I heard a cough

as if a thief was there

outside my sleep

a sharp intake of air


a fox in her fox-fur

stepping across

the grass in her black gloves

barked at my house


just so abrupt and odd

the way she went

hungrily asking

in the heart’s thick accent


in such serious sleepless

trespass she came

a woman with a man’s voice

but no name


as if to say: it’s midnight

and my life

is laid beneath my children

like a gold leaf

  • Falling Awake

  • Winner of the 2017 Griffin Prize
    Winner of the 2016 Costa Poetry Award
    Shortlisted for the 2016 T. S. Eliot Award
    Shortlisted for the 2016 Forward Prize

    A Daily Telegraph / Guardian / Herald / New Statesman / Sunday Times / Times Literary Supplement Book of the Year

    Alice Oswald’s poems are always vivid and distinct, alert and deeply, physically, engaged in the natural world. Mutability – a sense that all matter is unstable in the face of mortality – is at the heart of this new collection and each poem is involved in that drama: the held tension that is embodied life, and life’s losing struggle with the gravity of nature.

    Working as before with an ear to the oral tradition, these poems attend to the organic shapes and sounds and momentum of the language as it’s spoken as well as how it’s thought: fresh, fluid and propulsive, but also fragmentary, repetitive. These are poems that are written to be read aloud.

    Orpheus and Tithonus appear at the beginning and end of this book, alive in an English landscape, stuck in the clockwork of their own speech, and the Hours – goddesses of the seasons and the natural apportioning of Time – are the presiding figures. The persistent conditions are flux and falling, and the lines are in constant motion: approaching, from daring new angles, our experience of being human, and coalescing into poems of simple, stunning beauty.

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