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'A masterly account...the best survey of global affairs I have read for some time' Sunday Times
WITH A NEW PREFACE BY THE AUTHOR
The West’s domination of world politics is coming to a close. The flow of wealth and power is turning from West to East and a new era of global instability has begun.
Easternisation is the defining trend of our age – the growing wealth of Asian nations is transforming the international balance of power. This shift to the East is shaping the lives of people all over the world, the fate of nations and the great questions of war and peace.
A troubled but rising China is now challenging America’s supremacy, and the ambitions of other Asian powers – including Japan, North Korea, India and Pakistan – have the potential to shake the whole world. Meanwhile the West is struggling with economic malaise and political populism, the Arab world is in turmoil and Russia longs to reclaim its status as a great power.
We are at a turning point in history: but Easternisation has many decades to run. Gideon Rachman offers a road map to the turbulent process that will define the international politics of the twenty-first century.
Selected as a Book of the Year by The Times and The Economist
China's history is an epic tapestry of courtly philosophies, warring factions and imperial intrigue. Yet, over five thousand years, one ancient element has so dramatically shaped the country's fate that it remains the key to unlocking China's story. That element is water.
In The Water Kingdom Philip Ball takes us on a grand tour of China's defining element, from the rice terraces and towering karts of its battle-worn waterways, to the vast engineering projects that have struggled to contain water's wrath. What surfaces is the secret history of a people and a nation, drawn from its deep reverence for nature's most dynamic force.
A Granta Best Young American Novelist
1930s Leningrad: a failed portrait artist employed by Soviet censors must erase political dissenters from official images and artworks. One day, he receives an antique painting. The mystery behind this painting threads together each of the stories that follow, where we meet a Siberian beauty queen, a young soldier in the battlefields of Chechnya, the Head of the Grozny Tourist Bureau, a ballerina performing for the camp director of a gulag and many others.
Winner of the Saltire Society First Book Award 2016
An Economist Book of the Year 2016
A Spectator Book of the Year 2016
In 2011, Isabel Buchanan, a twenty-three-year-old Scottish lawyer, moved to Pakistan to work in a new legal chambers in Lahore. The chambers was run by a determined thirty-three-year-old Pakistani lawyer, Sarah Belal, who had finally found her calling in defending inmates on Pakistan’s death row.
Belal and Buchanan struck up an unlikely friendship, forged through working in a system that was instinctively hostile to newcomers – and doubly so if they were female. At Sarah’s side, and with the help of Nasar, the firm’s legendary clerk, Buchanan plunged into the strange and complex world of Pakistan’s justice system. The work was arduous, underfunded, and dangerous. But for a young Scottish lawyer like Buchanan it was an unparalleled education, offering a window onto a much-misunderstood country and culture. Filled with beautifully drawn characters, she creates a narrative brimming with ideas and bursting with humanity. It is a story of Pakistan, but it is also a universal story of the pursuit of justice in an uncertain world.
THE SUNDAY TIMES BESTSELLER
WATERSTONES NON-FICTION BOOK OF THE MONTH
ON THE SATURDAY MORNING OF JANUARY 9, 1993, WHILE JEAN CLAUDE ROMAND WAS KILLING HIS WIFE AND CHILDREN, I WAS WITH MINE IN A PARENT-TEACHER MEETING...
With these chilling first words, acclaimed master of psychological suspense, Emmanuel Carrère, begins his exploration of the double life of a respectable doctor, eighteen years of lies, five murders, and the extremes to which ordinary people can go.
'As a writer, Carrère is straight berserk; as a storyteller he is so freakishly talented, so unassuming in grace and power that you only realize the hold he's got on you when you attempt to pull away... You say: True crime and literature? I don't believe it. I say: Believe it' Junot Díaz
'Mesmerising' Sunday Telegraph
'Stunning' Evening Standard
'Unputdownable' Washington Post
'A masterpiece' New York Times