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  • An engagingly written mixture of social history and memoir . . . Nicolson invites us to see the worst winter of the century as a catalyst for social change in a nation that had entered the final months of 1962 in the grip of Edwardian deference and morality, yet emerged the following spring riding the first floods of the Swinging Sixties

    Trevor Phillips, Sunday Times
  • Fascinating, quirky and evocative . . . Nicolson takes us right back to that muffled, snowbound world . . . The fact we happen to be living through another, different kind of paralysis adds an extra layer of fascination to this book

    Ysenda Maxtone Graham, Daily Mail
  • An entertaining panorama of life in Britain during the original "beast from the east" . . . [Nicolson's] striking hypothesis . . . explores the impending social revolution from many angles . . . out of catastrophe can come change for good: a social revolution in 1963; perhaps an environmental awakening in 2021

    Richard Morrison, The Times BOOK OF THE WEEK
  • Juliet Nicolson's new book is a treasure trove... beautifully written. Nicolson uses the imagery of freeze and thaw as a metaphor for the new Britain that was being born, a conceit as elegant in its execution in its conception

    Alwyn Turner, BBC History Magazine
  • Juliet Nicolson's timely study of that pivotal winter in British history has so many parallels with today that it occasionally sends a shiver down your spine . . . Her own memories of the turbulent months before and after that day are the thread that hold this beautifully stitched patchwork of stories together . . . convincing, poetic and often very touching

    Marcus Field, Evening Standard
  • In this lively chronicle Juliet Nicolson, who was eight years old at the time, argues that the winter of 1962-63 marked a turning point in society, with Britain's social conventions beginning to burst apart at the seams. With cameos from Joanna Lumley and Harold Evans, and a nod to imminent Beatlemania, Nicolson buoyantly contends that out of devastation good can come

    New Statesman
  • Nicolson aims to do much more than present a charming word picture of the freakish winter of 1962-63 . . . where Frostquake triumphs is as a metaphor -- a network of images that describes how Britain was beginning to unfreeze from the 50s

    Kathryn Hughes, Guardian
  • She imaginatively uses that ten-week freeze to highlight many of Britain's then moribund laws and attitudes and their imminent collapse . . . Nicolson's writing is energetic and absorbing. By accumulating tiny details she brings a multitude of scenes to life. I thought I knew enough about Sylvia Plath, but the description of her lonely last days with two infant children, in freezing weather in her rental near London Zoo, is heartrending

    Elisa Segrave, Spectator
  • Cutting deftly from ordinary lives to extraordinary ones, the author vividly evokes a time of almost molten change and innovation

    Ariane Bankes, Tablet
  • Juliet Nicolson has done something incredibly clever in her book Frostquake. She has written living history. It is stunning

    Joanna Lumley

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