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Reading lists

7 travel writers you need to know

Green Noise

The new collection from the winner of the Costa Poetry Award

Sprackland likes to read the sign language of the natural world… These poems are exact and well made, their lightness of touch often given drive by a fierce vocabulary.

Jean Sprackland’s Green Noise has a tangy, earthy smell about it. She is a snooper on the natural world, a conspiratorial poet who upturns things to find out what’s odd about them and, almost incidentally, explores her own lostness as she goes.

Jean Sprackland is the author of five previous poetry collections, including Tilt, which won the 2007 Costa Poetry Award. She has also published a book of non-fiction, Strands: A Year of Discoveries on the Beach, which won the 2012 Portico Prize. She lives in London.

Jean Sprackland is celebrated for her tactile, transformative poetry which makes the miraculous seem familiar and the domestic other-worldly. Her new collection is tuned to new and deeper frequencies. ‘Green noise’ is the mid-frequency component of white noise – what some have called the background noise of the world – and these poems listen for what is audible, and available to be known and understood, and what is not. Each poem is an attempt at location – in time, in place, in language. Some enquire into the natural world and our human place in it, by investigating hidden worlds within worlds: oak-apples, aphid-farms, firewood teeming with small life. Others go in search of fragments of a mythic and often brutal past: the lost haunts of childhood, abandoned villages, scraps of shared history which are only ever partially remembered. A physical relic or a mark on the landscape seems briefly to offer a portal, where a sounding is taken from present to past and back again. 
 
Deeply engaged with the flux of the world, these poems are alert, precise and vividly memorable – listening to the ‘machine of spring/with all your levers thrown to max’, ‘hearing the long bones of the trees stretch and crack’.

Sleeping Keys

The new collection from the Costa prize-winning Jean Sprackland

Assured and tactful… Sleeping Keys is a book distinguished by rueful but unembittered wisdom.

Full of poems that are unashamedly domestic.

The poems in this collection are short, terse, painful reflections on ends and beginnings… The later poems are ones of resilience, rebirth and hope.

Apparently simple, down to earth poems with deep, unexpected, surprising images... Every line, each word are loaded with meaning.

Poems scarred with the painful aftermath of a marital break-up and the wounded delight of new love. Anyone who has been through a divorce will recognise the language of these elegies. Sprackland’s tone sometimes reminds me of Poet Laureate Carol Ann Duffy.

If you think poetry may not be for you, or perhaps you feel a bit out of step with it and can't think how or where to begin again then Sleeping Keys might be the way back in.

In her first collection since the Costa-winning Tilt, Jean Sprackland looks back at endings and beginnings: the end of a life, or of a marriage; old homes lived in and left, new homes discovered. There are poems that speak of the paralysis and bewilderment of knowing something is over, and of the strangely significant, almost votive nature of the things that are left behind: the biscuit tin ‘of old keys, decommissioned and sleeping’, the empty room fading ‘to a tinnitus of dust and dead wasps’. 
 
This is a book of transitions – domestic and emotional – and it explores how the experience of change is painful, disorientating, even catastrophic, but also profoundly necessary and revelatory. Change brings with it the hope that love can be recovered out of the ruins; change, in fact, is a creative, healing force that shows us we have been living among ruins – that even in the face of grief and loss there are ‘spectral futures / we must stride the ditch to reach’. 
 
Full of exact, vivid, clear-eyed observation of a world of failure and flux, Sleeping Keys also illuminates a future world beyond. For every object left emptied of significance, bereft, Jean Sprackland shows us another that is charged and radiant with possibility – the possibility of miracles.

A Year of Discoveries on the Beach

Strands

Featured on Radio 4 Book of the Week in 2012.  This is the ultimate beachcomber's book from a prize-winning poet and natural storyteller.  Think Robert Macfarlane and Roger Deakin.

