• Once Forché's story gathers momentum, it's hard to let the narrative go . . . Riveting . . . intricate and surprising

    The New York Times
  • Indispensable . . . unflinching . . . Forché offers up a vast human landscape of terror, desperation and perseverance that stretches far beyond mere borders. It's more documentary than self-portrait, more camera than mirror. Reading it will change you, perhaps forever

    San Francisco Chronicle
  • Gripping . . . 'I could just as well write my poetry from the quiet of my own study,' Forché writes, 'but I had known since childhood that human suffering demanded a response, everywhere and always.' A portrait of the artist as political and poetic ingenue, <i>What You Have Heard Is True</i> is just such a response, a riveting account of how she made good on that conviction. It bears eloquent witness to injustice and atrocity and to how observing them shaped a fearless poet

    The Washington Post
  • Extraordinary . . . Written with a thriller writer's knack for narrative tension and a poet's gorgeous sentences and empathy . . . Though it took Forché half a lifetime to fully share what she saw - this time is also more cryptically recalled in her second book of poems, <i>The Country Between Us </i>(1982) - now is precisely when we need to see it

  • Her memoir traces her journey from political innocence to experience, and, in doing so, offers a model to others who might take the same journey . . . She remembers as much as possible, and the resulting memoir, once read, is difficult to forget

    The Atlantic