Editions

Sweet Tooth

  • Imprint: Vintage

  • ISBN: 9780099578789

  • Length: 384  Pages

  • Dimensions: 198mm x 28mm x 129mm

  • Weight: 330g

  • RRP: £9.99

Sweet Tooth

The year is 1972, the Cold War is far from over and Serena Frome, in her final year at Cambridge, is being groomed for MI5. Sent on Operation Sweet Tooth – a highly secret undercover mission – she meets Tom Haley, a promising young writer. First she loves his stories, then she begins to love the man. Can she maintain the fiction of her undercover life? And who is inventing whom? To answer these questions, Serena must abandon the first rule of espionage – trust no one.

  • Imprint: Vintage

  • ISBN: 9780099578789

  • Length: 384  Pages

  • Dimensions: 198mm x 28mm x 129mm

  • Weight: 330g

  • RRP: £9.99

Reviews

  • Riveting... Delicious... Gripping

    Guardian

  • Highly entertaining

    John Lanchester, Guardian Books of the Year

  • A web of spying, subterfuge, deceit and betrayal... Acute, witty...winningly cunning

    Sunday Times

  • Gloriously readable and, at times, wickedly funny

    Irish Times

  • Sublime...impressive...rich and enjoyable

    Financial Times

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About the Author

Ian McEwan

Ian McEwan is the critically acclaimed author of seventeen books. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; Nutshell; and Machines Like Me, which was a number-one bestseller. Atonement, Enduring Love, The Children Act and On Chesil Beach have all been adapted for the big screen.

Ian McEwan

Read more

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News

Ian McEwan addresses Britain’s current political chaos in new satirical novella ‘The Cockroach'

The author to follow Machines Like Me with a ‘political satire in the old tradition’ this month.
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Ian McEwan on rewriting the past and artificial intelligence: 'it's not quite a dystopia, it's something slightly better than reality'

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