Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Ali Smith

Winter? Bleak. Earth as iron, water as stone, so the old song goes. But winter makes things visible. And Christmas is a time for family reunions, unexpected guests and evergreen truths. 
 
It's December in Cornwall and Art's mother is seeing things. Art has problems too. His girlfriend has left so he's paying Lux, a young immigrant he found on the street, to impersonate her - but Lux has no intention of sticking to the script. And Iris, Art's prodigal aunt, septuagenarian CND-er and black sheep of the family, is about to arrive with a car full of food and a throat full of protest songs. Four people, strangers and family, in a fifteen-bedroom house for Christmas - will there be enough room for everyone? 
 
Winter casts a merry eye over a bleak post-truth era with a story rooted in history, art, love and memory, protest and survival.

Winter

Autumn 2016: Daniel is a century old. Elisabeth, born in 1984, has her eye on the future. And the UK is in pieces, divided by a historic once-in-a-generation summer. Love is won, love is lost. Hope is hand in hand with hopelessness. The seasons roll round, as ever. 
Ali Smith's new novel is a meditation on a world filling up with borders, on what richness and worth are, on what harvest means. From Shakespearian jeu d'esprit, via Keatsian melancholy and the sheer bright energy of 1960s Pop Art, this first in a quartet of novels casts an eye over our own time, asking who we are, where we are, right now. 
Here is time, ever-changing, ever cyclical. Here comes Autumn.

Autumn

What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times? 
 
Spring. The great connective. 
 
With an eye to the migrancy of story over time, and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tells the impossible tale of an impossible time. In a time of walls and lockdown, Smith opens the door. 
 
The time we're living in is changing nature. Will it change the nature of story? Hope springs eternal.

Spring

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