting with bated breath for their next young victim; to an ancient woodland reawakened. Some will make you scream, some will make you shiver, but all will haunt you gently long after you've put the book down.
Haunted is a novel made up of stories: twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you'll ever encounter. They are told by the people who have all answered an ad headlined 'Artists Retreat: Abandon your life for three months'. They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theatre where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.
You can take Michael Bennett out of New York City, but you can't take the cop out of Michael Bennett.
Detective Michael Bennett is ready for a vacation after a series of crises push him, and his family, to the brink.
He settles on an idyllic small town in the beautiful Maine woods. But just when Bennett thinks he can relax, he gets pulled into a case that has shocked the tight-knit community. Kids are disappearing with no explanation – until several bodies turn up in the woods.
Far from the city streets he knows so well, Bennett is fighting to protect a town, the law, and the family that he loves above all else.
The roots of Hallowe'en lie in the ancient pre-Christian Celtic festival of Samhain, a feast to mark the death of the old year and the birth of the new. It was believed that on this night the veil separating the worlds of the living and the dead grew thin and ruptured, allowing spirits to pass through and walk unseen but not unheard amongst men. The advent of Christianity saw the pagan festival subsumed in All Souls' Day, when across Europe the dead were mourned and venerated. Children and the poor, often masked or in outlandish costume, wandered the night begging 'soul cakes' in exchange for prayers, and fires burned to keep malevolent phantoms at bay.
From Europe, the haunted tradition would quickly take root and flourish in the fertile soil of the New World. Feeding hungrily on fresh lore, consuming half-remembered tales of its own shadowy origins and rituals, Hallowe'en was reborn in America. The pumpkin supplanted the carved turnip; costumes grew ever stranger, and celebrants both rural and urban seized gleefully on the festival's intoxicating, lawless spirit. For one wild night, the dead stared into the faces of the living and the living, ghoulishly masked and clad in tattered backwoods baroque, stared back.
The photographs in Haunted Air provide an extraordinary glimpse into the traditions of this macabre festival from ages past, and form an important document of photographic history. These are the pictures of the dead: family portraits, mementos of the treasured, now unrecognisable, other. Torn from album pages, sold piecemeal for pennies and scattered, abandoned to melancholy chance and the hands of strangers.
Detective Sonchai Jitpleecheep has seen just about everything on his beat in Bangkok's crime-riddled District 8. But the terrifying snuff movie he's been sent anonymously is something else: the person who dies is Damrong, the beautiful woman he once loved and whom he still dreams about.
And there's more: slayings turn the ensuing investigation into a murder inquiry, and Sonchai into an obsessed and haunted man.
Sonchai's inquiries follow a dizzying route from his own apartment, where he sleeps next to his pregnant wife while his fantasies deliver him up to Damrong; to the backstreets of Phnom Penh, where street gangs are only the most visible threats; to the gilded rooms of the most exclusive men's club in Bangkok, whose members will do anything to explore their darkest fantasies ...
Watch out for a ghostly ship and its spectral crew off the coast of Cornwall
Listen for the unearthly tread and rustling silk dress of Darlington's Lady Jarratt
Shiver at the malevolent apparition of 50 Berkeley Square that no-one survives seeing
England's past echoes with stories of unquiet spirits and hauntings, of headless highwaymen and grey ladies, indelible bloodstains and ghastly premonitions. Here, county by county, are the nation's most fascinating supernatural tales and bone-chilling legends: from a ghostly army marching across Cumbria to the vanishing hitchhiker of Bluebell Hill, from the gruesome Man-Monkey of Shropshire to the phantom congregation who gather for a 'Sermon of the Dead' ...
Part of a new six-volume series of the best in classic horror, selected by award-winning director Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story 'Sardonicus', considered by Stephen King to be 'perhaps the finest example of the modern Gothic ever written', to Shirley Jackson's The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. These stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere.
Haunted Castles is the definitive, complete collection of Ray Russell's masterful Gothic horror stories, including the famously terrifying novella trio of 'Sardonicus', 'Sanguinarius', and 'Sagittarius'. The characters that sprawl through Haunted Castles are frightful to the core: the heartless monster holding two lovers in limbo; the beautiful dame journeying down a damned road toward depravity (with the help of an evil gypsy); the man who must wear his fatal crimes on his face in the form of an awful smile. Engrossing, grotesque, perverted, and completely entrancing, Russell's Gothic tales are the best kind of dreadful. RAY RUSSELL was born in 1924 in Chicago, Illinois, and served in the United States Air Force during World War II in the South Pacific. After the war, he attended the Chicago Conservatory of Music and eventually joined the editorial staff at Playboy, where he published such writers as Ray Bradbury, Kurt Vonnegut, Richard Matheson, Jack Finney, Robert Bloch, and Charles Beaumont. His best-known work, 'Sardonicus', was called by Stephen King 'perhaps the finest example of the modern Gothic ever written'. He died in Los Angeles in 1999.
GUILLERMO DEL TORO is a Mexican director, producer, screenwriter, novelist, and designer, most famous for his Academy Award-winning film,Pan's Labyrinth, and the Hellboy film franchise. He has received the Nebula, Hugo, and Bram Stoker awards and is an avid collector and student of arcane memorabilia and weird fiction.
