'Politics and the English Language' is widely considered Orwell's most important essay on style. Style, for Orwell, was never simply a question of aesthetics; it was always inextricably linked to politics and to truth.'All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia.When the general atmosphere is bad, language must suffer.'Language is a political issue, and slovenly use of language and cliches make it easier for those in power to deliberately use misleading language to hide unpleasant political facts. Bad English, he believed, was a vehicle for oppressive ideology, and it is no accident that 'Politics and the English Language' was written after the close of World War II.
Whether puncturing the lies of politicians, wittily dissecting the English character or telling unpalatable truths about war, Orwell's timeless, uncompromising essays are more relevant, entertaining and essential than ever in today's era of spin.
Renowned urban artist Shepard Fairey's new look for Orwell's classic dystopian tale
One of Britain's most popular novels, George Orwell's Nineteen Eighty-Four is set in a society terrorised by a totalitarian ideology propagated by The Party.
Winston Smith works for the Ministry of Truth in London, chief city of Airstrip One. Big Brother stares out from every poster, the Thought Police uncover every act of betrayal. When Winston finds love with Julia, he discovers that life does not have to be dull and deadening, and awakens to new possibilities. Despite the police helicopters that hover and circle overhead, Winston and Julia begin to question the Party; they are drawn towards conspiracy. Yet Big Brother will not tolerate dissent - even in the mind. For those with original thoughts they invented Room 101. . .
Nineteen Eighty-Four is George Orwell's terrifying vision of a totalitarian future in which everything and everyone is slave to a tyrannical regime. The novel also coined many new words and phrases which regular appear in popular culture, such as 'Big Brother', 'thoughtcrime', 'doublethink' and 'Newspeak'.
Beginning with a dilemma about whether he spends more money on reading or smoking, George Orwell's entertaining and uncompromising essays go on to explore everything from the perils of second-hand bookshops to the dubious profession of being a critic, from freedom of the press to what patriotism really means.
Smith's THE WEALTH OF NATIONS was the first comprehensive treatment of political economy. Originally delivered in the form of lectures at Glasgow, the book's publication in 1776 co-incided with America's Declaration of Independence. These volumes include Smith's assessment of the mercantile system, his advocacy of the freedom of commerce and industry, and his famous prophecy that "America will be one of the foremost nations of the world".
Living in a revolutionary age, Coleridge's poetry was written in a spirit of moral and emotional inquiry into the absolutes of the human condition. He is best known for his visionary poetry ('Kubla Khan') and his ballads ('The Rime of the Ancient Mariner'), but he used and transformed a variety of verse forms, from the sonnet to the conversation poem, on subjects as diverse as nature, love, and politics. This selection calls attention to the range of Coleridge's work, its strong autobiographical content,and its artistic development throughout his career. The old chronological form has been abandoned and the poems are organised according to genre, with each section displaying its own individual development in craft and theme.
Former private investigator and New York Times notable author David Corbett offers a unique and indispensable toolkit for creating characters that come vividly to life on the page and linger in memory. Corbett provides an inventive, inspiring, and vastly entertaining blueprint to all the elements of characterization-from initial inspiration to realization-with special insights into the power of secrets and contradictions, the embodiment of roles, managing the "tyranny of motive," and mastering crucial techniques required for memorable dialogue and unforgettable scenes. This is a how-to guide for both aspiring and accomplished writers that renders all other books of its kind obsolete.
Boy is Roald Dahl's extraordinary glimpse into his childhood and early life.
'An autobiography is a book a person writes about his own life and it is usually full of all sorts of boring details. This is not an autobiography. I would never write a history of myself. On the other hand, throughout my young days at school and just afterwards a number of things happened to me that I have never forgotten . . .'
Boy is a funny, insightful and at times grotesque glimpse into the early life of Roald Dahl, one of the world's favourite authors. We discover his experiences of the English public school system, the idyllic paradise of summer holidays in Norway, the pleasures (and pains) of the sweetshop, and how it is that he avoided being a Boazer.
This is the unadulterated childhood - sad and funny, macabre and delightful - that inspired Britain's favourite storyteller and also speaks of an age which vanished with the coming of the Second World War.
'A shimmering fabric of his yesterdays, the magic and the hurt' Observer
'As frightening and funny as his fiction' The New York Times Book Review
'Superbly written. A glimpse of a brilliant eccentric' New Statesman
Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.
Ronsard is considered one of France's greatest love poets, yet his poetic achievements are not restricted to his verses of love, wine and nature. A true Renaissance figure, his themes ranged from politics, science and philsophy, to the bawdy and risqué. Using Greco-Roman and Italian poetic models, and drawing on the rich images of classical mythology, Ronsard revolutionised the tradition of French poetry. In the 20th century, Ronsard's poetry was influential for W. B. Yeats, translated by Sylvia Plath, and illustrated by Henri Matisse. He stands as one of the most innovative and diverse voices in the history of European poetry.
