• A love letter to [Mort's] home city of Sheffield... Politics and landscape are fiercely intertwined in the history of South Yorkshire, and Mort now demonstrates that she can write as assuredly on both subjects in novel form as in her poetry... Mort, in a beautifully accomplished debut, has blended a rich alloy: a deeply felt work of loss, time and healing

    Catherine Taylor, The Guardian
  • Black Car Burning explores the ties that bind us: literally, while strung across a cliff face in high winds, or figuratively in the tenuous bonds that hold both relationships and communities together, and which we are all responsible for maintaining. It's especially gratifying to inhabit a female-focused world within a climbing scene still party defined by machismo and male bravado. Helen Mort's writing is confident and compassionate and this is a mature and evocative debut

    Ben Myers, New Statesman
  • Mort has reined in the poetry to write a gritty northern novel in a lean, unflashy prose, only letting herself go in lyrical interludes spoken by the landscape itself

    Phil Baker, Sunday Times
  • Bold, imaginative…intensely realistic, swarming with minute physical and social detail… Mort writes brilliantly about the physical presence of the city, and she deals just as well with the tight focus of the climb... [Black Car Burning] is frequently exhilarating in its accurate sympathy, with some inch-perfect dialogue and astute observation throughout… Poet writes gripping novel: now there’s something you don’t hear every day

    Sean O'Brien, Times Literary Supplement
  • An impressive, Sheffield-set tale… the disparate voices are held together by short passages in which the landscape itself is given voice. These act as welcome poetic rocks in the stream of the narrative… [and] are startling reminders of Mort’s considerable poetic skill

    Jude Cook, Spectator
  • A book that deals empathetically and movingly with [Sheffield's] ongoing legacy

    Yvette Huddleston, Yorkshire Post
  • Helen Mort is unmistakably one of the most brilliant poets of her generation; Black Car Burning shows her to be a remarkable novelist, too. Here the landscape itself is given presence – a deep-time gritstone witness to the hearts and hates of humans. Violence, trauma, trust and hope twine together in this novel of many voices, ancient and modern. As you're drawn on through – up into – the book, you begin to realize that beneath the bright surface is a profound patterning, slowly disclosing itself to the reader

    Robert Macfarlane
  • This agile, softly-spoken novel isn’t so much about rock climbing as about being alive. Helen Mort tracks her characters from the gritty pleasures of the Sheffield crags to the traumas of Hillsborough. Meanwhile, the very rocks and rivers speak, defining a landscape of use, mystery and change, hope. Brilliant

    M. John Harrison
  • Black Car Burning does what surprisingly few books even attempt: it gives a voice to the lyric landscapes of South Yorkshire, it looks beyond binary clichés to consider the real lives of real people in streets and suburbs that are often forgotten; Mort handles trauma, lust and loss so tenderly and deftly, it is hard to believe that this is a first novel

    Andrew McMillan, author of Physical
  • This book is a symphony of voices: of lovers and the land they grasp in strong but scar-lined hands. Black Car Burning channels the soul of a city and its surrounds. Helen Mort shifts with deftness and empathy from the sensuous to the dark, communing with slandered neighbourhoods, the shadow of a disaster, and a generation's complex ascents through love. A hymn to a special city and an unforgettable book

    Damian Le Bas, author of The Stopping Places

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