Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Henrik Pontoppidan

The finest editions available of the world's greatest classics from Homer to Achebe, Tolstoy to Ishiguro, Proust to Pullman, printed on a fine acid-free, cream-wove paper that will not discolour with age, with sewn, full cloth bindings and silk ribbon markers, and at remarkably low prices. All books include substantial introductions by major scholars and contemporary writers, and comparative chronologies of literary and historical context.

Social realism and fairy tale combine in Lucky Per, a bildungsroman about the ambitious son of a clergyman who rejects his faith and flees a restricted life in rural Jutland for Denmark's capital city. Per is a gifted young man who firmly believes that 'you had to hunt down luck as if it were a wild creature, a crooked-fanged beast ... and capture and bind it'. He falls in with Copenhagen's Jewish community, and falls for Jakobe Salomon, a wealthy heiress, who is not only the strongest character in the book but among the great Jewish heroines of European literature. 
 Per becomes obsessed with a grand engineering scheme that he believes will both reshape Denmark's landscape and correct its minor position in the world. Eventually personal and his career ambitions alike come to grief. At the heart of Lucky Per lies the question of the relationship of 'luck' to 'happiness' (the Danish word in the title can have both meanings), a relationship which Per comes to view differently by the end of his life.

Lucky Per

Fyodor Dostoyevsky

Set in mid 19th-century Russia, Demons examines the effect of a charismatic but unscrupulous self-styled revolutionary leader on a group of credulous followers.Inspired by the true story of a political murder that horrified Russians in 1869, Fyodor Dostoevsky conceived of Demons as a “novel-pamphlet” in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia–a novel that is rivaled only by The Brothers Karamazov as Dostoevsky’s greatest. 
 
The award-winning translators Richard Pevear and Larissa Volokhonsky continue their acclaimed series of Dostoevsky translations with this novel, also known as The Possessed.

Demons

Leo Tolstoy

Written over a period of more than half a century, Tolstoy’s enchanting short stories and novellas reflect every aspect of his developing art and outlook. Volume 1 of the Everyman Collected Shorter Fiction is dominated by the characteristic experiences of his early life as soldier, land-owner, husband and father, the life which shaped Anna Karenina and War and Peace. It also includes several short fables which point to his later preoccupation with the religious life. Volume 2 reveals how these spiritual intimations flowered into a series of extraordinary late masterpieces which equal anything in the earlier novels for intensity and power. Readers of The Death of Ivan Ilych, The Kreutzer Sonata, Father Sergius, Master and Man and Hadji Murad will recognize the brilliant younger novelist, now transfigured by his passionate quest for salvation and forgiveness.

Collected Shorter Fiction Boxed Set (2 Volumes)

Dostoesky's drama of sin, guilt and redemption transmutes the sordid story of an old woman's murder by a desperate student into the nineteenth century's profoundest and most compelling philosophical novel. Grim in theme and setting, the book nevertheless seduces by its combination of superbly drawn characters, narrative brilliance and manic comedy.

Crime And Punishment

Ivan Turgenev

This volume pairs two novels, one early, one late, by Ivan Turgenev, master chronicler of nineteenth-century Russia. 
 
Nest of the Gentry (1859) was his most popular work in his lifetime, and with good reason. An elegiac story of love and loss, it is both universal and particularly Russian. The hero Fyodor Lavretsky, son of a wealthy landowner and educated in the Western style, falls romantically in love with a woman he meets at the Moscow opera; they settle in Paris. When the marriage fails, he returns to Russia, a rootless cosmopolitan or ‘superfluous man’. Back on his country estate, can he make a new start, reconcile himself to his responsibilities to the land and the people, and achieve an almost spiritual fulfilment in his love for his young cousin Liza? 
 
In Virgin Soil (1877), an older Turgenev boldly tackles the new radical politics of his era. The Tsarist regime is increasingly under challenge. Young people are flocking to the countryside to live side by side with the peasants, both to learn from them and to radicalise them. Poet Alexey Nezhdanov is an unlikely revolutionary, an over-thinking Hamlet figure, and a tragedy waiting to happen. While working as a tutor on a country estate, he is attracted to the self-assured and politically committed Marianna – an ardent idealist determined to sacrifice herself for the revolutionary cause. Turgenev, himself a liberal, deals sympathetically with his characters, respecting the seriousness of purpose of this new generation whose methods he could not endorse. Virgin Soil turned Turgenev into an international figure, and explicator of the perplexing Russian political scene (in its year of publication hundreds of young Populists were brought to trial, many receiving heavy sentences); in Russia it was roundly condemned on all sides. 
 
Turgenev was a supreme artist; in both these novels his profound humanity, his love for nature and for the Russian countryside, shine through the lyrical elegance of his prose.

Nest of the Gentry & Virgin Soil

Pierre Choderlos de Laclos

The struggle for power between two magnetic personalities, the Marquise de Merteuil and the Vicomte to Valmont, is charted through a series of brilliant letters whose shimmering surface reveals all the more clearly the cynical amorality of their authors. These former lovers manipulate innocent victims into their elaborate schemes of seduction and revenge – the teenage Cécile, just out of her convent, her sweetheart the Chevalier Danceny, Madame de Tourvel, a virtuous married woman – with appalling success until events and feelings spiral out of control, and the main protagonists turn fatally upon each other. 
Over the years Dangerous Liaisons has gathered devotees as disparate as Marie Antoinette, Baudelaire and Virginia Woolf. It has inspired plays, films, ballets, operas and TV series, but it is the original novel that best demonstrates Laclos’ unique combination of comedy and tragedy, sentiment and brutality, farce and horror; and Laclos’ own subtle prose that conveys both psychological insight and an erotic tenderness as essential to the story as the verbal fireworks.

Dangerous Liaisons

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