-
Imprint: Chatto & Windus
-
Published: 01/06/2017
-
ISBN: 9781784741396
-
Length: 64 Pages
-
Dimensions: 216mm x 4mm x 135mm
-
Weight: 74g
-
RRP: £10.00
*Winner of the Dylan Thomas Prize 2018*
*Winner of the Somerset Maugham Award 2018*
'A brilliant debut - a tender, nostalgic and, at times, darkly hilarious exploration of black boyhood, masculinity and grief. A gorgeous and necessary collection from one of my favourite writers' Warsan Shire
Translating as 'initiation', kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi's remarkable debut explore this passage: between two worlds, ancestral and contemporary; between the living and the dead; between the gulf of who he is and how he is perceived.
Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.
*Shortlisted for the Costa Poetry Prize; Seamus Heaney Centre First Poetry Collection Prize; Ted Hughes Award for New Work in Poetry; Roehampton Poetry Prize; Jhalak Prize 2018*
-
Imprint: Chatto & Windus
-
Published: 01/06/2017
-
ISBN: 9781784741396
-
Length: 64 Pages
-
Dimensions: 216mm x 4mm x 135mm
-
Weight: 74g
-
RRP: £10.00
Reviews
-
A brilliant debut – a tender, nostalgic and, at times, darkly hilarious exploration of black boyhood, masculinity and grief. A gorgeous and necessary collection from one of my favourite writers
Warsan Shire
-
A remarkable year for first collections. The best, for this reader, was Kayo Chingonyi’s Kumukanda… Whether recalling his parents’ deaths or celebrating the art of the mixtape, Chingonyi’s poise is astonishing
Tristram Fane Saunders, Daily Telegraph
-
His poems are intelligent and moving and find the perfect balance between intricacy and directness
Joe Dunthorne, The Observer
-
Chingonyi thrillingly integrates…rhythms and rhymes with more conventional poetic metrics…with a rare energy, intelligence and sophistication
Nicholas Wroe, Guardian
-
[A] wonderful debut… A subtle and affecting, lyrical and powerful collection that explores boyhood, rites of passage, the ancient and the modern world
Jackie Kay, Observer
-
The book emerges as being about memory and identity in the best and broadest sense… Chingonyi’s poetic voice and style are both highly entertaining and adaptable mixing form with free verse and jargon with slang… But for all its lyrical elegance and at times mannered diction, this is angry and defiant writing, determined to “master the language”, as “The Cricket Test” has it, of privileged white male canonical literature as if to prove a point… Chingonyi goes one better, using his lyric panache to honour pop references and cultural experiences of personal and communal significance while also turning the tables, casting a wry and intelligent eye on our wider attitudes… These terse, memorable poems are testament to the best of Chingonyi’s gifts. Impassioned, witty, socially and politically engaged…the poems turn irony to impressive effect in dissecting our dubious “post-race moment”… Kumukanda is an authentic and convincing book of poems in its many nuanced portrayals and unflinching reflections; rarely is it content to gloss or deceive… Kumukanda is an intricate and intense collection, heady with feeling but guided by thoughtful reflection
Ben Wilkinson, Guardian
-
Navigating the experience of growing up with music, flair and a jaw-dropping formal range, this collection is a thing of beauty
Maria Crawford, Financial Times
-
Full of nostalgia and gentleness as well as being sharply observant
Stylist
-
Chingonyi’s poems are full of questions that need asking. His gift is for pushing poems further than you expected them to go. [A] striking quest of a debut
Poetry Book of the Month, Kate Kellaway, Observer
-
Powerful… These poems are essential and urgent and shine a light on British culture in an unique and spellbinding way
Elle, ‘10 'Woke' Works Of Literature You Need To Add To Your Reading List This Year’