Two sisters change the course of a nation by forsaking the King—their own father.
England is on the verge of revolution. Antagonized by the Catholicism of King James II, the people plot to drive him from the throne. But at the heart of the plot is a deep betrayal: the defection of the daughters James loves, Mary and Anne.
Both raised Protestant according to the wishes of England, the sisters support Protestant usurper William of Orange, Mary's husband, who lusts after the British crown. Passive Queen Mary is subservient to her husband's wishes, while Anne is desperate to please her childhood friend Sarah Churchill, a bold and domineering woman determined to subdue Anne, the queen-to-be, and rule England herself.
Intrigue and political drama run high as the sisters struggle to be reconciled with each other—and with the haunting memory of the father they have exiled.
A sinister Countess is driven mad by a dark secret. An innocent woman is made the instrument of retribution. A murdered man’s fury reaches beyond the grave.
When Countess Narona marries Agnes Lockwood’s fiancé and takes him to live in a rundown Venetian palace, strange things start happening, a servant mysteriously vanishes and the husband dies a recluse. But the dead won’t rest. When the palace is transformed into a hotel the two women are drawn to its chambers, where a force stronger than death is waiting to wreak its vengeance ...
Acclaimed on its first publication, rich in fictional delights, this complete collection of Virginia Woolf's shorter fiction ranges from 1906 until the month before she died in 1941. The volume offers us an invaluable insight into Virginia Woolf's development as a writer, vividly demonstrating her evolving characterisations, narrative methods and themes, often elaborated in her novels, to which this book serves both as a fascinating introduction for new readers and companion for old.
The Haunted Life is the coming-of-age story of Peter Martin, a college track star determined to idle away what he knows will be one of his last innocent summers in his tranquil New England home town. But with the war escalating in Europe and his two closest friends both plotting their escapes, he realizes how sheltered his upbringing has been. As he surveys the competing influences of his youth, he struggles to determine what might lead to an intellectually authentic life.
The Haunted Life is ultimately a meditation on intellectual truth, male friendship and the desire for movement - all themes that would dominate Kerouac's later work.
1867. On a dark and chilling night Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.
It is the start of a journey into a world of abandoned children, unexplained occurrences and terrifying experiences which Eliza will have to overcome if she is to survive the secrets that lie within Gaudlin’s walls…
In time for this year's Halloween revels comes a horrible array of spectres and sorcerers, ghosts and demons, hags and apparitions. From Homer and Horace via Pope and Poe to Graves and Hardy, Poems Bewitched and Haunted draws on three thousand years of poetic forays into the supernatural. Ovid conjures the witch Medea, Virgil summons Aeneas's wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt in poems that call out to be read aloud, whether around the campfire or the Ouija board. Ballads, odes, spells, chants, dialogues, incantations - here is a veritable witch's brew of poems from the spirit world.
More than 670,000 copies sold worldwide of our 25 Pocket Poet anthologies.
If your mum is a top interior designer it is not unusual to spend the summer holidays in someone else's house whilst 'mother dear' gets on with doing it up. In this case it is Borthwick Hall, an 18th century country house in a remote area of North Yorkshire. All is not as it seems, and when doors starts slamming shut of their own accord and lights go unexpectedly on and off, Emma tries her best to explain why in a rational manner; but when the breathing, voices and unbearable chiding laughter starts her slight uneasiness turns to a gripping fear.
Alone and penniless after his father is killed in a cotton mill accident, fourteen-year-old William faces the rest of his childhood in a brutal workhouse. Then his long-estranged uncle Seth sends for him, and William thinks his fortunes are changing. But arriving at Uncle Seth's grand house in North Wales, Jessop Rise, William encounters a ghostly figure. It soon becomes clear that the place is haunted by more than just one ghost. But who are the spectral creatures that prowl about the estate? What are they trying to tell William? And what is the dark secret that Uncle Seth has been keeping for so long? As William uncovers the clues, he finds himself caught up in a dark and terrifying mystery.
Virginia Woolf began writing reviews for the Guardian 'to make a few pence' from her father's death in 1904, and continued until the last decade of her life. The result is a phenomenal collection of articles, of which this selection offers a fascinating glimpse, which display the gifts of a dazzling social and literary critic as well as the development of a brilliant and influential novelist. From reflections on class and education, to slyly ironic reviews, musings on the lives of great men and 'Street Haunting', a superlative tour of her London neighbourhood, this is Woolf at her most thoughtful and entertaining.
Greyfrair's Cemetery in Edinburgh has a centuries old reputation for being haunted. Its gruesome history includes use as a mass prison, headstone removal, witchcraft, bodysnatching, desecration, corpse dumping and live burial.
In 1998, something new and inexplicable began occurring in the graveyard. Visitors encountered 'cold spots', strange smells and banging noises. They found themselves overcome by nausea, or cut and bruised by something they could not see. Over the space of two years, twenty-four people were knocked unconscious. Homes next to the graveyard wall became plagued by crockery smashing, objects moving and unidentified laughter. Witnesses to these attacks ran into the hundreds. There were two exorcisms of the area. Both failed.
The section of Greyfriars where the attacks occurred is now chained shut. The entity responsible has been named the 'Mackenzie Poltergeist'. It has become one of the best-documented and most conclusive paranormal cases in history.