• Knott manages to combine scholarship with personal experience in a heartfelt and original way. Every mother-to-be should read it

    Sunday Times
  • A stunning book. Mother: An Unconventional History is a dextrous blend of autobiography and anthropology and social history, but above all love and a woman's desire to be a mother. It is riveting from beginning to end

    Diane Atkinson, author of 'Rise Up Women!: The Remarkable Lives of the Suffragettes'
  • Lyrically evocative and richly textured, Mother sets fragments of female lives over the last four centuries in Britain and North America within a narrative of Sarah Knott's own experiences to produce a remarkable history - exploratory, pointillist, and intensely personal - of what it is, and has been, to be a mother.

    Helen Castor, author of 'She-Wolves: The Women Who Ruled England Before Elizabeth'
  • In this innovative, grippingly readable history, Sarah Knott has woven a scintillating tapestry of ideas and experiences across time. Mother is a moving and enlightening meditation on the most elemental, yet ceaselessly varied, of all human bonds.

    Fara Dabhoiwala, author of 'The Origins of Sex'
  • Mother is a timely and fascinating investigation into one of the most overlooked and yet fundamental human experiences. Sarah Knott expertly weaves together a narrative that succeeds in being both intensely personal but also reassuringly historical.

    Amanda Foreman, bestselling author of 'Georgiana, Duchess of Devonshire'
  • A remarkable book. Sarah Knott weaves an intimate account of becoming a mother into a richly-documented history of maternity. Eloquent and evocative, this is a book to savour and share with anyone who loves great history-writing.

    Barbara Taylor, author of 'Eve and the New Jerusalem' and 'The Last Asylum'
  • This fabulous book manages both to recreate what those extraordinary early months of motherhood are like, and make sense of them by placing them in history. Knott's diary of motherhood is poetic: she conveys that sense that time has stopped, that only the baby's reflux matters, the heightened power of smell, the loss of self. The historical anecdotes Knott provides are riveting, and open up new ways of understanding what motherhood can be. The pace of it all is perfect - slow, and focused,- just as growth has its own imperceptible rhythms. This is a new kind of history-writing. A truly original, inspiring book.

    Lyndal Roper, Regius Professor of History, Oxford
  • Fascinating and beautifully written. A book I will feverishly press on others - both as an exploration of unheard histories and as a companion to pregnancy and early motherhood

    Rebecca Schiller, author of Your No-Guilt Pregnancy Plan
  • In this beautifully written book, Sarah Knott speaks from the vantage point of a mother and a historian. Full of stories ranging across time, space, and ethnicity, with imagery that touches all our senses, Mother captures the physicality and emotions of motherhood, so that even those of us who have never experienced it ourselves feel what it is like to get pregnant, give birth, and raise a child.

    Nancy Shoemaker, author of 'A Strange Likeness'
  • Which mother hasn't wondered how other mothers have managed, in different circumstances? Sarah Knott describes, for example, how a mother looked after her baby in a seventeenth-century East Anglian village; how another was a mistress of King Charles II; and a third was a slave on a North Carolina plantation. She has read through an extraordinary amount of rare diaries and letters, and then used her own sensitive imagination to bring these fragments to life. Each description is short, often only a page or two, so a mother who has just a few minutes to read before the next interruption can realistically hope to get to the end of one example, and then take that mother's situation with her, to think about, as she returns to her own. Sarah Knott had two children while she was researching and writing. Her examples are grouped in chronological order of her experience, but with unusual headings, such as 'Finding Out' that a woman is pregnant, 'Quickening', 'Damp Cloth', and 'The Middle of the Night'. The focus throughout is on mothers, and there is very little on how their babies are responding. But perhaps we readers are required to wake up some imagination of our own.

    Naomi Stadlen, bestselling author of 'What Mothers Do’

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