A fine book… Transparent, undeceived prose

Compelling … well-contextualised, sharply-observed, clued up, environmentally aware and deeply researched

With clarity and candour, in the natural voice of a modern storyteller, she tells what she sees at the intersection of herself and whatever is delivered to her by the tide

Simply gorgeous ... One of the finest piece of writing, nature or otherwise, to emerge this year

If a book can have the appeal of a really good long walk, this one does

Strands describes a year's worth of walking on the ultimate beach: inter-tidal and constantly turning up revelations: mermaid's purses, lugworms, sea potatoes, messages in bottles, buried cars, beached whales and a perfect cup from a Cunard liner. 
 
This is a series of meditations prompted by walking on the wild estuarial beaches of Ainsdale Sands between Blackpool and Liverpool, Strands is about what is lost and buried then discovered, about all the things you find on a beach, dead or alive, about flotsam and jetsam, about mutability and transformation - about sea-change.

Tilt

Winner of the 2007 Costa Poetry Award

Jean Sprackland's third collection describes a world in free-fall. Chaos and calamity are at our shoulder, in the shape of fire and flood, ice-storm and hurricane; trains stand still, zoos are abandoned, migrating birds lose their way - all surfaces are unreliable, all territories unmapped. 
 
These are poems that explore the ambivalence and dark unease of slippage and collapse, but they also carry a powerful sense of the miraculous made manifest amongst the ordinary: the mating of natterjack toads, ice on the beach ('dream stuff, with its own internal acoustic') or 'the fund of life' in a used contraceptive. Bracken may run wild across the planet 'waiting for the moment/to pounce on the accident/of the discarded match' but there are also the significant wonders of children and the natural beauty of the world they've inherited. Tilt is a collection of raw, distressed and beautiful poems, a hymn to the remarkable survival of things in the face of threat - for every degradation an epiphany, for every drowning a birth.

Hard Water

A brilliant young woman poet joins the Cape list.

This collection establishes Jean Sprackland as a definite new talent. These poems in Hard Water have the exhilarating quality of freshness and truth: poems of memory and place, religion and childhood, captured with relish in a textured and physical language. Added to this are a gift for the colloquial and a subtle, sexy humour. This is a hugely enjoyable collection by a poet writing with clear gusto and authority. Buy it- and then buy it for a friend

Jean Sprackland's poems reinvent the world with a wicked, michievous magic. Delighting in unsettling narratives and transformations, she turns the familiar landscape of everyday life into something instantly more compelling and mysterious- often anxious and troubling but always thrilling. There is an undeniable beauty at the dark heart of these poems

This is an exhilarating book; each poem a dazzling performance which shifts our perception of the world

Though firmly rooted in the domestic, natural world, Jean Sprackland's poems are thrilling excursions into the lives that we live alongside our everyday ones: the lives we are aware of in dreams, in grief, in love. She shows us the vertigo and vulnerability of human experience with great clarity and precision, tenderness and care. 
 
These are vivid poems full of light and weather and water: a flooded forest, acid rain, an inland tidal wave, an ocean of broken glass; jellyfish washed up on the beach that 'lay like saints/ unharvested, luminous'. 
 
There is an arresting imagination at work here, one as relaxed and at home in an alternative world of babies in filing cabinets, light collectors or the visiting dead, as it is in the world we think we know: supermarkets, empty flats, the A580 from Liverpool to Manchester. 
 
Lucid, sensuous and informed by an unusually tactile curiosity, the poems in Hard Water mark the assured arrival of an important poet.

Jean Sprackland

A life in graveyards

'A refreshingly original meditation... I wish I had written it myself' Literary Review 
 
Graveyards are oases: places of escape, peace and reflection. Liminal sites of commemoration, where the past is close enough to touch. Yet they also reflect their living community - how in our restless, accelerated modern world, we are losing our sense of connection to the dead. 
 
Jean Sprackland - the prize-winning poet and author of Strands - travels back through her life, revisiting her once local graveyards. In seeking out the stories of those who lived and died there, remembered and forgotten, she unearths what has been lost.

Jean Sprackland

These Silent Mansions

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