This is one of the few records published by Gurdjieff in which he offers guidance to his 'community of seekers', the pupils from many countries who joined him in Paris and New York.
The first section is mainly autobiographical, relating material crucial to an understanding of the nature and intensity of personal effort required for an all-inclusive work on oneself. This is followed by a series of talks which Gurdjieff gave to his pupils in New York in 1930, and then by a long, but incomplete, essay on 'The Outer and Inner World of Man'.
A sparkling new translation of the classic work on violence and revolution as seen through mythology and art
The Ruin of Kasch takes up two subjects: "the first is Talleyrand, and the second is everything else," wrote Italo Calvino when the book first appeared in 1983. Hailed as one of those rare books that persuade us to see our entire civilization in a new light, its guide is the French statesman Charles-Maurice de Talleyrand, who knew the secrets of the ancien régime and all that came after, and was able to adapt the notion of "legitimacy" to the modern age. Roberto Calasso follows him through a vast gallery of scenes set immediately before and after the French Revolution, making occasional forays backward and forward in time, from Vedic India to the porticoes of the Palais-Royal and to the killing fields of Pol Pot, with appearances by Goethe and Marie Antoinette, Napoleon and Marx, Walter Benjamin and Chateaubriand. At the centre stands the story of the ruin of Kasch, a legendary kingdom based on the ritual killing of the king and emblematic of the ruin of ancient and modern regimes.
'Startling, puzzling, profound . . . a work charged with intelligence and literary seduction' The New York Times
'Unique, idiosyncratic and vaultingly ambitious... essential reading' Independent
'A great fat jewel-box of a book, gleaming with obscure treasures' John Banville
In Mess, Keri Smith, creator of Wreck This Journal, asks readers to explore what it feels like to throw themselves off balance -- on purpose.
Smith dares readers to drop some kind of coloured liquid (ink, tea, coffee) onto a page from a good height (at least five feet); draw in the dark (or with eyes closed); creatively misspell words; paint a picture in a water-based medium (pen, marker, watercolour, etc) and leave it out during a rain or snowstorm; and bury this book, then dig it up.
This book is unlike any other you've encountered and will allow you to open yourself up to the possibility of creating something new and unexpected.
Despite financial turmoil, Goldman Sachs remain the leading investment bank in their field. They are notorious for their unique management culture, unorthodox recruiting techniques - and for their secrecy. In The Partnership Charles Ellis reveals their story.
With unparalleled access to the leadership of this famously close-knit firm, Ellis investigates the brilliant individuals who turned a marginal family business into a global powerhouse, weathering recession, scandal and disaster on the way. Among them are high school dropout and financial genius Sidney Weinberg, maverick reinventor John Whitehead, former US treasury secretary Hank Paulson and working-class New Yorker turned current CEO, Lloyd Blankfein.
The Partnership reveals the shared values of intensive recruitment, discipline and talent that have tied Goldman Sachs's people together - and made it a survivor.
By mid-5th century BC, Athens was governed by democratic rule and power turned upon the ability of the citizen to command the attention of the people, and to sway the crowds of the assembly. It was the Sophists who understood the art of rhetoric and the importance of transforming effective reasoning into persuasive public speaking. Their enquiries - into the status of women, slavery, the distinction between Greeks and barbarians, the existence of the gods, the origins of religion, and whether virtue can be taught - laid the groundwork for the insights of the next generation of thinkers such as Plato and Aristotle.
Mankind's battle to stay alive is the greatest of all subjects. This brief, witty and unusual book by Britain's greatest medical historian compresses into a tiny span a lifetime spent thinking about millennia of human ingenuity in the quest to cheat death. Each chapter sums up one of these battlefields (surgery, doctors, disease, hospitals, laboratories and the human body) in a way that is both frightening and elating. Startlingly illustrated, A SHORT HISTORY OF MEDICINE is the ideal presentfor anyone who is keenly aware of their own mortality and wants to do something about it. It is also a wonderful memorial to one of Penguin's greatest historians.
This forceful polemic explores the staggering human cost of the Industrial Revolution in Victorian England. Engels paints an unforgettable picture of daily life in the new industrial towns, and for miners and agricultural workers in a savage indictment of the greed of the bourgeoisie. His later preface, written for the first English edition of 1892 and included here, brought the story up to date in the light of forty years' further reflection.
This succinct and authoritative volume is the perfect guide to the many grammatical laws and idiosyncrasies that govern the English Language. Larry Trask writes with remarkable clarity, communicating complex abstract ideas with enviable ease. By focusing only on what is relevant, current and genuinely helpful, THE PENGUIN DICTIONARY OF GRAMMAR is essential reading for linguists, English Language students, and indeed anyone who writes in English. The Society of Freelance Edtitors and Proofreaders recommended his PUNCTUATION book as 'excellent'.