Imprint: Jonathan Cape
Published: 09/01/2020
ISBN: 9781787330900
Length: 240 Pages
Dimensions: 222mm x 25mm x 144mm
Weight: 379g
RRP: £14.99
'The best fiction I have read this year.' JOHN BANVILLE, IRISH TIMES *BOOKS OF THE YEAR*
The breathtaking short story collection from the Costa-shortlisted Irish writer
In these twelve quietly dazzling, carefully crafted stories, Billy O'Callaghan explores the resilience of the human heart and its ability to keep beating even in the wake of grief, trauma and lost love.
Spanning a century and two continents - from the muddy fields of Ireland to a hotel room in Paris, a dingy bar in Segovia to an aeroplane bound for Taipei - The Boatman follows an unforgettable cast of characters. Three gunshots on the Irish border define the course of a young man's life; a writer clings fast to a star-crossed affair with a woman who has never been fully in his reach; a fisherman accustomed to hard labour rolls up his sleeves to dig a grave for his child; a pair of newly-weds embark on their first adventure, living wild on the deserted Beginish Island.
Ranging from the elegiac to the brutally confrontational, these densely layered tales reveal the quiet heroism and gentle dignity of ordinary life. O'Callaghan is a master celebrant of the smallness of the human flame against the dark: its strength, and its steady brightness.
Imprint: Jonathan Cape
Published: 09/01/2020
ISBN: 9781787330900
Length: 240 Pages
Dimensions: 222mm x 25mm x 144mm
Weight: 379g
RRP: £14.99
The best fiction I have read this year is Billy O'Callaghan's short-story collection The Boatman. The book is old-fashioned in the best sense, in that it is written by a grown-up for grown-up persons, as Virginia Woolf said of Middlemarch. The stories are taut, subtle and moving, and brought off beautifully.
Wonderful stories… A masterclass... The reader is lulled into a false sense of ordinariness that gives way — sometimes gradually, sometimes abruptly — to a moment of cataclysm…that leaves the reader reeling… There is no denying the power of his words… O’Callaghan’s stories are beautiful, plain and simple, and each one is devastatingly good.
Billy O'Callaghan writes beautifully... In evoking atmosphere, such a key element in the short story, he is matchless... His prose is a feast after a famine... The luxuriance of the language, the agility of the sentences, and the depth of the reflections. These stories are like classical sonatas... The writing is invariably delightful.
A shining example of how [short stories] can distil and intensify a writer’s gifts… These 12 stories confirm [O’Callaghan’s] delicate craftsmanship, unflashy narrative and descriptive skill, and his deep understanding of powerful and universal emotions… Breathtaking… Masterly… Irish writing has put out many new and more consciously modernist shoots in recent years, all welcome. But Billy O’Callaghan belongs now in the recognised front rank, along with Bernard MacLaverty, Edna O’Brien, William Trevor and Colm Tóibín.
[Billy O’Callaghan] makes epics out of the unspoken, the barely said, the half-hinted at, the wordless nod… This is O'Callaghan's quest, to reveal who his characters really are, especially when they're burdened with life's cruelties. And in chronicling the bravery sometimes required in simply putting one foot in front of the other, he makes heroes of the humblest of us.
There is marrow in The Boatman and Other Stories… [With] unforced gravity and lyricism… O’Callaghan is a reliably consummate performer, and these stories focus on the glimmer of heart in the hardness of life.
A master of the form… O’Callaghan’s descriptive powers are wonderful… O’Callaghan keeps the reader coming back for more, proving himself a master of the hook, one devastating line that grabs you by the scruff of the neck and refuses to let go.
Deeply affecting stories…and deeply attentive to the perils and poignancies of daily life… nuanced, moving—an impressive collection.
O'Callaghan is...a wellspring of great story ideas, and this imagination is writ large across The Boatman & Other Stories... O'Callaghan's sense of place is vivid and impressive... John Banville, Edna O'Brien and John Boyne are all effusive in their praise for O'Callaghan's muscular, quietly assured writing.
A master of the short story.