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Reviews

  • Diamond-sharp, timely and urgent... Written in a distilled, minimalist prose, Assembly is illuminating on everything from micro aggressions in the workplace, to the reality of living in the "hostile environment", to the legacy of British colonialism

    Observer, Best Debuts of 2021
  • A quiet, measured call to revolution. It's about everything that has changed and still needs to change, socially, historically, politically, personally... Its impact is massive; it strikes me as the kind of book that sits on the faultline between a before and an after. I could use words like 'elegant' and 'brilliantly judged' and literary antecedents such as Katherine Mansfield/Toni Morrison/Claudia Rankine. But it's simpler than that. I'm full of the hope, on reading it, that this is the kind of book that doesn't just mark the moment things change, but also makes that change possible

    Ali Smith, author of 'How to be both' and 'Summer'
  • Assembly is brilliant. Virginia Woolf's Mrs. Dalloway meets Citizen by Claudia Rankine. Natasha Brown's ability to slide between the tiniest, most telling detail and the edifice of history, the assemblage of so many lives in so many times and places, is as breathtakingly graceful as it is mercilessly true

    Olivia Sudjic, author of 'Asylum Road'
  • It more than lives up to the hype. Propulsive, devastating, unflinching and deft... This is a heartbreaking novel that offers glimmers of hope with its bold vision for new modes of storytelling... Brown's voice is entirely her own - and Assembly is a wry, explosive debut from a coruscating new talent

    inews
  • I read it compulsively in a single sitting. Assembly expertly draws out the difficulties of assembling a coherent self in the face of myriad structural oppressions. Casting a wry look at faded aristocrats, financial insiders and smug liberals, Natasha Brown takes the conventional tics of the English novel - the repressed emotion and clipped speech - and drains away the nostalgia. What's left is something hard and true

    Will Harris, author of 'Mixed Race Superman' and 'Rendang'
  • Incredible. [Assembly] moves the English novel on. Slim book, massive importance

    Max Porter, author of 'Grief is the Thing With Feathers'
  • Assembly fulfils, with exquisite precision, Virginia Woolf's exhortation to "record the atoms as they fall upon the mind in the order in which they fall... [It] calls to mind Frantz Fanon's work on the psychic ruptures caused by the experience of being colonised, or W. E. B. Du Bois's idea of double consciousness. Assembly is the kind of novel we might have got if Woolf had collaborated with Fanon... Brown nudges us towards an expression of the inexpressible - towards feeling rather than thought, as if we are navigating the collapsing boundaries between the narrator's consciousness and our own

    Guardian
  • A powerhouse of a book

    Stylist
  • Set over 24 hours as an unnamed Black British woman prepares to attend a garden party hosted by her boyfriend's wealthy parents. With a clear eye she assesses her experience of corporate culture with its embedded racism, her awful boss, the myth of true social mobility... A short but exceptionally powerful novel from a gifted new writer

    Bookseller (Editor's Choice pick)
  • In this excoriating indictment of the white supremacy underpinning the office space, Natasha Brown shows us the triple bind under which Black British Women live. How can there be wholeness in a society which demands so often that Black women melt parts of themselves down so that the machinery can shape them anew? I have scarcely read a work of fiction which confronts me so clearly and viscerally with the nature of injustice in our contemporary moment. This is an important work from a writer I hope we'll be hearing from for a long, long time

    Kayo Chingonyi, author of 'A Blood Condition'

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