Virginia Woolf

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Jacob's Room

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Jacob, of whom people speak, of whom they think, but who is never shown. And yet that denial of presence on the part of the author makes of him one of the most living presences in world literature. It’s a remarkable achievement.

Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realisation of experimental achievements that have completely broken with tradition

WITH INTRODUCTIONS BY LAWRENCE NORFOLK AND ELISABETH BRONFEN 
 
Jacob's Room is Virginia Woolf's first truly experimental novel. It is a portrait of a young man, tracing his life from childhood, to Cambridge University, and to his early adult life in artistic London. Jacob always yearns for something greater, and embarks on a voyage to the Mediterranean before the war begins and his fate is forever altered. Impressionistic in style, the narrative is as inspired now as it was when it first appeared.

An experimental novel about a young man who yearns for something greater than his everyday life holds

Virginia Woolf was born in London in 1882, the daughter of Sir Leslie Stephen, first editor of The Dictionary of National Biography. After his death in 1904 Virginia and her sister, the painter Vanessa Bell, moved to Bloomsbury and became the centre of 'The Bloomsbury Group'. This informal collective of artists and writers which included Lytton Strachey and Roger Fry, exerted a powerful influence over early twentieth-century British culture. 
 
In 1912 Virginia married Leonard Woolf, a writer and social reformer. Three years later, her first novel The Voyage Out was published, followed by Night and Day (1919) and Jacob's Room (1922). These first novels show the development of Virginia Woolf's distinctive and innovative narrative style. It was during this time that she and Leonard Woolf founded The Hogarth Press with the publication of the co-authored Two Stories in 1917, hand-printed in the dining room of their house in Surrey. 
Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay. This intense creative productivity was often matched by periods of mental illness, from which she had suffered since her mother's death in 1895. On 28 March 1941, a few months before the publication of her final novel, Between the Acts, Virginia Woolf committed suicide.

Jacob's Room

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Jacob, of whom people speak, of whom they think, but who is never shown. And yet that denial of presence on the part of the author makes of him one of the most living presences in world literature. It’s a remarkable achievement.

Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realisation of experimental achievements that have completely broken with tradition

About Virginia Woolf

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