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  • Takes us into new literary territory ... impressive

    Bernardine Evaristo, New Statesman (Books of the Year)
  • It's rare for a book of poems to repeatedly leave you breathless when reading it. Such is the urgent brilliance of Caleb Femi's Poor . . . Femi's language is restlessly inventive, unerring in uncovering images that lodge in your memory. His use of concrete as a recurring motif is brutally graceful, encapsulating this startlingly beautiful book, a landmark debut for British poetry

    Rishi Dastidar, Guardian
  • I am reading a powerful book of poetry by a young man, Caleb Femi. Oh my God, he has a book called Poor and he's just stirring me. Destroying me. I look up to him as a poet

    Michaela Coel
  • Caleb Femi is a gift to us all from the storytelling gods. He is a poet of truth and rage, heartbreak and joy. But above all, this is love poetry. Love of community, language, music and form. This book flows from the fabric of boyhood to the politics and architecture of agony, from the material to the spiritual, always moving, always real. Poor is the heartbeat of a living city which truly knows itself. Caleb is a mighty and positive force in UK culture and this is a vital book

    Max Porter, author of Lanny
  • In this fabulous debut, concrete becomes a paradox of toughness and vulnerability, confinement and shelter . . . Caleb Femi's riveting photographs and compassionate yet hard-hitting lines map North Peckham's black boys and blocks . . . His depictions of young black men possess a brother's empathy . . . It's simply stunning. Every image is a revelation

    Terrance Hayes, author of American Sonnets for My Past and Future Assassin
  • Mesmerizing and transporting. I've never read a collection like this . . . I literally had to shake off the experience once I was finished. [This] incredible collection . . . gives voice to a London many would prefer to ignore . . . I don't think it possible for anyone to come away from this book without having developed new levels of empathy and compassion

    Derek Owusu, author of That Reminds Me
  • Impressive . . . At the heart of the collection is the poet's deconstruction of language, fusing biblical cadence with a contemporary street vernacular. There is something reminiscent of William Blake's visionary poetic in Femi's commitment to a realistic worship for places like Aylesbury Estate and North Peckham, as well as their communities . . . [recalls] Gwendolyn Brooks's and Nate Marshall's odes to Chicago . . . [Poor is] in conversation with Roger Robinson's and Jay Bernard's poems of witness and poetic gospel, which . . . create myths, legends, and folklore that render black bodies as holy

    Malika Booker, author of Pepper Seed
  • Caleb Femi's Poor bristles with the exhilarations and violences of boyhood and adolescence. In its interplay of image and text, of photographic image and poetic image, the book asks us to consider what is seen and unseen, spoken of and concealed; what is, in one of many numinous phrases, "proof of light". More than this, these are poems of witness, both noun and verb: poems of the self and what the self can bear

    Stephen Sexton, author of If All the World and Love Were Young
  • Giving a mythic resonance to communal life, the poems in Caleb Femi's Poor are vital, confronting and electric. Political, spiritual, formally inventive and energized by a music of protest and grief, this is a rare and anthemic debut

    Seán Hewitt, author of Tongues of Fire
  • An urban romantic . . . powerful

    Dazed & Confused

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